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Relevant bibliographies by topics / Kobza art

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Academic literature on the topic 'Kobza art'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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Journal articles on the topic "Kobza art"

1

Dutchak, Violetta. "Artistic and Scientific Activity of Andrij Hornjatkevyč (Canada) in the Context of Bandura Art Development in Ukraine and Among Diaspora." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 1, no. 2 (2018): 106–24. https://doi.org/10.31866/2616-7581.2.2018.153383.

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This article deals with generalized analysis of artistic and scientific activity by famous performer and researcher from Canada – Andrij Hornjatkevyč (Edmonton), in context of bandura art development in Ukraine and abroad. This article deals with the complex analysis of Andrij Hornjatkevyč 's multi-vectoral activity, based on the research and popularization of kobzar art of past and present times. The phases of his life path and professional development, activity in spheres of Ukrainian language research, Ukrainian oral and music folklore, traditions of authentic kobzar movement, pop

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Zhdankina, Anastasiia. "THE KOBZAR’S ART IN THE PATRIOTIC EDUCATION OF SCHOOL YOUTH." Baltic Journal of Legal and Social Sciences, no. 4 (May 23, 2022): 35–40. http://dx.doi.org/10.30525/2592-8813-2021-4-5.

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The article highlights the theoretical and methodological aspects of the use kobza art in the system of patriotic education of student youth in Ukrainian schools. The current tendencies of the educational process in school educational institutions are revealed, the problems that need urgent solution are identified. The phenomenon of kobzarism in the cultural-historical retrospective is characterized, the various analysis of educational aspects of kobzarism is carried out. The patriotic and educational potential of kobzarism through the prism of the generalized image, repertoire of artists, the

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Broiako, Nadiia. "Artistic Influence of H. Hotkevych on Kobzarism and Bandura." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 6, no. 2 (2023): 166–76. http://dx.doi.org/10.31866/2616-7581.6.2.2023.291087.

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The purpose of the research is to identify the spheres of influence of H. Khotkevych’s artistic activity on the development and transformation of kobzarism and bandura in the late nineteenth and early twentieth centuries. The research methodology is based on the principles of objectivity and historicism, which correspond to historical, cultural and axiological approaches. Specific scientific methods are applied: organological and musicological analysis, which allows to identification of trends in the evolution of the kobza tradition and bandura playing and to specify the spheres of influence o

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Broiako, Nadiia. "Artistic Influence of H. Hotkevych on Kobzarism and Bandura (Turn of the Nineteenth and Twentieth Centuries)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 6, no. 2 (2023): 166–76. https://doi.org/10.31866/2616-7581.6.2.2023.291087.

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<strong>The purpose of the research </strong>is to identify the spheres of influence of H. Khotkevych's artistic activity on the development and transformation of kobzarism and bandura in the late nineteenth and early twentieth centuries. <strong>The research methodology </strong>is based on the principles of objectivity and historicism, which correspond to historical, cultural and axiological approaches. Specific scientific methods are applied: organological and musicological analysis, which allows to identification of trends in the evolution of the kobza tradition and bandura playing and to

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Dutchak, Violetta. "The Art of Kobzar Ostap Veresai: from Mykola Lysenko’s Folklorе Recordings to Modern Representation and Interpretation". Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 8, № 1 (2025): 108–22. https://doi.org/10.31866/2616-7581.8.1.2025.331211.

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The purpose of the research is comprehensive research of the evolution of the artistic phenomenon of the Ukrainian kobzar Ostap Veresai – both in its original context and public presentation in the 19th century, as well as its subsequent influence on the performance practices of kobzars and academic bandura artists in Ukraine and diaspora from the 20th century to the early 21st century. Research methodology. To achieve the research objectives, the study employs methodological principles of historical, cultural, textual, axiological and terminological analysis, alongside corresponding scientifi

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Yesypok, Volodymyr, and Nadiia Broiako. "Kobzarism in Soviet Ukraine in Personalities." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 7, no. 2 (2024): 201–8. https://doi.org/10.31866/2616-7581.7.2.2024.316740.

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The purpose of the research is to reveal the methods and means of popularising the art of kobza and bandura in the conditions of strict censorship of the Soviet reality, educating professional musicians and patriots of their country in opposition to the communist ideology, using the example of the life and work of the outstanding figure of Ukrainian culture Anatolii Hrytsai (1 January 1931, Zhovtneve village, Koropskyi district, Chernyhiv region – 12 September 2003, Rivne). The research methodology is based on the use of a number of methods, including systematic and analytical, as well as hist

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Poluboiaryna, Iryna. "Patriotic Education of Children's Music School Students in the Process of Studying Compositions for Kobza." Professional Education: Methodology, Theory and Technologies, no. 18 (December 20, 2023): 142–54. http://dx.doi.org/10.31470/2415-3729-2023-18-142-154.

