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1

Fella, Shani, and Fitri Murfianti. "Wacana Drama Korea dalam Iklan Sprite Versi “Kenyataan Gak Kayak Drama Korea”." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 14, no. 2 (2020): 57–69. http://dx.doi.org/10.33153/dewaruci.v14i2.2705.

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The development of the Hallyu, or Korean Wave, has an impact on product advertising in Indonesia, which uses many actors and discourses brought from Korean culture.Starting from this it turns out that growing questions about the possibility of Korean Wave can shape new consumption interests and behaviors that have an interest in Korea. The study, entitled Korean Drama Discourse in the Sprite ad version “Kenyataan Gak Kayak Drama Korea” is an advertisement for Sprite beverage products identified using Korean drama discourse with humor at the end of the story. The research method used is descrip
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Agustini, Fajar, and Khoirun Nisa. "Penerapan Model AHP Pada Pemilihan Aplikasi Streaming Drama Korea." INFORMATICS FOR EDUCATORS AND PROFESSIONAL : Journal of Informatics 5, no. 2 (2021): 127. http://dx.doi.org/10.51211/itbi.v5i2.1540.

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Technology is developing very fast and is increasingly global, various kinds of the latest technological discoveries and various kinds of applications offered by each company will continue to compete, one of which is the Korean drama streaming application program. However, it is not just one Korean drama streaming application, but many other streaming applications that have sprung up and can make users hesitate to choose a streaming application to watch quality Korean dramas. Selection of useful criteria for selecting Korean drama streaming applications using the Analytical Hierarchy Process a
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Abidin, Zainal. "Hubungan Antara Tayangan K-Drama di Televisi dengan Perilaku pada Anak Remaja dalam Mengimitasi Korean Fashion." KOMUNIKA: Jurnal Dakwah dan Komunikasi 13, no. 1 (2019): 65–79. http://dx.doi.org/10.24090/komunika.v13i1.2075.

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Recent phenomenon of television is often shows a variety of Korean products and one of them was Korean drama (K-Drama). K-Drama is one of the television drama series that is famous until today and very popular among public. The objective of this research was to find out is there a relationship between K-Drama shows in television with behavior of the teenager to imitate Korean fashion at Bhinneka highschool Karawang. This research used quantitative with correlational analysis data by using social learning theory from Albert Bandura. The Theory was discovered by Albert Bandura to discuss the lea
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Ri'aeni, Ida. "Pengaruh Budaya Korea (K-Pop) Terhadap Remaja Di Kota Cirebon." Communications 1, no. 1 (2019): 1–25. http://dx.doi.org/10.21009/communications.1.1.1.

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Berbagai produk budaya Korea mulai dari drama film, lagu, fashion, gaya hidup produk-produk industri mulai mewarnai kehidupan masyarakat di berbagai belahan dunia. Budaya Korea berkembang begitu pesatnya dan meluas serta diterima publik sampai menghasilkan sebuah fenomena demam Korean Wave. Budaya dan gaya hidup Korea (Hallyu atau Korean Wave) telah menjadi budaya populer yang menyebar ke berbagai negara termasuk Indonesia. Belakangan ini budaya Korea atau K-pop begitu mewabah pada remaja di Indonesia termasuk remaja di sekitar Kota Cirebon. K-pop tidak hanya soal musik, akan tetapi lebih tera
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Pratama, Aditya Putra. "Nature Republic dan Innisfree Sebagai Soft Power Brand Ambasador and Personality Korea Selatan di Indonesia." Jurnal Manajemen Strategi dan Aplikasi Bisnis 4, no. 1 (2021): 1–12. http://dx.doi.org/10.36407/jmsab.v4i1.263.

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Brand Ambassador is an instrument of achieving the interests of the state which is popularly used South Korea as one example of countries that use their Brand Using (Hallyu) as the mediums to get achieved success in Indonesia. in 2002, Indonesia began to look at South Korea by showing Korean drama with the introduction of Korean drama in Indonesia through private television. The reason for the development of Korean pop culture (Korean Wave) in Indonesia is the embodiment of globalization. In the communication and cultural dimensions, South Korea is increasingly recognized by the Indonesian pub
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Zahidi, M. Syaprin. "KSCC dan Diplomasi Budaya Korea." Insignia Journal of International Relations 3, no. 01 (2016): 44. http://dx.doi.org/10.20884/1.ins.2016.3.01.467.

