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Books on the topic 'Konser performansı'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Oehler, Karsten. Financial-Performance-Management im Konzern. Steinbeis-Ed., 2011.

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2

1961-, Asleson Robyn, Bennett Shelley M. 1947-, Leonard Mark 1954-, and West Shearer, eds. A passion for performance: Sarah Siddons and her portraitists. J. Paul Getty Museum, 1999.

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3

jubileumsfond, Riksbankens, ed. The Routledge companion to research in the arts. Routledge, 2010.

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4

Elina, Gertsman, ed. Visualizing medieval performance: Perspectives, histories, contexts. Ashgate, 2008.

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5

Oliver, Bennett, ed. The social impact of the arts: An intellectual history. Palgrave Macmillan, 2008.

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6

Fischer-Lichte, Erika. Theatre and Performance Studies. Taylor & Francis Group, 2014.

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7

Malina, Roger F., Steve Dixon, and Sean Cubitt. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2007.

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8

Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation (Leonardo Books). The MIT Press, 2007.

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9

Leonard, Mark, Shelley Bennett, and Shearer West. A Passion for Performance: Sarah Siddons and Her Portraitists. Getty Trust Publications: J. Paul Getty Museum, 2001.

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10

(Editor), Robyn Asleson, Shelley Bennett (Editor), Mark Leonard (Editor), and Shearer West (Editor), eds. A Passion for Performance: Sarah Siddons and Her Portraitists. Getty Trust Publications: J. Paul Getty Museum, 1999.

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11

Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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12

Cheng, Meiling, and Gabrielle Cody. Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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13

Cheng, Meiling, and Gabrielle Cody. Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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14

Cheng, Meiling, and Gabrielle Cody. Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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15

Cheng, Meiling, and Gabrielle Cody. Reading Contemporary Performance: Theatricality Across Genres. Taylor & Francis Group, 2015.

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16

Musicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.

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17

Musicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2019.

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18

Musicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.

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19

Musicians and Their Audiences: Performance, Speech and Mediation. Taylor & Francis Group, 2016.

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20

O'Reilly, Daragh, and Finola Kerrigan. Marketing the Arts: A Fresh Approach. Taylor & Francis Group, 2010.

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21

Marketing the arts: Challenging conventions. Routledge, 2010.

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22

Gertsman, Elina. Visualizing Medieval Performance: Perspectives, Histories, Contexts. Taylor & Francis Group, 2017.

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23

Social works: Performing art, supporting publics. Routledge, 2011.

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24

Mike Nelson: Kristus och Judas: a structural conceit (a performance in three parts), [4.9.2008-3.1.2010]. Statens Museum for Kunst, 2009.

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25

Art platforms and cultural production on the internet. Routledge, 2011.

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26

Practice as research in the arts: Principles, protocols, pedagogies, resistances. Palgrave Macmillan, 2013.

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