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Journal articles on the topic 'Korean drama'
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1
Li, Ya, and Ho Young Yoon. "Cultural differences in color between countries viewed as Korean-Japanese dramas: Focusing on the color scheme of five remake dramas." Korean Data Analysis Society 25, no. 1 (February 28, 2023): 445–56. http://dx.doi.org/10.37727/jkdas.2022.25.1.445.
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This study examines the colors of identical scenes from five remakes and the five original Korean-Japanese drama, by mixing the country of the origin. In doing so, this study analyzes colors difference of TV drama by production countries. The comparison between the originals and the remakes is conditioning the storyline, genre and plot. Thus, the detailed color difference between Korean and Japanese dramas lies in the production style for cultural contents, instead of contents differences. According to the study's findings, colors with similar hues were favoured in both Korea and Japan, however the Japanese preference tended to be stronger. The chromaticity and brightness color combinations are contrasted between Korea and Japan. In cotrast to Korea, the contrast color combination of chroma and the similar color combination of brightness were more frequent in Japanese drams, which is the opposite to Korean dramas that the contrast combination is more prevalent in brightness measure and similar color combination in chroma measure. The study has demonstrated the need for more research into the appealing power of Korean dramas by comparing color combinations between countries.
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Qorib, Fathul, and Fitri Olievia. "Fenomena dan Pandangan Pria dalam Menonton Drama Korea." Indonesian Social Science Review 1, no. 2 (September 1, 2023): 75–86. http://dx.doi.org/10.61105/issr.v1i2.52.
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Women often consider Korean drama films more preferred because the stories focus on romance, emotions, and interpersonal relationships. Male fans of Korean drama films are considered new and unique, but a negative stigma is often attached to them in Indonesia. Labels such as "weird," "unmanly," and "melancholy" are often applied. This point of view can influence how certain men see and are attracted to Korean drama films. This study aims to find out how men see Korean drama films and how these films affect their lives. Purposive sampling was used to select informants for this study, which included a total of seven people. The method used is a qualitative-descriptive approach. This study used interviews, observations, and documentation to collect data. The data analysis process used in this study is divided into three stages: data reduction, data presentation, and concluding. According to research findings, men who like Korean dramas have a favorable opinion of the Korean Wave program. Everyone has different tastes and perspectives on Korean Wave programming. In addition, Korean films and dramas have also influenced the lifestyle of some fans. Some fans may be inspired by fashion trends, hairstyles, or lifestyles featured in Korean dramas. In addition, the Korean Wave can also affect fans' interest in music, food, and travel to South Korea. However, it is important to note that these perceptions and influences can vary between individuals. Film Drama Korea sering dianggap lebih disukai oleh perempuan karena ceritanya yang fokus pada romansa, emosi, dan hubungan antarpribadi. Laki-laki penggemar film Drama Korea dianggap sebagai hal baru dan unik, namun di Indonesia seringkali disematkan stigma negatif terhadap mereka. Label seperti "aneh", "tidak jantan", dan "melankolis" sering diterapkan. Sudut pandang ini dapat memengaruhi bagaimana pria tertentu melihat dan tertarik pada film drama Korea. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pria melihat film Drama Korea dan bagaimana film tersebut mempengaruhi kehidupan pria. Purposive sampling digunakan untuk memilih informan untuk penelitian ini, yang mencakup 7 orang. Metode yang digunakan adalah pendekatan deskriptif kualitatif. Dalam penelitian ini, wawancara, observasi, dan dokumentasi digunakan untuk mengumpulkan data. Proses analisis data yang digunakan dalam penelitian ini dibagi menjadi tiga tahap: reduksi data, penyajian data, dan penarikan kesimpulan. Menurut temuan penelitian, pria yang menyukai film Drama Korea memiliki pendapat yang baik tentang program Korean Wave. Setiap orang memiliki selera dan sudut pandang yang berbeda tentang pemrograman Korean Wave. Selain itu, film dan Drama Korea juga telah mempengaruhi gaya hidup sebagian penggemarnya. Beberapa penggemar dapat terinspirasi oleh tren fashion, gaya rambut, atau gaya hidup yang ditampilkan dalam drama Korea. Selain itu, Korean Wave juga dapat mempengaruhi minat penggemar dalam hal musik, makanan, dan wisata ke Korea Selatan. Namun, penting untuk dicatat bahwa persepsi dan pengaruh ini dapat bervariasi antara individu.
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Fena Andita Cahyani and Mochammad Rochim. "Manajemen Konflik Penghuni Apartemen dalam Drama Korea." Bandung Conference Series: Communication Management 3, no. 2 (July 25, 2023): 504–9. http://dx.doi.org/10.29313/bcscm.v3i2.7447.
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Abstract. Korean dramas started as drama series that were broadcast by several Korean television stations. The Korean drama series Happiness has its own charm from other similar Korean drama series, one of which is having a positive plot that makes the audience curious about what will happen next. In addition, the resolution of interpersonal conflicts in the drama Happiness is different from other Korean dramas where there is conflict. This study aims to find out how the conflict management of apartment/flat occupants in the Korean drama series Happiness is to survive during the quarantine period which is accompanied by difficulties accessing the internet and telephone. The paradigm used in this study is the constructivism paradigm, the research method used is observation. The data collection technique in this study was literature study, for the data analysis technique used in this study was content analysis technique. The research results obtained are that myth can be interpreted as a connotative meaning that is normally and naturally accepted so that it is hegemonic. The myth referred to in this study is that the drama series Happiness displays conflict scenes and how they are resolved. This film describes the condition when an area is hit by a deadly infectious virus outbreak.
Abstrak. Drama Korea berawal dari seri drama yang ditampilkan oleh beberapa stasiun televisi Korea. Serial drama Korea Happiness memiliki daya tarik tersendiri dari serial drama Korea sejenis lainnya, salah satunya yaitu memiliki plot positif yang membuat penonton penasaran akan wacana apa yang akan terjadi selanjutnya. Selain itu, penyelesaian konflik interpersonal pada drama Happiness ini berbeda dengan drama Korea lainnya yang didalamnya terdapat konflik. Penelitian ini memiliki tujuan untuk mengetahui bagaimana manajemen konflik penghuni apartemen/rumah susun pada serial drama Korea Happiness untuk bertahan hidup selama masa karantina yang disertai kesulitan akses internet dan telepon. Paradigma yang digunakan pada penelitian ini yaitu paradigma konstruktivisme, metode penelitian yang digunakan yaitu observasi. Teknik pengumpulan data pada penelitian ini yaitu studi kepustakaan, untuk teknik analisis data yang digunakan pada penelitian ini yaitu teknik analisis isi. Hasil penelitian yang diperoleh yaitu mitos dapat diartikan sebagai makna konotatif yang diterima secara normal dan alamiah sehingga bersifat hegemonik. Mitos yang dimaksud dalam penelitian ini adalah bahwa drama serial Happiness menampilkan adegan-adegan konflik dan bagaimana mereka menyelesaikannya. Film ini menggambarkan kondisi ketika suatu wilayah dilanda wabah virus menular yang mematikan.
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y, Hou Jue, and Jeongmin Ko. "A Study on the Q Methodology on the Factors of Korean Viewers’ Preference for Watching Chinese Drama: Focusing on Costume Drama." Academic Association of Global Cultural Contents 57 (November 30, 2023): 267–90. http://dx.doi.org/10.32611/jgcc.2023.11.57.267.
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With the continued development of the media, the spread of multicultural dramas has become a common concern of the drama industry, and the export of dramas has become an important way to improve the culture of countries around the world. Currently, Chinese costume drama is actively consumed through OTT platforms, such as remakes in Korea. In order to maintain this desire of Korean viewers, the subjective viewing preference factors of Korean viewers were analyzed using the Q methodology and based on this, implications for the entry of Chinese costume drama into Korea were presented.
As a result of the study, it was confirmed that the factors that Korean viewers prefer to watch Chinese costume dramas were divided into types that prefer traditional historical dramas and types that prefer fusion historical dramas. Cultural curiosity is the preferred factor in the pursuit of traditional culture that likes traditional historical dramas based on cultural similarities. Based on cultural similarities, fusion historical dramas can be divided into visual effect-seeking types that prefer colorful production environments and fandom-seeking types that prefer to like actors, and content excellence is the preferred factor. It can be seen that this is an individual's subjective taste in which various factors of preference for Chinese costume drama appear depending on the viewing tendency.
This study is meaningful in presenting the factors of Korean viewers' preference for viewing differently depending on the preference for viewing traditional historical dramas and fusion historical dramas in the production environment of Chinese costume drama.
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Khairiah, Khairiah, Cindenia Puspasari, Ratri Candrasari, and Ade Muana Husniati. "TERPAAN DRAMA KOREA TERHADAP GAYA HIDUP MAHASISWA ILMU KOMUNIKASI UNIVERSITAS MALIKUSSALEH." Jurnal Ilmu Sosial dan Ilmu Politik Malikussaleh (JSPM) 3, no. 2 (December 14, 2022): 410. http://dx.doi.org/10.29103/jspm.v3i2.4013.
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Korean drama series produced by foreign stations in Korea are very popular in Indonesia and have many fans. Some of the reasons are Korean dramas provide great inspirations, especially on lifestyle and fashion ideas. The purpose of the research is to determine how much Korean drama exposure has on influenced the fans’ lifestyle, especially the students of Communication Science at Universitas Malikussaleh. The research sample was taken using the purposive sampling technique. The research approach used is quantitative with survey techniques and data analysis using SPSS (Statistical Package for Social Sciences) version 22. The results of this research showed that there is an influence between the Korean drama exposure variable on the fan lifestyle variable in Communication Science students at Malikussaleh University.Drama Korea yang memproduksi serial drama dari negara Korea sangatlah popular di Indonesia. Hal ini dikarenakan drama Korea dapat memberi banyak inspirasi, khususnya pada gaya hidup dan fashion. Tujuan dari penelitian ini untuk mengetahui adakah pengaruh terpaan drama Korea terhadap gaya hidup penggemar pada mahasiswa ilmu komunikasi. Sampel penelitian ini diambil dengan menggunakan teknik purposive sampling. Pendekatan penelitian yang digunakan adalah kuantitatif dengan teknik survey dan menganalisis data dengan SPSS (Statistical Package for Social Sciences) versi 22. Hasil penelitian ini menunjukkan bahwa ada pengaruh antara variabel paparan drama Korea terhadap variabel gaya hidup penggemar pada mahasiswa ilmu komunikasi di Universitas Malikussaleh.
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Wullur, Falencia, Frederik G. Worang, and Ferdinand J. Tumewu. "THE INFLUENCE OF KOREAN POPULAR CULTURE TOWARDS THE INTENTION TO VISIT SOUTH KOREA (Survey on Student’s in Sam Ratulangi University Manado)." Jurnal EMBA : Jurnal Riset Ekonomi, Manajemen, Bisnis dan Akuntansi 11, no. 1 (January 13, 2023): 65–76. http://dx.doi.org/10.35794/emba.v11i1.45183.
