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Relevant bibliographies by topics / Korean drama

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Academic literature on the topic 'Korean drama'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Korean drama"

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Li, Ya, and Ho Young Yoon. "Cultural differences in color between countries viewed as Korean-Japanese dramas: Focusing on the color scheme of five remake dramas." Korean Data Analysis Society 25, no. 1 (February 28, 2023): 445–56. http://dx.doi.org/10.37727/jkdas.2022.25.1.445.

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This study examines the colors of identical scenes from five remakes and the five original Korean-Japanese drama, by mixing the country of the origin. In doing so, this study analyzes colors difference of TV drama by production countries. The comparison between the originals and the remakes is conditioning the storyline, genre and plot. Thus, the detailed color difference between Korean and Japanese dramas lies in the production style for cultural contents, instead of contents differences. According to the study's findings, colors with similar hues were favoured in both Korea and Japan, however the Japanese preference tended to be stronger. The chromaticity and brightness color combinations are contrasted between Korea and Japan. In cotrast to Korea, the contrast color combination of chroma and the similar color combination of brightness were more frequent in Japanese drams, which is the opposite to Korean dramas that the contrast combination is more prevalent in brightness measure and similar color combination in chroma measure. The study has demonstrated the need for more research into the appealing power of Korean dramas by comparing color combinations between countries.

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Qorib, Fathul, and Fitri Olievia. "Fenomena dan Pandangan Pria dalam Menonton Drama Korea." Indonesian Social Science Review 1, no. 2 (September 1, 2023): 75–86. http://dx.doi.org/10.61105/issr.v1i2.52.

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Women often consider Korean drama films more preferred because the stories focus on romance, emotions, and interpersonal relationships. Male fans of Korean drama films are considered new and unique, but a negative stigma is often attached to them in Indonesia. Labels such as "weird," "unmanly," and "melancholy" are often applied. This point of view can influence how certain men see and are attracted to Korean drama films. This study aims to find out how men see Korean drama films and how these films affect their lives. Purposive sampling was used to select informants for this study, which included a total of seven people. The method used is a qualitative-descriptive approach. This study used interviews, observations, and documentation to collect data. The data analysis process used in this study is divided into three stages: data reduction, data presentation, and concluding. According to research findings, men who like Korean dramas have a favorable opinion of the Korean Wave program. Everyone has different tastes and perspectives on Korean Wave programming. In addition, Korean films and dramas have also influenced the lifestyle of some fans. Some fans may be inspired by fashion trends, hairstyles, or lifestyles featured in Korean dramas. In addition, the Korean Wave can also affect fans' interest in music, food, and travel to South Korea. However, it is important to note that these perceptions and influences can vary between individuals. Film Drama Korea sering dianggap lebih disukai oleh perempuan karena ceritanya yang fokus pada romansa, emosi, dan hubungan antarpribadi. Laki-laki penggemar film Drama Korea dianggap sebagai hal baru dan unik, namun di Indonesia seringkali disematkan stigma negatif terhadap mereka. Label seperti "aneh", "tidak jantan", dan "melankolis" sering diterapkan. Sudut pandang ini dapat memengaruhi bagaimana pria tertentu melihat dan tertarik pada film drama Korea. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pria melihat film Drama Korea dan bagaimana film tersebut mempengaruhi kehidupan pria. Purposive sampling digunakan untuk memilih informan untuk penelitian ini, yang mencakup 7 orang. Metode yang digunakan adalah pendekatan deskriptif kualitatif. Dalam penelitian ini, wawancara, observasi, dan dokumentasi digunakan untuk mengumpulkan data. Proses analisis data yang digunakan dalam penelitian ini dibagi menjadi tiga tahap: reduksi data, penyajian data, dan penarikan kesimpulan. Menurut temuan penelitian, pria yang menyukai film Drama Korea memiliki pendapat yang baik tentang program Korean Wave. Setiap orang memiliki selera dan sudut pandang yang berbeda tentang pemrograman Korean Wave. Selain itu, film dan Drama Korea juga telah mempengaruhi gaya hidup sebagian penggemarnya. Beberapa penggemar dapat terinspirasi oleh tren fashion, gaya rambut, atau gaya hidup yang ditampilkan dalam drama Korea. Selain itu, Korean Wave juga dapat mempengaruhi minat penggemar dalam hal musik, makanan, dan wisata ke Korea Selatan. Namun, penting untuk dicatat bahwa persepsi dan pengaruh ini dapat bervariasi antara individu.

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Fena Andita Cahyani and Mochammad Rochim. "Manajemen Konflik Penghuni Apartemen dalam Drama Korea." Bandung Conference Series: Communication Management 3, no. 2 (July 25, 2023): 504–9. http://dx.doi.org/10.29313/bcscm.v3i2.7447.

