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Journal articles on the topic 'Kleos'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Meltzer, Gary S. ""Where Is the Glory of Troy?" "Kleos" in Euripides' "Helen"." Classical Antiquity 13, no. 2 (1994): 234–55. http://dx.doi.org/10.2307/25011015.

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Near the end of Euripides' "Helen", Helen reportedly exhorts the Greek troops to rescue her Egyptian foes: "Where is the glory of Troy (to Troikon kleos)? Show it to these barbarians" (1603-1604). Helen's rallying cry serves as a point of departure for investigating the nature and status of kleos in a play which invites reframing her question: Where, indeed, is the glory of Troy if the report of Helen's abduction by Paris is untrue? The drama deconstructs the notion of a unitary, transcendent meaning of "kleos" by demonstrating the slippage between its two root-meanings in Homer as "immortal f

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2

Tirado, Fran. "Kleos, Aidos, Nostos, & Penthos." Iowa Review 46, no. 1 (2016): 32–34. http://dx.doi.org/10.17077/0021-065x.7683.

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3

Xian, Ruobing. "ATHENA'S MENTION OF ORESTES IN HOM. OD. 1.298–302." Greece and Rome 70, no. 1 (2023): 100–110. http://dx.doi.org/10.1017/s0017383522000250.

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This article focuses on the interrelationship between two events taking place simultaneously in Odysseus’ megaron: Phemius’ performance and the conversation between Telemachus and Athena. I argue that at Hom. Od. 1.298–302 Athena, in her mention of Orestes’ kleos, refers directly to Phemius’ song that Telemachus can hear from where he is sitting. This reading sheds new light on the characters’ receptions of Phemius’ song. Between the well-known contrasting responses of the nearest and the farthest audiences – the suitors’ silence and Penelope's over-reaction – stands Athena's cognitively const

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4

Winkler, Martin M. "Homeric kleos and the Western Film." Syllecta Classica 7, no. 1 (1996): 43–54. http://dx.doi.org/10.1353/syl.1996.0024.

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5

Jones, Peter V. "The Kleos of Telemachus: Odyssey 1.95." American Journal of Philology 109, no. 4 (1988): 496. http://dx.doi.org/10.2307/295075.

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6

de Jong, Irene. "The Homeric Narrator and His Own kleos." Mnemosyne 59, no. 2 (2006): 188–207. http://dx.doi.org/10.1163/156852506777069736.

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AbstractThe Homeric narrator's celebrated reticence about his own person, work, and aspirations has led scholars to call him modest. In this paper I argue that there are enough implicit or indirect signs which point at a Homeric narrator himself aspiring to kleos, just like the heroes he celebrates.

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Lefteratou, Anna. "Achilles on the Mount of Olives: The Savior’s Agony in the Homeric Centos 1443–1616." Phoenix 77, no. 3-4 (2023): 350–73. http://dx.doi.org/10.1353/phx.2023.a942863.

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Abstract: This article explores the reconfiguration of the Iliadic heroic code in a fifth-century biblical hexametric poem, the Homerocentones , attributed to the Empress Eudocia (401–460 c.e.), centering on Jesus’ Agony on the Mount of Olives as exemplary of a new type of Christian hero: a weeping Savior who can suffer in the flesh and shed tears but also demonstrates courage and earns eternal kleos . Cet article explore la reconfiguration du code héroïque de l’ Iliade dans un poème biblique en hexamètres du vème siècle, les Centons homériques , attribués à l’impératrice Eudocie (401–460 n. è

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8

Mueller, Melissa. "Helen's Hands: Weaving for Kleos in the Odyssey." Helios 37, no. 1 (2010): 1–21. http://dx.doi.org/10.1353/hel.2010.a406972.

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9

WAGNER-HASEL, Beate. "Klytaimestra's Weapon and the Shroud for the Dead." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 134–45. http://dx.doi.org/10.47245/archimede.0009.ds1.10.

