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Journal articles on the topic 'Knight's tale (Chaucer)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Lee, Dongchoon. "Crusade Reflected in “The Knight’s Tale”." Hankuk University of Foreign Studies Literature Studies 90 (May 31, 2023): 105–28. http://dx.doi.org/10.22344/fls.2023.90.105.

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Although original fervor of religious idealism was cooling somewhat and a sense of practicality was taking over, the crusades were far from a dead issue among the commoners as well as the nobles during the fourteenth century. As this century is called 'the real age of propaganda for the crusade,' some writings including late Middle English romances and chivalric treatises stress the justice of the crusades and urge people, in particular, the knights, to action. Chaucer, who was in a precarious position at court and had a perfect understanding of the crusades deeply embedded in the knights' min

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2

Forni, Kathleen. "Reinventing Chaucer: Helgeland's A Knight's Tale." Chaucer Review 37, no. 3 (2003): 253–64. http://dx.doi.org/10.1353/cr.2003.0004.

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3

Oliver, Rhonda. "Smiler with a knife?" Biochemist 27, no. 5 (2005): 51–54. http://dx.doi.org/10.1042/bio02705051.

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“Ther saugh I first the derk ymaginying Of felon ye, and al the encompassying The Cruel Ire, reed as any gleede; The pykepurs, and eek the pale Drede; The smyler with the knyf undre the cloke” Geoffrey Chaucer, The Knight's Tale

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4

Rowe, Elizabeth Ashman. "Structure and Pattern in Chaucer's Knight's Tale." Florilegium 8, no. 1 (1986): 169–86. http://dx.doi.org/10.3138/flor.8.009.

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The Knight's Tale has often been cited as an example of Chaucer's use of "conventional" or formal style, in contrast to the naturalism of the General Prologue. As Charles Muscatine observes, "When Chaucer writes at either end of the scale of values, indeed, his style becomes correspondingly extreme. When he writes at the Knight's end of the scale 'Of storial thyng that toucheth gentillesse,/ And eek moralitee andhoolynesse,' he leans heavily on conventional forms." This formalism is characterized not only by the use of rhetoric and a "high style" of writing but also by the use of a classical s

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5

Armel, MBON. "Foreshadowing Palamon's Triumph and Arcite's Defeat in Their Rivalry for Emily: An Exploration of Geoffrey Chaucer's Knight's Tale." International Journal of Social Science And Human Research 06, no. 10 (2023): 5837–43. https://doi.org/10.5281/zenodo.8403971.

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This article explores words and actions that foreshadow Palamon’s triumph and Arcite’s defeat in their rivalry for Emily in Geoffrey Chaucer’s ‘Knight’s Tale’. In fact, in accordance with Gustav Freytag’s pyramid about the plot structure, at the second step of the pyramid known as the inciting moment or narrative hook, Chaucer sets in motion the rising action of his story making up suspense. This suspense created by the question the author asks by the end of the first part of the tale in the form of ‘demande d’amour’, leaves free rein

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6

Bowers, J. M. "Three Readings of The Knight's Tale: Sir John Clanvowe, Geoffrey Chaucer, and James I of Scotland." Journal of Medieval and Early Modern Studies 34, no. 2 (2004): 279–308. http://dx.doi.org/10.1215/10829636-34-2-279.

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7

Bouchard, Mawy. "Les Projets d’« illustration » de la langue vernaculaire et leurs héritages littéraires." TTR : traduction, terminologie, rédaction 9, no. 2 (2007): 47–74. http://dx.doi.org/10.7202/037258ar.

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Résumé RÉSUMÉ : Les Projets d'" illustration " de la langue vernaculaire et leurs héritages littéraires - Dante écrivit, peu après Vita nova, en 1305, son De Vulgari eloquentia, texte qui servit de " manifeste ", d'abord aux champions des vernaculaires italiens, ensuite aux défenseurs des langues vulgaires européennes en pleine expansion dès la fin du XIVe siècle. Dante suggérait aux poètes désireux d'" illustrer " leur langue maternelle de composer une oeuvre aussi magnifique que celle de son grand maître romain, Virgile. Une oeuvre sans dénomination générique, mais définie par son vers hendé

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8

Aratea, Marko Lim. "Analysis of The Wife of Bath’s Tale from Geoffrey Chaucer’s Canterbury Tales through the Lense of Propp’s Narrative Function." Journal of Language and Literature 25, no. 1 (2025): 33–46. https://doi.org/10.24071/joll.v25i1.9930.