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Abstract. Korean dramas started as drama series that were broadcast by several Korean television stations. The Korean drama series Happiness has its own charm from other similar Korean drama series, one of which is having a positive plot that makes the audience curious about what will happen next. In addition, the resolution of interpersonal conflicts in the drama Happiness is different from other Korean dramas where there is conflict. This study aims to find out how the conflict management of apartment/flat occupants in the Korean drama series Happiness is to survive during the quarantine period which is accompanied by difficulties accessing the internet and telephone. The paradigm used in this study is the constructivism paradigm, the research method used is observation. The data collection technique in this study was literature study, for the data analysis technique used in this study was content analysis technique. The research results obtained are that myth can be interpreted as a connotative meaning that is normally and naturally accepted so that it is hegemonic. The myth referred to in this study is that the drama series Happiness displays conflict scenes and how they are resolved. This film describes the condition when an area is hit by a deadly infectious virus outbreak. Abstrak. Drama Korea berawal dari seri drama yang ditampilkan oleh beberapa stasiun televisi Korea. Serial drama Korea Happiness memiliki daya tarik tersendiri dari serial drama Korea sejenis lainnya, salah satunya yaitu memiliki plot positif yang membuat penonton penasaran akan wacana apa yang akan terjadi selanjutnya. Selain itu, penyelesaian konflik interpersonal pada drama Happiness ini berbeda dengan drama Korea lainnya yang didalamnya terdapat konflik. Penelitian ini memiliki tujuan untuk mengetahui bagaimana manajemen konflik penghuni apartemen/rumah susun pada serial drama Korea Happiness untuk bertahan hidup selama masa karantina yang disertai kesulitan akses internet dan telepon. Paradigma yang digunakan pada penelitian ini yaitu paradigma konstruktivisme, metode penelitian yang digunakan yaitu observasi. Teknik pengumpulan data pada penelitian ini yaitu studi kepustakaan, untuk teknik analisis data yang digunakan pada penelitian ini yaitu teknik analisis isi. Hasil penelitian yang diperoleh yaitu mitos dapat diartikan sebagai makna konotatif yang diterima secara normal dan alamiah sehingga bersifat hegemonik. Mitos yang dimaksud dalam penelitian ini adalah bahwa drama serial Happiness menampilkan adegan-adegan konflik dan bagaimana mereka menyelesaikannya. Film ini menggambarkan kondisi ketika suatu wilayah dilanda wabah virus menular yang mematikan.

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y, Hou Jue, and Jeongmin Ko. "A Study on the Q Methodology on the Factors of Korean Viewers’ Preference for Watching Chinese Drama: Focusing on Costume Drama." Academic Association of Global Cultural Contents 57 (November 30, 2023): 267–90. http://dx.doi.org/10.32611/jgcc.2023.11.57.267.

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With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented. As a result of the study, it was confirmed that the factors that Korean viewers prefer to watch Chinese costume dramas were divided into types that prefer traditional historical dramas and types that prefer fusion historical dramas. Cultural curiosity is the preferred factor in the pursuit of traditional culture that likes traditional historical dramas based on cultural similarities. Based on cultural similarities, fusion historical dramas can be divided into visual effect-seeking types that prefer colorful production environments and fandom-seeking types that prefer to like actors, and content excellence is the preferred factor. It can be seen that this is an individual's subjective taste in which various factors of preference for Chinese costume drama appear depending on the viewing tendency. This study is meaningful in presenting the factors of Korean viewers' preference for viewing differently depending on the preference for viewing traditional historical dramas and fusion historical dramas in the production environment of Chinese costume drama.

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Khairiah, Khairiah, Cindenia Puspasari, Ratri Candrasari, and Ade Muana Husniati. "TERPAAN DRAMA KOREA TERHADAP GAYA HIDUP MAHASISWA ILMU KOMUNIKASI UNIVERSITAS MALIKUSSALEH." Jurnal Ilmu Sosial dan Ilmu Politik Malikussaleh (JSPM) 3, no. 2 (December 14, 2022): 410. http://dx.doi.org/10.29103/jspm.v3i2.4013.

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Korean drama series produced by foreign stations in Korea are very popular in Indonesia and have many fans. Some of the reasons are Korean dramas provide great inspirations, especially on lifestyle and fashion ideas. The purpose of the research is to determine how much Korean drama exposure has on influenced the fans’ lifestyle, especially the students of Communication Science at Universitas Malikussaleh. The research sample was taken using the purposive sampling technique. The research approach used is quantitative with survey techniques and data analysis using SPSS (Statistical Package for Social Sciences) version 22. The results of this research showed that there is an influence between the Korean drama exposure variable on the fan lifestyle variable in Communication Science students at Malikussaleh University.Drama Korea yang memproduksi serial drama dari negara Korea sangatlah popular di Indonesia. Hal ini dikarenakan drama Korea dapat memberi banyak inspirasi, khususnya pada gaya hidup dan fashion. Tujuan dari penelitian ini untuk mengetahui adakah pengaruh terpaan drama Korea terhadap gaya hidup penggemar pada mahasiswa ilmu komunikasi. Sampel penelitian ini diambil dengan menggunakan teknik purposive sampling. Pendekatan penelitian yang digunakan adalah kuantitatif dengan teknik survey dan menganalisis data dengan SPSS (Statistical Package for Social Sciences) versi 22. Hasil penelitian ini menunjukkan bahwa ada pengaruh antara variabel paparan drama Korea terhadap variabel gaya hidup penggemar pada mahasiswa ilmu komunikasi di Universitas Malikussaleh.