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AbstrakEkspansi Budaya Republik Korea yang biasa disebut sebagai Hallyu benar-benar bisa dikatakan menunjukkan hasil yang signifikan di Indonesia. Signifikansi dari ekspansi budaya Republik Korea itu dapat dilihat pada menjamurnya komunitas-komunitas Korea yang dibentuk di beberapa kota di Indonesia seperti Running Man Lovers, Forever Dance center Jakarta (FDC Kpop dance cover), UI Hangugo Dongari dan masih banyak yang lainnya. Dalam Penelitian ini Peneliti Melihat bahwa Republik Korea menggunakan segala sumber dayanya untuk melakukan ekspansi budaya di Indonesia antara lain melalui pameran bu
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Bodomo, Adams, and Eun-Sook Chabal. "Africa – Asia Relations through the Prism of Television Drama." African and Asian Studies 13, no. 4 (2014): 504–29. http://dx.doi.org/10.1163/15692108-12341319.

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Even though many African and Asian countries share a common history of European colonialism and thus a model of economic development shaped within the aegis of center-periphery analysis, many Asian countries have been able to ride through the burden of center-periphery economics and built more successful political economies than most African countries. This state of affairs has often led many African analysts to point to Asian success stories like China and South Korea for comparative analysis and often see these Asian countries as models of socio-economic and socio-cultural success to emulate
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Yoo, Jae-Woong, Samsup Jo, and Jaemin Jung. "The effects of television viewing, cultural proximity, and ethnocentrism on country image." Social Behavior and Personality: an international journal 42, no. 1 (2014): 89–96. http://dx.doi.org/10.2224/sbp.2014.42.1.89.

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We explored the effect of viewing Korean drama miniseries television programs, along with cultural proximity and ethnocentrism, on Japanese and Chinese television watchers' perceptions of Korea. By conducting a survey in Beijing and China with 621 valid samples, we confirmed the effect of viewing Korean drama miniseries television programs in shaping a positive attitude toward Korea. Furthermore, this positive attitude yielded higher levels of behavioral intentions such as visiting Korea or buying Korean products. Cultural proximity was also found to be a significant variable in predicting pos
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Prasanti, Rahayu Putri, and Ade Irma Nurmala Dewi. "Dampak Drama Korea (Korean Wave) terhadap Pendidikan Remaja." Lectura : Jurnal Pendidikan 11, no. 2 (2020): 256–69. http://dx.doi.org/10.31849/lectura.v11i2.4752.

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Budaya korea atau yang biasa disebut sebagai Hallyu telah menghasilkan banyak produk seperti film, music, makanan, drama seri, fashion, serta gaya hidup. Produk-produk Hallyu tersebut telah tersebar ke seluruh penjuru dunia seiring berkembangnya ilmu pengetahuan dan teknologi. Drama korea atau yang lebih dikenal dengan sebutan Drakor menjadi salah satu produk hallyu yang paling digemari oleh remaja Indonesia saat ini lebih lagi dengan adanya pandemic saat ini penonton drakor sangat meningkat tajam dari kalangan remaja . Penelitian ini bertujuan untuk mengetahui bagaimana dampak drama korea dal
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Hidayati, Okta Nurul, and M. Endy Saputro. "Korean Drama Constructing Multiculturalism among Muslim Women Students." Al-Albab 6, no. 1 (2017): 125. http://dx.doi.org/10.24260/alalbab.v6i1.672.

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 This paper aims to understand the unique relationship between Korean drama and the formation of multicultural identity among Muslim women students. On the one hand, as a form of racial activity, watching Korean dramas can establish a new form of identity while at the same time enriching a new perspective of building multicultural sense. On the other hand as a part of Muslim, they can control Korean culture that is incompatible with Islamic doctrine. This paper argues that adopting Korean dramas positively supports students in creating multicultural cultures. These findings may
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Maryam, Siti. "STUDI KOMPARASI EMIK DAN ETIK MASYARAKAT TERHADAP MENJAMURNYA TAYANGAN DRAMA ASING DI INDONESIA: KAJIAN ANTROPOLOGI KONTEMPORER." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 1 (2018): 91–105. http://dx.doi.org/10.47269/gb.v3i1.8.