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This study examines Geoffrey Chaucer's The Wife of Bath's Tale through Vladimir Propp's narrative functions as a means of understanding how Chaucer follows and subverts traditional structures of folktales. The Canterbury Tales is one of the most important works in medieval literature, while The Wife of Bath's Tale is especially famous for its complex depiction of gender relations, power, and moral teaching. The purpose of the investigation is to explain the structural elements of the tale using Propp's 31 narrative functions applied to folk stories. In mapping these functions onto the tale, th

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9

Gulcu, Tarik Ziyad. "Embodiment of Transformation from Scholasticism to Worldliness: Geoffrey Chaucer's the Canterbury Tales." International Human Sciences Review 1 (October 31, 2019): 39–48. http://dx.doi.org/10.37467/gka-humanrev.v1.1943.

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Although the medieval period is well-known for its otherworldly scholastic view of life, people’s gradual prioritization of material interests is arguably an embodiment of a transformation from scholastic to anthropocentric outlook on life and people. Along with common people’s interest in material gains, the ecclesiastical people’s interest in luxury and ostentation as well as acquisition of material profit are representations of the new paradigm in social area. The growing interest in worldly profits among the clergy and their indulgence in ostentation is the particular point of satire in Ge

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10

AKSU, Pelin. "CHAUCER'S THE MILLER'S TALE AS MEDIEVAL ESTATES SATIRE." NEW ERA INTERNATIONAL JOURNAL OF INTERDISCIPLINARY SOCIAL RESEARCHES 10, no. 27 (2025): 263–78. https://doi.org/10.5281/zenodo.14945728.

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In his <em>The Canterbury Tales</em>,<strong> </strong>Geoffrey Chaucer employs the medieval literary tradition of “estates satire”<em> </em>with his exclusive grouping and naming of as many as thirty Canterbury pilgrims according to their social ranks and professional titles. Chaucer portrays his pilgrims as medieval estates stereotypes representing their specific medieval estates with their stereotypical professional malpractices and shortcomings. His pilgrims display stereotypical social and moral failings in conforming to their estate identities and boundaries strictly imposed

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11

Ingham, Patricia Clare. "Infinite Sorrows: Catastrophic Forms in Chaucer's Knight's Tale." Journal of Medieval and Early Modern Studies 52, no. 1 (2022): 93–117. http://dx.doi.org/10.1215/10829636-9478496.

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Engaged with insights from trauma theory, this essay offers a reading of Geoffrey Chaucer's Knight's Tale as a profound meditation on catastrophe and survival. This account refocuses the Knight's Tale's famous oscillation between consolation and devastation, philosophy and fate, to consider the unexpected forms that poetic representations of catastrophe take in a premodern poem.

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12

Elias, Marcel. "Chaucer and Crusader Ethics: Youth, Love, and the Material World." Review of English Studies 70, no. 296 (2019): 618–39. http://dx.doi.org/10.1093/res/hgz051.

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Abstract In this essay, I argue that the Squire’s portrait in the Canterbury Tales is indebted to fourteenth-century crusade discourse, and that the ideological differences between the Knight and the Squire are well understood in relation to contemporary debates on the ethics of crusaders. Drawing upon diverse literary and historical sources, I focus on three rhetorical juxtapositions, which, I argue, Chaucer appropriated from contemporary critics of the morals and conduct of crusaders: between aged wisdom and youthful passion to admonish their military intemperance; between love of God and lo

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13

Johnston, Andrew James. "Chaucer‘s Postcolonial Renaissance." Bulletin of the John Rylands Library 91, no. 2 (2015): 5–20. http://dx.doi.org/10.7227/bjrl.91.2.1.

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This article investigates how Chaucer‘s Knight‘s and Squire‘s tales critically engage with the Orientalist strategies buttressing contemporary Italian humanist discussions of visual art. Framed by references to crusading, the two tales enter into a dialogue focusing, in particular, on the relations between the classical, the scientific and the Oriental in trecento Italian discourses on painting and optics, discourses that are alluded to in the description of Theseus Theatre and the events that happen there. The Squire‘s Tale exhibits what one might call a strategic Orientalism designed to draw

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14

Willard, Thomas. "Chaucer and the Subversion of Form, ed. Thomas A. Prendergast and Jessica Rosenfeld. Cambridge Studies in Medieval Literature, 104. Cambridge and New York: Cambridge University Press, 2018, pp. ix, 224." Mediaevistik 31, no. 1 (2018): 430. http://dx.doi.org/10.3726/med012018_430.