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Titre : L’arme de Clytemnestre et les linceuls pour les morts L’article discute la signification symbolique du tissu pourpre, que Clytemnestre étend sur le sol pour accueillir Agamemnon dans la tragédie d’Eschyle. Il défend l’idée que la scène d’accueil doit être perçue à travers le prisme des rites funèbres. La fabrication des draps qui accompagnent les morts dans l’immortalité et qui annoncent le kleos des morts, était une tâche importante des femmes de la maison. Les petasmata poupres et le poros porphypreos sont ainsi à interpréter comme des draps des morts, qui transforment le mari infidè

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10

Warwick, Celsiana. "The Maternal Warrior: Gender and Kleos in the Iliad." American Journal of Philology 140, no. 1 (2019): 1–28. http://dx.doi.org/10.1353/ajp.2019.0001.

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11

Battezzato, Luigi. "Objects and Memory in Sappho and Alcaeus." Classical Antiquity 43, no. 2 (2024): 217–55. http://dx.doi.org/10.1525/ca.2024.43.2.217.

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The present paper discusses the (im)permanence of objects and memory in Sappho and Alcaeus in the context of archaic Greek poetry and of their reception in antiquity. After a methodological introduction, the paper analyzes several texts by Alcaeus and Sappho, with special attention to the dynamics of proper names, family memories, and female kleos. The main texts analyzed are: Alcaeus fr. 140 Voigt; the unnoticed allusion to this fragment in Virgil, Aeneid 7.170–86; and Sappho fr. 98 Voigt.

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12

Sunčič, Maja. "Simbolika postelje v Evripidovi Alkestidi." Keria: Studia Latina et Graeca 3, no. 1 (2001): 35. http://dx.doi.org/10.4312/keria.3.1.35-50.

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Postelja se v grškem imaginariju izpisuje kot podoba, ki je neposredno povezana z različnimi institucijami in s konceptom ženskega. V Evripidovi Alkestidi postelja predstavlja mesto menjave materialnih in simbolnih vrednot. Sistem inverzije moškega in ženskega je materializiran v postelji in omogoča tako Alkestidi kot Admetu, da prestopita tradicionalne meje spolnih vlog. Admetu Alkestidina postelja prinaša legitimnost in suverenost v ojkosu in v polis, medtem ko Alkestidi smrt zaradi postelje omogoča prestop meja ojkosa ter tako kleos v pesmi in pravico do napisa na nagrobniku.

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13

Arft, Justin. "Agnoēsis and the Death of Odysseus in the Odyssey and the Telegony." Yearbook of Ancient Greek Epic Online 3, no. 1 (2019): 158–79. http://dx.doi.org/10.1163/24688487-00301007.

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Abstract This essay explores the death of Odysseus in the Telegony and the Odyssey through the diction of agnoēsis (nonrecognition) and anagnōrisis (recognition). Agnoēsis is a motif in the stories of both Telegonus and the death of Odysseus, allowing the Odyssey’s presentation of agnoēsis to reference the Telegony tradition. Moreover, the deadly consequences of agnoēsis are inimical to the Odyssey’s vision of Odysseus’s kleos, and Odysseus’s death in the Telegony results in an alternative vision of his immortality. Examination of these contrasts between traditions sheds light on how the Odyss

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14

Assunção, Juliana Cristhina Murari, and Paulo Fraga Da Silva. "O ARETÉ HEROICO E SUAS APROXIMAÇÕES COM A ÉTICA ARENDTIANA." Revista Contemporânea 3, no. 5 (2023): 3710–23. http://dx.doi.org/10.56083/rcv3n5-016.

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Este trabalho reflete sobre as aproximações das concepções éticas de Hannah Arendt com o conceito ético grego antigo, pautado no modelo heroico exposto nas epopeias homéricas: Ilíada e Odisseia e na obra aristotélica: Ética a Nicômaco. Para isso, primeiramente se faz necessário percorrer a formulação do termo “ética”. Em seguida, compreender alguns dos valores heróicos: areté e kleos. Após isso, intui-se avaliar como esses valores passam a ser apresentados pelo filósofo Aristóteles, em sua obra: Ética a Nicômaco. Por fim, busca-se traçar aproximações entre os dois modelos anteriores apresentad

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15

Warwick, Celsiana. "Sun, Moon, and Cucumbers: The Eternal and the Ephemeral in Praxilla's Adonis." American Journal of Philology 146, no. 1 (2025): 15–42. https://doi.org/10.1353/ajp.2025.a953882.