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AbstrakBahasa merupakan suatu hal yang telah membuat manusia menjadi makhluk istimewa. Sejak lahir, setiap manusia telah dibekali dengan alat akuisisi bahasa yang sering diistilahkan dengan Language Acquisition Device (LAD). Seiring dengan berkembangnya zaman dan teknologi yang semakin maju, semakin berkembang pula dunia perfilman di setiap negara, terutama negara India, Korea, Amerika Latin, Filipina, dan Turki. Seperti yang kita lihat, belakangan ini sekitar tahun 2014 sampai sekarang, drama-drama India, Korea, Amerika Latin, Filipina, dan Turki yang sedang marak di layar kaca Indonesia. Dal
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SHIM, JUNG-SOON. "Recasting the National Motherhood: Transactions of Western Feminisms in Korean Theatre." Theatre Research International 29, no. 2 (2004): 143–54. http://dx.doi.org/10.1017/s030788330400029x.

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The image of the National Motherhood is the potent cultural code for Koreans. The word ‘Feminism’ in the Korean context is identified as a system of ideas originating from the West. What happens when these two disparate cultural/historical impulses meet at the intersection of modern Korean theatre? This study examines the cultural transfer of Western feminisms and feminist plays in the Korean theatre from the 1920s, when Ibsen's play A Doll's House was first introduced to Korea, to the present. More specifically, it analyses six Western feminist plays such as Nell Dunn's Steaming and Marsha No
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Ariffin, Julina Tajul, Dr Hassan Abu Bakar, and Dr Nor Hafezah Yusof. "Culture in Korean Drama towards Influencing Malaysian Audiences." International Journal of Innovative Research in Engineering & Management 5, no. 1 (2018): 10–14. http://dx.doi.org/10.21276/ijirem.2018.5.1.3.

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Hwang, Ji Hyea. "Transcolonial Nationhood." Journal of World Literature 5, no. 3 (2020): 393–409. http://dx.doi.org/10.1163/24056480-00503005.

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Abstract The genre of modern drama was established in Korea primarily during Japan’s occupation (1910–1945), by playwrights such as Yu Ch’i-jin who sought to represent Korean nationhood on stage. Yu was especially influenced by Irish playwrights, due to the parallels he recognized in the two colonial nations. Moreover, he was also concerned with the genre of modern drama on the global scale, as he agreed with his contemporaries that Korean literature must become interconnected with world literature. As a colonial writer, Yu wrote and staged Korean national drama that was inspired by Irish nati
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Ta Park, Van My, R. Henry Olaisen, Quyen Vuong, Lisa G. Rosas, and Mildred K. Cho. "Using Korean Dramas as a Precision Mental Health Education Tool for Asian Americans: A Pilot Study." International Journal of Environmental Research and Public Health 16, no. 12 (2019): 2151. http://dx.doi.org/10.3390/ijerph16122151.

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Precision mental health (MH) holds great potential for revolutionizing MH care and reducing the burden of mental illness. Efforts to engage Asian Americans in precision MH research is necessary to help reduce MH disparities. Korean drama (“K-drama”) television shows may be an effective educational tool to increase precision MH knowledge, attitudes, and behaviors (KAB) among Asian Americans. This study determined whether KAB improved after participating in a K-drama precision MH workshop, and examined the participants’ perspectives about K-dramas’ utility as an educational tool. A K-drama preci
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Shim, Doo-Bo. "Korean Wave, Korean Drama, and Women's Fandom." Journal of Broadcast Engineering 12, no. 5 (2007): 414–22. http://dx.doi.org/10.5909/jbe.2007.12.5.414.