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Wullur, Falencia, Frederik G. Worang, and Ferdinand J. Tumewu. "THE INFLUENCE OF KOREAN POPULAR CULTURE TOWARDS THE INTENTION TO VISIT SOUTH KOREA (Survey on Student’s in Sam Ratulangi University Manado)." Jurnal EMBA : Jurnal Riset Ekonomi, Manajemen, Bisnis dan Akuntansi 11, no. 1 (January 13, 2023): 65–76. http://dx.doi.org/10.35794/emba.v11i1.45183.

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The popularity of Korean culture around the world has made people affected by this culture. This Korean culture well known as Korean Wave or Hallyu phenomena cover various aspects such as drama, music, fashion, make-up and etc. Korean Wave or Hallyu is a term to describe South Korean pop culture that has been successfully exported across the globe, including Indonesia specifically in Manado City. The objectives of this study are to determine the students in Sam Ratulangi University Manado perceive South Korean images as a Potential tourist destination that is seen in Korean Pop, Korean dramas, and Korean Food could lead to the intention to visit South Korea in the future. The research respondents were 108 respondents. Questionnaire distribution is carried out online using Google Form. The method that researchers use in this study is a quantitative method. The data analysis method used was multiple linear regression analysis using SPSS as a data processing tool. The results from research data on the influence of the Korean Wave on the South Korean tourism sector, researchers found that Korean wave (K–Pop, K–Drama, K–Food) influence the students intention to make South Korea as a Potential Tourist Destination. In other words Korean Wave can affect the South Korea tourism sector. Keywords: korean pop, korean drama, korean food, south korea, intention to visit

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Ramadhani, Muthiara, Wahyu Utamidewi, and Flori Mardiani Lubis. "Pengalaman Komunikasi Santriwati Dalam Menonton Drama Korea." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 2 (August 18, 2023): 472–78. http://dx.doi.org/10.47467/dawatuna.v4i2.4024.

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This research aims to understand the communication experiences of female Islamic boarding school students (santriwati) in watching Korean dramas. The research method used is a qualitative method phenomenology approach. The research data was obtained through in-depth interviews and participant observation with santriwati who have experience in watching Korean dramas. The results of the study show that the communication experiences of santriwati in watching Korean dramas involve aspects such as emotional involvement, identification with characters, exploration of Korean culture, and the use of social media. In this context, santriwati express that watching Korean dramas provides them with strong emotional experiences, such as feeling connected to the characters, experiencing the same emotions, and sharing happiness or sadness together. They also develop identification with the characters in Korean dramas, associating their own struggles and feelings with the stories depicted. Moreover, watching Korean dramas provides an opportunity for santriwati to learn about Korean culture. They are interested in traditional clothing, food, music, and social customs portrayed in the dramas. Some of them are even interested in learning the Korean language. Korean dramas also provide insights into everyday life in Korea and broaden their knowledge of the world. The use of social media is also an important part of santriwati's communication experiences in watching Korean dramas. They use social media platforms such as Facebook, Twitter, and Instagram to share opinions, emotions, and recommendations about the dramas they watch. Social media also serves as a platform for them to connect with other Korean drama fans, both within and outside the santriwati community. This research provides a deep understanding of the communication experiences of santriwati in watching Korean dramas. The findings of this study can provide insights to cultural enthusiasts, drama producers, and other researchers on how Korean dramas can influence the emotions, identity, and social interactions of santriwati. The implications of this research can also be used in the development of cultural content and intercultural understanding among santriwati. Keywords: Communication experiences, santriwati, Korean dramas.

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Wijaya, Sherlina, and Lusia Savitri Setyo Utami. "Representasi Karakter Autism Spectrum Disorder dalam Drama Korea ‘Extraordinary Attorney Woo’." Koneksi 7, no. 2 (October 5, 2023): 298–307. http://dx.doi.org/10.24912/kn.v7i2.21371.

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The existence of public stigma against people with disabilities encourages writers to show disability issues in a literary work, namely drama. The Korean drama 'Extraordinary Attorney Woo' is one of the South Korean dramas that raises the issue of people with disabilities, autism spectrum disorder, through drama. By using Roland Barthes' semiotic analysis, researchers want to know and describe how the representation of autism spectrum disorder characters is displayed in the Korean drama 'Extraordinary Attorney Woo'. The theoretical foundations in this research are mass communication, drama, representation, autism spectrum disorder characters, and semiotics. This research is descriptive with a qualitative research approach. The results showed that the Korean drama 'Extraordinary Attorney Woo' is a form of mass communication that provides information by representing the life of a person with an autism spectrum disorder in South Korea. This is shown by the common stereotypes imposed on people with autism spectrum disorder and the lack of tolerance of society. In addition, there are difficulties in communicating, adapting, and interacting with people with autism spectrum disorder. The drama also shows the stigma and discrimination experienced by people with autism spectrum disorder in South Korea. Adanya stigma masyarakat terhadap penyandang disabilitas mendorong sastrawan untuk memperlihatkan isu disabilitas ke dalam sebuah karya sastra yaitu drama. Drama Korea ‘Extraordinary Attorney Woo’ merupakan salah satu drama Korea Selatan yang mengangkat isu penyandang disabilitas, autism spectrum disorder, melalui drama. Dengan menggunakan analisis semiotika Roland Barthes, peneliti ingin mengetahui dan mendeskripsikan bagaimana representasi karakter autism spectrum disorder yang ditampilkan di dalam drama Korea ‘Extraordinary Attorney Woo’. Landasan teoritis dalam penelitian ini merupakan komunikasi massa, drama, representasi, karakter autism spectrum disorder, dan semiotika. Penelitian ini bersifat deskriptif dengan pendekatan penelitian kualitatif. Hasil penelitian menunjukkan, drama Korea ‘Extraordinary Attorney Woo’ merupakan salah satu bentuk komunikasi massa yang memberikan informasi dengan merepresentasikan kehidupan seorang penyandang autism spectrum disorder di Korea Selatan. Hal ini ditunjukkan dengan stereotip umum yang dikenakan pada penyandang dan kurangnya toleransi masyarakat. Selain itu, terdapat kesulitan berkomunikasi, beradaptasi, dan berinteraksi penyandang autism spectrum disorder. Drama juga menunjukkan stigma buruk hingga diskriminasi yang dialami oleh penyandang autism spectrum disorder di Korea Selatan.

