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Relevant bibliographies by topics / Klosterneuburg

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Academic literature on the topic 'Klosterneuburg'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Klosterneuburg"

1

Norton, Michael L., and Amelia J. Carr. "Liturgical Manuscripts, Liturgical Practice, and the Women of Klosterneuburg." Traditio 66 (2011): 67–170. http://dx.doi.org/10.1017/s0362152900001124.

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For over a century, liturgical manuscripts from the Augustinian priory at Klosterneuburg have tended toward a misleading androgyny. While scholars have long known that Klosterneuburg was a double house, with separate precincts for men and for women, many have been content to regard the liturgical manuscripts preserved there as reflecting the institution as a whole, or of the men in particular. To be sure, some manuscripts have always been recognized as women's books. For other manuscripts, though, such gendered associations have proven elusive. Nowhere is this more clearly evident than in discussions of Klosterneuburg's twelfth-century antiphoners (A-KN 1010, A-KN 1012, and A-KN 1013). Among the earliest musical manuscripts in German-speaking Europe to show pitches on a staff, these manuscripts have been seen by many scholars as reflecting the use of Klosterneuburg generally, if at all, while a few scholars have associated them with the women of Klosterneuburg specifically. Whether the result of an unusual placement for the feast of the Dedication of the Church or the conformance of the musical notation with that of manuscripts known to be associated with the women, the occasional assignments of the twelfth-century antiphoners to Klosterneuburg's women were more a consequence of what was not known about the women and their liturgical practice (the date for their church's dedication, for example) than of what was known. The very lack of information about the liturgical practice of Klosterneuburg's women, moreover, has cloaked an even larger obstacle to understanding the liturgical manuscripts used by the women and the liturgy that was expressed within them. For all the attention given these manuscripts, and for all the consideration given to the possible connection between these manuscripts and the canonesses, few scholars have considered the possibility that the liturgy celebrated by Klosterneuburg's women might have been independent from that of the men.

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Boulasikis, Dimitrios, Susanne Stökl, and Ullrike Zeger. "Stift Klosterneuburg." Carnuntum Jahrbuch 1 (2016): 95–131. http://dx.doi.org/10.1553/cjb_2014s95.

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Boukal, Jan. "Maria Theisen (Hg.), Gotteskrieger: der Kampf um den rechten Glauben rund um Wien im 15. Jahrhundert, Klosterneuburg [2022]." AUC HISTORIA UNIVERSITATIS CAROLINAE PRAGENSIS 63, no. 2 (April 29, 2024): 218–19. http://dx.doi.org/10.14712/23365730.2024.11.

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4

Unterbrunner, Agnes, and Cornelia Peka. "The short Collection of Remedies in Klosterneuburg, CCI 1107 Das kleine Rezeptar in der Klosterneuburger Handschrift 1107." Zeitschrift fuer deutsches Altertum und Literatur 149, no. 2 (April 1, 2020): 210–23. http://dx.doi.org/10.3813/zfda-2020-0010.

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This article examines a yet unedited remedy collection in CCl 1107, a late-medieval manuscript from Klosterneuburg canonry. The anthology is partly directed towards a female audience. Several of the 53 paragraphs cover gynaecological conditions and beauty problems, while others for instance concern blends of spices and incantations. The complete transcription is supplemented by explanatory notes. Dieser Artikel behandelt eine noch unedierte Rezeptsammlung in der spätmittelalterlichen Klosterneuburger Handschrift CCl 1107. Das Rezeptar richtet sich zum Teil an ein weibliches Publikum. Einige der 53 Absätze befassen sich mit Frauenleiden und Schönheitsproblemen, während andere etwa Gewürzmischungen und Beschwörungen beinhalten. Die vollständige Transkription wird durch Anmerkungen ergänzt.

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Weigl, Von Huberta. "DIE KAISERZIMMER IM STIFT KLOSTERNEUBURG." Wiener Jahrbuch für Kunstgeschichte 51, no. 1 (December 1998): 115–44. http://dx.doi.org/10.7767/wjk.1998.51.1.115.

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Perutková, Jana. "Klosterneuburger Librettodrucke aus dem 18. Jahrhundert – neu bewertet." Musicologica Brunensia, no. 2 (2022): 5–27. http://dx.doi.org/10.5817/mb2022-2-1.