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Abstract: This article argues that the juxtaposition of the sun, moon, and stars with ripe fruits in the extant fragment of Praxilla's Hymn to Adonis reflects the opposition in Archaic poetry between man's vegetal nature and the immortality of kleos aphthiton symbolized by eternal celestial bodies. The ripe fruits represent the short-lived youth and beauty celebrated by the female-oriented Adonis festival, while the celestial bodies represent the eternal fame closely bound up with adult warrior masculinity in epic and other genres. I suggest Praxilla uses this juxtaposition to critique the mas

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16

Rees, William. "Home or Away: Homecoming, Glory, and the Good Death in Homer's Odyssey." CounterText 6, no. 1 (2020): 102–15. http://dx.doi.org/10.3366/count.2020.0184.

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This article examines the overlapping themes of the good death ( euthanasia), glory ( kleos), and homecoming ( nostos) as they are deployed in Homer's Odyssey. On both a thematic and a structural level, I argue that the text stages a confrontation between homecoming and glory – between death at home and death in battle – and that this tension is a sustaining force throughout the text. In contrast to the received interpretation that sees the Odyssey as a straightforward tale of nostalgia, I argue that in Homer's epic the relation to homecoming turns out to be surprising and complex – an event t

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17

Castro, Denise Saive. "EMPTY FATHERS AND FAILLING EMPIRES: THE DECONSTRUCTION OF MASCULINITY IN CANTO X." Via Atlântica, no. 33 (September 11, 2018): 324–41. http://dx.doi.org/10.11606/va.v0i33.140204.

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The epic poem Os Lusíadas reflects mid-sixteenth century imperial masculinity as Camões narrates the deeds of Gama and his successors mainly in a glorifying way. However, the poet also expresses his worry about a loss of glory and an analogy may be drawn between effeminacy and the failing empire. Specifically, Canto IX and X hold a rhetorical encouragement for D. Sebastião to be a “father” to his nation. This paper focuses particularly on the patrilineal construct and shows how kleos (heroic glory passed from father to son) during the imperial conquest becomes empty since patrilineality fai

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18

Castellaneta, Sabina. "Le corps d’Hécube et l’esprit d’Hector : respect et honte dans le vingt-deuxième chant de l’Iliade." Bellica. Guerre, histoire et sociétés 1 (December 12, 2024): 17–29. https://doi.org/10.70958/bellica.v1i1.2724.

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L’article traite de la représentation des sentiments opposés qui envahissent Hécube et Hector dans le vingt-deuxième chant de l’Iliade, avec une attention particulière à la conception différente de « aidōs » – à comprendre dans le double sens de « respect » et de « honte » – telle qu’elle émerge des paroles prononcées par la mère et le fils à la veille du duel fatal avec Achille, aux vers 79-89 et 99-110. Dans ce cadre, une attention spécifique est dediée à l’emploi des termes « eleos » (pitié), « kleos » (gloire), « atasthaliē » (action inconsidérée). Enfin, méritent un intérêt particulier le

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19

Grech, Victor. "WASP (Write a Scientific Paper): Kleos aphthiton , eternal glory and renown, or nostos ?" Early Human Development 122 (July 2018): 54–55. http://dx.doi.org/10.1016/j.earlhumdev.2018.04.005.

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20

ALLAN, ARLENE L. "“AM I NOT THE ONE…?” (SOPHOKLES’ PHIL. 114): NEOPTOLEMOS AND THE ALLURE OF KLEOS." Classical Journal 107, no. 1 (2011): 1–26. http://dx.doi.org/10.1353/tcj.2011.0041.

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21

Baninasab, Bahram, Mirko Tabori, Junjie Yu, et al. "Low Temperature Storage and in vitro Pollen Germination of Selected Spring Wheat Accessions." Journal of Agricultural Science 9, no. 9 (2017): 1. http://dx.doi.org/10.5539/jas.v9n9p1.