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Kyung, Ko Yoo, and Sarah Salsabila. "REPRESENTASI RESISTENSI KEKUASAAN BUDAYA PATRIARKI DALAM DRAMA WHEN THE CAMELLIA BLOOMS." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 3, no. 2 (April 30, 2024): 490–95. http://dx.doi.org/10.47313/aksarabaca.v3i2.3641.

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ABSTRAK Korea merupakan salah satu negara Asia Timur yang masih menganut budaya patriarki dikarenakan masyarakat Korea mengacu pada ajaran Konfusianisme. Dalam sejarah masyarakat tradisional Korea, perempuan sejak usia muda diajarkan untuk mempersiapkan perannya sebagai istri dan ibu yang mempertahankan keharmonisan rumah tangga dan merawat anggota keluarganya. Terdapat beberapa drama Korea yang menceritakan mengenai budaya patriarki, salah satunya drama yang berjudul when the camellia blooms (2019). Penelitian ini bertujuan untuk menjelaskan representasi kekuasaan budaya patriarki dalam drama when the camelia blooms dan resistensi kekuasaan budaya patriarki dalam masyarakat Korea modern. Penelitian ini menggunakan metode kualitatif dengan deskriptif analisis dimana penulis menganalisis resistensi kekuasaan dalam masyarakat Korea modern dan representasi kekuasaan budaya patriarki yang ada dalam drama when the camellia blooms. Hasil penelitian ini menunjukan bahwa dalam drama when the camellia blooms terdapat beberapa adegan yang menyindir kekuasaan budaya patriarki dalam kehidupan bermasyarakat Korea. Ketidakadilan berbasis gender yang ditimbulkan budaya patriarki tentu menimbulkan resistensi dari kaum perempuan. Dalam drama when the camellia blooms terdapat sebanyak 4 adegan yang merepresentasikan resistensi kaum perempuan terhadap kekuasaan budaya patriarki. Abstract Korea is one of the East Asian countries that still adheres to patriarchal culture because Korean society refers to Confucianism. In the history of traditional Korean society, women were taught from a young age to prepare for their roles as wives and mothers who maintain household harmony and care for their family members. There are several Korean dramas that tell about patriarchal culture, one of which is the drama entitled When the Camellia Blooms (2019). This research aims to explain the representation of patriarchal cultural power in the drama When the Camellia Blooms and the resistance to patriarchal cultural power in modern Korean society. This research uses a qualitative method with descriptive analysis where the author analyzes the resistance to power in modern Korean society and the representation of patriarchal cultural power in the drama When the Camellia Blooms. The results of this research show that in the drama When the Camellia Blooms there are several scenes that satirize the power of patriarchal culture in Korean social life. Gender-based injustices caused by patriarchal culture certainly give rise to resistance from women. In the drama When the Camellia Blooms there are 4 scenes that represent women's resistance to patriarchal cultural power.

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Rahayu, Tia Seksiati, Rafelita Cindra Inata Wahyudi, Ridho Firman Haqiqi, Rizky Ayu Lestari, Thamira Imanuna Kamilah, and Prawinda Putri Anzari. "Pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial (JIHI3S) 1, no. 8 (August 23, 2021): 959–66. http://dx.doi.org/10.17977/um063v1i8p959-966.

