Relevant bibliographies by topics / Kobayashi, Hideo, Critics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Kobayashi, Hideo, Critics'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Kobayashi, Hideo, Critics"

1

Nakatani, Mori. "The Shifting Appreciation of "Hamlet" in Its Japanese Novelizations: Hideo Kobayashi’s "Ophelia’s Will" and Its Revisions." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (2020): 69–83. http://dx.doi.org/10.18778/2083-8530.21.05.

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Hideo Kobayashi, who is today known as one of the most prominent literary critics of the Showa era in Japan, published Ophelia’s Will in 1931 when he was still an aspiring novelist. This novella was an adaptation of Shakespeare’s Hamlet, composed as a letter written by Ophelia to Hamlet before her enigmatic death in the original play. While the novel has previously been considered as a psychological novel that sought to illustrate the inner life of the Shakespearean heroine, this paper examines the process by which Kobayashi rediscovered Hamlet as a drama that foregrounds the impenetrability o
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Nakatani, Mori. "The Shifting Appreciation of "Hamlet" in Its Japanese Novelizations: Hideo Kobayashi’s "Ophelia’s Will" and Its Revisions." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (2020): 69–83. http://dx.doi.org/10.18778/2083-8530.21.05.

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Abstract:
Hideo Kobayashi, who is today known as one of the most prominent literary critics of the Showa era in Japan, published Ophelia’s Will in 1931 when he was still an aspiring novelist. This novella was an adaptation of Shakespeare’s Hamlet, composed as a letter written by Ophelia to Hamlet before her enigmatic death in the original play. While the novel has previously been considered as a psychological novel that sought to illustrate the inner life of the Shakespearean heroine, this paper examines the process by which Kobayashi rediscovered Hamlet as a drama that foregrounds the impenetrability o
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3

김항. "Manshu and Chosenin the Criticism of Hideo Kobayashi." 사이間SAI ll, no. 19 (2015): 155–86. http://dx.doi.org/10.30760/inakos.2015..19.006.

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Cohn, J., and Paul Anderer. "Literature of the Lost Home: Kobayashi Hideo--Literary Criticism, 1924-1939." Monumenta Nipponica 51, no. 4 (1996): 473. http://dx.doi.org/10.2307/2385424.

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Yang, Jeong-hyeon. "Two Sides of the Same Coin in Lee Hyeong-ki’s Early Criticism: Focusing on the Effect Relationship with Hideo Kobayashi." Journal of Ehwa Korean Language and Literature 44 (April 30, 2018): 169–88. http://dx.doi.org/10.29190/jekll.2018.44.169.

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Tobe, Hitomi. "South Asia - Paul Anderer (ed. and tr.): Literature of the lost home: Kobayashi Hideo literary criticism 1924–1939. ix, 177 pp. Stanford: Stanford University Press, 1995. £25." Bulletin of the School of Oriental and African Studies 60, no. 3 (1997): 593–94. http://dx.doi.org/10.1017/s0041977x00033048.

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7

"Review: Literature of the Lost Home: Kobayashi Hideo - Literary Criticism, 1924-1939 * Hideo Kobayashi: Literature of the Lost Home: Kobayashi Hideo - Literary Criticism, 1924-1939." Forum for Modern Language Studies 38, no. 1 (2002): 114–15. http://dx.doi.org/10.1093/fmls/38.1.114-c.

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8

"Critical aesthetics: Kobayashi Hideo, modernity, and wartime Japan." Choice Reviews Online 47, no. 07 (2010): 47–3638. http://dx.doi.org/10.5860/choice.47-3638.

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Dissertations / Theses on the topic "Kobayashi, Hideo, Critics"

1

Dorsey, James. "An intersection of aesthetics and ideology : Kobayashi Hideo, 1922-1942 /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11111.

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Wada, James. "Kobayashi Hideo: The Long Journey Toward Homeland, 1902-1945." 2006. http://hdl.handle.net/1959.13/24860.

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The famous Japanese critic, Kobayashi Hideo (1902–1983), passed through five broad stages up to 1945. In the first stage (1929–32), he sought to reinstate the claims of “the man,” the feeling, thinking human being, in writing, in place of the various literary dogmas adopted from the West: “Behind literature, see the man.” In the second stage, (1933–37), he attempted to define the “modern individual” in a Japanese society of change, anxiety and chaos, adopting the term the “socialized I” to explain his sense of a self integrated into society. In this period he sought a model in the West and fou
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Morikawa, Saki. "Seeing And Believing: A Critical Study of Kobayashi Hideo's Watakushi no Jinseikan." 2015. https://scholarworks.umass.edu/masters_theses_2/161.

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What do we mean by “seeing”? Although we may see the same object in front of us, we each consciously or unconsciously select what we wish to see, eliminating information we find unnecessary. An artist or poet can see in even a tiny flower, which others barely notice, a wealth of colors or countless words. How then do our own eyes and those of others differ? This thesis aims to explore how the act of seeing shapes one’s life and influences it through a consideration of the works of Kobayashi Hideo 小林秀雄 (1902-1983), a literary critic in modern Japan. In 1949 Kobayashi published a long essay enti
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Books on the topic "Kobayashi, Hideo, Critics"

1

Königsberg, Matthew. Der junge Kobayashi Hideo: Leben und Werk eines japanischen Literaturkritikers der Moderne. Gesellschaft für Natur- und Völkerkunde Ostasiens, 1993.

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2

Fujita, Yutaka. Kobayashi Hideo ron. Seseragi Shuppan, 2003.

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Kobayashi Hideo ron. Shichigatsudō, 1987.

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4

Hideo, Kobayashi. Kobayashi Hideo zensakuhin =: Oeuvres complètes de Kobayashi Hideo. Shinchōsha, 2002.

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Kobayashi Hideo zenshū. Shinchōsha, 2001.

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6

Hoshika, Terumitsu. Shintei Kobayashi Hideo nooto. Azusa Shoin, 2001.

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7

Kanayama, Makoto. Kobayashi Hideo to Sarutoru. Sanshō Bunko, 1998.

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8

Shichihei, Yamamoto. Kobayashi Hideo no ryūgi. Shinchōsha, 1986.

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9

Kanayama, Makoto. Kobayashi Hideo to Sarutoru. Sanshō Bunko, 1998.

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10

Kobayashi Hideo utsukushii hana. Bungei Shunjū, 2017.

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Book chapters on the topic "Kobayashi, Hideo, Critics"

1

"Criticism in Poetry: Kobayashi Hideo as a Poet Manqué." In Discourses of Seduction. BRILL, 2005. http://dx.doi.org/10.1163/9781684174065_010.

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