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The popularity of Korean culture around the world has made people affected by this culture. This Korean culture well known as Korean Wave or Hallyu phenomena cover various aspects such as drama, music, fashion, make-up and etc. Korean Wave or Hallyu is a term to describe South Korean pop culture that has been successfully exported across the globe, including Indonesia specifically in Manado City. The objectives of this study are to determine the students in Sam Ratulangi University Manado perceive South Korean images as a Potential tourist destination that is seen in Korean Pop, Korean dramas, and Korean Food could lead to the intention to visit South Korea in the future. The research respondents were 108 respondents. Questionnaire distribution is carried out online using Google Form. The method that researchers use in this study is a quantitative method. The data analysis method used was multiple linear regression analysis using SPSS as a data processing tool. The results from research data on the influence of the Korean Wave on the South Korean tourism sector, researchers found that Korean wave (K–Pop, K–Drama, K–Food) influence the students intention to make South Korea as a Potential Tourist Destination. In other words Korean Wave can affect the South Korea tourism sector. Keywords: korean pop, korean drama, korean food, south korea, intention to visit
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Ramadhani, Muthiara, Wahyu Utamidewi, and Flori Mardiani Lubis. "Pengalaman Komunikasi Santriwati Dalam Menonton Drama Korea." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 2 (August 18, 2023): 472–78. http://dx.doi.org/10.47467/dawatuna.v4i2.4024.
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This research aims to understand the communication experiences of female Islamic boarding school students (santriwati) in watching Korean dramas. The research method used is a qualitative method phenomenology approach. The research data was obtained through in-depth interviews and participant observation with santriwati who have experience in watching Korean dramas. The results of the study show that the communication experiences of santriwati in watching Korean dramas involve aspects such as emotional involvement, identification with characters, exploration of Korean culture, and the use of social media. In this context, santriwati express that watching Korean dramas provides them with strong emotional experiences, such as feeling connected to the characters, experiencing the same emotions, and sharing happiness or sadness together. They also develop identification with the characters in Korean dramas, associating their own struggles and feelings with the stories depicted. Moreover, watching Korean dramas provides an opportunity for santriwati to learn about Korean culture. They are interested in traditional clothing, food, music, and social customs portrayed in the dramas. Some of them are even interested in learning the Korean language. Korean dramas also provide insights into everyday life in Korea and broaden their knowledge of the world. The use of social media is also an important part of santriwati's communication experiences in watching Korean dramas. They use social media platforms such as Facebook, Twitter, and Instagram to share opinions, emotions, and recommendations about the dramas they watch. Social media also serves as a platform for them to connect with other Korean drama fans, both within and outside the santriwati community. This research provides a deep understanding of the communication experiences of santriwati in watching Korean dramas. The findings of this study can provide insights to cultural enthusiasts, drama producers, and other researchers on how Korean dramas can influence the emotions, identity, and social interactions of santriwati. The implications of this research can also be used in the development of cultural content and intercultural understanding among santriwati.
Keywords: Communication experiences, santriwati, Korean dramas.
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Wijaya, Sherlina, and Lusia Savitri Setyo Utami. "Representasi Karakter Autism Spectrum Disorder dalam Drama Korea ‘Extraordinary Attorney Woo’." Koneksi 7, no. 2 (October 5, 2023): 298–307. http://dx.doi.org/10.24912/kn.v7i2.21371.
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The existence of public stigma against people with disabilities encourages writers to show disability issues in a literary work, namely drama. The Korean drama 'Extraordinary Attorney Woo' is one of the South Korean dramas that raises the issue of people with disabilities, autism spectrum disorder, through drama. By using Roland Barthes' semiotic analysis, researchers want to know and describe how the representation of autism spectrum disorder characters is displayed in the Korean drama 'Extraordinary Attorney Woo'. The theoretical foundations in this research are mass communication, drama, representation, autism spectrum disorder characters, and semiotics. This research is descriptive with a qualitative research approach. The results showed that the Korean drama 'Extraordinary Attorney Woo' is a form of mass communication that provides information by representing the life of a person with an autism spectrum disorder in South Korea. This is shown by the common stereotypes imposed on people with autism spectrum disorder and the lack of tolerance of society. In addition, there are difficulties in communicating, adapting, and interacting with people with autism spectrum disorder. The drama also shows the stigma and discrimination experienced by people with autism spectrum disorder in South Korea. Adanya stigma masyarakat terhadap penyandang disabilitas mendorong sastrawan untuk memperlihatkan isu disabilitas ke dalam sebuah karya sastra yaitu drama. Drama Korea ‘Extraordinary Attorney Woo’ merupakan salah satu drama Korea Selatan yang mengangkat isu penyandang disabilitas, autism spectrum disorder, melalui drama. Dengan menggunakan analisis semiotika Roland Barthes, peneliti ingin mengetahui dan mendeskripsikan bagaimana representasi karakter autism spectrum disorder yang ditampilkan di dalam drama Korea ‘Extraordinary Attorney Woo’. Landasan teoritis dalam penelitian ini merupakan komunikasi massa, drama, representasi, karakter autism spectrum disorder, dan semiotika. Penelitian ini bersifat deskriptif dengan pendekatan penelitian kualitatif. Hasil penelitian menunjukkan, drama Korea ‘Extraordinary Attorney Woo’ merupakan salah satu bentuk komunikasi massa yang memberikan informasi dengan merepresentasikan kehidupan seorang penyandang autism spectrum disorder di Korea Selatan. Hal ini ditunjukkan dengan stereotip umum yang dikenakan pada penyandang dan kurangnya toleransi masyarakat. Selain itu, terdapat kesulitan berkomunikasi, beradaptasi, dan berinteraksi penyandang autism spectrum disorder. Drama juga menunjukkan stigma buruk hingga diskriminasi yang dialami oleh penyandang autism spectrum disorder di Korea Selatan.
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Kyung, Ko Yoo, and Sarah Salsabila. "REPRESENTASI RESISTENSI KEKUASAAN BUDAYA PATRIARKI DALAM DRAMA WHEN THE CAMELLIA BLOOMS." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 3, no. 2 (April 30, 2024): 490–95. http://dx.doi.org/10.47313/aksarabaca.v3i2.3641.
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ABSTRAK Korea merupakan salah satu negara Asia Timur yang masih menganut budaya patriarki dikarenakan masyarakat Korea mengacu pada ajaran Konfusianisme. Dalam sejarah masyarakat tradisional Korea, perempuan sejak usia muda diajarkan untuk mempersiapkan perannya sebagai istri dan ibu yang mempertahankan keharmonisan rumah tangga dan merawat anggota keluarganya. Terdapat beberapa drama Korea yang menceritakan mengenai budaya patriarki, salah satunya drama yang berjudul when the camellia blooms (2019). Penelitian ini bertujuan untuk menjelaskan representasi kekuasaan budaya patriarki dalam drama when the camelia blooms dan resistensi kekuasaan budaya patriarki dalam masyarakat Korea modern. Penelitian ini menggunakan metode kualitatif dengan deskriptif analisis dimana penulis menganalisis resistensi kekuasaan dalam masyarakat Korea modern dan representasi kekuasaan budaya patriarki yang ada dalam drama when the camellia blooms. Hasil penelitian ini menunjukan bahwa dalam drama when the camellia blooms terdapat beberapa adegan yang menyindir kekuasaan budaya patriarki dalam kehidupan bermasyarakat Korea. Ketidakadilan berbasis gender yang ditimbulkan budaya patriarki tentu menimbulkan resistensi dari kaum perempuan. Dalam drama when the camellia blooms terdapat sebanyak 4 adegan yang merepresentasikan resistensi kaum perempuan terhadap kekuasaan budaya patriarki. Abstract Korea is one of the East Asian countries that still adheres to patriarchal culture because Korean society refers to Confucianism. In the history of traditional Korean society, women were taught from a young age to prepare for their roles as wives and mothers who maintain household harmony and care for their family members. There are several Korean dramas that tell about patriarchal culture, one of which is the drama entitled When the Camellia Blooms (2019). This research aims to explain the representation of patriarchal cultural power in the drama When the Camellia Blooms and the resistance to patriarchal cultural power in modern Korean society. This research uses a qualitative method with descriptive analysis where the author analyzes the resistance to power in modern Korean society and the representation of patriarchal cultural power in the drama When the Camellia Blooms. The results of this research show that in the drama When the Camellia Blooms there are several scenes that satirize the power of patriarchal culture in Korean social life. Gender-based injustices caused by patriarchal culture certainly give rise to resistance from women. In the drama When the Camellia Blooms there are 4 scenes that represent women's resistance to patriarchal cultural power.
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Rahayu, Tia Seksiati, Rafelita Cindra Inata Wahyudi, Ridho Firman Haqiqi, Rizky Ayu Lestari, Thamira Imanuna Kamilah, and Prawinda Putri Anzari. "Pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial (JIHI3S) 1, no. 8 (August 23, 2021): 959–66. http://dx.doi.org/10.17977/um063v1i8p959-966.
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The effects of globalization which resulted in the acceleration of information exchange made many teenagers or students like Korean dramas so they prefer to spend their time just watching a Korean drama. In the end, the student is negligent and forgets about his obligation, namely studying, which can reduce interest in learning. And formulation the problem research is how the inspiring of favoring Korean dramas on the learning interest of FIS UM 2020 students and how long it takes students to watch Korean dramas. In this study, a quantitative survey method was applied by distributing questionnaires to respondents. In determining the sample, researchers used purposive sampling. As for the study population, namely all students of FIS UM 2020, as many as 948 students with a sample of 100 respondents. Researchers collected data using a research instrument, namely a questionnaire in the form of a google form. The data analysis technique uses the SPSS 25 application to test the validity, reliability, t test and f test. As for the results of this research prove the influence of having a passion for Korean drama on student interest in learning at the FIS UM 2020. Evidenced in the t test and f test. where the T test resulted in a sig value of 0.01 less than 0.05 with t hit 7.136 more than t tab 1.66039. In addition, in the f test it was found that the sig value 0.01 less than 0.05 or the f hit value was 50.928 more than 3.94. The duration needed to enjoy Korean dramas is 1 hour with 34 respondents. Thus, this study has a conclusion in the form of the influence of favoring Korean dramas on the learning interest of FIS UM 2020 students, so that it gives results Ha is accept and H0 is reject.