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Rosidi, Imron, and Khotimah. "Negotiating Representation of Islamic Values on Korean TV Dramas Among Indonesian Muslim Youth." Jurnal Komunikasi: Malaysian Journal of Communication 36, no. 4 (2020): 230–42. http://dx.doi.org/10.17576/jkmjc-2020-3604-14.

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This article describes one of the effects of globalization on young Muslims in Indonesia. They interact with a variety of cultural products from all corners of the world. Focusing on Indonesia, this article argues that the emergence of globalization has provided opportunities for young Muslims to negotiate Islamic value representations of Korean TV dramas. Using ethnography method, this article selects young Indonesian Muslims who like Korean television drama as informants. The emergence of transnational cultural products was believed to play an important role in the process of 'cultural imper
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Wicaksono, Liswindwinanto, and Robert La Are. "THE INFLUENCE OF KOREAN POP CULTURE TOWARD CONSUMER INTENTION ON SELECTING KOREAN FOODS." Emerging Markets : Business and Management Studies Journal 4, no. 1 (2018): 13–23. http://dx.doi.org/10.33555/ijembm.v4i1.58.

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The purpose of the research is to find out the influence of Korean Pop Culture toward consumerintention on selecting Korean food. Korean Drama and Korean pop music are two phenomenal Korean pop culture which are spreaded around the world. In 1997, Korean Drama was first broadcast in China, following with the big step in 2004 where Korean Drama exported also to Hong Kong and Taiwan while Korean Pop Music start to gain popularity in the late of 1990s. In Indonesia, Korean Drama and K-pop music began to be popular in beginning of 2000’s. Their popularity are followed by Korean foods in 2014. This
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Hsu, Pi-Fang, Shu-Yu Lin, and Chia-Wen Tsai. "Optimal Selection of Korean Dramas for Commercial TV Stations in Taiwan by Using the AHP." International Journal of E-Adoption 5, no. 2 (2013): 14–24. http://dx.doi.org/10.4018/jea.2013040102.

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This study develops a model for selecting Korean dramas based on TV station manager’s perceptions. First, the proposed model adopts the modified Delphi method to find out the suitable evaluative criteria of Korean dramas. Next, the model apply the analytic hierarchy process (AHP) to determine the relative weights of evaluative criteria, then ranks the alternatives and selects the best Korean dramas. Additionally, a famous Taiwanese commercial TV station is used here in as an example of how a Korean dramas can be selected using this model. The results indicated that concerns think highly of cri
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Rosidi, Imron, Masduki Masduki, and Dony Arung Triantoro. "NILAI-NILAI ISLAM DALAM DRAMA KOREA PERSPEKTIF ANAK MUDA MUSLIM PEKANBARU." Jurnal Dakwah Risalah 30, no. 2 (2019): 215. http://dx.doi.org/10.24014/jdr.v30i2.8492.

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This article describes one of the effects of globalization on young Muslims in Indonesia. This article argues that the emergence of globalization has provided opportunities for young Muslims to take 'Islamic' values from the non-Arab world, not solely from the center of Islam (Muslim Arab countries). The purpose of this study is to find out how Pekanbaru Muslim Youth take Islamic values contained in Korean drama. This research uses ethnographic methods, by identifying informants namely young Muslim Muslims who are pious from Islamic educational backgrounds and like Korean television dramas. Th
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Ta Park, Van My, Joyce Suen Diwata, Nolee Win, et al. "Promising Results from the Use of a Korean Drama to Address Knowledge, Attitudes, and Behaviors on School Bullying and Mental Health among Asian American College-Aged Students." International Journal of Environmental Research and Public Health 17, no. 5 (2020): 1637. http://dx.doi.org/10.3390/ijerph17051637.

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The limited research on bullying, mental health (MH), and help-seeking for Asian American (ASA) college students is concerning due to the public health importance. Korean drama (K-Drama) television shows may be an innovative approach to improve knowledge, attitudes, and behaviors (KAB) on bullying. This study examined whether the KAB about school bullying improved after watching a K-Drama and asked participants about their perspectives of using a K-Drama as an intervention. A convenience sample of college students (n = 118) watched a K-Drama portraying school bullying and MH issues. Pre-/post-
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Ishida, Manabu. "Doing Theology in Japan: The Alternative Way of Reading the Scriptures as the Book of Sacred Drama in Dialogue with Minjung Theology." Missiology: An International Review 22, no. 1 (1994): 55–63. http://dx.doi.org/10.1177/009182969402200105.