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Readers of Chaucer become accustomed to his self-deprecating humor. In one famous example, the character of Chaucer the Canterbury pilgrim begins telling the tale of a knight named Sir Thopas who tries to rescue the elf queen. He uses such complicated verse forms that the host tells him to stop the “rym doggerel” and to “telle in prose somewhat.” Chaucer the poet thus shows his virtuosity and his humanity. The host is not an uncultured boor, as some early critics said; however, the pilgrim does not speak as Chaucer himself would have done on such an occasion.

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15

Contzen, Eva von. "Iterative Circulation in Chaucer: Medieval Contexts of Seriality." Anglia 143, no. 1 (2025): 16–36. https://doi.org/10.1515/ang-2025-0002.

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Abstract The idea of serial circulation is difficult to reconcile with the realities of medieval practices of text production before the advent of printing. Rather than dismissing the concept altogether, however, this article considers both seriality and circulation as productive categories for analyzing medieval literature. Focusing on Geoffrey Chaucer and the Canterbury Tales, I argue that medieval poets were attuned to ‘serial thinking’, which manifested itself in repetition as a key formal feature of medieval literature. I introduce the concept of ‘iterative circulation’ as an alternative

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16

Wetherbee, Winthrop. "Romance and Epic in Chaucer's Knight's Tale." Exemplaria 2, no. 1 (1990): 303–28. http://dx.doi.org/10.1179/exm.1990.2.1.303.

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17

Sherman, Mark A. "The Politics of Discourse in Chaucer's Knight's Tale." Exemplaria 6, no. 1 (1994): 87–114. http://dx.doi.org/10.1179/exm.1994.6.1.87.

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18

Hyonjin Kim. "Chaucer’s “Wayke Ox”: Rereading The Knight’s Tale." Medieval and Early Modern English Studies 16, no. 1 (2008): 77–111. http://dx.doi.org/10.17054/memes.2008.16.1.77.

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19

Gallacher, Patrick J. "Chaucer's Knight's Tale and Theories of Scholastic Psychology.Lois Roney." Speculum 68, no. 3 (1993): 877–80. http://dx.doi.org/10.2307/2865057.

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20

Sachi Shimomura. "The Walking Dead in Chaucer's Knight's Tale." Chaucer Review 48, no. 1 (2013): 1. http://dx.doi.org/10.5325/chaucerrev.48.1.0001.

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21

Dongchoon Lee. "The Knight’s Tale: Forms, Incongruities, and Chaucer’s intention." Medieval and Early Modern English Studies 16, no. 1 (2008): 43–76. http://dx.doi.org/10.17054/memes.2008.16.1.43.

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22

Dongchoon Lee. "Shakespeare's A Midsummer Night's Dream Against Chaucer's “The Knight's Tale”." Shakespeare Review 46, no. 4 (2010): 775–804. http://dx.doi.org/10.17009/shakes.2010.46.4.005.

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23

Sobol, Peter G. "Chaucer's Knight's Tale and Theories of Scholastic Psychology. Lois Roney." Isis 83, no. 3 (1992): 482–83. http://dx.doi.org/10.1086/356225.

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24

Curtis, Carl C. "Biblical Analogy and Secondary Allegory in Chaucer's the Knight's Tale." Christianity & Literature 57, no. 2 (2008): 207–22. http://dx.doi.org/10.1177/014833310805700203.

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25

Burton, T. L. "Chaucer's Narrative Voice in The Knight's Tale (review)." Parergon 15, no. 2 (1998): 224–26. http://dx.doi.org/10.1353/pgn.1998.0124.

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26

Eayrs, Brock. "English 416G (Winter 2000) "Middle English Verse Romance: The Problem of Trust"." Florilegium 20, no. 1 (2003): 185–91. http://dx.doi.org/10.3138/flor.20.045.