Efek globalisasi yang mengakibatkan percepatan pertukaran informasi membuat banyak kaum remaja atau mahasiswa menggemari drama Korea sehingga mereka lebih memilih menghabiskan waktu hanya untuk menonton sebuah drama Korea. Pada akhirnya mahasiswa tersebut lalai dan lupa akan kewajibannya yakni belajar yang dapat menurunkan minat belajar. Adapun rumusan masalah penelitian yakni bagaimana pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020. Serta berapa durasi yang dibutuhkan mahasiswa dalam menonton drama Korea. Dalam penelitian ini menerapkan metode kuantitatif survey dengan menyebarkan kuesioner kepada responden. Penentuan teknik sampling menggunakan purposive sampling. adapun populasi penelitian yakni seluruh mahasiswa FIS UM 2020 sebanyak 948 mahasiswa dengan sampel sebanyak 100 responden. Peneliti mengumpulkan data menggunakan instrument penelitian yakni kuesioner yang berupa google formulir. Adapun teknik analisis data memanfaatkan aplikasi SPSS 25 untuk menguji validitas, reliabilitas, uji t serta uji f. Adapun hasil riset ini membuktikan adanya pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020. Terbukti pada uji t serta uji f. Dimana uji T dihasilkan nilai sig 0,01 kurang dari 0,05 dengan t hit 7,136 lebih dari t tab 1,66039. Selain itu, dalam uji f didapatkan bahwa nilai sig 0,01 kurang dari 0,05 atau nilai f hit 50.928 lebih dari 3.94. Durasi yang banyak dibutuhkan untuk menggemari drama Korea sebanyak 1 jam dengan 34 responden. Dengan demikian maka penelitian ini memiliki kesimpulan berupa adanya pengaruh menggemari drama Korea terhadap minat belajar mahasiswa FIS UM 2020, sehingga memberikan hasil dimana Ha diterima dan H0 ditolak.
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Safira, Btari Anya. "Resisting Patriarchy through Pop Culture: Stereotypes of Korean Women in a Global Perspective." Devotion : Journal of Research and Community Service 5, no. 5 (May 30, 2024): 597–605. http://dx.doi.org/10.59188/devotion.v5i5.726.
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Korean dramas have made significant strides in gender representation in the past decade. However, South Korea continues to grapple with the deeply ingrained roots of misogyny and patriarchy. The study aims to explore how Korean women challenge stereotypes through pop culture of Korean women in a global perspective. The research employs a qualitative approach following Lawrence W. Neuman's framework, aiming to explore the underlying mechanisms and reasons behind the phenomenon. Through this approach, the research seeks to provide a nuanced understanding of how Korea's dramas contribute to the evolving discourse on gender roles in the globalized world. Specifically, the study examines how South Korean women confront stereotypes, particularly through the medium of Korean drama. The results of this study reveal that, despite the complexities within these narratives, Korean women continue to struggle with the challenge of capturing the full spectrum of female realities. In addition, the analysis reveals that women's experiences in Korean drama are shaped by a combination of relatable themes and an engaged audience, paving the way for Korean drama to act as powerful agents of social change, subtly dismantling long-held stereotypes via captivating storytelling.
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Titania, Dita Dwi Maura, and Jony Oktavian Haryanto. "A study of Korean drama and Indonesian teenager’s perception on images of South Korea as a potential tourist destination." Journal of Management and Business 21, no. 1 (March 21, 2022): 13. http://dx.doi.org/10.24123/jmb.v21i1.526.
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The popularity of Korean culture among teenagers around the world has made many teenagers, including Indonesian teenagers, affected by this culture. This Korean culture well known as Korean Wave or Hallyu. Korean Wave or Hallyu is a term to describe South Korean pop culture that has been successfully exported across the globe, including Indonesia. In Indonesia, Korean Wave or Hallyu products were introduced through the Korean television series called Korean drama. The objectives of this study are to determine how the teenagers in Indonesia perceive South Korean images as a destination that is seen in Korean dramas and could lead to the intention to visit South Korea in the future, to find out what are the impacts of watching Korean drama on consumer decision-making on Korean products and to find out whether watching Korean drama could increase the brand awareness towards a brand on Indonesian teenagers. This study uses qualitative methodology. Informants in this study were Indonesian teenagers range age 20-21 years old. Data collection for this study is obtained through interviews. By conducting this research, the researcher hopes to increase readers' insight into consumer decision-making that is influenced by the Korean Drama. The researcher hopes that this study may help future researchers who will conduct similar research from different aspects.
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Sihombing, Lambok, and Saffira Dellavia. "Media Framing in South Korean Drama “Crash Landing on You” towards North Korea." Acuity: Journal of English Language Pedagogy, Literature and Culture 6, no. 2 (May 11, 2021): 118–26. http://dx.doi.org/10.35974/acuity.v6i2.2398.
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The Korean Wave or well known as Hallyu has become more popular time by times. It shows when the entertainment industry could reach overseas audience and the example is through K-Drama called “Crash Landing on You”. This drama caught the audience attention by the story that they offers and this drama involving the story about South Korea and North Korea that also received several criticism from South Korean and North Korean audience about the story that the drama offers. This journal will discuss about the framing in the drama based on Goffman and Entman perspective and what kind of framing that they implement in this drama.
Keyword: Benefits of Concept Framing, Crash Landing on You, Framing, K-Drama Korean Broadcasting, Natural Framework, North Korea, Primary Framework, Social Framework, South Korea,
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Xoun, Chuan Pom, Do Tien Dat, and Ming Nguyen Trinh. "Drama with Unique Setting and Profession based on the Point of View of Korean Drama Connoisseurs." Journal of Asian Multicultural Research for Social Sciences Study 3, no. 2 (April 7, 2022): 21–25. http://dx.doi.org/10.47616/jamrsss.v3i2.271.
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This article aims to discuss K-Drama with a unique work profession background through the abstinence point of k-drama fans. The modern Korean entertainment landscape would not be complete without K-drama. Millions of people around the world enjoy watching Korean dramas. Many parallels are made between the characters, allowing viewers to gain a better understanding of Korean culture. K-drama fans will be paired with Korean drama works to write here. They are not your ordinary doctors, lawyers or professors, but people from all walks of life
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Fella, Shani, and Fitri Murfianti. "Wacana Drama Korea dalam Iklan Sprite Versi “Kenyataan Gak Kayak Drama Korea”." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 14, no. 2 (March 31, 2020): 57–69. http://dx.doi.org/10.33153/dewaruci.v14i2.2705.
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The development of the Hallyu, or Korean Wave, has an impact on product advertising in Indonesia, which uses many actors and discourses brought from Korean culture.Starting from this it turns out that growing questions about the possibility of Korean Wave can shape new consumption interests and behaviors that have an interest in Korea. The study, entitled Korean Drama Discourse in the Sprite ad version “Kenyataan Gak Kayak Drama Korea” is an advertisement for Sprite beverage products identified using Korean drama discourse with humor at the end of the story. The research method used is descriptive qualitative research supported by a theoretical basis, namely the structure of advertising discourse to dismantle Korean drama discourse on the Sprite advertisement version “Kenyataan Gak Kayak Drama Korea” using the concept of fashion as communication and storyline and location settings to be peeled off per scene advertisement. The discourse structure of advertising in this study will be explained in three parts, namely the main items of advertising, advertising agencies and closing advertisements. The results of this study indicate that in the version of the Sprite advertisement “Kenyataan Gak Kayak Drama Korea” there is a Korean drama discourse displayed on the advertising body, which functions as an advertisement explanatory item that is a message from a Sprite advertisement that "Nyatanya Nyegerin" can be well received by prospective customers.
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Firzani, Muhammad Rizki, and Putri Ramadhani Harahap. "DAMPAK PROPAGANDA SERIAL DRAMA CRASH LANDING ON YOU TERHADAP HUBUNGAN KOREA SELATAN DAN KOREA UTARA 2020." Multidisciplinary Indonesian Center Journal (MICJO) 1, no. 1 (January 23, 2024): 171–90. http://dx.doi.org/10.62567/micjo.v1i1.22.
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This Research discuss about Movies or dramas have great influence and can be used as an effective propaganda tool. Lasswell said that propaganda is the control of opinion through meaningful symbols or conveying concrete and accurate opinions through stories. The purpose of this study is to describe the impact of the Film of Korean Drama Crash Landing On You on the relationship between South Korea and North Korea and K-Drama in International Relations especially in the propaganda issue of the Crash Landing On You drama, as well as describing how propaganda can be spread through the Crash Landing On You drama series. By using a method with a qualitative research approach and explanatory research type with sources from books, papers, journals, theses, and articles related to the problems in the research. The result of this study is the impact on Korean relations which is getting worse as a result of the depiction of North Korea in the Crash Landing On You series
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Agustini, Fajar, and Khoirun Nisa. "Penerapan Model AHP Pada Pemilihan Aplikasi Streaming Drama Korea." INFORMATICS FOR EDUCATORS AND PROFESSIONAL : Journal of Informatics 5, no. 2 (July 6, 2021): 127. http://dx.doi.org/10.51211/itbi.v5i2.1540.
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Technology is developing very fast and is increasingly global, various kinds of the latest technological discoveries and various kinds of applications offered by each company will continue to compete, one of which is the Korean drama streaming application program. However, it is not just one Korean drama streaming application, but many other streaming applications that have sprung up and can make users hesitate to choose a streaming application to watch quality Korean dramas. Selection of useful criteria for selecting Korean drama streaming applications using the Analytical Hierarchy Process approach and processing using Expert Choice software allows streaming application users to know how to choose a streaming application to watch Korean dramas as desired. The population of this study were several Bekasi city people with approximately 30 questionnaires. From the research results, it was found that VIU was a strategic alternative for selecting Korean drama streaming applications using the Analytical Hierarchy Process which received top priority with a weight of 0.499 or comparable to 49.9% of another alternative.
Keywords: Streaming application, Korean Drama, Analytical Hierarchy Process
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Kristianto, William, Dyah Erny Herwindiati, and Janson Hendryli. "SISTEM REKOMENDASI DRAMA KOREA MENGGUNAKAN METODE USER-BASED COLLABORATIVE FILTERING." Jurnal Ilmu Komputer dan Sistem Informasi 9, no. 1 (January 18, 2021): 252. http://dx.doi.org/10.24912/jiksi.v9i1.12668.
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Korean drama is one of the entertainment that is very popular with the public, be it among children, teenager, adults and parents. There is a huge selection of dramas to watch, however, viewers have limited time. Therefore, a recommendation system is used to provide input to viewers in choosing Korean drama series that suits their respective profiles. This recommendation system is made using the User-Based Collaborative Filtering method, where the input of this method is in the form of rating data provided by the user for a list of available Korean dramas. Based on the results of interviews via video calls and questionnaires, this Korean drama application can provide different recommendation results based on user ratings of Korean dramas.
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Villa, Caren, and Lusia Savitri Setyo Utami. "Pengaruh Product Placement Kopiko dalam Drama Korea terhadap Minat Beli Konsumen Generasi Muda." Prologia 7, no. 1 (March 29, 2023): 1–7. http://dx.doi.org/10.24912/pr.v7i1.15621.