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The article substantiates the relevance of the problem of the formation of patriotism among students of children's music schools by means of epic musical works for kobza. The purpose of the article is to consider the educational work of patriotic orientation in the educational process of a children's music school, to determine the purpose, tasks, forms and methods, pedagogical conditions of patriotic education. Research methods. The following research methods are used to realize the defined goal: theoretical (analysis of scientific literature, synthesis, generalization, classification); empiri

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Dutchak, Violetta. "Ulas Samchuk's "Living strings" in the Context of Bandura Art Source Studies (Dedicated to Ulas Samchuk's 115th Anniversary)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 95–109. https://doi.org/10.31866/2616-7581.3.1.2020.204344.

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The article analyzes the literary and documentary study of the famous Ukrainian diaspora writer Ulas Samchuk (1905–1987) “Living strings. Bandura and Bandurists” from the standpoint of musical source studies. The author of the article examines the structure and directions of thematic searches of U. Samchuk’s work, which were initiated by studying the phenomenon of the most famous Ukrainian diaspora collective – the Taras Shevchenko Ukrainian Bandurist Chorus. The article points out still applicable philosophical and aesthetic spheres of the book, due to understand

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Кривошея, Ігор. "Етноісторичні мотиви (сюжети) в музичному мистецтві України другої половини 18 – початку 19 століття". Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 47 (19 березня 2024): 35–44. http://dx.doi.org/10.31652/2411-2143-2024-47-35-44.

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The purpose of the article is to study ethno-historical motifs in the musical art of Ukraine in the second half of the eighteenth and early nineteenth centuries, with a special emphasis on folk art and its influence on the development of orchestral, choral and individual musical performances. The article examines the cultural and social changes of this era and their impact on the evolution of kobza and bandura art, which served not only as a means of musical expression but also as an important element of preserving national identity and historical memory. The article describes in detail the et

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Radkevych, Y. "The singer as the co-author: the features of the representation of Ukrainian folk songs in the concert and art space of the present." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 101–18. http://dx.doi.org/10.34064/khnum1-52.07.

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Background. Turning to the original sources of Ukrainian musical culture, we should point out the greatest achievements that appear to be the folk-song tradition. The problem of authorship of musical folklore was not considered for well-known reasons: its decisive features are oral, anonymous, collective way of creation. If the phenomenon of authorship is present in various manifestations of musical creativity (composing, performing, directing, etc.) and works in various forms of musical art of the past and present, today the study of the role of the singer as a co-author in the contemporary r

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Dissertations / Theses on the topic "Kobza art"

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Стрілець, Т., та В. М. Чернушенко. "Кобзарське мистецтво Сумщини". Thesis, Видавництво СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/20402.

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Uberti, Mariete Taschetto. "O MURAL DE EDUARDO KOBRA EM SANTA MARIA: UMA RELAÇÃO COM A ARTE PÚBLICA." Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/5227.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research deals with the Public Art in Santa Maria / RS, with the main object of study Eduardo Kobra‟s mural accomplished in the Municipal Library of that city. The authors that help me to articulate and combine with the Public Art are Arend (2010); Alves (2011), Peixoto (2009, 2012) and Silva (2005), for the artist's contextualization in interaction with his work and the public, and theirs among themselves, considering the policies of articulation among artist, space, work, public and promoters of art. The urban public of the

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Books on the topic "Kobza art"

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Kobra, Eduardo, Silvana Monteiro de Carvalho, Paula Paixão, and Doyle Anthony. Kobra. Edited by Martins, Maria Camila Duprat Ferreira, editor. Arte Ensaio, 2016.

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Meutter, Koba De. Koba De Meutter: So that afternoon we both made an empty circle. Posture Editions, 2018.

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Geijutsu no kindai (Koza 20-seiki no geijutsu). Iwanami Shoten, 1989.

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Gendai geijutsu no jokyo (Koza 20-seiki no geijutsu). Iwanami Shoten, 1990.

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Gengo no boken (Koza 20-seiki no geijutsu). Iwanami Shoten, 1988.

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6

Kabuki no shintairon (Iwanami koza). Iwanami Shoten, 1998.

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7

Seinen no hakken (Koza seinen). Seifudo Shoten, 1990.