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The effects of globalization which resulted in the acceleration of information exchange made many teenagers or students like Korean dramas so they prefer to spend their time just watching a Korean drama. In the end, the student is negligent and forgets about his obligation, namely studying, which can reduce interest in learning. And formulation the problem research is how the inspiring of favoring Korean dramas on the learning interest of FIS UM 2020 students and how long it takes students to watch Korean dramas. In this study, a quantitative survey method was applied by distributing questionnaires to respondents. In determining the sample, researchers used purposive sampling. As for the study population, namely all students of FIS UM 2020, as many as 948 students with a sample of 100 respondents. Researchers collected data using a research instrument, namely a questionnaire in the form of a google form. The data analysis technique uses the SPSS 25 application to test the validity, reliability, t test and f test. As for the results of this research prove the influence of having a passion for Korean drama on student interest in learning at the FIS UM 2020. Evidenced in the t test and f test. where the T test resulted in a sig value of 0.01 less than 0.05 with t hit 7.136 more than t tab 1.66039. In addition, in the f test it was found that the sig value 0.01 less than 0.05 or the f hit value was 50.928 more than 3.94. The duration needed to enjoy Korean dramas is 1 hour with 34 respondents. Thus, this study has a conclusion in the form of the influence of favoring Korean dramas on the learning interest of FIS UM 2020 students, so that it gives results Ha is accept and H0 is reject. Efek globalisasi yang mengakibatkan percepatan pertukaran informasi membuat banyak kaum remaja atau mahasiswa menggemari drama Korea sehingga mereka lebih memilih menghabiskan waktu hanya untuk menonton sebuah drama Korea. Pada akhirnya mahasiswa tersebut lalai dan lupa akan kewajibannya yakni belajar yang dapat menurunkan minat belajar. Adapun rumusan masalah penelitian yakni bagaimana pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020. Serta berapa durasi yang dibutuhkan mahasiswa dalam menonton drama Korea. Dalam penelitian ini menerapkan metode kuantitatif survey dengan menyebarkan kuesioner kepada responden. Penentuan teknik sampling menggunakan purposive sampling. adapun populasi penelitian yakni seluruh mahasiswa FIS UM 2020 sebanyak 948 mahasiswa dengan sampel sebanyak 100 responden. Peneliti mengumpulkan data menggunakan instrument penelitian yakni kuesioner yang berupa google formulir. Adapun teknik analisis data memanfaatkan aplikasi SPSS 25 untuk menguji validitas, reliabilitas, uji t serta uji f. Adapun hasil riset ini membuktikan adanya pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020. Terbukti pada uji t serta uji f. Dimana uji T dihasilkan nilai sig 0,01 kurang dari 0,05 dengan t hit 7,136 lebih dari t tab 1,66039. Selain itu, dalam uji f didapatkan bahwa nilai sig 0,01 kurang dari 0,05 atau nilai f hit 50.928 lebih dari 3.94. Durasi yang banyak dibutuhkan untuk menggemari drama Korea sebanyak 1 jam dengan 34 responden. Dengan demikian maka penelitian ini memiliki kesimpulan berupa adanya pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020, sehingga memberikan hasil dimana Ha diterima dan H0 ditolak.

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Dissertations / Theses on the topic "Korean drama"

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Um, Hae-Kyung. "Making P'ansori : Korean musical drama." Thesis, Queen's University Belfast, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.483448.

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Park, Choon-Keun. "Identity, society, and history in modern Korean plays three aspects of three modern Korean plays; Moonlight play, Material man, and Terrorists /." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1145642426.

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Jeon, Won Kyung. "The 'Korean Wave' and television drama exports, 1995-2005." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4499/.

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Evidently, Korean dramas have become, within just a decade, one of the types of broadcasting content most in demand in many Asian countries, but this popularity, frequently called the Korean Wave, seems to have been obtained rather unexpectedly. This thesis examines how the Korean broadcasting industry succeeded in breaking into neighbouring markets over a relatively short period of time, and whether the Korean government played a certain role in supporting the fast acquisition of Korean dramas of Asian audiences. Through the analysis, using a combined research method, the thesis uncovers how the government’s support policies have not provided meaningful help for drama exports. Rather, the subordinate relationship of Korean broadcasters to the government and the relatively early marketisation of the Korean broadcasting industry have more efficiently stimulated Korean dramas’ entrance into neighbouring broadcasting markets.

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Hwang, Yun Mi. "South Korean historical drama : gender, nation and the heritage industry." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.

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From the dynamic landscape of contemporary South Korean cinema, one trend that stands out is the palpable revival of the historical drama (known as the ‘sageuk’ in Korean). Since the early 2000s, expensive, visually striking, and successful costumed pieces have been showcased to the audience. Now rivalling the other mainstream genres such as gangster action, romantic comedy, and the Korean blockbuster, the sageuk has made an indelible impact on the national film industry. Even so, the cycle has yet to receive much critical attention. This thesis addresses the gap, driven by the question, what is the impetus behind the surge of the ‘historical’ witnessed in recent sageuk films? For this, I first take a diachronic view of the historical context of the genre, which later serves as the reference point for the genre memory. Adopting a synchronic approach, I then examine the industrial, political, and social contexts in Korea at the turn of the new century that facilitated the history boom. While national memory and transnational politics fuelled Koreans’ interest in their past, the popular media – cinema, television, publishing industry, and performance theatre – all capitalised on this drive. The government also took part by supporting the ‘culture content industry’ as a way to fashion an attractive national image and accelerate the cultural export system. Collectively, these efforts translated to the emergence of history as a commodity, carving a unique space for historical narratives in the national heritage industry. As such, different agents – the consumers, the industry, and the state – had their stakes in the national mobilisation of history and memory with competing ideological and commercial interests. Ultimately, the sageuk is the primary site in which these diverging aspirations and desires are played out. In chapters that follow, I engage with four main sub-types of the recent historical drama, offering textual and contextual readings. The main discussion includes the ‘fusion’ sageuk (Untold Scandal), the biopic (King and the Clown and Portrait of a Beauty), the heritage horror (Blood Rain and Shadows in the Palace), and the colonial period drama (Rikidozan, Blue Swallow and Modern Boy). While analysing the generic tropes and narrative themes of each film, I also pay attention to contemporary discourses of gender, and the cultural treatment of masculinity and femininity within the period setting. Such investigation, in turn, locates the place of the historical genre in New Korean Cinema, and thus, offers a much-needed intervention into one of the neglected topics in the study of cinematic trends in South Korea.