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Even though Korean Minjung theology is rooted in the cultural and historical context of Korea, it has direct theological relevance to Japan because it identifies the Korean “minjung” with the biblical Israelites and by doing so, the Japanese with the biblical Egyptians. This alternative way of reading the Scriptures as the book of sacred drama is the necessary ground for Japanese Christians to have honest dialogue with Minjung theology. It leads us to seek new ways not to remain as the “oppressive Egyptians.” Minjung theology as one of the liberation theologies requests both the oppressed and
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Baratta, Alex. "The use of English in Korean TV drama to signal a modern identity." English Today 30, no. 3 (2014): 54–60. http://dx.doi.org/10.1017/s0266078414000297.

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While code-switching is quite a common phenomenon, this paper seeks to investigate a common but underreported use of code-switching. In this paper, I focus on the use of code-switching from Korean to English in South Korean TV dramas. The paper first briefly discusses the literature on the connotations of English language in the Korean media and then proceeds to focus on code-switching using data sampled from three Korean TV dramas. The previous literature (e.g. Lee, 2006; Park, 2006, 2009) which discusses the use of the English language in the Korean media, argues that English carries connota
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Kim, Hyun Gyung. "The Korean Wave celebrity and the birth of the K-drama conglomerate." East Asian Journal of Popular Culture 6, no. 2 (2020): 223–38. http://dx.doi.org/10.1386/eapc_00027_1.

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Existing research on Korean Wave celebrities has focused on their transnational character at the expense of a thorough consideration of the phenomena’s emergence as part of the wider transformation of the Korean broadcasting and entertainment industry. This article draws on the analysis of existing literature and in-depth interviews to demonstrate that Korean Wave celebrity emerges as a result of the flexibilization in the Korean television drama industry’s production process, which in turn is the product of globalization and financialization of the Korean broadcasting industry from the late 1
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Yoon, Eun-Mi and InHye woo. "A Study on Korean Proverb Education Using Korean Drama -Focusing on Comparing Korean Dialogues with English Subtitles of Drama -." KOREAN EDUCATION ll, no. 110 (2017): 213–45. http://dx.doi.org/10.15734/koed..110.201703.213.

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Jung, Hyeri. "Agenda-setting in the realm of popular culture: The case of the Korean Wave in East Asia." Global Media and Communication 15, no. 3 (2019): 361–77. http://dx.doi.org/10.1177/1742766519872782.

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The spread of South Korean popular culture across the globe, known as the Korean Wave, has signalled a significant challenge towards the traditional one-way flow of media culture. This study applies agenda-setting effect, which has been largely applied to political communication, to the domain of mass-produced popular culture. It explores how Korean media’s news coverage of the popularity of Korean TV drama in China influences not only the first and second agenda-setting effect but also Koreans’ perception of Chinese audiences. The findings suggest that the Korean Wave could serve as a form of
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Perwitasari, Dwi Atmi, and Eristia Lidia Paramita. "PRODUCT PLACEMENT ON KOREAN DRAMA AS AN EFFECTIVE TOOL FOR BRAND POSITIONING (CASE STUDY: LANEIGE)." Jurnal Muara Ilmu Ekonomi dan Bisnis 4, no. 1 (2020): 145. http://dx.doi.org/10.24912/jmieb.v4i1.7717.

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Kemunculan Drama Korea di berbagai Negara, salah satunya Indonesia menjadi faktor meningkatnya popularitas global dan permintaan kosmetik Korea. Melalui penempatan produk dalam Drama Korea Descendants of the Sun, Laneige sebagai perusahaan kosmetik bergengsi di Korea berhasil menarik perhatian pelanggan dan menaikkan penjualan produknya. Berdasarkan fenomena tersebut, penelitian ini dilakukan untuk mengetahui efektifitas penempatan produk dalam Drama Korea bagi penempatan posisi merek Laneige di Indonesia khususnya pada area Jakarta dan Tangerang dan selanjutnya berkontribusi untuk mengidentif
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Et al., HO-WOOG KIM. "Medical Hallyu In Mongolia: A Case Study Of Dr. Kwan-Tae Park’s Spirituality And Medical Service." Psychology and Education Journal 58, no. 1 (2021): 4821–32. http://dx.doi.org/10.17762/pae.v58i1.1643.