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Korean dramas are increasingly popular in Indonesia during the Covid-19 pandemic because they require people to be active at home. Indonesian companies like Kopiko take advantage of the popularity of Korean dramas to attract and retain consumers' memories of their products. This study aims to determine whether there is an effect of product placement in Korean dramas on the buying interest of young consumers. By using a quantitative approach, this study uses the method of distributing questionnaires to 45 respondents as a sample. The population in this study are consumers of generation Y and also generation Z with purposive sampling technique. This research raises a number of concepts, namely marketing communication, product placement, buying interest, and AIDDA theory. There are three data analysis techniques, namely normality test, simple regression analysis, hypothesis testing, validity test and reliability test. The results showed that Kopiko's product placement in Korean dramas affected the buying interest of young consumers by 63.2%. The most influential dimension in the independent variable (X) is the visual dimension and in the dependent variable (Y) the most affected is the psychological factor. Drama Korea semakin popular di Indonesia saat pandemi Covid-19 karena mengharuskan masyarakat beraktivitas dalam rumah. Perusahaan Indonesia seperti Kopiko memanfaatkan popularitas drama Korea untuk menarik minat dan mempertahankan ingatan konsumen terhadap produk mereka. Penelitian ini bertujuan mengetahui ada tidaknya pengaruh penempatan produk dalam drama Korea terhadap minat beli konsumen generasi muda. Dengan pendekatan kuantitatif, penelitian ini menggunakan metode penyebaran kuesioner kepada 45 responden sebagai sampel. Populasi dalam penelitian ini merupakan konsumen generasi Y dan juga generasi Z dengan teknik purposive sampling. Penelitian ini mengangkat sejumlah konsep yakni komunikasi pemasaran, product placement, minat beli, dan teori AIDDA. Terdapat tiga teknik analisis data yaitu uji normalitas, analisis regresi sederhana, uji hipotesis, uji validitas dan uji reliabilitas. Hasil penelitian menunjukkan bahwa product placement Kopiko dalam drama Korea berpengaruh terhadap minat beli konsumen generasi muda sebesar 63,2%. Dimensi yang paling berpengaruh dalam variabel bebas (X) adalah dimensi visual dan dalam variabel terikat (Y) yang paling terpengaruh yaitu faktor psikologis.
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BOZYER, Özlem. "Kore Dalgasının (Hallyu) Türk İzleyiciler Üzerindeki Etkisi." Dünya İnsan Bilimleri Dergisi 2023, no. 2 (July 23, 2023): 47–75. http://dx.doi.org/10.55543/insan.1211401.
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Hallyu başka bir deyişle “Kore Dalgası” önce Çin'e, daha sonra Japonya, Güneydoğu Asya'ya ve dünya çapında birçok ülkeye yayılmıştır. 1999 ve 2000'li yıllarda yayınlanan birkaç film ve TV dizisi Kore dalgasının başlangıcı olmuştur. Hallyu, büyük bir kültürel güç olarak ortaya çıktığı 1999 yılından bu yana istikrarlı bir şekilde büyümüştür. Ancak kültürel ve ekonomik büyüme tamamen planlanmamış değildir. Kore dramaları ve K-pop (Kore Müziği) Kore'nin dünya çapında “yumuşak gücünü” ve ekonomik gücünü geliştirmesinin bir yolu olmuştur. Gelişen medya teknolojisi, Kore kültürünün küreselleşmesini sağlamıştır. Kore dizileri, K-pop 2000 yılında etkili olmaya başlamış ve giderek Türkiye'deki etkisini artırmıştır. Peki, Güney Kore kültür trendi Türkiye'de neden bu kadar popüler hale geldi? Bu çalışma da, Türkiye’de Hallyu ve Kore drama, K-pop üzerine bir araştırma yapılarak ve Güney Kore kültür trendinin Türkiye'de neden bu kadar popüler hale geldiği araştırılmıştır. Öncelikle bu alanda hazırlanan makale, tez ve kitaplar incelenmiştir. Çalışmada "Hallyu, Kore Dalgası ve Türkiye, K-pop ve Kore draması, Kore ve popüler kültür gibi" kavram ve ifadeler arama motorlarında araştırılmış, yayınlananmış tez, makale ve kitaplar incelenmiştir. Türkiye’deki yayınlar incelendiğinde, çalışmaların sadece Hallyu ve K-Pop (Kore müziği) ile ilgili olduğu görülmüştür. Ancak bu çalışmalar da Güney Kore drama ve müzik trendinin Türkiye'de neden bu kadar popüler hale geldiği sorusu yeterince cevaplanamamıştır. Bu çalışma da, yarı yapılandırılmış görüşme uygulanmış ve veriler içerik analizi yoluyla analiz edilmiştir. Araştırma sonuçlarına göre Kore draması ve K-pop'un Türkiye'deki insanların duyguları, düşünceleri ve yaşamları, alışverişleri üzerinde önemli bir etkiye sahip olduğu belirlenmiştir. Kore dizilerini ve Kore müziğini Türkiye'de daha çok gençler takip etmektedir. Kore dalgasının etkisinde kültürel benzerlik ve tarihsel geçmiş etkilidir, ancak bu çalışmada da en etkili nedenin duygu ticareti ve tercih/seçim ticareti olduğu sonucuna varılmıştır.
Anahtar Kelimeler: Hallyu, Kore dalgası, K-pop, Kore draması, Kore müziği
Abstract
Hallyu in other words “Korean Wave” first was spread to China, then to Japan, Southeast Asia, and many countries around the world. Several movies and TV series aired in the 1999 and 2000s marked the beginning of the Korean wave. Hallyu has grown steadily since 1999 when it emerged as a great cultural power. But the cultural and economic growth have not been entirely unplanned. Korean dramas and K-pop (Korean Music) have been away for Korea to develop its “soft power” and economic power worldwide. The advancing media technology has enabled the Korean culture to become globalized. Korean dramas, k-pop have started to be effective in 2000 and gradually have increased their influence in Turkey. But why has the South Korean culture trend become so popular in Turkey? In this study, Hallyu and Korea drama in Turkey made research on K-pop culture trends in Turkey and South Korea were investigated why it has become so popular. Firstly, articles, theses, and books drafted in this field were analyzed. Working in such as and statements "Hallyu, the Korean Wave, and Turkey, K-pop and Korean drama, Korea and popular culture" in the search engines are researched and published were followed theses, books and articles have been examined. When analyzed publications in Turkey, these studies were only of Hallyu and K-Pop (Korean music) is related. However, these studies also South Korean dramas and music trends unanswered enough the question of why Turkey has become so popular. In this study, a semi-structured interview was applied and the data were analyzed through content analysis. According to the results of the research, it was determined that Korean drama and K-pop have an important effect on the emotions, thoughts and lives, shopping of people ın Turkey. Korean dramas and Korean music mostly are followed by young people in Turkey. Cultural similarity and historical past are effective in the effect of the Korean wave, however, this study has also concluded that the most effective cause is emotion trading and selection trading.
Keywords: Hallyu, Korean wave, K-pop, Korean drama, Korean music
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Abidin, Zainal. "Hubungan Antara Tayangan K-Drama di Televisi dengan Perilaku pada Anak Remaja dalam Mengimitasi Korean Fashion." KOMUNIKA: Jurnal Dakwah dan Komunikasi 13, no. 1 (August 27, 2019): 65–79. http://dx.doi.org/10.24090/komunika.v13i1.2075.
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Recent phenomenon of television is often shows a variety of Korean products and one of them was Korean drama (K-Drama). K-Drama is one of the television drama series that is famous until today and very popular among public. The objective of this research was to find out is there a relationship between K-Drama shows in television with behavior of the teenager to imitate Korean fashion at Bhinneka highschool Karawang. This research used quantitative with correlational analysis data by using social learning theory from Albert Bandura. The Theory was discovered by Albert Bandura to discuss the learning process through media massa as opposite to traditional learning process. The starting point of learning process is a phenimenon that can be observed, directly or indirectly. That phenomenon may occur in the person's daily activities, and also be presented directly by television, books, films and other media massa. The results of this study found there was a significant relationship between the intensity of K-Drama show with low but definite relationship (rs = 0.375), K-Drama message content with medium relationship (rs = 0,517) and K-Drama show attractiveness with strong relationship (rs = 0.641) with behavior of teenager to imitate Korean fashion.
Fenomena belakangan ini televisi sering menyajikan berbagai produkproduk Korea salah satunya K-Drama (Drama Korea). Drama Korea sebagai salah satu serial drama televisi yang saat ini sedang booming dan diminati khalayak khsususnya remaja. Riset ini bertujuan untuk mengetahui hubungan antara tayangan drama Korea dengan perilaku pada anak remaja dalam mengimitasi Korean fashion dengan mengambil sampel penelitian di SMK Bhinneka Kabupaten Karawang. Metode riset ini adalah kuantitatif dengan analisis korelasional dan teori yang digunakan adalah teori social learning Albert Bandura. Social Learning Theory berasumsi bahwa belajar bisa dilakukan melalui media massa dan tidak harus dilakukan dengan cara yang konvensional. Awal mula proses belajar adalah mengamati sebuah fenomena yang sedang terjadi, yang bisa dilakukan secara langsung ataupun melalui sebuah fasilitas oleh seseorang. Sebuah fenomena di sekeliling kita bisa terjadi pada siapapun yang dapat diamati secara langsung dari televisi, buku, film dan media massa lainnya. Hasil dari penelitian ini memperlihatkan bahwa ada hubungan intensitas tayangan drama Korea dengan hubungan yang signifikan (rs = 0,375), isi pesan tayangan drama Korea dengan hubungan yang signifikan (rs = 0,517) dan daya tarik tayangan drama Korea dengan yang signifikan (rs = 0,641) dengan perilaku pada anak remaja dalam mengimitasi Korean fashion.
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Xiang, Meng, and Kyung Hoon Han. "A Comparative Analysis Study on Musical Characteristics Shown in the Use of Modes in Korean and Chinese Classical Drama OSTs: Focusing on the Analysis of the Theme Melody of Major Underscores." Korean Society of Culture and Convergence 45, no. 11 (November 30, 2023): 1289–99. http://dx.doi.org/10.33645/cnc.2023.11.45.11.1289.
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The purpose of this paper is to understand the musical features in the use of modes in Korean and Chinese classical drama OSTs, with the intention of providing assistance to music creators who wish to produce OSTs for classical dramas. To achieve this, we explore the overall musical flow of classical drama OSTs, focusing on the analysis of the main insert songs' thematic melodies. In order to grasp the commonalities and differences, we analyze the thematic melodies of key insert songs, covering the period from 2020 to 2023, selecting the top 12 OST songs from dramas that entered the top 3 viewership rankings in Korea and China. As a result, commonalities and differences in the musical characteristics of OSTs from classical dramas in Korea and China were identified. It is hoped that this will contribute to exploring ways to utilize classical drama OST production and serve as valuable information and foundational material for the development of drama music genres.