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8

Mirai no seinen (Koza seinen). Seifudo Shoten, 1991.

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9

Geijutsu no riron (Koza 20-seiki no geijutsu). Iwanami Shoten, 1990.

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Seiji to geijutsu (Koza 20-seiki no geijutsu). Iwanami Shoten, 1989.

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Book chapters on the topic "Kobza art"

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Zinkiv, Iryna. "THE UKRAINIAN KOBZA AND BANDURA IN ORGANOLOGISTS’ WORKS OF THE SECOND HALF XX – EARLY XXI CENTURIES." In CULTURE AND ART PANORAMA OF UKRAINE. Liha-Pres, 2019. http://dx.doi.org/10.36059/978-966-397-186-5/138-158.

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Lisniak, I. M. "“Cultural image” of modern bandura art." In ZINOVII SHTOKALKO: FROM KOBZAR TRADITIONS TO BANDURA MODERN STYLE. Izdevnieciba “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-171-8-7.

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G. (Jack) Oviatt, Charles. "Geomorphology of Konza Prairie." In Grassland Dynamics. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114867.003.0003.

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Abstract Konza Prairie lies in the Flint Hills of eastern Kansas, a region of stream-dissected hills eroded from flat-lying to gently dipping, chert-bearing limestones and shales of Permian age. Konza Prairie is part of an erosional landscape produced during millions of years of exposure to weathering and to stripping by streams tributary to the Kansas River. The major drainage basins on Konza are Kings Creek, Shane Creek, Pressee Branch, Swede Creek (tributaries of McDowell Creek), and Deep Creek (Fig. 3.1). Also prominent is the bench and slope topography in the uplands created by the erosio

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Mandziuk, L. S. "Development specifics of academic bandura art in Slobozhanshchyna: history, personalia, trends." In ZINOVII SHTOKALKO: FROM KOBZAR TRADITIONS TO BANDURA MODERN STYLE. Izdevnieciba “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-171-8-6.

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Pantsyreva, Hanna, and Kateryna Mazur. "RESEARCH OF EARLY RATING SOYBEAN VARIETIES ON TECHNOLOGY AND AGROECOLOGICAL RESISTANCE." In Theoretical and practical aspects of the development of modern scientific research. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-195-4-18.

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The monograph presents scientific and experimental research that reveals the theoretical and practical issues of production of soybean that can solve the problem of protein deficiency and replenish the world’s food and feed resources. The research is based on the tasks of applied research on the topic: «Development of methods for improving the technology of growing legumes using biofertilizers, bacterial preparations, foliar fertilizers and physiologically active substances», state registration number 0120U102034. The authors’ research is aimed at solving current problems of technological rene

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Collins, Scott L., Alan K. Knapp, David C. Hartnett, and John M. Briggs. "The Dynamic Tallgrass Prairie Synthesis and Research Opportunities." In Grassland Dynamics. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114867.003.0017.

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Abstract The overarching goal of the Konza Prairie Long-Term Ecological Research (LTER) Program is to understand pattern and process in tallgrass prairie ecosystems. The conceptual framework guiding this research program is that fire, grazing, and climatic variability are essential and interacting factors responsible for the structure and function of tallgrass prairie. Collectively, the chapters in this volume describe more than 15 years of research on Konza Prairie devoted to understanding how these essential factors affect this complex, variable, and sometimes baffling ecosystem.

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Freeman, Craig C. "The Flora of Konza Prairie A Historical Review and Contemporary Patterns." In Grassland Dynamics. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114867.003.0005.

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Abstract The contemporary flora of Konza Prairie reflects the spatial and temporal dynamics of its vegetation as affected by a host of complex and interacting factors, including geology, climate, fire, grazing, and human activities (Chapter 6, this volume). Located near the western edge of the tallgrass prairie ecosystem, Konza Prairie is dominated by grassland vegetation characterized by a few native, dominant, perennial, warm-season grasses and an assortment of other species with decreasing abundance and influence in the prairie. The flora is decidedly calciphilous and has a preponderance of

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Collins, Scott L., and Ernest M. Steinauer. "Disturbance, Diversity, and Species Interactions in Tallgrass Prairie." In Grassland Dynamics. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195114867.003.0009.

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Abstract previous four chapters have described the kinds of plants and animals found on Konza Prairie (Chapters 5, 7) and discussed the basic structure of plant and animal communities in this grassland (Chapters 6, 8). In this chapter, we will focus explicitly on how community structure responds to disturbances such as fire and grazing. Over the past 15 years, research at the Konza Prairie LTER site has greatly increased our understanding of the factors that control community and ecosystem dynamics in tallgrass prairies (Chapters 12, 13, this volume). In general, fire and grazing are the overr

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Ferguson, R. Brian. "Western Chimpanzees, Pan troglodytes verus." In Chimpanzees, War, and History. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197506752.003.0020.