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Since the establishment of diplomatic relations between South Korea and Mongolia in 1990, Hallyu (the Korean Wave) has rapidly spread to Mongolia. Korean food and medicine, as well as Korean drama and pop music, are welcomed by Mongolians. The purpose of this study is to examine the influence of Korean medical service on Mongolia, focusing on the Korean medical missionary Kwan-tae Park. We will show that his excellent human relationship as a reason for his fruit-bearing ministry in the Mongolian society, which is somewhat unfriendly to aggressive Christian evangelism. In conclusion, we will ar
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Park, Ji Hoon, Yong Suk Lee, and Hogeun Seo. "The rise and fall of Korean drama export to China: The history of state regulation of Korean dramas in China." International Communication Gazette 81, no. 2 (2018): 139–57. http://dx.doi.org/10.1177/1748048518802915.

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In October 2016, approximately 3 months after the Korean government agreed to host the Terminal High Altitude Area Defense, TV stations and online streaming platforms in China stopped airing Korean dramas, movies, TV shows and commercials that featured Korean celebrities. While the post-Terminal High Altitude Area Defense blockade of Korean cultural products received much attention, the restriction should not be taken as an idiosyncratic case of cultural retaliation over the deployment of Terminal High Altitude Area Defense in the Korean peninsula. Chinese government regulation of Korean TV sh
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Pramadya, Teguh Puja, and Jusmalia Oktaviani. "Korean Wave (Hallyu) dan Persepsi Kaum Muda di Indonesia: Peran Media dan Diplomasi Publik Korea Selatan." Insignia: Journal of International Relations 8, no. 1 (2021): 87. http://dx.doi.org/10.20884/1.ins.2021.8.1.3857.

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Budaya populer Gelombang Korea (Korean Wave/Hallyu) dari Korea Selatan telah menyebar hampir ke seluruh dunia, termasuk Indonesia. Produk budaya Korea Selatan seperti musik, film, tarian, drama televisi, hingga produk budaya lain seperti bahasa dan kuliner, banyak digemari oleh masyarakat Indonesia, terutama generasi muda. Sebagai dampak globalisasi yang menyebarkan Gelombang Korea, kaum muda tentu saja mendapatkan porsi yang besar, karena mereka menjadi penikmat semua aspek budaya popular tersebut. Dalam kurun waktu beberapa tahun terakhir, penelitian yang membahas mengenai Korea Selatan, ter
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Shao, Lingwei. "The returning of Hallyu in China: transnational reception of the Korean drama My Love from the Star." Media International Australia 175, no. 1 (2019): 79–92. http://dx.doi.org/10.1177/1329878x19882530.

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My Love from the Star, the hit Korean drama has led to the revival of the Hallyu boom in China in 2013. After conducting a textual analysis of 100 reviews on Douban, the results of this study indicate that urban middle class audiences in China are attracted by the beauty of the actors and the conservative romantic storyline, and admire individual pursuits of free love and career success depicted in the drama. However, they are dissatisfied with the stereotypical gender relations and criticize the drama’s aim of securing the submission of women to male domination. The results illustrate that cu
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Malfasari, Eka, Rizka Febtrina, Rina Herniyanti, and Elsi Manda Utari. "Korean Drama Addiction and The Quality of Sleep of Indonesian Students." Indonesian Journal of Global Health Research 1, no. 1 (2019): 59–72. http://dx.doi.org/10.37287/ijghr.v1i1.8.

