Relevant bibliographies by topics / Kledik (Musical instrument)

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  1. Dissertations / Theses
  2. Books
  3. Book chapters

Academic literature on the topic 'Kledik (Musical instrument)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Dissertations / Theses on the topic "Kledik (Musical instrument)"

1

Leistner, Steffi. "Klein, aber fein." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-24510.

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Im vogtländischen Musikwinkel und in direkter Nachbarschaft zu Bayern und Tschechien gelegen, befindet sich die kleinste Zweigbibliothek des Bibliothekssystems der Westsächsischen Hochschule Zwickau. Wer von Zwickau kommend nach etwa 60 Kilometern Markneukirchen erreicht, trifft nach wenigen 100 Metern auf eine sehr schön restaurierte Jugendstilvilla, die sogenannte Merz-Villa. Von außen verrät das Gebäude nicht sofort seine Bestimmung als Ausbildungsstandort für den Studiengang Musikinstrumentenbau der Westsächsischen Hochschule Zwickau mit seiner kleinen, feinen Bibliothek.
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Books on the topic "Kledik (Musical instrument)"

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Studien zur Instrumentalmusik von Gideon Klein. Bosse, 2002.

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2

Beckerman, Michael. Slow Dissolves, Full Stops, and Interruptions. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.17.

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This study looks at several musical works written in Terezin in the summer of 1944 to explore the way censorship, or what is referred to as a “censoring environment,” affects a range of musical choices. Four composers, Pavel Haas, Gideon Klein, Viktor Ullmann, and Hans Krasa use a range of suggestive allusions in their instrumental works in order to write pieces that seem to be creating a certain of kind of insistent expression. I argue that their efforts are part of an attempt to witness, or to communicate to those both inside and outside a range of secret meanings about the concentration cam
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3

Fiala, Michele L., and Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, develop
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Book chapters on the topic "Kledik (Musical instrument)"

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Fiala, Michele. "Alex Klein." In Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.003.0017.

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Brazilian oboist Alex Klein won a 2002 Grammy Award for Best Instrumental Soloist with Orchestra and first prize at the International Competition in Geneva, the New York International Oboe Competition, and the Fernand Gillet International Competition. From 1995 to 2004, Klein was principal oboist of the Chicago Symphony Orchestra, a position he left after struggles with focal dystonia. He is currently artistic director of the Santa Catarina Music Festival (“FEMUSC”) in Brazil, principal oboe of the Calgary Philharmonic Orchestra in Canada, and oboe instructor at DePaul University. In this inte
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2

Orrey, Leslie. "Solo Song." In Romanticism (1830–1890). Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780193163096.003.0009.

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Abstract SCHUBERT’S death in 1828 closed the first important chapter in the history of the Lied. The next is dominated by Robert Schumann (1810-56). Between the two, song as a genre continued to flourish, and we meet some of the composers in the pages of Schumann’s periodical, Die neue Zeitschrift für Musik, which absorbed much of his time between 1834 and 1844. They include the gifted Norbert Burgmiiller (1810–36), Josef Dessauer (1798–1876), Bernardt Klein (1793–1832), Carl Zollner (1800-60), Josef Klein (1802-62), Wenzel Veit (1806–64), and Heinrich Esser (1818-72). Schumann himself was hes
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