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Abstract This chapter covers two populations in Senegal, Niokolo Koba and Fongoli and the long-term research site of Bossou, in the Republic of Guinea, Conakry. It talks about Mt. Assirik, Senegal’s Niokolo Koba National Park, which is considered the hottest, driest, and most open environment inhabited by chimpanzees today. Assirik offers the major territorial variation of occasional bivouacs and mass migrations from one part of the home range to another, especially in the dry season. The chapter highlights how Mt. Assirik chimpanzees had more physical marks of violence than at Toro-Semliki, n

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Goodin, Douglas G., and Philip A. Fay. "Climate Variability in Tallgrass Prairie at Multiple Timescales: Konza Prairie Biological Station." In Climate Variability and Ecosystem Response in Long-Term Ecological Research Sites. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195150599.003.0038.

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Climate is a fundamental driver of ecosystem structure and function (Prentice et al. 1992). Historically, North American grassland and forest biomes have fluctuated across the landscape in step with century- to millennialscale climate variability (Axelrod 1985; Ritchie 1986). Climate variability of at decadal scale, such as the severe drought of the 1930s in the Central Plains of North America, caused major shifts in grassland plant community composition (Weaver 1954, 1968). However, on a year-to-year basis, climate variability is more likely to affect net primary productivity (NPP; Briggs and

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Conference papers on the topic "Kobza art"

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Васильев, С. В., and С. Б. Боруцкая. "NEW DATA ON MESOLITHIC ANTHROPOLOGICAL FINDS FROM CRIMEA: OSTEOLOGY, PHYSICAL ADAPTATION, PALEOPATHOLOGY." In Материалы 23–25-го заседаний научно-методического семинара «Тверская земля и сопредельные территории в древности». Crossref, 2024. https://doi.org/10.70203/5095.2024.86.43.038.

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Сходство в морфологии черепа, как по измерительным признакам, так и по описательным, наблюдается между фатьма-кобинским черепом человека и черепами из грота Мурзак-коба. По индексам пропорций конечностей можно предположить у всех трёх индивидов среднеконтинентальный адаптивный тип. При этом мужчина из Фатьма-кобы выделяется удлинённым медиальным отделом ноги – голенью, что более характерно для людей тропического адаптивного типа. Однако луче-плечевой индекс фатьма-кобинца таковому адаптивному типу не соответствует. Трудно себе представить тяжёлый физический труд мезолитических людей в условиях

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Lima, Helton S., Franklin Ramalho, Patricia D. L. Machado, and Everton L. Galdino. "Automatic Generation of Platform Independent Built-in Contract Testers." In Simpósio Brasileiro de Componentes, Arquiteturas e Reutilização de Software. Sociedade Brasileira de Computação, 2007. http://dx.doi.org/10.5753/sbcars.2007.24118.

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Automatic generation of built-in contract testers that check pairwise interactions between client and server components is presented. Test artifacts are added to development models, i.e., these models are refined towards testing. The refinement is specified by a set of ATL transformation rules that are automatically performed by the ATL-DT tool. We focus on the KobrA development methodology and the Built-In Testing (BIT) method. Therefore, development and testing artifacts are specified by UML diagrams. To make transformation from development to testing models possible, a UML 2 profile for the

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Tveiterå, Leif Kristian, Morten Fismen, Asgeir Bang, Amitabha Chatterjee, and Ivar Frøland Osvoll. "Overcoming Subsurface Challenges to Develop a Thin Oil Column - A Case Study from the Five Decade Old Gekko Discovery in the Alvheim Area." In SPE Norway Subsurface Conference. SPE, 2022. http://dx.doi.org/10.2118/209543-ms.

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Abstract The Alvheim field has been on production since 2008 through the Alvheim FPSO. While the FPSO has produced more than twice the initial Alvheim area production estimate of 250 mmboe, the ambition is to produce a billion barrels from the area via continuous infill drilling and near-field exploration and developments. An example of the latter is the joint Kobra East and Gekko (KEG) tie-in. This paper describes the various anticipated subsurface challenges, risks and proposed solutions in developing the Gekko field, discovered in 1974 (25/4-3) and subsequently appraised in 2003 (25/4-8) an

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Reports on the topic "Kobza art"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri

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