Academic literature on the topic 'Korea Music'

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Dissertations / Theses on the topic "Korea Music"

1

Yu, Youngmin. "Musical performance of Korean identities in North Korea, South Korea, Japan and the United States." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417807691&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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2

Noh, Wonil. "A Conductor's Guide to Hyo-Won Woo's Choral Music as Reflected in "Oh! KOREA"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404580/.

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The choral music of Hyo-won Woo, the composer of Oh! KOREA, is being widely performed by universities and professional choruses in Korea, as well as throughout the world. The work exhibits Woo's remarkable compositional style, which displays traditional Korean musical influences. Hyo-Won Woo's Oh! KOREA consisting of four movements, is for chorus, two pianos, and both Eastern and Western percussion instruments. Woo's Oh! KOREA employs an excellent introduction to the Korean choral repertoire for Western audiences, rooted in traditional Korean folk tunes. As today's choral conductors, singers,
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3

Kim, Jeong-Ha. "Korean Primary School Music Education during Japanese Colonial Rule (1910-1945)." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367474.

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After 500 years of stability in Korea under the Joseon Dynasty (1392–1910), the Japanese colonial occupation (1910–1945) brought about major changes to Korean society and resulted in a significant decline in Korean culture including music. Some Japanese apologists claim that through colonisation the colonised territories would have received developmental aid and economic benefits. This instantly raises some important questions in regard to music education in Korea. If the claim of colonial development were true, Korean primary music education could also have benefited from Japanese colonisatio
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4

Baek, Da Mi. "Eak Tai Ahn's Korea Fantasy: His Life, Historical Context, and Compositional Style." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505250/.

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Eak Tai Ahn is not only the first generation of Korean musicians, composers and conductors to have studied Western music and given successful musical performances in Western countries, but also is among the first to introduce the music of Korea to the West utilizing the Western music system. Korea Fantasy is an important work that helped Ahn win international acclaim. Korea Fantasy is an orchestral piece that evolved along with Ahn's unique life experiences shaped by the state of his native country. The piece is programmatic, depicting the history of Korea, which utilizes musical devices, such
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5

Williams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.

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South Korea is internationally well known for its ethnic and cultural homogeneity, economic and technical success, and strong sense of nationalism. The peoples of South Korea have flourished economically after a series of colonizations, industrialization and political chaos. Over the past few decades, Korea has gained interest internationally for its entertainment industry through the Korean Wave (or Hallyu in Korean). Korean Wave is a term that refers to the increase in the popularity of South Korean culture since the late 1990’s due to Korean music, television shows and fashion. The Korean W
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6

Hesselink, Nathan Douglas. "A tale of two drummers : percussion band music in North Cholla Province, Korea." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267712.

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7

Park, Hye-jung. "From World War to Cold War: Music in US-Korea Relations, 1941-1960." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1554818839582558.

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8

Kim, Do Soo. "A Comparative Study of Junior High School General Music Programs Between Korea and the United States." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc504491/.

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9

Choi, Hwanho. "Value and value creation : popular music in the digital era : the case of the independent music industry in South Korea." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/value-and-value-creation--popular-music-in-the-digital-era-the-case-of-the-independent-music-industry-in-south-korea(bbf539a4-ee2f-4149-aa03-6b80ada39c7a).html.

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This thesis investigates the production and consumption of the independent music sector in South Korea in the digital age. It examines the value of music and how it is created in the digital age. Thus, it suggests the impacts of the Internet for consumers and producers. The investigation is based on the view that there has been a transition to value co-creation by consumers and producers, away from the traditional view of value being produced by firms alone, and that this value can be symbolic, emotional and experiential. The thesis shows that this transition has indeed occurred in the music i
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10

Park, Young Jun. "In the Presbyterian worship a case study on Presbyterian Church of Korea (TongHap) /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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