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The music collections of the monasteries and convents in Central Europe contains many interesting sources. To date, they have been only partially accessed and catalogued. Furthermore, not only the music itself has to be considered, but also various other types of sources such as librettos, periochæ, inventories, invoices, requests, diaries, correspondence etc. These sources need to be described and evaluated in a detailed manner, and only on this basis may questions about the interweaving of repertoire or personnel between the different monasteries – both in the field of liturgical and secular music – arise. The aim of this paper is to take a closer look at a valuable source material, namely the libretti preserved in Klosterneuburg Abbey. The Klosterneuburg libretto collection currently contains a total of 77 exemplars in three different groups. The oldest prints date from the last decade of the 17th century to the most recent from 1765. The largest proportion is made up of the Lenten oratorios and those oratorios performed at the Holy Sepulchre during Holy Week (46 pieces). The second group represents a series of oratorios in honour of St. John of Nepomuk (14 pieces), and the last comprises various homage and occasional works (17 pieces). This paper follows on from the essay by Otto G. Schindler, who did the fundamental cataloguing of the libretti in the library of the Augustinian canons' monastery of Klosterneuburg in the second half of the 20th century. This text attempts to classify the librettos of the Abbey library according to the current state of research and to present some interesting examples.

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7

Haidinger, Alois. "Drei Determinations-Ankündigungen aus dem Stift Klosterneuburg." Wiener Jahrbuch für Kunstgeschichte 46-47, no. 1 (December 1994): 237–44. http://dx.doi.org/10.7767/wjk.1994.4647.1.237.

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8

Studeničová, Hana. "From Moravská Třebová to Klosterneuburg: to the fate of one part book." Musicologica Brunensia, no. 2 (2023): 79–92. http://dx.doi.org/10.5817/mb2023-2-7.

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Not many Renaissance musical sources survived to this day from the region of Moravia. Other sources, however, may also testify to what repertoire was performed in the churches in the sixteenth and the early seventeenth centuries. These include music inventories, for example, which survived in the case of some Moravian towns already from the late sixteenth century and, more numerously, from the seventeenth and the eighteenth centuries. One such inventory was written in 1644 in Moravská Třebová and it captures the actual form of the music collection of the local Parish Church of the Assumption of the Blessed Virgin Mary. The inventory lists about sixty pieces of musical manuscripts and printed sheet music, most of them containing compositions by Baroque composers of the first half of the seventeenth century, in addition to some works by Renaissance composers. Except for three medieval liturgical codices, no sheet music survived from this music collection. This fact, however, has changed recently. A tenor book (a composite volume of four Nuremberg prints from the turn of the sixteenth and the seventeenth centuries – those of Kaspar Hassler, Christoph Demantius, and Valentin Haußmann), which had originally been part of the music collection in Moravská Třebová, has been identified among the holdings of the Klosterneuburg Abbey. In a 1644 music inventory written in Moravská Třebová, this composite volume figures as the thirty-second item. The part book probably made its way to Klosterneuburg only in the nineteenth century, i.e., it had been in practical use in the church in Moravská Třebová and not in the Klosterneuburg Abbey. This study aims to describe the facts we know about this part book and, at the same time, formulate some hypotheses and questions related to its transfer from the Czech Republic to Austria.

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9

Lützelschwab, Ralf. "Clemens T. Galban, Provost Georg Muestinger and the Introduction of the Raudnitz Reform into Stift Klosterneuburg 1418-ca. 1421. Vita regularis, Abhandlungen, 77. Zürich: LIT-Verlag, 2020, 296 S." Mediaevistik 34, no. 1 (January 1, 2021): 485–87. http://dx.doi.org/10.3726/med.2021.01.127.