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Kim, Jung-Hyo. "Beyond the horizon of the Pacific Ocean : the influence of the United States on the modern Korean theatre from 1945 through the late 1970s /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9977906.

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Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 180-203) and indexes. Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9977906.

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Lee, Bo Hyun Languages &amp Linguistics Faculty of Arts &amp Social Sciences UNSW. "Unexplored aspects of socio-pragmatics in Korean refusals." Publisher:University of New South Wales. Languages & Linguistics, 2008. http://handle.unsw.edu.au/1959.4/41432.

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This study explores socio-pragmatic aspects of refusals in Korean. Past researches asserted that 1) Korean speakers seldom use direct refusal formulas (e.g., Byon 2003; Lyuh 1994; Sohn 1986) and 2) Korean speakers frequently employ statement of regret/apology when refusing (e.g., Byon 2003; Kwon 2004; Lyuh 1994). Upon analysing 133 refusals drawn from Korean drama data, four generalisations are formulated, two of which are in direct conflict with the findings of past studies. The four generalisations have been further substantiated through survey process of 118 native Korean speakers in Seoul, Korea. Through the use of drama data and reinforcement via surveys, this study proposed that 1) direct refusals (e.g., direct no, negatives willingness/ability) are a common attribute of Korean refusals (showing 23.8% of total semantic formulas in the drama data), to a much greater extent than previously thought. 2) Statement of regret/apology is not a common strategy employed by native Korean speakers (1.9% of total semantic formulas in the drama data) unless a large power and/or distance variable is involved. 3) Positive opinion/feeling (e.g., "I would love to but. .. ") is also not frequently employed by native Korean speakers. 4) Frequent uses of criticism of the request/requester etc. (15.3%) identified in the data were mostly in argumentative contexts and through the results of the survey, we argue that some offrecord strategies are equally strong or stronger than bald-on-record strategies. This study introduces the use of drama as a valuable source of near-natural speech data. To date, the use of drama data in analysing speech acts have been very limited. By analysing drama data, new aspects of Korean refusals have been uncovered. In particular, this study has been found that many of the refusals involve more the augmentation of face threat than its minimisation, unless there is a large power difference and/or a distance to maintain. This is seemingly in contrast to what is assumed in the politeness theory formulated by Brown and Levinson (1987).

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Roupcová, Michaela. "Fenomén jihokorejské kulturní vlny v kontextu globalizace." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-203978.

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The master thesis analyses the South Korean culture wave (known as Hallyu) in the context of globalisation and Internet development. The theoretical part defines key terms in the area of globalisation, focusing on cultural globalisation and the role of Internet. This part further explains the origins and the spread of Korean popular culture with focus on its glocalization and the role of social media and the benefits of the wave for its country. The practical part of this master thesis deals with the presence of Korean wave in the Czech Republic. Included is also own research aimed at Czech fans of Korean culture. The final part includes the research evaluation, interpretation of the findings and the results obtained.

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Park, Changhee. "Ideological Representations of Gender in Television: Ideological and Structuralist Semiotic Analysis of Korean Television Drama /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487931512616791.

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Park, Man Ki. "The Strange Case of the Animated Jekyll and the Online Hyde : a documentary study of Korean youth culture and identity." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/19665.

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Robert Louis Stevenson s The Strange Case of Dr Jekyll and Mr Hyde (1886) is the starting point for my practice-led research project. Stevenson's Victorian novella enables me to identify core themes which are pertinent to a discussion of the construction of contemporary identities in Korean youth culture. These identities are exemplified in the creation of avatars the virtual characters of animated online games such as massively multiplayer online role-playing games (MMORPGs). My animation practice is developed by addressing how Jekyll and Hyde provides useful critical and creative tools, such as gothic imagery and detective thrillers, for looking at the double . This concept is used to investigate the case of a young Korean boy, addicted to online gaming, who committed violent acts. My animated drama-documentary draws on research into the real and virtual Korean worlds and employs a visual ethnographic methodology to test my research question: in what ways can the construction of 'identity' (based on concepts drawn from 'Jekyll and Hyde') be identified in contemporary 'virtual' media (i.e. 'MMORPGs'/the 'animated' documentary), and how does this facilitate an address of the specific case of 'Korea' and 'Korean-ness'? The thesis is structured into five chapters: The Idea of Dr Jekyll and Mr Hyde, Theorising Identities in a Korean Context, Theorising Visual Ethnography, Theorising Animated Drama-Documentary, and A Film Practice as Animated Drama-Documentary in Visual Ethnography. Evidence of the research process and findings is located in a series of appendices. Theories about the construction of identity are discussed from three different perspectives: sociology, psychoanalysis and bio-culturalism. In my film practice, I look for the connection between the anxious self and Korean social issues, such as modernisation and the 1997 IMF economic crisis, to account for Korean youth s identity formation through online gaming. My research shows that many South Korean MMORPG users construct identity within contemporary virtual media and that this contributes to a very complex Korean-ness amongst Korean youth. Online gaming has both positive and negative consequences. Immersion in the virtual world can lead to addiction and to the violence which is at the core of my film narrative. It can also result in close online friendships, offering kinship not available in many broken families, or families inhibited in their communication by social roles and expectations, or the effect of economic failure and loss. My practice criticises young Korean people's narrow and limited social environment and proves that they desire liberal expression and decision-making for themselves, which can be experienced through the embodiment of animated avatars in MMORPGs. Hence, the online Hyde , though assumed to be a negative or destructive force, is actually a vehicle for varied and numerous social identities for youth culture preferable to those available in real Korean society. The research mounts a critique of the meaning of the online Hyde , not as a misrepresentative and negative representation of Korean-ness, but as a revelation of its contemporary meaning which can be articulated though animation, a tool which has applications within visual ethnography.