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LEE, Hyeon-Jeong. "DEVELOPMENT OF THE KOREAN POETIC DRAMA AND THE SIGNIFICANCE OF THE POETIC DRAMA MOVEMENT." International Journal of Korean Humanities and Social Sciences 7 (December 27, 2021): 117–41. http://dx.doi.org/10.14746/kr.2021.07.06.
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This paper deals with the definition and characteristics of poetic drama, and attempts to clarify the significance of poetic drama works during the time when the poetic drama movement took place. Unlike drama-poetry or plays, poetic drama is an independent art genre. It presents artistic vision through the conflict of poetics and dramas. The unity of poetic and dramatic things, which is facilitated through music, internal necessity, stage image, sound effect, and visual auditory indication, poetic drama is a part of complex art. The entire work functions as a poem and must be realized on the stage. For Choi Il-soo, in order to develop the characteristics of these poetry plays, the innatrhythm of the free verse should be embodied within these plays. He accepted Eliot’s theory and tried to establish the position that Western poetic drama works and theories are unique to Korea. This deepening perception of theory led to a poetic drama movement with the creators. In this paper, we classify its characteristics by focusing on approximately 18 poetic drama works. From 1920 to 1999, 18 representative works were classified, focusing on the completeness of the works and the remarkable artists. The characteristics of works can largely be divided into historical, narrative, reality, and philosophy. The meaning of this classification can serve as an opportunity for poetic dramas to advance into more diverse topics or forms. The poetic drama movement was dominated by critics and poets with the aim of pursuing independent Korean art works, and although it failed in performance and popularization, it was an achievement of the times to give a glimpse into the possibility of poetic drama. Poetic drama can act as a new element in the genre of poetry and drama that are losing original literary character, and there is a need to revive in Korean literature.
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Kamil, Islamiah, Dewi Anggraini, and Hendi Prihanto. "Edukasi Finansial Melalui K-Drama (Korean Drama) Populer." ABDI MOESTOPO: Jurnal Pengabdian Pada Masyarakat 6, no. 2 (July 27, 2023): 193–99. http://dx.doi.org/10.32509/abdimoestopo.v6i2.2759.
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Demam Korea saat ini sedang menjadi topik hangat karena menjangkiti hampir semua kalangan masyarakat di Indonesia. Anak-anak, remaja, dewasa bahkan sampai dengan ibu-ibu tidak dapat dipungkiri saat ini kebanyakan menjadi pecinta dan penikmat hal-hal berbau KoreaSelama pandemi COVID-19 yang belum juga usai salah satu cara melepaskan stres dan menghabiskan waktu luang adalah dengan menonton drama Korea. Di Indonesia sendiri, demam serial asal negeri gingseng tersebut masih berlangsung sejak Hallyu Wave menggila hampir sewindu silam. Tidak bisa dimungkiri ini disebabkan berbagai aspek yang ditampilkan. Drama Korea bukan sekadar mengangkat tema percintaan saja, tetapi banyak isu mulai dari ringan hingga berat. Contohnya perundungan, politik, kriminal, hingga finansial. Drama yang menggeluti perihal perekonomian sangat menarik untuk ditonton. Selain untuk hiburan, penonton juga dapat memetik pelajaran agar lebih melek finansial dan semakin paham lierasi keuangan dan inklusi keuangan dalam visualisasi alur drama Korea. Edukasi Finansial Melalui K-Drama (Korean Drama) Populer memberikan pemahman dalam diskusi cerdas dan edukasi mengenai lierasi keuangan untuk bisa melihat peluang usaha, agar bisa berpenghasilan dan lebih produktif. Selain itu dapat memberikan edukasi untuk menstimulasi dan mengembangkan ide kreatif, memberikan informasi dan edukasi untuk bisa mendadi generasi muda pemberdaya yang tidak hanya bermanfaat bagi diri sendiri, tapi juga lingkungan sekitar dari pembelajaran positif K-Drama (Korean Drama) bertemakan keuangan. Kegiatan ini dilakukan selama 1 (satu) hari yaitu pada tanggal 11 Juni 2022 Secara Hybrid pada Webinar Pekan PKM Sukses Bisnis Di Era Digital kerjasama Universitas Dian Nusantara dan Universitas Prof. Dr.Moestopo (Beragama) di Kampus Laboratorium FIKOM Moestopo. Metode pelaksanaan dilakukan dengan memberikan ceramah dan diskusi interaktif. Seluruh peserta memberikan respon yang positif tentang kegiatan sosialisasi yang diberikan.
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Estoque, Eileen Itabag. "The Filipino Millennial and the Korean Drama Fad." Journal of Humanities and Social Sciences Studies 4, no. 2 (May 19, 2022): 110–26. http://dx.doi.org/10.32996/jhsss.2022.4.2.15.
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This quantitative-qualitative study ascertained the extent of influence of the Korean Drama Fad on the Filipino Millennials’cultural practices and beliefs. A researcher-madeSelf-Assessment Checklist was used to gather the quantitative data among 356 randomly selected respondents, while the qualitative data were drawn from an Interview among 8 participants. Results revealed that overall, the Korean drama fad was moderately influential. However, this was very influential, moderately influential, and slightly influential when respondents were categorized according to sex, college, campus, and degree of exposure, respectively. Significant differences existed in the extent of influence of the Korean drama fad when respondents were categorized according to sex, campus, and degree of exposure, but no significant differences were noted when classified according to college. Reasons for watching K-dramas include relaxation and entertainment, stress reliever, a form of escape from their problems, exciting stories, and unpredictable plot, characters are easy to relate and identify with, and the presence of fascinating actors and actresses. Further, the K-dramas was appealing because the stories are true-to-life with the varying genre--love story, modern romance, comedy, historical fiction, and action-drama. Insights and lessons cited were being prepared to face the future; being strong and more positive in facing life's challenges; loving unconditionally; learning to be more careful before totally trusting others; having knowledge and awareness of what is trending when it comes to fashion styles, beauty standards, verbal and non-verbal expressions, behavior, and lifestyle of Koreans in general.
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Femisyah, Jazzy Tiara, and Suzy Azeharie. "Representasi Stigmatisasi Korea Utara oleh Masyarakat Korea Selatan Melalui Drama Seri Extraordinary Attorney Woo." Koneksi 7, no. 2 (October 5, 2023): 335–44. http://dx.doi.org/10.24912/kn.v7i2.21383.
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The prolonged war between South Korea and North Korea has stigmatised the North Korean community or defectors. It is not uncommon for North Korean defectors who are in South Korea to receive different treatment from local residents. This is also depicted in several Korean drama series, one of which is the sixth episode of Extraordinary Attorney Woo. This research examines the signs contained in several scenes that represent the stigmatisation of North Korean society. This research uses a qualitative approach with discourse analysis as the data collection method. The subject of this research is the sixth episode of Extraordinary Attorney Woo. The representation of stigmatisation of South Korean society towards North Korea as the object is studied with Charles Sander Pierce's semiotics. The results show that the drama series Extraordinary Attorney Woo has signs that can be interpreted into a message associated with mass communication theory with the function of entertainment and cultural transformation. The interpretant in this drama is the stigmatisation of North Korean defectors depicted in several scenes. In addition to interpreting stigmatisation, there is also a deconstruction of meaning illustrated by the defence given by the main character. Perang berkepanjangan yang terjadi antara Korea Selatan dan Korea Utara menimbulkan stigma terhadap masyarakat atau pembelot Korea Utara. Tidak jarang pula pembelot Korea Utara yang berada di Korea Selatan mendapat perlakuan berbeda dari warga setempat. Hal ini juga digambarkan dalam beberapa drama seri Korea, salah satunya drama seri Extraordinary Attorney Woo episode keenam. Penelitian ini mengkaji tanda-tanda yang terdapat dalam beberapa adegan yang merepresentasikan stigmatisasi terhadap masyarakat Korea Utara. Penelitian ini menggunakan pendekatan kualitatif dengan analisis wacana sebagai metode pengumpulan data. Subjek dari penelitian ini adalah drama Extraordinary Attorney Woo episode keenam. Representasi stigmatisasi masyarakat Korea Selatan terhadap Korea Utara sebagai objeknya dikaji dengan semiotika Charles Sander Pierce. Hasil menunjukkan bahwa drama seri Extraordinary Attorney Woo memiliki tanda-tanda yang dapat diinterpretasikan menjadi sebuah pesan yang dikaitkan dengan teori komunikasi massa dengan fungsi hiburan dan transformasi budaya. Interpretant dalam drama ini adalah adanya stigmatisasi terhadap pembelot Korea Utara yang digambarkan dalam beberapa adegan. Selain menginterpretasikan stigmatisasi, juga terdapat dekonstruksi makna yang digambarkan dengan pembelaan yang diberikan pemeran utama.
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Theonaldy, Kriston, and Suzy Azeharie. "Restriksi Perempuan untuk Berpolitik Melalui Drama (Studi Kasus Drama Korea Rookie Historian Goo Hae Ryung)." Koneksi 7, no. 2 (October 5, 2023): 417–26. http://dx.doi.org/10.24912/kn.v7i2.21433.
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New media is one part of mass media. Netflix is a streaming viewing application and is part of new media. Hallyu wave is Korean culture which is currently popular in many countries. Korean dramas are part of the hallyu wave. On July 17, 2019, Netflix released a Korean drama entitled Rookie Historian Goo Hae Ryung. This drama tells about the struggles of female historians in the Joseon era who experienced restrictions on politics. Historians are part of the Chunchugwan Office in charge of recording activities within the kingdom. This study discusses the forms of restrictions on women's participation in politics during the Joseon dynasty. In this research, the writer uses the silent group theory from Cheris Kramarae. This study uses a qualitative approach with Sara Mills critical discourse analysis Method. The data in this study were obtained through interviews, observations, literature studies, and documentation. The results showed that there were five forms of restrictions on women's participation in politics during the Joseon dynasty era in the Korean drama Rookie Historian Goo Hae Ryung, namely the prohibition of the right to freedom, recognition, exclusion, violence, and verbal abuse. Media baru adalah salah satu bagian media massa. Netflix merupakan aplikasi menonton streaming dan merupakan bagian dari media baru. Hallyu wave adalah budaya Korea yang sedang populer di banyak negara. Drama Korea merupakan bagian dari hallyu wave. Pada 17 Juli 2019, Netflix merilis drama Korea berjudul Rookie Historian Goo Hae Ryung. Drama ini menceritakan tentang perjuangan perempuan sejarawan pada era Joseon yang mengalami pembatasan berpolitik. Sejarawan merupakan bagian dari Kantor Chunchugwan yang bertugas untuk mencatat kegiatan dalam kerajaan. Penelitian ini membahas tentang bentuk pembatasan perempuan untuk berpolitik pada era dinasti Joseon. Dalam penelitian ini, penulis menggunakan teori kelompok terbungkam dari Cheris Kramarae. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis wacana kritis Sara Mills. Data dalam penelitian ini didapatkan melalui hasil wawancara, observasi, studi pustaka, dan dokumentasi. Hasil penelitian menunjukan ada lima bentuk pembatasan perempuan untuk berpolitik pada era dinasti Joseon dalam drama Korea Rookie Historian Goo Hae Ryung, yaitu pelarangan hak kebebasan, pengakuan, pengecualian, kekerasan, dan pelecehan verbal.