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Abstract: Forderungen nach einer tiefgreifenden Reform von Mönchs- und Kanonikergemeinschaften wurden nicht erst auf dem Konzil von Konstanz (1415-1417) erhoben. Bereits zuvor hatte es auch innerhalb der Orden immer wieder Versuche gegeben, sich an die jeweils eigenen Ursprünge zu erinnern und daraus reformatorische Handlungsanleitungen für die Gegenwart abzuleiten. Vorliegende Dissertation, Frucht intensiver Quellenarbeit, widmet sich einer dieser Reformbewegungen, genauer: der Raudnitzer Reform. Der Verfasser, Clemens T. Galban, ein aus den Vereinigten Staaten stammender Augustinerchorherr, konnte dabei auf die reichen Bestände von Stift Klosterneuburg zurückgreifen. Galban berichtet in zehn eingängig geschriebenen Kapiteln davon, wie all das, was Kirche und Welt in den ersten Jahrzehnten des 15. Jahrhunderts bewegte, sich in der Reform eines einzigen Stifts, eben Klosterneuburg, verdichtete. Er erzählt eine ,,individual story“ (1), als deren Protagonist der Vorsteher des Stifts, Georg Muestinger, erscheint. Die sog. Raudnitzer Reform, von der hier die Rede ist, wurde bisher zwar als Gesamtphänomen immer wieder gewürdigt, jedoch nicht auf die Befindlichkeiten eines einzigen Stiftes heruntergebrochen. Untersucht werden also Reformimpulse auf der Mikroebene.

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Stamnestrø, Ole Martin. "The Germanic Liturgical Movement: Maria Laach and Klosterneuburg." Antiphon: A Journal for Liturgical Renewal 17, no. 1 (2013): 87–102. http://dx.doi.org/10.1353/atp.2013.0004.

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Dissertations / Theses on the topic "Klosterneuburg"

1

Lacoste, Debra S. "The earliest Klosterneuburg antiphoners." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ60206.pdf.

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2

Kieser, Clemens. "Die Memorialmonstranzen von Ingolstadt und Klosterneuburg : Studien zur Ikonologie der barocken Goldschmiedekunst /." Heidelberg : Univ.-Bibl, 1998.

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Kieser, Clemens [Verfasser], and Dr Carsten-Peter Warncke [Akademischer Betreuer]. "Die Memorialmonstranzen von Ingolstadt und Klosterneuburg: Studien zur Ikonologie der barocken Goldschmiedekunst / Clemens Kieser ; Betreuer: Dr. Carsten-Peter Warncke." Heidelberg : arthistoricum.net, 2006. http://d-nb.info/1204834687/34.

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4

Niederdoeckl, Elisabeth <1995&gt. "Il programma dell'ambone di Klosterneuburg e Gerhoch von Reichersberg, L’influenza delle riforme ecclesiastiche del XII secolo sull’arte d’oltralpe: Austria." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18871.

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My Thesis studies the ambo of Nicholas of Verdun (activity 1180-1205) from a paleographical, iconographical, epigraphical, and theological standpoint. Successive to a study on the state of the literature, I established and distinguished the role attributed to the ambo in the XII century romanesque basilica of Klosterneuburg. Moreover, by examining the employed materials and technique, I identified the origin, the role of the artist, as his workshop, for this particular commission. It follows the paleographic analysis of the redialed commissioner inscription, which revealed similarities with manuscripts realized in abbeys located nearby, which, like the one of Klosterneuburg, were restored in those years following the gregorian reform: this circumstantial aspect allowed me to question the discussion on the existence of a reformed art (arte riformata). Furthermore, to understand the purpose the commission of the Verduner Altar had, I opposed the literary production of the local theologian Gerhoch von Reichersberg ( 1098-1168) combined with the ones of the main theologians known at that time, as Ugo of St. Victor (1096-1141) and Honorius Augustodunensis (1080-1151), with the complex program of the representations as to the inscriptions of the Verduner Altar. The results of this comparison gave me the possibility to mark the potential existence of a reformed art in the XII century and by acknowledging that the abbey of Klosterneuburg was a double one, I parse the role of the Virgin and the other women throughout those particular circumstances of reformations and contingencies. Consequently, my entire thesis is based on a comparative study that underlines how and why one may actually acknowledge the existence of reformed art in Austria. My research becomes a new chapter within the studies of art by identifying the phenomena of Reformed Art as an international one, spread in more than just a few communities.

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Books on the topic "Klosterneuburg"

1

Bäck, Wolfgang. Anton Bruckner und Klosterneuburg. Wien: Manz Crossmedia, 2006.

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2

Michael, Duscher, Otruba Gustav, and Röhrig Floridus, eds. Klosterneuburg: Geschichte und Kultur. Klosterneuburg: Mayer & Comp., 1992.

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Bäck, Wolfgang. Anton Bruckner und Klosterneuburg. Wien: Manz Crossmedia, 2006.

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4

Elmar, Schmidinger, ed. Die Capella Speciosa in Klosterneuburg. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 2013.