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The current phenomenon is about the addiction of korean drama which has an impact on the quality of students sleep, because students who like korean drama often forget the time to rest and feel curious about of each episode. Sleep is a besic need that must be fulfilled by every individual in order to carry out daily activities properly. The purpose of this research is to find out the relationship between korean drama addiction and the quality of studen’s sleep in STIKes Payung Negeri Pekanbaru. This study was quantitative research with a cross sectional design. The sample of this research as m
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Putri, Bernadeta Meidy Setya, and Danny Irawan Yatim. "Parasocial Interaction Among Young Female Devotees of Korean Dramas." ANIMA Indonesian Psychological Journal 34, no. 4 (2019): 188–97. http://dx.doi.org/10.24123/aipj.v34i4.2579.

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Korean drama is a media broadcast, which provides interactive parasocial experience to its enthusiasts, who actively seek out and involve themselves in it. The interactive parasocial process is divided into cognitive, affective, and behavioral sub-processes, producing “imagined interaction”. These shows have both positive and negative impacts upon their devotees; however, the way in which the parasocial interaction for the devotees of Korean dramas comes about is not yet well understood. A picture of this parasocial interaction for four young adult female devotees was obtained through intervie
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Yusriana, Amida, Devi Purnamasari, and Nalal Muna. "Emotional branding analysis for the Korean Drama-based tourism locations." Masyarakat, Kebudayaan dan Politik 32, no. 4 (2019): 399. http://dx.doi.org/10.20473/mkp.v32i42019.399-410.

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City branding is an effort to build a particular image of a city. Semarang is one of Indonesia’s big cities that has not yet succeeded in finding the right brand to represent it. The researcher has conducted a pilot research study that aims to build Semarang’s city branding as The Cinematic City. It is due to Semarang’s background of often becoming a shoot location for famous movies. South Korea is well known because of its pop cultures, such as drama. Drama is one of the main factors that contribute to the increasing number of foreign visitors. They mostly visit popular drama shooting locatio
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Hanani, Iva, and Suray Agung Nugroho. "Tingkat Tutur Pengisi Fungsi Subjek Bahasa Korea dan Bahasa Jawa." JLA (Jurnal Lingua Applicata) 3, no. 2 (2020): 71. http://dx.doi.org/10.22146/jla.57392.

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The aim of this study is to explain Korean and Javanese subject honorific and identify its similarities and differences. To accomplish it, this research was conducted using literature review method. Data related to the Javanese language were taken from two Javanese drama scripts, namely Mak Ana Asu Mlebu Ngomah and Bantul Sangsaya Pinunjul, and Javanese drama titled Sri Ngilang by George Quinn. Korean language data was taken from television drama, Misaeng and Fight for My Way. Based on the analysis that has been carried out, despite the difference of the honorific system of Korean dan Javanese
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Lee, Jin. "Aspect of Storytelling in Korean Web drama." Humanities Contens 38 (September 30, 2015): 241. http://dx.doi.org/10.18658/humancon.2015.09.38.241.

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Riotto, Maurizio, and Julien Hautefort. "Donald Trump nouveau protagoniste du Korean Drama." Outre-Terre N° 50, no. 1 (2017): 259. http://dx.doi.org/10.3917/oute1.050.0259.

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권두현. "Korean and Japanese Television Drama and Architecture." Journal of Korean drama and theatre ll, no. 46 (2014): 305–48. http://dx.doi.org/10.17938/tjkdat.2014..46.305.

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Geunae Yang. "Perspective and Prospect of Korean Historical Drama." Journal of Korean drama and theatre ll, no. 57 (2017): 163–73. http://dx.doi.org/10.17938/tjkdat.2017..57.163.

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Yang, Fang-chih Irene. "The Genrification of “Korean Drama” in Taiwan." China Information 22, no. 2 (2008): 277–304. http://dx.doi.org/10.1177/0920203x08091547.

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Khattak, Zahir Jang, Hira Ali, and Shehrzad Ameena Khattak. "Post-Structuralism in Korean Drama 'Two Week'." Global Regional Review IV, no. I (2019): 351–58. http://dx.doi.org/10.31703/grr.2019(iv-i).38.