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Park, Noh-Hyun. "The Journal of Korean Drama and Theatre and Television Drama: Focusing on Quotation of Lines/Scenes in Research on Television Drama." Korean Society of Culture and Convergence 44, no. 10 (October 31, 2022): 1119–33. http://dx.doi.org/10.33645/cnc.2022.10.44.10.1119.
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The Journal of Korean Drama and Theatre published by the Learned Society of Korean Drama and Theatre is the most representative journal for research on Korean television dramas as a kind of drama act. The number of theses that have been gathered by a total of 75 journal series is as many as 615, which have been issued until 2020, since 1991 when it was launched. Of them, the theses on television dramas began to be initially published by the 21th series issued in 2005, and then 76 theses investigated by 35 researchers are currently published. The scenes beyond/post sheet, which appear in television dramas as image literature, become main texts, due to the genre characteristics. Lines and scenes in screens are naturally mobilized for any quotations. The current research on television dramas, however, do not give any academic guidelines regarding the quotation of lines and scenes. This paper, therefore, attempts to provide a direction of examining the current conditions of the lines and scenes quoted by research on television dramas based on 76 theses gathered in The Journal of Korean Drama and Theatre and helping both the society and the journal improve them. The measure may be largely specified as five proposals. The key point of them lies in the essence of the quotation properly certified by research, in other words, the practice of it, which make it possible to realize scholarly conversations with academic value.
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Ri'aeni, Ida. "Pengaruh Budaya Korea (K-Pop) Terhadap Remaja Di Kota Cirebon." Communications 1, no. 1 (January 11, 2019): 1–25. http://dx.doi.org/10.21009/communications.1.1.1.
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Berbagai produk budaya Korea mulai dari drama film, lagu, fashion, gaya hidup produk-produk industri mulai mewarnai kehidupan masyarakat di berbagai belahan dunia. Budaya Korea berkembang begitu pesatnya dan meluas serta diterima publik sampai menghasilkan sebuah fenomena demam Korean Wave. Budaya dan gaya hidup Korea (Hallyu atau Korean Wave) telah menjadi budaya populer yang menyebar ke berbagai negara termasuk Indonesia. Belakangan ini budaya Korea atau K-pop begitu mewabah pada remaja di Indonesia termasuk remaja di sekitar Kota Cirebon. K-pop tidak hanya soal musik, akan tetapi lebih terasosiasikan K-pop dengan semua budaya asal Korea. Adanya komunitas Dance Korea seperti Cirebon Kpop Dance Cover atau Cirebon Korean Dance Cover; Komunitas Fans K-Pop, seperti ARMYINA, ARMYCIR; Grup Online yang diikuti remaja seperti IKON, K-DRAMAS FOR LIVE, KIM TAEHYUNG, KOREAN DRAMA FANS; hingga Kedai Makan Korea seperti Haebaragi dan Epen’s Box yang menyediakan hidangan seperti kimbab, ramyeon, bulgogi, kimchi, daenjang Jjiggae, bibimbap serta samyang. didapati beberapa remaja yang sejatinya menganggap budaya lokal atau nasional lebih disukai atau lebih mereka kenal, namun mereka pun tidak ingin ketinggalan mengikuti perkembangan sebagai penggemar budaya pop yang berasal dari Korea. Mereka beranggapan mengikuti perkembangan tersebut adalah sejalan dengan modernitas yang sedang marak.
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Azeharie, Suzy. "Cultural Proximity of Korean and Indonesian in Korean Dramas." WACANA: Jurnal Ilmiah Ilmu Komunikasi 22, no. 1 (June 22, 2023): 131–41. http://dx.doi.org/10.32509/wacana.v22i1.2440.
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This paper, which is a narrative analysis, seeks to explore why Korean drama as a form of hallyu cultural product is favoured by the Indonesian people by using the cultural proximity theory from Joseph Straubhaar. According to this theory the audience will prefer products of their own culture or the same as their culture. This research approach is a qualitative research with narrative analysis method. Audiences will prefer the same production because of elements such as star appeal, local knowledge, topics, issues, the environment, and the ethnicity of people in the media. The author discusses five cultural similarities between the two countries, namely the same history, family relationships based on extended family, language and social norms, family lineage and culinary. The results showed that the historical similarities between Korea and Indonesia which had been colonized by Japan, extended family forms in Indonesian and Korean families, respect for parents and manners of behaviour between Indonesians and Koreans and the same food, namely making rice and side dishes as staple foods made Korean dramas liked by the Indonesian people.
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Zhang, Yuxi. "A Study on Culture Education Content of Mother-in-law and Daughter-in-law Portrayed in Korean and Chinese: Focusing on TV Family Dramas." Korean Society of Culture and Convergence 44, no. 6 (June 30, 2022): 579–98. http://dx.doi.org/10.33645/cnc.2022.6.44.6.579.
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This paper aims to compare and analyze mother-in-law and daughter-in-law relationship portrayed in Korean-Chinese TV family dramas and reveal cultural educational content through Hofstead’s cultural dimension theory. Due to lack of cultural understanding and acquisition, Korean learners of Chinese often perceive cultural differences in a new cultural environment, leading to conflicts. There is a need to adapt to cultural dimensions between Korean and Chinese cultures to alleviate conflicts in family life. This study compared clues from TV dramas that reflect people's psychology, behavior, and social background data to examine cultural dimension of Korean and Chinese cultures. Cultural dimensions hidden in situation and context of drama was analyzed by comparing 16 Korean and Chinese family dramas with high viewer ratings. Based on the results of Hofstead’s study of cultural dimensions, three cultural dimensions with largest numerical differences were analyzed on Korea and China. The paper revealed morphological and feducational educational content of cultural dimension of high wealth image based on actual situation shown in dramas of Korea and China starting from structuralism that can contribute to Chinese Korean language learners acquire differences in cultural dimension of Korea and China and resolve conflicts.
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Abdul Adis, Azaze-Azizi, Hyung Jun Kim, Mohd Rizwan Abdul Majid, and Izyanti Awang Razli. "CELEBRITY AND AUDIENCE CHARACTERISTICS ON SATISFACTION, AND REPEAT WATCH INTENTION ON KOREAN TV DRAMA." Journal of BIMP-EAGA Regional Development 3, no. 2 (December 16, 2017): 101–17. http://dx.doi.org/10.51200/jbimpeagard.v3i2.1046.
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The prevailing trend of Korean Pop culture, Hallyu, has spread rapidly to Asian countries such Malaysia, Japan, China, Indonesia, Thailand, Vietnam and Taiwan. The influenced of such culture has further reached to other countries such as the Middle East, Europe and America. As the result, the Korean dramas, fashions, and music becoming a hot trend and culture in Asian nations. The study examines the relationship between celebrity and audience characteristics on TV drama satisfaction and repeats watch intention. A total of 596 young Malaysian consumers participated in this study. Attractiveness, credibility, commitment, and connectedness were found to effect the satisfaction of watching Korean drama. In addition, consumer satisfaction toward Korean TV drama does influence their repeat watch intention. However, an involvement of audience was not found to affect TV drama satisfaction. Recommendation and suggestion for future research were also discussed to improve audience satisfaction and ultimately increased the repeat watch intention towards Korean TV drama.
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Nissi, Keizah, and Suzy Azeharie. "Dramaturgi pada Serial Korea True Beauty." Koneksi 6, no. 2 (November 2, 2022): 440–48. http://dx.doi.org/10.24912/kn.v6i2.15825.
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One of the Korean popular culture industries, the Korean Wave, is a Korean drama series. Korean drama series is a series of shows or shows that are broadcast in the Korean language. This drama usually tells stories about culture, activities, or daily activities that tell about life in South Korea. One of the stories that are often made into a story in Korean drama series is about the construction of a woman's beauty, one of which is raised in the Korean series True Beauty. The Korean series True Beauty is a series that tells about the life of a woman who does not have an attractive appearance, so she covers her appearance with facial expressions to live her daily life. This study wants to know the dramaturgy of the Korean series True Beauty. The researcher uses Goffman's dramaturgy theory, which consists of several concepts: self-presentation, the front stage area, the middle stage area, and the backstage area. This study uses a descriptive qualitative research approach with case study research methods. The research data were obtained by observation and documentation of the 16 episodes of the Kore True Beauty series, as well as a literature study. The results showed dramaturgy in the Korean series True Beauty, namely when in the front stage area, Jukyung's character will play his role by using makeup. While in the center stage area, Jukyung's character will prepare himself by applying makeup. Meanwhile, when he was backstage, Jukyung's character was himself without wearing any makeup. Salah satu industri budaya populer Korea atau yang dikenal dengan istilah Korean Wave adalah drama seri Korea. Drama seri Korea adalah tayangan atau pertunjukan seri yang disiarkan dalam bahasa Korea. Drama ini biasanya mengangkat cerita mengenai budaya, aktivitas, atau kegiatan sehari-hari yang menceritakan kehidupan di Korea Selatan. Salah satu cerita yang sering kali diangkat menjadi cerita dalam drama seri Korea adalah mengenai kontruksi kecantikan seorang perempuan yang salah satunya diangkat dalam cerita serial Korea True Beauty. Serial Korea True Beauty merupakan serial yang menceritakan mengenai kehidupan seorang perempuan yang tidak memiliki penampilan yang menarik sehingga ia menutupi penampilannya itu dengan riawan wajah untuk menjalani kehidupan sehari-harinya. Penelitian ini ingin mengetahui dramaturgi pada serial Korea True Beauty. Peneliti menggunakan teori dramaturgi Goffman yang terdiri dari beberapa konsep yaitu presentasi diri, wilayah panggung depan (front stage), wilayah panggung tengah (middle stage), dan wilayah panggung belakang (back stage). Penelitian ini menggunakan pendekatan penelitian kualitatif deksriptif dengan metode penelitian studi kasus. Data hasil penelitian diperoleh dengan observasi dan dokumentasi dari 16 episode serial Kore True Beauty serta studi kepustakaan. Hasil penelitian menunjukan bahwa dramaturgi dalam serial Korea True Beauty, yaitu saat di wilayah panggung depan, tokoh Jukyung akan memainkan perannya dengan menggunakan riasan. Saat berada di wilayah panggung tengah, tokoh Jukyung akan mempersiapkan dirinya dengan merias wajahnya. Sementara saat berada di panggung belakang, tokoh Jukyung menjadi dirinya sendiri tanpa mengenakan riasan.