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The study was conducted to evaluate in vitro pollen germination of 50 spring wheat (Triticum aestivum L.) accessions at three storage temperatures (23 °C, 5 °C, and -20 °C). Germination of the mature pollen was measured right after harvest (0 time), and 24, 48, and 72 h after storage (HAS). Differences in fresh pollen germination between accessions were significant and ranged from 21.15% to 1.09%. Pollen germination was the lowest at 24 h at room temperature. The pollens of 24 wheat accessions (AAC Scotia, AW636, AW725, AW780, AW804, AW822, AW823, Brookfield, BRS Pardela, ECSW05, ECSW38, ECSW4

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22

Warwick, Celsiana. "To kalliston kleos: Cassandra’s Reformulation of Heroic Values in Euripides’ Trojan Women." Classical Philology 117, no. 2 (2022): 343–63. http://dx.doi.org/10.1086/718676.

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23

Macfarlane, Kelly A. "Kleos in a Minor Key: The Homeric Education of a Little Prince. by J. C. B. Petropoulos." Classical World 106, no. 4 (2013): 705–6. http://dx.doi.org/10.1353/clw.2013.0073.

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24

ARLENE L. ALLAN. "“AM I NOT THE ONE…?” (SOPHOKLES’ PHIL. 114): NEOPTOLEMOS AND THE ALLURE OF KLEOS." Classical Journal 107, no. 1 (2011): 1. http://dx.doi.org/10.5184/classicalj.107.1.0001.

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25

Larran, Francis. "De kleos à phèmè. Approche historique de la rumeur et de la renommée dans la littérature grecque ancienne, d’Homère à Polybe." Anabases, no. 11 (March 1, 2010): 232–37. http://dx.doi.org/10.4000/anabases.897.

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26

Bleisch, Pamela. "The Empty Tomb at Rhoeteum: Deiphobus and the Problem of the Past in Aeneid 6.494-547." Classical Antiquity 18, no. 2 (1999): 187–226. http://dx.doi.org/10.2307/25011101.

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Aeneas' encounter with Deiphobus forms a critical juncture in Vergil's "Aeneid". In the underworld Aeneas retraces his past to its beginning; so too Vergil's audience returns to its starting point: the fall of Troy. Deiphobus himself is a metonym of Troy, embodying her guilt and punishment. But Aeneas is frustrated in his attempt to reconcile himself to this past. Aeneas attempts the Homeric rites of remembrance-heroic tumulus and epic fama-but these prove to be empty gestures. The aition of Deiphobus' tomb is revealed to have miscarried. Rhoeteum was known as the tomb and shrine of Telamonian

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27

Nistor, Adina-Lucia. "Kloos, Klusch, (K/C)Laas, Niels, Nietsch. Patronymic formations from the first name Nikolaus." Kronstädter Beiträge zur germanistischen Forschung 25 (June 20, 2025): 105–16. https://doi.org/10.31926/kbzgf.2025.25.07.

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In Medieval Germany, the name of Saint Nicholas of Myra was the second most frequently encountered first name after John. At least 1,000 German surnames were formed from the first name Nicholas. The abundance of these surnames is attributed to the various methods of surname formation, coupled with the fact that they were pronounced and written differently in all dialects. Among the patronymics undoubtedly derived from the first name Nicholas, the following ones stand out: Kloos Niklos; Klusch Niklos, Klos, Klus;(K/C)laas Niklas; Ni(e)tsch(e) the first syllable Ni(e)- from Nikolaus and the suff

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28

Letícia, Schneider Ferreira. "DEUSAS E MONSTRAS HOMÉRICAS: OLHARES SOBRE A ARTE." Sillogés 6, no. 2 (2024): 264–84. https://doi.org/10.5281/zenodo.10583704.

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O presente artigo tem por finalidade refletir sobre a forma como as personagens femininas que não pertencem ao âmbito humano são representadas em obras pictóricas, referindo quais elementos de gênero são mobilizados ao referir tais figuras míticas. As personagens selecionadas, sejam ninfas, sejam monstras, possuem um papel fundamental para a obtenção da glória do herói Odisseu, ardiloso combatente da Guerra de Troia que foi amaldiçoado por Poseidon e encontra uma série de obstáculos que retardam seu

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29

Alden, Maureen. "J.C.B. Petropoulos Kleos in a Minor Key: the Homeric Education of a Little Prince. Cambridge MA and London: Center for Hellenic Studies, 2011. Pp. xiv + 171. £18.95/€22.50/$24.95. 9780674055926." Journal of Hellenic Studies 133 (2013): 160–61. http://dx.doi.org/10.1017/s0075426913000116.