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This research aims at the explication of Korean drama “Two Weeks” by applying poststructuralism. The structuralists contend to have characters as patterns, which can be incurred as apt as universal identities. The poststructuralist mode of analysis, deconstruction, dismantles it as unstable, and its meanings as not self-sufficient. The focus is on discrete analysis than on a judgemental critique, confers a valuable amount of subject deconstruction, especially the protagonist Jang Tae San that has receded to the dismantling of binary oppositions by playing a hero of what structure amounts to a
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胡, 辰洋. "Using Educational Drama for Korean Literature Education." Creative Education Studies 06, no. 06 (2018): 522–28. http://dx.doi.org/10.12677/ces.2018.66086.

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Lee, Dongchoon. "Medieval Korean Drama: The Pongsan Mask Dance." Comparative Drama 39, no. 3-4 (2005): 263–85. http://dx.doi.org/10.1353/cdr.2005.0023.

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Jun Wang and 서상호. "A Study on Chinese Viewers' Motivation of Korean Drama Watching: Focused on Drama." Studies in Humanities and Social Sciences ll, no. 53 (2016): 89–114. http://dx.doi.org/10.17939/hushss.2016..53.005.

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Lee, Il-Soo, and Chin-Oh Chu. "Korean Education Contents Improvement Directions through K-drama." Journal of the Korea Contents Association 15, no. 4 (2015): 45–55. http://dx.doi.org/10.5392/jkca.2015.15.04.045.

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Chung, Yoon-Kyung, Sae-Kyung Yu, Hye Eun Lee, and Ji-Ha Kim. "Female Viewers' Korean Drama Consumption in the U.S." Journal of the Korea Contents Association 16, no. 9 (2016): 40–50. http://dx.doi.org/10.5392/jkca.2016.16.09.040.

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Putri, Idola Perdini, Farah Dhiba Putri Liany, and Reni Nuraeni. "K-Drama dan Penyebaran Korean Wave di Indonesia." ProTVF 3, no. 1 (2019): 68. http://dx.doi.org/10.24198/ptvf.v3i1.20940.

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이숭무. "Bongsan Mask Dance Drama into Korean Protestant Worship." THEOLOGICAL THOUGHT ll, no. 140 (2008): 275–300. http://dx.doi.org/10.35858/sinhak.2008..140.008.

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Sartika, Endang, Sari Marzuqoh, and Khoirul Majid. "The use of Declaration of Illocutionary Acts of the Korean-English Drama “I Hear Your Voice”." Journal of Pragmatics Research 1, no. 1 (2019): 30–42. http://dx.doi.org/10.18326/jopr.v1i1.30-42.

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This study deals with the types of declaration of illocutionary acts in the Korean-English Drama “I Hear Your Voice”. The objectives of this study are (1) to find and classify the utterances in the English subtitle of the Korean drama entitled “I Hear Your Voice” that belongs to declaration of illocutionary acts, (2) to analyze the implication of the declaration of illocutionary act found in the Korean English drama “I Hear Your Voice”. This research applies descriptive qualitative method. The objects of this study are English Subtitles of the drama in episode 8 to 13 which is containing the u
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Supriatin, M.Hum., Dra Yeni Mulyani. "REPRESENTASI ANTARA FAKTA DAN FIKSI JANG OK JUNG SEBUAH DRAMA SEJARAH KOREA (Representation Between Fact and Fiction of “Jang Ok Jung”: a Korean Historical Drama)." METASASTRA: Jurnal Penelitian Sastra 7, no. 2 (2016): 241. http://dx.doi.org/10.26610/metasastra.2014.v7i2.241-252.

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Karya sastra yang berlatar belakang sejarah selalu menarik untuk dicermati. Apakah karya sastra tersebut menggambarkan fakta sejarah atau lebih banyak imajinatifnya? Terlepas dari itu Jang Ok Jung Live for Love sebuah drama Korea yang disiarkan dalam media televisi bernuansa historis cukup menarik diteliti. Penelitian ini bermaksud menggali makna drama Jang Ok Jung dengan mengamati variasi-variasi dalam drama tersebut berdasarkan sejarah selaku hipogramnya, melalui studi intertekstual. Masalah yang menarik untuk dikaji adalah bagaimana gambaran Ok Jung, bagaimana pula sepak terjang Ok Jung mul
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