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Yun, Hunam. "Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/34647/.

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My thesis explores how a translated author on the periphery of the host culture’s translated repertoire can be at once subversive and innovative on the colonial scene, using as an example the case of Sean O’Casey in colonial Korea. It explores the importation of Irish drama in modern Korean theatre during the colonial period and examines the appropriations of O’Casey’s plays by a central Korean playwright, Yu Chi-jin, in creating his own plays. Under Japanese colonial rule in the early twentieth century, intellectuals perceived the supreme task for the Korean people to be the recovery of national sovereignty and independence. The modern Korean theatre movement which rose among Korean intellectuals and dramatists during the colonial period was to play a major part in this task. The ultimate goal of this movement was to establish a modern national theatre promoting Korean culture and educating the people, thereby recovering national independence. As their modernised dramatic polysystem was still "young", Korean intellectuals and dramatists who were involved in the theatre movement had to borrow dramatic models from other countries. One of the models they chose was Irish playwrights, especially those who were involved in the Irish dramatic movement. They published or staged the works of W.B. Yeats, Lord Dunsany [Edward John Moreton Drax Plunkett], Augusta Gregory, J.M. Synge, St. J. Ervine, T.C. Murray and Sean O'Casey. Although O'Casey was considered an important dramatist in the Irish dramatic movement, he was a playwright on the periphery in the list of translated Irish dramatists in Korea due to the colonisers’ censorship. However, he remained as a subversive and innovative playwright on the colonial scene by virtue of being appropriated by Yu Chi-jin who used O’Casey’s plays as models when creating his own works. In discussing the subject matter of my thesis, I use Even Zohar’s polysystems theory as a starting point in looking at ideological issues surrounding translation and extend the discussion to offer a postcolonial perspective. While most translation in a colonial context was considered as "an expression of the cultural power of the colonisers," my thesis shifts the focus to translation as an expression of the cultural power of the colonised. I explore how the colonised uses another colonised culture to subvert the colonisers’ power.

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Books on the topic "Korean drama"

1

Richard, Nichols, ed. Modern Korean drama: An anthology. New York: Columbia University Press, 2009.

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1924-, Lee Duhyun, ed. Korean performing arts: Drama, dance & music theater. Seoul, Korea: Jipmoondang Pub. Co., 1997.

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Cho, Tong-il. Korean mask dance. Seoul, Korea: Ewha Womans University Press, 2005.

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Yi, Yun-tʻaek. Four contemporary Korean plays. Lanham, MD: University Press of America, 2007.

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Hŭi-wan, Chʻae, and Im Chin-tʻaek, eds. Hanʼguk ŭi minjunggŭk: Madang kut yŏnhŭibon 14-pʻyŏn. Sŏul Tʻŭkpyŏlsi: Chʻangjak kwa Pipʻyŏngsa, 1985.

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1888-1954, Yun Paeng-nam, ed. Han'guk kŭndae hŭigŭk chŏnjip. Sŏul T'ŭkpyŏlsi: Yŏn'gŭk kwa In'gan, 2019.

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Suh, Lloyd. Masha no home: A drama. New York: Playscripts, Inc., 2003.

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Jaeu, Choi, ed. I ttang ŭn nik'ang naek'ang: Taegu chiyŏk minjokkŭk sŏnjip. Seoul-si: T'aehaksa, 1996.

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Chŏng, Chi-chʻang. Sŏsagŭk, madanggŭk, minjokkŭk: Chŏng Chi-chʻang pʻyŏngnonjip. Sŏul Tʻŭkpyŏlsi: Chʻangjak kwa Pipʻyŏngsa, 1989.

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Sŏng, Tong-min. Kut pai DMZ: Sinario chakp'umjip. Sŏul-si: Pappuk, 2021.

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Book chapters on the topic "Korean drama"

1

Fung, Anthony, and Jindong Leo-Liu. "Netflix and Korean Drama." In Introducing Korean Popular Culture, 118–25. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003292593-14.

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Kang, Jennifer M. "Korean Web Drama on the Rise." In Introducing Korean Popular Culture, 149–56. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003292593-18.

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Ham, Seongju. "Function of Festival as a Social Drama." In Korean Film and Festivals, 125–36. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429327841-9.