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30

Husung, Hans-Gerhard. "Klios Pfade." Rechtsgeschichte - Legal History 2004, no. 05 (2004): 257–59. http://dx.doi.org/10.12946/rg05/257-259.

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31

Penzlin, Heinz. "Georg Klebs." Biologie in unserer Zeit 33, no. 5 (2003): 336. http://dx.doi.org/10.1002/biuz.200390127.

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32

Waldmeier, Martin. "PAUL KLEE UND CHARLIE CHAPLIN : EINE WAHLVERWANDTSCHAFT." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 8 (January 26, 2020): 60–67. https://doi.org/10.5281/zenodo.3627929.

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Wenig ist bisher über eine mögliche Rezeption der Filme von Charlie Chaplin im Werk Paul Klees bekannt. Die Ausstellung J<em>enseits von Lachen und Weinen. Klee, Chaplin, Sonderegger</em> im Zentrum Paul Klee (23.08.19 – 24.05.20) stellt das Schaffen der beiden Schlüsselfiguren der Moderne erstmals gegenüber. Sie fusst auf dem Hinweis Felix Klees, sein Vater sei bei Betrachten der Filme von Chaplin »glücklich« gewesen — wohlwissend, dass hinter der komischen Fassade Chaplins ein tragisches Schicksal stehe. Anhand von exemplar

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33

Ating, Ating. "Meningkatkan Kecepatan Efektif Membaca (KEM) dengan Menggunakan Metode Klos pada Siswa Kelas XI MIPA 2 SMA Negeri 1 Sindangkasih." Jurnal Sosial Sains 1, no. 6 (2021): 438–48. http://dx.doi.org/10.36418/sosains.v1i6.119.

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Peneletian ini merupakan penelitian tindakan kelas yang diharapkan dapat meningkatkan Kecepataan Efektif Membaca (KEM) dengan memakai metode Klos bagi siswa kelas XI MIPA 2 SMAN 1 Sindangkasih, dengan jumlah 40 siswa. Pelaksanan latihan dilakukan dalam tiga siklus. Sebelum siklus satu dijalankan maka perlu dilakukan pratindakan, yaitu identifikasi spesifik dari Metode Klos dan Kecepataan Efektif Membaca (KEM), selanjutnya dilakukan siklus satu sebagai penggunaan Metode Klos, siklus berikutnya siklus kedua adalah pelaksanaan Metode Klos, dan siklus ketiga adalah tahap pemantapaan. Tujuan peneli

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Ating, Ating. "Meningkatkan Kecepatan Efektif Membaca (KEM) dengan Menggunakan Metode Klos pada Siswa Kelas XI MIPA 2 SMA Negeri 1 Sindangkasih." Jurnal Sosial Sains 1, no. 6 (2021): 438–48. http://dx.doi.org/10.59188/jurnalsosains.v1i6.119.

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Peneletian ini merupakan penelitian tindakan kelas yang diharapkan dapat meningkatkan Kecepataan Efektif Membaca (KEM) dengan memakai metode Klos bagi siswa kelas XI MIPA 2 SMAN 1 Sindangkasih, dengan jumlah 40 siswa. Pelaksanan latihan dilakukan dalam tiga siklus. Sebelum siklus satu dijalankan maka perlu dilakukan pratindakan, yaitu identifikasi spesifik dari Metode Klos dan Kecepataan Efektif Membaca (KEM), selanjutnya dilakukan siklus satu sebagai penggunaan Metode Klos, siklus berikutnya siklus kedua adalah pelaksanaan Metode Klos, dan siklus ketiga adalah tahap pemantapaan. Tujuan peneli

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Budiarto, Rahmat, Roedhy Poerwanto, Edi Santosa, Darda Efendi, and Andria Agusta. "Preliminary study on antioxidant and antibacterial activity of Kaffir Lime (Citrus hystrix DC) leaf essential oil." Applied Research in Science and Technology 1, no. 2 (2021): 58–65. http://dx.doi.org/10.33292/areste.v1i2.8.

