Academic literature on the topic 'Kōfukuji (Nara)'

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Journal articles on the topic "Kōfukuji (Nara)"

1

Giolai, Andrea. "Encounters with the Past." Journal of Religion in Japan 9, no. 1-3 (2020): 213–47. http://dx.doi.org/10.1163/22118349-00901002.

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Abstract Kasuga Wakamiya Onmatsuri is an important local festival celebrated every winter in Nara. While the festival has been analyzed from the point of view of its relations with religious institutions such as Kasuga Taisha and Kōfukuji, to date less attention has been paid to its historical transformations. Countering linear narratives that tend to portray it as largely unchanged since its inception, this article combines ethnography, historiography, and religious studies to provide a more multivocal analysis of the Onmatsuri. After an overview of its main celebrations, the article revisits
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2

Rambelli, Fabio. "Gagaku in Medieval Japanese Religion." Religions 13, no. 7 (2022): 582. http://dx.doi.org/10.3390/rel13070582.

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Contrary to the widespread assumption in the study of Japanese religions that Kagura is historically the main genre of performing arts at Shintō festivals, something dating back to the beginning of Japanese history, in this article I focus instead on Gagaku (and its Bugaku dance repertory) as a central component of rituals, ceremonies, and festivals not only at the imperial court but also and especially at many temples and shrines across the country. While Gagaku and Bugaku were deeply rooted in the Kansai area, with guilds of hereditary professional musicians affiliated with, respectively, th
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3

Chan, Yen-Yi. "Revealing the Miraculous: Objects Placed inside the Statue of the Kōfukuji Nan’endō Fukūkenjaku Kannon." Japanese Journal of Religious Studies 49, no. 1 (2022). http://dx.doi.org/10.18874/jjrs.49.1.2022.45-88.

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The use of relics and gorintō (five-element pagodas) as objects placed in Buddhist statues gained currency in the late twelfth century. This article examines the deposits (nōnyūhin) placed by Fujiwara no Kanezane (1149–1207) in 1189 within the statue of Fukūkenjaku Kannon in the Nan’endō at Kōfukuji in Nara, one of the earliest examples to contain both relics and gorintō. The article unravels the intricate relationship between the contents of the inserted objects, the meaning of the statue, and the motives behind the placing of the deposits. On the one hand, the deposits in this statue were ca
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Books on the topic "Kōfukuji (Nara)"

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Japan), Kōfukuji (Nara-shi, and Nihon Keizai Shinbunsha, eds. Kōfukuji sōken 1300-nen kinen, Kokuhō Kōfukuji Buttō ten. Nihon Keizai Shinbunsha, 2013.

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1947-, Tagawa Shunʾei, and Kaneko Hiroaki 1947-, eds. Kōfukuji no subete: Rekishi oshie bijutsu. Shōgakukan, 2004.

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3

Kenkyūjo, Nara Kokuritsu Bunkazai, ed. Kōfukuji tenseki monjo mokuroku. Hōzōkan, 1986.

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4

Japan), Kōfukuji (Nara-shi. Kōfukuji no bijutsu: Tokubetsu chinretsu. Nara Kokuritsu Hakubutsukan, 1992.

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Hakubutsukan, Tōkyō Kokuritsu, ред. Kōfukuji kokuhōten: Nanʼendō Heisei daishūri rakkei kinen. Geijutsu Kenkyū Shinkō Zaidan, 1997.

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6

Kotaki, Chihiro. Ashura-zō no himitsu: Kōfukuji Chūkondō rakkei kinen. Asahi Shinbun Shuppan, 2018.

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7

Tōkyō Geijutsu Daigaku. Daigaku Bijutsukan. and Kōfukuji (Nara-shi Japan), eds. Kōfukuji kokuhōten: Kamakura fukkōki no mihotoke. Asahi Shinbunsha, 2004.

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8

Giyū, Koizumi, ред. 政覺大僧正記. Zoku Gunsho Ruijū Kanseikai, 1989.

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9

artist, Hatanaka Kōkyō 1947, Tagawa Shun'ei 1947-, and Takashimaya Tōkyō Shiten, eds. Kōfukuji no jihō to Hatanaka Kōkyō: Kōfukuji Chūkondō saiken, Hossō chū hashirae kansei kinen = Treasures of Kohfukuji Temple and the works of Kokyo Hatanaka : commemorating the reconstruction of the Central Golden Hall and the completion of the Hossō pillar paintings. Seigensha, 2017.

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10

Galeries nationales du Grand Palais (France) and Réunion des musées nationaux (France), eds. Nara, trésors bouddhiques du Japon ancien: Le temple de Kōfukuji : [exposition] Galeries nationales du Grand Palais, Paris, 20 septembre-9 décembre 1996. Réunion des musées nationaux, 1996.

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