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5

Gottfried, Knapp, and Richters Christian, eds. Heinz Tesar, Sammlung Essl, Klosterneuburg. Stuttgart: Axel Menges, 2000.

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6

Klosterneuburg, Stift, ed. Die Schatzkammer im Stift Klosterneuburg. [Dössel]: Verglag Janos Stekovics, 2011.

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7

Haidinger, Alois. Verborgene Schönheit: Die Buchkunst im Stift Klosterneuburg : Katalog zur Sonderausstellung 1998 des Stiftsmuseums Klosterneuburg. Klosterneuburg: Mayer & Comp, 1998.

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8

Landeskunde, Niederösterreichisches Institut für, ed. Klosterbilder im Vergleich: Klosterneuburg und Heiligenkreuz. St. Pölten: NÖ Landesbibliothek, 2016.

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9

Roswitha, Denk, and Szaivert Wolfgang, eds. Die Münzsammlung des Augustiner-Chorherrenstiftes Klosterneuburg. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1989.

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10

Ploner, Thaddäus A. Erneuerte Herrlichkeit: Stift Klosterneuburg : die Generalsanierung. Wien: Amartis Verlag, 2016.

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Book chapters on the topic "Klosterneuburg"

1

Haltrich, Martin. "Klosterneuburg." In „...dass die Codices finanziell unproduktiv im Archiv des Stiftes liegen", 286–89. Wien: Böhlau Verlag, 2022. http://dx.doi.org/10.7767/9783205215554.286.

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2

Schlotheuber, Eva, and Jeffrey F. Hamburger. "Die vergessenen Frauen von Klosterneuburg." In Wir Schwestern, 11–15. Göttingen: Böhlau Verlag Wien, 2024. http://dx.doi.org/10.7767/9783205220671.11.

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Peka, Cornelia. "Reformstatuten für die Chorfrauen von Klosterneuburg." In Wir Schwestern, 135–40. Göttingen: Böhlau Verlag Wien, 2024. http://dx.doi.org/10.7767/9783205220671.135.

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Schlotheuber, Eva. "Die Frauen von Klosterneuburg. Der Klostereintritt." In Wir Schwestern, 123–30. Göttingen: Böhlau Verlag Wien, 2024. http://dx.doi.org/10.7767/9783205220671.123.

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Fembek, Michael. "Das „Humanprogramm“ von bauMax (Klosterneuburg) – eine systematische Zusammenarbeit mit lokalen Behindertenorganisationen." In Berufliche Inklusion von Menschen mit Behinderung, 225–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-34784-9_16.

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Thür, Gabriele. "Praktische Umsetzung von Aktivierender und Reaktivierender Pflege anhand eines Projektes im Geriatriezentrum Klosterneuburg." In Professionelle Altenpflege, 35–50. Vienna: Springer Vienna, 2004. http://dx.doi.org/10.1007/978-3-7091-6717-5_6.

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Andenna, Cristina. "Ein Leib, ein Herz, und eine Seele. Klosterneuburg und das Setting einer Doppelgemeinschaft." In Wir Schwestern, 57–66. Göttingen: Böhlau Verlag Wien, 2024. http://dx.doi.org/10.7767/9783205220671.57.

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8

Schlie, Heike. "Bedeutungsstiftende Links und objektbiografische Konstellationen: Das Goldschmiedewerk des Nikolaus von Verdun im Stift Klosterneuburg." In Object Links, 179–208. Wien: Böhlau Verlag, 2019. http://dx.doi.org/10.7767/9783205209591.179.

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Deichstetter, Sarah, and Michael Norton. "How do you solve a problem like Maria? Die Chorfrauen von Klosterneuburg und das Patrozinium von Kloster und Kirche." In Wir Schwestern, 291–99. Göttingen: Böhlau Verlag Wien, 2024. http://dx.doi.org/10.7767/9783205220671.291.

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Hehenberger, Susanne, and Monika Löscher. "»Geheime« Bergungsorte: das Rothschildsche Jagdschloss Steinbach bei Göstling (Jagd), die Kartause Gaming (Schloss), das aufgelassene Stift Klosterneuburg (Stift) und das Salzbergwerk Lauffen bei Bad Ischl (Berg)." In Bergung von Kulturgut im Nationalsozialismus, 35–68. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205201564-004.

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