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"For creatures with the properties of human beings the problem of trust today is no closer to the margins of practical life, no more narrowly domestic and personal than it was in the high Middle Ages." John Dunn's recent comment points directly to an issue at the heart both of many of the best Middle English romances and of latemedieval English society. Poems otherwise as diverse as Sir Gawain and the Green Knight, Amys and Amylion, or Chaucer's Knight's Tale, for example, use a vocabulary of trust centred in the terms trouthe and tresoun and incorporate incidents raising this and related issu

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27

Dohal, Gassim H. "Transformation in Chaucer’s the ‘Wife of Bath’s Prologue and Tale’." World Journal of English Language 11, no. 2 (2021): 121. http://dx.doi.org/10.5430/wjel.v11n2p121.

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In Geoffrey Chaucer’s The Canterbury Tales (c. 1387), the Wife of Bath appears “as a woman of very strong opinions who believes firmly in marriage” and as well “in the need to manage husbands strictly” (Thornley & Gwyneth 1993, p.16), and hence her story is about an Arthurian knight who rapes a maiden and has to face the consequences of his deed. The pilgrims of Chaucer’s masterpiece undergo transformations, which are chronicled in this literary text. These transformations occur in a variety of forms and take different shapes. The Wife of Bath is one of these travellers. In the following d

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28

Eckert, Ken. "Chaucer's Boece and Rhetorical Process in the Wife of Bath's Bedside Questio." Rhetorica 33, no. 4 (2015): 377–92. http://dx.doi.org/10.1525/rh.2015.33.4.377.

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Chaucer's Wife of Bath's Tale has been well-mined for feminist and psychological issues but less criticism has analyzed the rhetorical techniques informing the wyf's bedside harangue to the knight. These are shown to echo that of Lady Philosophy to Boethius in Chaucer's Boece; close reading of the lecture reveals a patterning on Boece, particularly evinced in the similarities between Lady Philosophy and the foul wife, in the matches in argumentation and rhetorical devices, and in the harangue's emphasis on power and obedience. Whether meant seriously or to humorously imitate scholastic debate,

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29

Ahn, Joong-Eun. "Greek and Roman Myths in Geoffrey Chaucer’s “The Knight’s Tale”." British and American Language and Literature Association of Korea 128 (March 17, 2018): 1–19. http://dx.doi.org/10.21297/ballak.2018.128.1.

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30

Jungman, Robert E. "Chaucer’s the Knight’s Tale 2681–82 and Juvenal’s Tenth Satire." Explicator 55, no. 4 (1997): 190–92. http://dx.doi.org/10.1080/00144940.1997.11484174.

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31

Roney, Lois. "Chaucer’s Narrative Voice in The Knight’s Tale by Ebbe Klitgård." Studies in the Age of Chaucer 18, no. 1 (1996): 232–34. http://dx.doi.org/10.1353/sac.1996.0023.

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32

Gaylord, Alan T. "Chaucer's "Knight's Tale": An Annotated Bibliography, 1900 to 1985.Monica E. McAlpine." Speculum 69, no. 1 (1994): 211–14. http://dx.doi.org/10.2307/2864848.

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33

Crocker. "W(h)ither Feminism? Gender, Subjectivity, and Chaucer's Knight's Tale." Chaucer Review 54, no. 3 (2019): 352. http://dx.doi.org/10.5325/chaucerrev.54.3.0352.

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34

Stretter, Robert. "Rewriting Perfect Friendship in Chaucer's Knight's Tale and Lydgate's Fabula Duorum Mercatorum." Chaucer Review 37, no. 3 (2003): 234–52. http://dx.doi.org/10.1353/cr.2003.0008.

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35

Hollis, Stephanie. "Chaucer's Knight's Tale: an annotated bibliography 1900 to 1985 (review)." Parergon 10, no. 2 (1992): 228–29. http://dx.doi.org/10.1353/pgn.1992.0096.

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36

McAlpine, Monica E. "Chaucer’s Knight’s Tale and Theories of Scholastic Psychology by Lois Roney." Studies in the Age of Chaucer 14, no. 1 (1992): 202–5. http://dx.doi.org/10.1353/sac.1992.0038.

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37

Magnani, Roberta. "Policing the Queer: Narratives of Dissent and Containment in Chaucer's The Knight's Tale." Medieval Feminist Forum 50, no. 1 (2014): 90–126. http://dx.doi.org/10.17077/1536-8742.1980.

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38

Wheatley, Edward. "Murderous Sows in Chaucer's Knight's Tale and Late Fourteenth-Century France." Chaucer Review 44, no. 2 (2009): 224–26. http://dx.doi.org/10.2307/25642141.