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This preliminary study aimed to examine the antioxidant and antibacterial activity of kaffir lime leaf essential oils (KLLEOs) in response to different growing locations and post-harvest handling. This study tested 9 samples, i.e., 8 KLLEOs with variation in growth location and post-harvest handling, and 1 standard citronellal solution. Thin layer chromatography was used to test the antioxidant and antibacterial activity of samples. Eluent in a mixture of hexane: ethyl acetate (5: 1) was chosen because it could provide a clear separation effect under visible light and after being sprayed with

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36

Gaury Febriani, Vicky Brama Kumbara, M. Afuan, Zelfi Yeni, and Hilda Mary. "Pengaruh Motivasi dan Disiplin Kerja terhadap Kinerja Pegawai Melalui Kepuasan Kerja pada Rumah Tahanan Negara Klas II B Padang." Jurnal Bisnis Kreatif dan Inovatif 1, no. 3 (2024): 72–94. http://dx.doi.org/10.61132/jubikin.v1i3.340.

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This research aims to find out how much influence work motivation and work discipline have on employee performance through job satisfaction at the Class II B State Detention Center in Padang. Documentation methods and types of primary data.. Research results obtained based on partial tests (T tests) obtained: There is a significant positive influence of motivation on job satisfaction at the Kles II B Padang State Detention Center. There is a significant positive influence of Work Discipline on Job Satisfaction at the Kles II B Padang State Detention Center. The largest or dominant value is 0.9

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Gartmann, Thomas. "VON DER FUGE IN ROT BIS ZUR ZWITSCHERMACHINE. PAUL KLEE UND DIE MUSIK." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 9 (August 11, 2020): 65–66. https://doi.org/10.5281/zenodo.3989029.

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Als Kunsttheoretiker und Pädagoge am Weimarer Bauhaus ließ sich Klee von Musik inspirieren, insbesondere von Johann Sebastian Bach. Hier wird sofort klar, welche Parameter ihn interessierten: Form und Proportionen, genauer Zahlenverhältnisse, also Abstrakta. Klee selbst wiederum diente als Inspirationsquelle und explizit als indirekter Lehrer für eine ganze Generation von Komponisten, die sich der abstrakten Kunst und der seriellen Musik verschrieben, genauer: formalen Aspekten, also wiederum Proportionen und Zahlen. Stockhausen wirkte als Vermittler von Klees Denken

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38

Noda, Yubii. "PAUL KLEE UND OSTASIEN – KRITISCHE ANALYSE DER ENTSTEHUNGSGESCHICHTE DER »SCHRIFTBILDER« VON 1916." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 8 (January 26, 2020): 4–21. https://doi.org/10.5281/zenodo.3627914.

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Paul Klee schuf 1916 einen Zyklus von Schriftbildern, bestehend aus sechs Aquarellen nach Gedichten aus dem Band <em>Chinesische Lyrik vom 12. Jahrhundert v. Chr. Bis zur Gegenwart</em> (übersetzt von Hans Heilmann, München/Leipzig 1905). Laut der bisherigen Forschung kam Klee im Jahr 1916 in den Besitz dieses Buches. Eine genaue Untersuchung der Bücher aus Klees Nachlass im Zentrum Paul Klee ergab jedoch, dass der Band ein Geschenk des Ehepaars Alexander und Zina Eliasberg an Paul und Lily Klee zu Weihnachten 1909 war. Die Eliasbergs gehörten in jener Zeit zu den wenigen,

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39

Klens, Deborah S. "Klens Responds to Lebowitz." TDR (1988-) 38, no. 3 (1994): 16. http://dx.doi.org/10.2307/1146372.

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Spence, I. G. "Thucydides, Woodhead, and Kleon*)." Mnemosyne 48, no. 4 (1995): 411–37. http://dx.doi.org/10.1163/156852595x00248.

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Lemos, Talita. "KLÉOS, NÓSTOS, ARETÉ, OIKOS." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 10, no. 19 (2021): 11–38. http://dx.doi.org/10.26512/pl.v10i19.33802.