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Pratama, Aditya Putra. "Nature Republic dan Innisfree Sebagai Soft Power Brand Ambasador and Personality Korea Selatan di Indonesia." Jurnal Manajemen Strategi dan Aplikasi Bisnis 4, no. 1 (January 16, 2021): 1–12. http://dx.doi.org/10.36407/jmsab.v4i1.263.
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Brand Ambassador is an instrument of achieving the interests of the state which is popularly used South Korea as one example of countries that use their Brand Using (Hallyu) as the mediums to get achieved success in Indonesia. in 2002, Indonesia began to look at South Korea by showing Korean drama with the introduction of Korean drama in Indonesia through private television. The reason for the development of Korean pop culture (Korean Wave) in Indonesia is the embodiment of globalization. In the communication and cultural dimensions, South Korea is increasingly recognized by the Indonesian public drama that aired in Indonesia became the gateway for the entry of other Korean cultural products or known by the name Hallyu / Korean Wave, such as Korean pop music (K-Pop), Korean food (K-Food ), and Korean language and letters (Hangeul). It also makes many products made in Korea also enter Indonesia, including cosmetics, automotive, electronics, etc. As a form of Korean Nation Brand in Indonesia. So, Indonesian people can feel about (Hallyu) that came in. The purpose of this study will look at how Indonesia's attitude in responding to it and what is driving Indonesia's response to the phenomenon of Korean Skincare that uses as Diplomacy in Indonesia.
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Hawa, Adnin Kamil Bani, Nur Alifah Septiani, and Yucha Febria Kusumaningrum. "Semantic Field of Stres and Depression on Psychologycal Korean Drama." JETLi: Journal of English Teaching and Linguistics 2, no. 2 (December 30, 2021): 72–83. http://dx.doi.org/10.55616/jetli.v2i2.142.
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Korean dramas with the psychological genre are very popular nowadays. Through this psychological Korean drama genre, people begin to get to know some psychological terms, such as stress and depression. Unfortunately, there are many people who have not been able to interpret these two terms correctly. The aims of this study are to find out how the words stress and depressions influence the audience of psychological Korean dramas and to know the difference of semantic field between the word stress and depression. The method used in this study is a qualitative descriptive method. The steps taken are (1) data collection with interviews, surveys through questionnaires, and readings text in psychological Korean dramas genre; (2) see the relevance between the data available and the semantic field theory; (3) and draw conclusions from the results of the research. This study uses semantic studies by looking at semantic field of the words stress and depression in psychological Korean dramas and how these words influence the audience. The semantic field is part of semantic system which is looking at the meaning of lexical elements that relate to spoken language used in reality. The subject of this study is a psychology Korean drama and psychology Korean drama audience. The results of this study showed that some respondents who watched the Korean drama misinterpret the meaning of stress and depression. Semantic field of the term stress and depression is set semantic field. Set semantic field refers to paradigmatic relationships because words or elements are in the same set and can replace each other. These two words are still in the same set, namely psychic problems. The writers hoped that it can reduce public misunderstanding of the meaning of the words stress and depression
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Hilman, Evert H., and Rafhel Chairunnisa Putri. "ANALISIS TINDAK TUTUR MEMINTA BAHASA KOREA DALAM DRAMA MOVE TO HEAVEN KARYA YOON JI-RYON." AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 2, no. 2 (February 19, 2024): 256–68. http://dx.doi.org/10.47313/aksarabaca.v2i2.3169.
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ABSTRAKPenelitian ini mengkaji tindak tutur meminta bahasa Korea dalam drama Move To Heaven. Penelitian ini dilakukan untuk mengetahui tuturan-tuturan meminta langsung dan tidak langsung dalam bahasa Korea. Tujuan dari penelitian ini untuk mendeskripsikan mengenai tindak tutur meminta bahasa Korea yang terdapat dalam dialog drama Move To Heaven. Metode yang digunakan dalam penelitian ini adalah dengan menggunakan metode kualitatif dan disajikan secara deskriptif. Sumber data yang digunakan adalah dialog drama Move To Heaven, dengan menggunakan metode simak dengan teknik simak bebas dan teknik catat. Teori yang digunakan dalam penelitian ini adalah teori Byeon yang mengembangkan teori strategi permintaan dari Blum-Kulka. Berdasarkan hasil penelitian, ditemukan 15 data tuturan meminta bahasa Korea dalam klasifikasi tuturan meminta bahasa Korea yang terdiri dari tuturan langsung dan tidak langsung dalam bentuk tuturan permintaan menggunakan akhiran, bentuk sopan, ungkapan keinginan, permission/izin dan kalimat interogatif. Dalam hasil penelitian tuturan meminta langsung menggunakan akhiran dan tuturan meminta tidak langsung menggunakan ungkapan permission/izin. Kata kunci: tindak tutur meminta, bahasa Korea, pragmatik. ABSTRACTThis research examines the speech act of asking in Korean in the drama Move To Heaven. This research was conducted to find out direct and indirect asking utterances in Korean. The aim of this research is to describe thespeech act of requesting Korean language contained in the dialogue of the drama Move To Heaven. The method used in this research is qualitative methods and is presented descriptively. The data source used is dialoguefrom the drama Move To Heaven, using the listening method with free listening and note-taking techniques. The theory used in this research is Byeon's theory which developed Blum-Kulka's demand strategy theory. Based on the research results, 15 data of Korean requesting utterances were found in the classification of Korean requesting utterances consisting of direct and indirect speech in the form of request utterances using suffixes,polite forms, expressions of desire, permission and interrogative sentences. In the research results, direct requesting utterances use suffixes and indirect requesting utterances use the expression permission. Key words: speech act of asking, Korean language, pragmatics.
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Primadini, Intan, and Fiona Angeline Setianoto. "Authoritarian Parenting Practices on Korean Drama: Reception Analysis on SKY Castle." EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI 7, no. 2 (May 1, 2024): 272–90. http://dx.doi.org/10.33822/jep.v7i1.6093.
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With a rating of 23.78%, the Korean drama "SKY Castle" had the highest rating amongst Korean dramas. Authoritarian parenting is discussed in this South Korean drama. 87% of students believe that they are in the wrong major, which expressed how this not only happened in South Korea but also in Indonesia. Authoritarian parents pressured them to join specific majors. This is a result of the stereotypes of majors in which parents hope will ensure students' success and financial stability. This authoritarian parenting style harms children’s mental health. The post-positivist perspective and the case study approach are both used in this descriptive qualitative study. In-depth interview data collecting and recording techniques, data validity techniques including construction validity, and pattern matching data analysis techniques are all used in this study. According to the study's findings, the audience's parents have preconceived notions about particular universities and majors, which have an effect on their children's mental health and relationships with their parents. It may be stated that viewers who were educated by authoritarian parents are in a negotiated position since each viewer has a unique viewpoint on authoritarian parenting in the Korean drama "SKY Castle" based on their own cultural background and experiences.
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Al-Habro, Akil, Ali Nur Alvian, and Reka Seprina. "PERKEMBANGAN KOREAN CULTURE DI KOTA JAMBI MASA REFORMASI (2000-2021)." Krinok: Jurnal Pendidikan Sejarah dan Sejarah 1, no. 2 (August 29, 2022): 72–82. http://dx.doi.org/10.22437/krinok.v1i2.18581.
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Rumusan masalah dalam penelitian Perkembangan Korean Culture di Kota Jambi ini adalah Bagaimana Perkembangan Korean Culture Di Kota Jambi Masa Reformasi (2000-2021)”. Penelitian ini bertujuan untuk mendeskripsikan Perkembangan Korean Culture di Kota Jambi Masa Reformasi (2000-2021). Penelitian ini tergolong dalam penelitian Kualitatif dengan pendekatan histories. Metode yang digunakan dalam penelitian ini adalah metode sejarah yang melalui beberapa tahap yaitu: heuristik, kritik sumber, interpretasi dan historiografi. Hasil penelitian menunjukkan bahwa Korean Culture telah suskes berkembang di jambi sejak dimulainya Korean Wave yang masuk ke Indonesia yang kemudia menyebar keseluruh Indonesia termasuk jambi. Masuknya budaya Korea di Kota Jambi dengan pengenalan K-Drama ke Indonesia. Korean Wave dapat diterima oleh sebagian besar masyarakat Jambi, berhasil dengan K-Drama, memberi jalan terhadap berbagai produk-produk Korea lainnya seperti K-Pop, K-Food, K-Style, Bahasa Korea, Teknologi Korea.
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Josephine Elvira, Dwi Setyo Riani, Irma Rasita Gloria Barus, and Ira Resmayasari. "WOMEN SELF-IMAGE ON JI SUN WOO'S CHARACTER IN KOREAN DRAMA ”THE WORLD OF THE MARRIED”." Jurnal Pendidikan dan Kebudayaan 2, no. 1 (March 20, 2022): 40–44. http://dx.doi.org/10.55606/jurdikbud.v2i1.126.
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Korean dramas are very popular with audiences from various mass media and social media. With a very interesting storyline, it is able to hypnotize Indonesian audiences to become active viewers and bring up various assumptions about Korean drama content. The Korean drama adopted in this study is entitled The World of the Married. The drama that was broadcast by Trans TV a few months ago was very successful in anesthetizing the general public and making viewers adopt drama in their daily lives. This study aims to describe the female self-image of the main character, Ji Sun Woo’s in the Korean drama entitled The World of the Married which raises the issue of divorce and shows the value of feminism as shown by Ji Sun Woo as a strong figure and a brave female character who can make her own decisions to seek justice. By using qualitative research, data was collected using reading and note-taking techniques. The Korean drama The World of the Married discusses gender inequality, work, and social group problems and indirectly harms society as a whole, such as the social inequality on Lee Tae Oh's part between men and women in terms of leading and working..
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Zahidi, M. Syaprin. "KSCC dan Diplomasi Budaya Korea." Insignia Journal of International Relations 3, no. 01 (April 15, 2016): 44. http://dx.doi.org/10.20884/1.ins.2016.3.01.467.