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39

Finnegan, Robert Emmett. "Wisdom and Chivalry: Chaucer's Knight's Tale and Medieval Political Theory (review)." Studies in the Age of Chaucer 33, no. 1 (2011): 365–68. http://dx.doi.org/10.1353/sac.2011.0008.

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40

Magnani, Roberta, and Liz Herbert McAvoy. "What Is a Woman? Enclosure and Female Piety in Chaucer's The Knight's Tale." Studies in the Age of Chaucer 42, no. 1 (2020): 311–24. http://dx.doi.org/10.1353/sac.2020.0010.

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41

Bertolet, Craig E. "Ruler Stakes: Chaucer's Theseus, Agamben, and the Rivals to Sovereign Power." Yearbook of English Studies 53, no. 1 (2023): 7–20. http://dx.doi.org/10.1353/yes.2023.a928428.

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Abstract: In chaucer's Knight's Tale , Theseus is faced with four political rivals whom he defeats in battle: Ypolita, Emilye, Palamon, and Arcite. He marries Ypolita but imprisons Emilye, Palamon, and Arcite perpetually because they are more dangerous free and too problematic to kill. Giorgio Agamben's study of the homo sacer helps to show how these three imprisoned characters have only 'bare life', that they can be killed but not sacrificed. Their lives only gain value when they serve to improve or adumbrate Theseus's sovereign power. For Theseus, his military successes must be paired with r

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42

Anderson, David. "The Fourth Temple of The Knight’s Tale: Athenian Clemency and Chaucer’s Theseus." Studies in the Age of Chaucer 1986, no. 1 (1986): 113–25. http://dx.doi.org/10.1353/sac.1986.0060.

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43

Ransom, Daniel J. "Chaucer’s Knight’s Tale: An Annotated Bibliography, 1900–1985 by Monica E. McAlpine." Studies in the Age of Chaucer 15, no. 1 (1993): 229–32. http://dx.doi.org/10.1353/sac.1993.0030.

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44

Edward Wheatley. "Murderous Sows in Chaucer’s Knight’s Tale and Late Fourteenth-Century France." Chaucer Review 44, no. 2 (2009): 224–26. http://dx.doi.org/10.1353/cr.0.0036.

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45

Al-Saleh, Asaad. "Fate and Discipline: A Comparative Study of The Tale of the Heike and Chaucer’s ‘The Knight’s Tale’." Journal of the Midwest Modern Language Association 45, no. 1 (2012): 35–57. http://dx.doi.org/10.1353/mml.2012.0016.

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46

Nakayasu, Minako. "Spatio-temporal systems in Chaucer’s language: A discourse-pragmatic analysis." Linguistics Beyond and Within (LingBaW) 5, no. 1 (2019): 120–34. http://dx.doi.org/10.31743/lingbaw.5384.

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The purpose of this paper is to conduct a discourse-pragmatic analysis of the spatio-temporal systems in Chaucer’s language along the lines of historical pragmatics and discourse analysis. The text used for analysis is “The knight’s tale” adopted from the Riverside edition of The Canterbury tales. Language has built-in spatio-temporal systems by which speakers judge how distant the situations they wish to express are from their domain, i.e. proximal or distal. Spatio-temporal elements can be connected to each other to take either a proximal or a distal perspective in discourse. Based on this a

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47

Inju Chung. "“What Is This World?”: Reading Chaucer's The Knight's Tale and Shakespeare's The Two Noble Kinsmen." Shakespeare Review 43, no. 1 (2007): 133–48. http://dx.doi.org/10.17009/shakes.2007.43.1.006.

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48

Stewart. "“They weren no thyng ydel”: Noblemen and Their Supporters in Chaucer's Knight's Tale." Chaucer Review 53, no. 3 (2018): 283. http://dx.doi.org/10.5325/chaucerrev.53.3.0283.

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49

Dongchoon Lee. "Double-Sidedness of Architecture and Space in Chaucer’s “Knight’s Tale” and Troilus and Criseyde." Medieval and Early Modern English Studies 25, no. 1 (2017): 49–66. http://dx.doi.org/10.17054/memes.2017.25.1.49.

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50

Robert Emmett Finnegan. "A Curious Condition of Being: The City and the Grove in Chaucer's Knight's Tale." Studies in Philology 106, no. 3 (2009): 285–98. http://dx.doi.org/10.1353/sip.0.0026.

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