Academic literature on the topic 'Klephts'

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Journal articles on the topic "Klephts"

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Bagayeva, Anetta. "Literary and Historical Sources in the Poem «The Celliot» by Yakov Polonsky." Izvestia of Smolensk State University, no. 3 (51) (November 2, 2020): 48–59. http://dx.doi.org/10.35785/2072-9464-2020-51-3-48-59.

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Yakov Polonsky’s poem «The Celliot», as it was thought in Soviet times, was rejected by Nikolay Nekrasov due to its content that was far from the Eastern
 question, although Nekrasov also mentioned its volume as the reason for refusal. Polonsky did not agree to reduce it. However, «The Celliot» was a critical
 response to the aggravation of the Balkan conflict. Polonsky, in order to retouch
 the meaning, formally relies on the tradition of the Byronic poem, which is
 manifested in the characters’ system, the chronotopos, motives of alienation and
 tragic love. In this
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Kotoulas, Ioannis E. "The geopolitics of the 1821 Greek Revolution." Open Military Studies 2, no. 1 (2022): 224–36. http://dx.doi.org/10.1515/openms-2022-0131.

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Abstract This chapter analyses the geopolitics of the Greek Revolution and provides an in-depth examination of the specific demographic and geographic factors that contributed to the Revolution’s outbreak and consequences. The chapter probes the geopolitical framework of interstate relations at the opening of the nineteenth century; the topography and characteristics of the spatial area of the Revolution; the human capital that facilitated the rebels (e.g. klephts, armatoloi, sailors, merchants, and intellectuals); and the strategic plans of the powers involved (great and small). The chapter r
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Doran, S. P. "Klepto." Cogito 4, no. 3 (1990): 198–202. http://dx.doi.org/10.5840/cogito19904340.

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Gaffney, Loretta. "Klepto (review)." Bulletin of the Center for Children's Books 59, no. 8 (2006): 370. http://dx.doi.org/10.1353/bcc.2006.0252.

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Mutavdzic, Predrag, and Sasa Djordjevic. "Some types of introductory formulas in Greek klephtic (heroic) epic." Balcanica, no. 44 (2013): 93–111. http://dx.doi.org/10.2298/balc1344093m.

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Certain types of introductory formulas typical of klephtic epic songs are synoptically demonstrated and analyzed. The introduction outlines the historical development of this category of folk songs, based on occasionally opposing views of literary historians and scholars concerned with the study of Greek folklore. The analysis, performed on a selected corpus of Greek klephtic epic songs, reveals basic structural principles that the anonymous folk singer abided by whilst composing these songs.
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Satria, Muhammad Affan, and A. Syifa'ul Qulub. "PROGRAM PEMBERDAYAAN EKONOMI MUALAF: STUDI KASUS PROGRAM KAMPUNG INSPIRATIF DAN MANDIRI DESA KLEPU OLEH LMI." Jurnal Ekonomi Syariah Teori dan Terapan 6, no. 3 (2020): 555. http://dx.doi.org/10.20473/vol6iss20193pp555-567.

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This study aims to understand the role of LMI in Klepu’s muslim convert economic empowerment. This research is a descriptive qualitative study using a case study method. The data in this study were obtained through interviews with program manager of LMI in Madiun, the assistant of the local community, and also the recipients of the program. The results of this study indicate that LMI has a role in economic empowerment of Klepu’s muslim convert, including: as a community facilitator, as a liaison or support between economically supported Muslims with the help of converts who are one of the grou
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Pappas, Nicholas. "European Officers and the Mainland Irregular Forces on the Ionian Islands, 1798–1814: A Comparison of Command and Tactics." ATHENS JOURNAL OF MEDITERRANEAN STUDIES 7, no. 2 (2021): 119–42. http://dx.doi.org/10.30958/ajms.7-2-3.

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In the era of the Napoleonic wars, the Ionian Islands off the western coasts of Greece and southern Albania became a base of operations and an area of conflict in the Mediterranean in the years 1797–1814. In that period, Republican French, Russian, Imperial French, and British forces successively occupied these Greek-populated islands, formerly Venetian possessions. Each of these powers attempted to establish a nominally independent "Septinsular Republic" under their protectorate. There were efforts by all of these powers to organize native armed forces, some raised from among refugees from th
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Xiao, Dianyan, and Yang Yu. "Klepto for Ring-LWE Encryption." Computer Journal 61, no. 8 (2018): 1228–39. http://dx.doi.org/10.1093/comjnl/bxy060.

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Bhandari, Shweta, Frederic Herbreteau, Vijay Laxmi, Akka Zemmari, Manoj Singh Gaur, and Partha S. Roop. "SneakLeak+: Large-scale klepto apps analysis." Future Generation Computer Systems 109 (August 2020): 593–603. http://dx.doi.org/10.1016/j.future.2018.05.047.

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Hamilton, John Maxwell. "Is There a Klepto in the Stacks?" Library & Archival Security 12, no. 1 (1994): 47–54. http://dx.doi.org/10.1300/j114v12n01_06.