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Leo, Jeaqualine Imanuella Esaf, Fitri Aprilianty, and Nurrani Kusumawati. "The Influences of Kopiko’s Product Placement in Korean Drama Towards Indonesian Korean Drama Viewers Purchase Intention." In Proceedings of the 7th Global Conference on Business, Management, and Entrepreneurship (GCBME 2022), 529–41. Dordrecht: Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-234-7_54.

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Yun, Hunam. "The Modern Korean Theatre Movement and Western Drama." In Appropriations of Irish Drama in Modern Korean Nationalist Theatre, 12–63. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003163947-2.

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Yun, Hunam. "Irish Drama in Modern Korean Theatre under Colonialism." In Appropriations of Irish Drama in Modern Korean Nationalist Theatre, 64–122. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003163947-3.

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Hardiyanti, Wahyu Mardaning, and Markhamah. "Moral Value in Korean Drama Extraordinary Attorney Woo." In Proceedings of the International Conference on Learning and Advanced Education (ICOLAE 2022), 2401–18. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-086-2_191.

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Locher, Miriam A., and Thomas C. Messerli. "“What Does Hyung Mean Please?”: Moments of Teaching and Learning About Korean (Im)politeness on an Online Streaming Platform of Korean TV Drama." In Exploring Korean Politeness Across Online and Offline Interactions, 121–54. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50698-7_6.

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AbstractIn this paper we combine an interest in the pragmatics of fiction with interpersonal pragmatics by exploring how Korean (im)politeness norms surface and are negotiated in fictional TV drama. Our data is derived from the streaming platform Viki.com, which allows viewers to comment on the episodes they stream. Building on previous work by (Locher, Journal of Pragmatics 170:139–155, 2020), we first report on the pervasive occurrence of scenes containing ‘moments of relational work’ in Korean TV drama and then explore how viewers comment on this very relational work. While our quantitative results show that viewers do indeed pick up on (im)politeness negotiations (in linguistic and embodied, multimodal form), this finding is relativized by the many other functions that the comments also have. Nevertheless, we are able to show question–answer sequences about relational work and identity ‘moments of teaching and learning’ about Korean (im)politeness in this online fan community.

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Azizah, Asma, Dias Eka Putri, Savina Putri Aryana, and Velayeti Nurfitriana Ansas. "Korean Terms of Address in Drama Hospital Playlist 2." In Proceedings of the Sixth International Conference on Language, Literature, Culture, and Education (ICOLLITE 2022), 93–98. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-91-6_15.

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Chouchane, Selma. "The Nuclear Family in the Twenty-First-Century Korean Drama." In The Asian Family in Literature and Film, 515–34. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2500-7_23.

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Conference papers on the topic "Korean drama"

1

Guo, Yuzhen, and Wenwen Bi. "Contrastive Narration in Korean Family Drama." In Proceedings of the 4th International Conference on Humanities Science, Management and Education Technology (HSMET 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/hsmet-19.2019.97.

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Lestari, Silvia Resti Ayu, and Debora Bassaria. "Emotional Description of Adolescent Korean Drama Fans." In 3rd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220404.229.

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Guo, Yuzhen, and Wenwen Bi. "The Dramatic Narrative Tendency of Korean Family Drama." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.40.

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Guo, Yuzhen, and Wenwen Bi. "Features of Daily Life Narration in Korean Family Drama." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.206.

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Herningtyas, Ratih, and Febrianti D. L. Wardhanny. "Korean Drama Liberalization?: Political Economy of Product Placement Legalization for Foreign Companies in South Korea." In 4th International Conference on Sustainable Innovation 2020–Social, Humanity, and Education (ICoSIHESS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210120.116.

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Listiani, Endri, Deddy Mulyana, Edwin Rizal, and Ahmad Mulyana. "The Reception Audience of the Woman’s Beauty in Korean Drama." In Proceedings of the Social and Humaniora Research Symposium (SoRes 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/sores-18.2019.59.

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Nuzuli, Ahmad Khairul. "Audiences Meanings on Figure Disabilities in Korean Drama Scarlet Heart." In International Conference on Media and Communication Studies(ICOMACS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icomacs-18.2018.30.

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Cho, Heeryon, Woo Kyu Kang, Youn-Soo Park, Sun Geu Chae, and Seong-joon Kim. "Multi-Label Facial Emotion Recognition Using Korean Drama Video Clips." In 2022 IEEE International Conference on Big Data and Smart Computing (BigComp). IEEE, 2022. http://dx.doi.org/10.1109/bigcomp54360.2022.00049.

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Nabila Hamdan, Farah, and Norlis Ismail. "Korean Drama As Educational Tools That Develop Mutual Understanding Between Countries." In Proceedings of the 8th UPI-UPSI International Conference 2018 (UPI-UPSI 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/upiupsi-18.2019.11.

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Kertamukti, Rama. "“Love in Tokyo” in the Perspective of Korean Drama Lovers of Santriwati." In Annual International Conference on Social Sciences and Humanities (AICOSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200728.008.

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Reports on the topic "Korean drama"

1

Lee, Hayoung. Hayounghaseyo: Creating a podcast with the stories of Korean dramas/films and their representations. Ames (Iowa): Iowa State University, December 2023. http://dx.doi.org/10.31274/cc-20240624-814.

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