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Pretende-se, enquanto leitura da Odisseia de Homero, analisar o papel das figuras femininas a partir dos conceitos de kléos, nóstos, oîkos e areté, a fim de se sustentar uma visão na qual ninfas, humanas e criaturas mágicas femininas seriam possibilitadoras do triunfo de Odisseu no cumprimento de sua jornada de herói. Partindo da leitura da epopeia homérica (nas traduções de Carlos Alberto Nunes, Christian Werner e Trajano Vieira) e de artigos científicos e ensaios filosóficos sobre a presença feminina, objetiva-se: 1. definir os quatro referidos conceitos no universo homérico; 2. apontar as f

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Werckmeister, Otto Karl. "KLEES GRENZEN DES VERSTANDES." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 5, Spring (2018): 4–16. https://doi.org/10.5281/zenodo.1214161.

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During the Weimar Republic (1919-1933), Paul Klee pursued a double career as a Bauhaus master and as a freelance artist on the market. In this context, his painting <em>Grenzen des Verstandes</em> from 1927 and his essay <em>Exact Experiments in the Field of Art </em>(1928) have programmatic significance. In both the picture and the text, Klee explores the debates of that time on the technological orientation of modern art.

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Alekseev, P. I., and A. A. Gnilovskaja. "The diversity of Pinaceae pollen cones from Baltic amber (late Eocene)." Palaeobotany 7 (2016): 47–55. http://dx.doi.org/10.31111/palaeobotany/2016.7.47.

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The analisys of morphological variability of Pinaceae pollen cones from Baltic amber confirm the presence of four Pinus species: P. wredeana (Goepp. et Berendt) Casp., P. reichiana (Goepp. et Berendt) Conw., P. kleinii Conw and P. multicellularis Casp. et Klebs. The taxonomical position of Piceites schenkii Casp. et Klebs is remain unclear. The factor analysis was efficient for separation of taxa with overlapping features. New data confirm that ancient Pinus species were source of resin transformed in Baltic amber.

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Johirman, Johirman. "MENINGKATKAN KECEPATAN EFEKTIF MEMBACA (KEM) DENGAN MENGGUNAKAN METODE KLOS SISWA KELAS XI IPA 2 SMA NEGERI 6 BENGKULU SELATAN." Diksa : Pendidikan Bahasa dan Sastra Indonesia 2, no. 1 (2016): 22–32. http://dx.doi.org/10.33369/diksa.v2i1.3223.

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Effective speed reading has a very important role, because with the fast reading and reading comprehension ability of qualified person could master of science and technology. Indonesian reading habits unfavorable impact negatively on the level of legibility of a person or a student. To overcome this much needed effort and creativity of teachers. Klos in the application of the method of learning to read is one way to solve the problem. The research objective of this class action is to increase the Effective Speed Reading (KEM) using klos class XI IPA 2 SMA Negeri 6 South Bengkulu This classroom

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dos Santos, Douglas Manoel Antonio de Abreu Pestana. "Notas sobre o Kléos na Ilíada e Odisseia." Convergências: estudos em Humanidades Digitais 1, no. 01 (2023): 231–35. http://dx.doi.org/10.59616/conehd.v1i01.37.

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Este ensaio foi elaborado a partir da reflexão que enlaça a Literatura Clássica: Poesia Homérica, que tem como tema: a representação do kléos na Ilíada e Odisseia. Como suporte teórico foi utilizado três textos: “As relações entre retorno e glória na Odisséia” de Adriane da Silva Duarte, “A ambigüidade do kléos na Odisséia” de Christian Werner e “A bela morte e o cadáver ultrajado” de Jean-Pierre Vernant. Além desses, pesquisamos e selecionamos o artigo: “A identidade de Ulisses” de Trajano Vieira.

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Kotlewski, Dariusz, and Mirosław Błażej. "The methodology of KLEMS productivity accounting and its implementation in Polish conditions." Wiadomości Statystyczne. The Polish Statistician 61, no. 9 (2016): 86–108. http://dx.doi.org/10.5604/01.3001.0014.1098.