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Dissertations / Theses on the topic "Klephts"

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Avenant, Casper S. "Quantifying predation on sea turtle eggs and emerging hatchlings by ghost crabs and other native predators." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2023. https://ro.ecu.edu.au/theses/2681.

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High predation rates on sea turtle eggs and hatchlings, in combination with other pressures, are likely having a significant impact on sea turtle numbers, which is a particular issue for breeding populations of threatened or endangered sea turtle species. Yet, comprehensive assessments of predation on eggs and hatchlings combined are lacking. This study aimed to quantify the levels of predation on eggs and hatchlings by a range of predators, and the importance of eggs and hatchlings to the diets of ghost crabs, which are known predators of early life phases of turtles and have been observed to
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Books on the topic "Klephts"

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Papakōnstantinou, Thōmas Vas. Ho klephtarmatolos Meintanēs: Henas thrylos stēn historia, 17os aiōnas. Ekdoseis Olympos, 1998.

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Theotokas, Nikos, 1956- writer of foreword, Matthaiou Anna editor, and Polemē Popē editor, eds. Prōtogonē epanastasē: Armatoloi kai klephtes (18os-19os ai.). Ekdoseis EAP, 2019.

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1979-, Lapointe Dominic, ed. Klepto. La Courte échelle, 2011.

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Pollack, Jenny. Klepto. Penguin USA, Inc., 2009.

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s, Koste s. Gkimosoule. To sto ma klephte s. Kedros, 1986.

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Grammenos, Dēmētrēs. Ho GDPR kai hoi 40 klephtes. Panepistēmiakes Ekdoseis Krētēs, 2020.

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Atwood, Margaret Eleanor. Hē klephtra kissa. Ōkeanida, 1996.

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Aktsoglou, Bampēs. Apo ton Klephtē Podēlatōn sto Kazino Rouagial. Phestival Kinēmatographou Thessalonikēs, 2007.

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Botsos, Giōrgos. Ho klephtēs tou kitrinou: Kai alles histories. Ekdoseis Topos, 2017.

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Doitsinēs, Takēs. Klephtēs: Grammos, 1946-1949. Ekdot. Oikos Adelphōn Kyriakidē, 1994.

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Book chapters on the topic "Klephts"

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Kwant, Robin, Tanja Lange, and Kimberley Thissen. "Lattice Klepto." In Selected Areas in Cryptography – SAC 2017. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-72565-9_17.

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Rosefielde, Steven. "Klepto-Banking: Systemic Sources of Russia’s Failed Industrial Recovery." In Deregulation and the Banking Crisis in Nigeria. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1007/978-1-349-65081-1_9.

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"klepht, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/8325899203.

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"klepto, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/8912817271.

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"IL KLEPTO BISBINOS." In Cristina Trivulzio Di Belgiojoso. Recuerdos del exilio. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv282jgkh.13.

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"klepto-, comb. form." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/5968983497.

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Ferk, Ana, Anemarie Hrastnik, Katja Čarni, and Nace Srebre. "Snapchat." In Analitični pogled na najvidnejše družbene medije v letu 2023. Univerza v Mariboru, Univerzitetna založba, 2023. http://dx.doi.org/10.18690/um.feri.7.2023.7.

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Aplikacija Snapchat je družbeni medij, ki omogoča slikovno, tekstovno in video komunikacijo. Glavna naloga Snapchata je deljenje informacij med znanci, družino in prijatelji. Hkrati omogoča ohranjanje stikov z ljudmi, ki jih poznamo in z njimi nimamo veliko kontakta ali pa preprosto želimo spoznati nove ljudi. Ciljna skupina Snapchata so pretežno mladostniki, starejši od 13 let, ampak je hkrati namenjen vsem ostalim, ki želijo uporabljati aplikacijo. Za uporabo aplikacije se mora ustvariti profil, ki prikazuje naše uporabniško ime, lastno ime ter po zaslugi aplikacije Bitmoji, tudi karakter, ki ga ustvarimo sami in prikazuje našo podobo. Ta karakter lahko uporabljamo v klepetu in Snapih (slikovno ali video sporočilo). S pošiljanjem Snapov določeni osebi začnemo zbirati točke oz. “ogenjčke“, ki prikazujejo koliko dni se že pogovarjamo z osebo. Ogenjčki so vidni tudi na lastnem profilu ter v Snapchat Insights, ki prikazuje različne metrike, kot so ogledi naših zgodb in število sledilcev. S temi podatki lahko vidimo, kako uspešni smo na aplikaciji in celo služimo denar skozi ustvarjene leče, AR filtre ter oglase.
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Čurin, Adrian, Ana Romih, Filip Berko, Miha Moleh, Žiga Pukl, and Saša Brdnik. "Discord." In Analitični pogled na najvidnejše družbene medije v letu 2023. Univerza v Mariboru, Univerzitetna založba, 2023. http://dx.doi.org/10.18690/um.feri.7.2023.1.