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The article presents the origins of the KLEMS Growth and Productivity Accounts, that is descendant from the Solow’s well known economic growth decomposition. They discuss further the methodological details of the Accounts, present the international context and the implementation aspects of the KLEMS Growth and Productivity Accounts in Poland, that is actually being performed in the Central Statistical Office of Poland (CSO). They focus on the specific data environment for this productivity accounts in Poland. Specific techniques of data pre-calculation are presented for the two primary factors

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Fuchs, Walther, and Okuda. "Paul Klee 'das kranke Herz' 1939, 382 (A2) - Neues zur Provenienz und Werksignatur." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien (ISSN 2297-6809 ) 4, Autumn (2017): 81–83. https://doi.org/10.5281/zenodo.1038645.

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Paul Klees Spätwerk <em>das kranke Herz,</em> 1939, 382 (A2) war zuletzt in der Ausstellung <em>Paul Klee und die Surrealisten</em> zu sehen, die vom 18. November 2016 bis 12. März 2017 im Zentrum Paul Klee, Bern stattfand. Die Arbeit wurde in der Ausstellung zum Themenkreis »Eros und Sexualität« gezählt. Als Ergänzung und Korrektur zu den Angaben im Catalogue raisonné Paul Klee (Band 8, Nr. 8087) wird in der Folge der Versuch unternommen die Provenienz des Werks neu zu rekonstruieren und im Speziellen Klees Signatur auf dem Bild kritisch zu bewerten.

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Altrichter, Rudolf. "Paul Klee und die Romantik. Über den Transzendentalismus in der modernen Malerei." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 17 (May 31, 2025): 5–26. https://doi.org/10.5281/zenodo.15564522.

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Klees Anknüpfung an die romantische Poetik ist gut dokumentiert. Weniger bekannt ist, dass nicht nur diese Poetik, sondern auch Klees eigene Arbeiten im Transzendentalismus Kants eine erkenntnistheoretische Grundlage hatten, die man den oft esoterisch anmutenden Motiven von Werken Klees auf den ersten Blick vielleicht nicht ansieht. Das bedeutet nicht, dass Klee direkt einen &rsaquo;kantischen Ansatz&lsaquo; verfochten hätte, aber ein inhaltlicher Zusammenhang besteht sowohl indirekt als auch in der Konsequenz. Die Frühromantiker operierten auf der von Kant in der Einbildun

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Rottmann, Michael. "PAUL KLEES »HONIGSCHRIFT«: ÜBERLEGUNGEN ZUM VERHÄLTNIS VON AUTOMATISMUS, AUTOMATISIERUNG, MASCHINEN UND MATHEMATIK." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 9 (August 11, 2020): 42–61. https://doi.org/10.5281/zenodo.4390555.

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In dieser Studie wird Paul Klees Schaffen und sein künstlerisches Denken erstmals gemeinsam über die Mathematik, Maschine, Automatisierung und den Automatismus in den Blick genommen, da diese Konzepte, wie zu zeigen sein wird, bei ihm in einem Beziehungsviereck aufzufassen sind. Es ist bekannt, dass sich Klees künstlerische Arbeit im Spannungsverhältnis von Konstruktion und Intuition bewegte: Dem Mathematischen, wie darzulegen sein wird, kam dabei eine erhebliche Rolle zu. Dementgegen praktizierte er einen Modus der Zeichnung, den er »Honigschrift« nannte, der m

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Assunção, Teodoro Rennó. "Ulisses e Aquiles repensando a morte (Odisséia XI, 478-491)." Kriterion: Revista de Filosofia 44, no. 107 (2003): 100–109. http://dx.doi.org/10.1590/s0100-512x2003000100008.

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Breve comentário de um trecho célebre do diálogo entre Ulisses e a psukhé de Aquiles no Hades (Odisséia XI, 478-491), a partir da discussão da hipótese de leitura de Karl Rüter que percebeu aí uma inversão dos papéis tradicionais dos dois heróis em tensão: Ulisses deplorando os sofrimentos do seu nóstos («retorno») e exaltando o kléos («glória») de Aquiles, e a psukhé de Aquiles, por sua vez, desprezando o seu kléos imperecível e valorizando, face ao estado ínfimo de morto, qualquer forma de vida (mesmo a socialmente mais baixa), ou seja: a continuidade da vida implícita no nóstos.

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