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To poglavje vključuje analizo družbenega medija Discord, ki je bil prvotno ustanovljen za reševanje problematike komunikacije med posamezniki med igranjem iger. Poglavje zajema analizo razvoja, osnovnih in naprednih konceptov družbenega medija, metrik uspešnosti in aktualnih znanstvenih spoznanj o Discordu. Pri tem so prisotnost, deljenje in pogovori prepoznani kot najpomembnejši izmed osnovnih analiziranih konceptov. Discord je platforma družbenih medijev, kjer lahko uporabniki spremenijo svoj videz in se identificirajo. Uporabniki so identificirani z uporabniškim imenom, ki si ga izbere uporabnik, in naključno ustvarjeno štirimestno številko, imenovano tag. Discord je platforma družbenih medijev, ki zagotavlja analitiko o angažiranosti uporabnikov, demografiji občinstva, dejavnosti sporočanja, glasovni dejavnosti in dejavnosti utišanja. Priljubljenost Discorda iz leta v leto raste, v letu 2023 je aplikacija dosegla kar 563 milijonov mesečno aktivnih uporabnikov. V zadnjih letih aplikacija postaja vse bolj priljubljena tudi za različne interesne skupine, ne le za igričarje, kar sovpada tudi s prenovljenim sloganom Discorda; "Chat for Communities and Friends" (op. prev. "Klepet za skupnosti in prijatelje").
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Košir, Ana, Anja Molnar, Zala Zorko, and Ajla Porić. "Zapper." In Sistematična analiza decentraliziranih družbenih medijev. Univerza v Mariboru, Univerzitetna založba, 2024. http://dx.doi.org/10.18690/um.feri.3.2024.19.

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Zapper je decentraliziran družben medij spleta 3.0, ki daje poudarek decentraliziranim financam, t. i. DeFi, verigam blokov nezamenljivih žetonov, t. i. NFT in decentralizirani avtonomni organizaciji oz. DAO. Uporabniki Zapperja lahko z DeFi sredstvi upravljajo, kar preko platforme same, potrebujejo le povezavo denarnic in ustvarjen profil. Za sliko lahko uporabijo personaliziran avatar ali NFT. Tako si uporabniki zgradijo lasten Zapper portfolio ter spremljajo svojo pot in sledijo drugim uporabnikom Zapperja. Ti lahko trgujejo z nezamenljivimi žetoni in jih izmenjujejo s kripto valuto Ethereum, ki je na Zapperju najbolj popularna, kljub temu pa so podprte tudi druge platforme in njihova sredstva. Uspešne naložbe in transakcije uporabnikov so vidne na profilu, kar pa uporabnikom pomaga pri pridobivanju sledilcev in posledično tudi na slovesu. Čeprav je portfolio viden vsem na mediju, ta nikoli ne razkriva osebnih podatkov, saj gre za decentraliziran družbeni medij. Zapper uporabnikom poleg možnosti sledenja drug drugemu, omogoča tudi povezovanje z ostalimi uporabniki, bodisi preko verižnega klepeta, t. i. Chainchat, ali preko zamenjave žetonov, t. i. swaps, med ostalimi uporabniki. Zapper velja za enega najbolj perspektivnih, v zadnjih mesecih je število ogledov naraslo za več kot milijon. Poglavje podrobneje predstavljena sistematično analizo decentraliziranih družbenih medijev, s poudarkom na Zapperju.
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Kavaš, Karin, Matic Lesar, Sara Škerban, and Nika Štrucl. "Twitch." In Analitični pogled na najvidnejše družbene medije v letu 2023. Univerza v Mariboru, Univerzitetna založba, 2023. http://dx.doi.org/10.18690/um.feri.7.2023.9.

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Namen našega prispevka je predstaviti družbeno omrežje Twitch, ki je spletna platforma namenjena prenašanju v živo. Ustvarjena je bila 6. junija leta 2011. Na Twitch-u lahko gledalci z vseh strani sveta komentirajo na dogajanje v prenosih ter s tem tvorijo navidezne skupnosti. Klepet v živo skupnosti na Twitch-u zagotavlja osnovo za oblikovanje močnejših medsebojnih odnosov. Na platformi se najboljši odnosi gojijo med doživljanjem skupnih trenutkov v živo na kanalu ustvarjalca vsebine. Twitch ceni zasebnost uporabnikov, naročnikov, založnikov, članov in drugih, ki obiskujejo in uporabljajo storitve Twitch-a ter želi, da so uporabniki seznanjeni s tem, kako zbirajo, uporabljajo in razkrivajo osebne podatke o uporabnikih. Twitch prepoveduje uporabnikom, da bi vztrajno delili dezinformacije na njem ali zunaj njega. Twitch prav tako omogoča uporabo funkcionalnosti VOD. VOD (»Video on Demand«) ali »video na zahtevo«, je arhiv vsebine, ki je bila predvajana v živo. Poleg ogledovanja prenosov v živo Twitch ponuja tudi to možnost. Uporaba teh videoposnetkov lahko pomaga pri rasti kanalov ter gledalcem omogoča, da si ogledajo vsebino, ki bi jo sicer zamudili.
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Conference papers on the topic "Klephts"

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Yang, Zhaomin, Tianyuan Xie, and Yanbin Pan. "Lattice Klepto Revisited." In ASIA CCS '20: The 15th ACM Asia Conference on Computer and Communications Security. ACM, 2020. http://dx.doi.org/10.1145/3320269.3384768.

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