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AbstrakEkspansi Budaya Republik Korea yang biasa disebut sebagai Hallyu benar-benar bisa dikatakan menunjukkan hasil yang signifikan di Indonesia. Signifikansi dari ekspansi budaya Republik Korea itu dapat dilihat pada menjamurnya komunitas-komunitas Korea yang dibentuk di beberapa kota di Indonesia seperti Running Man Lovers, Forever Dance center Jakarta (FDC Kpop dance cover), UI Hangugo Dongari dan masih banyak yang lainnya. Dalam Penelitian ini Peneliti Melihat bahwa Republik Korea menggunakan segala sumber dayanya untuk melakukan ekspansi budaya di Indonesia antara lain melalui pameran budaya yang dilakukan oleh Pusat Kebudayaan Korea di Indonesia (KCC), Drama-drama korea yang ditayangkan di Stasiun TV Indonesia dan masih banyak lagi. Di kota Malang sendiri peneli-ti menyimpulkan kesuksesan Diplomasi Budaya Repubik Korea tersebut dapat dilihat dari terbentuknya komunitas korea di kota Malang yaitu Korean Studies and Culture Center (KSCC)Kata-kata Kunci : Diplomasi Budaya, Komunitas Korea, KSCC
AbstractCultural expansion of Korean Republic namely Hallyu show the significance result in Indonesia. We can see the sig-nificance result of Cultural expansion form Korean Republic form many korean community which established in In-donesia like Running Man Lovers, Forever Dance Center Jakarta (FDC Kpop dance cover), UI Hangugo Dongari and others. in others word Korean Republic has used all of their capacity to expans their culture in Indonesia through Ko-rean cultural exhibition organized by Korean Cultural Center in Indonesia, Korean Drama which show by tv chanel in Indonesia and many others. In Malang City the successfull of Cultural Diplomacy form Korean Republic marked by the forming of Korean Studies and Culture Center (KSCC).Key Words : Cultural Diplomacy, Korean Community, KSCC
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Prihhartini, Sya'baningrum, and Muhammad Abdillah Harsamuda. "LANGUAGING WHAT I LEARN: INCIDENTAL GRAMMAR LEARNING AND LANGUAGE AWARENESS ON KOREAN-DRAMA VIEWERS." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 12, no. 1 (March 14, 2023): 23–41. http://dx.doi.org/10.33558/makna.v12i1.5856.
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The present study investigated incidental grammar learning through movies, specifically for Korean drama viewers. As they get exposed to the Korean language through the dramas/variety shows that they frequently watch, the possibility of them being aware of how Korean language, or Hangul, works seems to be potentially high. The present study applied a mixed-method approach through an open-ended survey which consists of 13 items. Nine items were closed-ended questions while four items were open-ended questions. This study uses a convenience sampling to gather the respondents. The survey was distributed for a week and responded by 36 respondents. The results of the current study show that the majority of the respondents never received formal lessons of Hangul and got exposed to Hangul only through Korean dramas and variety shows. In addition, the respondents show a sort of awareness toward some Hangul morphological forms like plural markers, closeness markers, and a syntactical aspect. The findings show that through Korean drama watching, the Korean drama viewers seem to notice the language pattern of Hangul. The findings suggest that using movies as a learning platform seems to have a positive impact on language learning.
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Amelia, Resti, Darmansah Darmansah, Nanda Sesty Prastiwi, and Muhammad Eka Purbaya. "Impementasi Algoritma Naive Bayes Terhadap Analisis Sentimen Opini Masyarakat Indonesia Mengenai Drama Korea Pada Twitter." JURIKOM (Jurnal Riset Komputer) 9, no. 2 (April 29, 2022): 338. http://dx.doi.org/10.30865/jurikom.v9i2.3895.
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Korean culture in the last two decades has shaken the whole world, including Indonesia, almost all millennial children talk about Korean culture, whether from dramas, films, songs, fashion, lifestyle, industrial products have begun to penetrate the lives of Indonesian people. One of the trends of public interest is Korean film drama. However, in the expansion of Korean film dramas in Indonesia, there must still be a negative perspective, so an analysis of the sentiments of Indonesian people's opinions regarding Korean culture is currently on the rise. This sentiment analysis data is taken from comments about Korean dramas that are widely written on Twitter. From the many opinions about Korean dramas, a classification is needed according to the existing sentiments so that it will be easy to get the tendency of opinions written on Twitter towards Korean dramas whether they tend to have positive, neutral or negative opinions. In the analysis of opinion sentiment using a Naive Bayes approach taken from Twitter Social Media. The application of the Nave Bayes algorithm in grouping positive, neutral and negative sentiments based on Korean drama commentary review data collected. The purpose of this study is to analyze public opinion and sentiment on Korean dramas on Twitter based on 100 data taken, using Orange tools for the sentiment analysis process. The results given show a percentage value of 69% by calculating the Naive Bayes algorithm
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Wulandari, Dita Risky Dwi, I. Nyoman Ruja, and Nurul Ratnawati. "Narkolema pada Media Hiburan Drama Korea." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial 4, no. 1 (February 29, 2024): 46–54. http://dx.doi.org/10.17977/um063v4i1p46-54.
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In today's digital era, the threat of moral damage to teenagers is not only caused by drinking, narcotics, but also narkolema. Narkolema is defined as human addiction to watching or accessing pornography through the eyes. This study aims to: (1) analyze pornographic scenes in Korean dramas, (2) analyze the causes and effects of addiction to watching pornographic scenes in Korean romance dramas. This study uses a qualitative approach and a descriptive research type as a methodological basis. Data collection was carried out on college students from Malang who are students. This research was obtained from primary and secondary data. Research data collection techniques are observation, interviews, and documentation. The results of this research show that there are scenes that are considered pornographic in the Korean romance drama entitled Fanta G Spot and Nevertheless, namely bed scenes that show uncovered breasts and buttocks, masturbation activities, and similar relationships. The causes of college students watching pornographic scenes in Korean romance dramas include storylines that are packaged attractively and dynamically played by beautiful characters, looking for entertainment to get rid of boredom from the routine they live in, getting references such as education on relationship behavior with the opposite sex, feeling happier after watching, as well as sexual education. As a result, the perception of adolescents with pornographic aspects found in Romance Drakor becomes two opinions or two points of view. The first opinion is positive that accepts the existence of pornographic aspects in Romance Drakor as part of the elements of entertainment, art and education and does not view these pornographic aspects as elements that can have a negative impact. The second opinion is a negative point of view that accepts the existence of pornographic aspects in Romance Drakor that are considered to be part of the elements of the storyline which are packaged beautifully and cinematically and can have a negative impact with a different percentage for each individual watching.
Di era digital saat ini, ancaman kerusakan moral remaja tidak hanya disebabkan oleh minum-minuman keras, narkotika, namun juga narkolema. Narkolema diartikan sebagai kecanduan manusia menonton atau mengakses pornografi lewat mata. Penelitian ini bertujuan untuk (1) Menganalisis adegan pornografi dalam drama korea , (2) Menganalisis sebab dan akibat kecanduan menonton adegan pornografi drama korea romance. Penelitian ini menggunakan pendekatan kualitatif dan jenis penelitian deskriptif yang digunakan sebagai landasan metodologis. Pengambilan data dilakukan di kota malang pada mahasiswa. Penelitian ini didapat dari data primer dan sekunder. Teknik pengumpulan data penelitian dengan observasi, wawancara, dan dokumentasi. Hasil penelitian ini menunjukan bahwa terdapat adegan yang termasuk pornografi dalam drama korea romance dengan judul Fanta G Spot dan Nevertheless yaitu adegan ranjang yang memperlihatkan buah dada dan pantat tanpa penutup, kegiatan masturbasi, serta hubungan sejenis. Penyebab mahasiswa menonton adegan pornografi dalam drama korea romance diantaranya yaitu jalan cerita yang dikemas menarik dan tidak monoton ditambah lagi tokohnya yang rupawan, mencari hiburan untuk menghilangkan kejenuhan dari rutinitas yang mereka jalani, mendapatkan referensi ilmu seperti edukasi perilaku relationship dengan lawan jenis, merasa lebih happy setelah menonton, serta edukasi seksual. Akibat dari mahasiswa menonton drama korea romance terdapat aspek pornografi yang ada pada drakor romance. Terbagi menjadi dua pendapat atau dua sudut pandang yaitu yang pertama sudut pandang positif yaitu pornografi sebagai unsur hiburan, edukasi, dan seni yang dalam artian pendapat menerima keberadaan pornografi dalam drakor romance dan tidak memandang pornografi memberikan dampak negatif. Kedua adalah memandang bahwa pornografi memberikan dampak negatif dengan persentase yang berbeda tiap personal yang menonton. Pendapat menerima keberadaan pornografi dalam drakor romance dan menganggap pornografi bagian dari unsur alur cerita yang dikemas secara sistematik dan indah.
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Yoo, Jae-Woong, Samsup Jo, and Jaemin Jung. "The effects of television viewing, cultural proximity, and ethnocentrism on country image." Social Behavior and Personality: an international journal 42, no. 1 (February 15, 2014): 89–96. http://dx.doi.org/10.2224/sbp.2014.42.1.89.
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We explored the effect of viewing Korean drama miniseries television programs, along with cultural proximity and ethnocentrism, on Japanese and Chinese television watchers' perceptions of Korea. By conducting a survey in Beijing and China with 621 valid samples, we confirmed the effect of viewing Korean drama miniseries television programs in shaping a positive attitude toward Korea. Furthermore, this positive attitude yielded higher levels of behavioral intentions such as visiting Korea or buying Korean products. Cultural proximity was also found to be a significant variable in predicting positive attitudes toward Korea. However, contrary to the findings in previous studies, in this study the effect of ethnocentrism was not significant.
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Zahra, Fina, and Fadli M. Athalarik. "The Paradoxality of Gender Representation in the Gender Bender Korean Drama Mr. Queen." COMMENTATE: Journal of Communication Management 3, no. 2 (December 31, 2022): 91. http://dx.doi.org/10.37535/103003220221.
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Korean dramas are increasingly in demand in Indonesia. Its themes related to gender and sexuality are now in great demand, because the issue of gender inequality is increasingly being voiced in South Korea and Indonesia. One of the most talked about dramas in Indonesia when broadcasted was Mr. Queen by TVN (South Korean cable TV channel) in 2020. The drama consists of twenty episodes and can be watched by global fans through video on demand platform Viu, on smartphone and pc. There is even a version that has been dubbed in Indonesian, showing that the drama is very popular within the Indonesian audience.
Mr. Queen is a Saeguk (drama set in the Joseon era) and is a remake of the popular Chinese web drama Go Princess Go (2015), which is an adaptation of the novel of the same title. Mr. Queen–like Go Princess Go–can be categorized in the genre of fusion and gender bender, because it tells the story of a male chef named Jang Bong Hwan from the Modern era whose soul crosses space and time until he entered the body of the Queen in the Joseon period (Queen Cheorin), presenting a new depiction of the queen; instead of the traditional feminine queen, Queen Cheorin portrays a masculine woman. Mr. Queen overturns gender and its relation to gender discourse in South Korea. However, using Sara Mills' critical discourse analysis, it is evident that the gender representation in Mr. Queen is paradoxical; as if offering a gender discourse that breaks the dominant discourse, but in fact it still represents woman as passive subject who continues to be exploited.
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Rosana, Anita. "A Business Proposal: Analisis Simulacra Romantisme Drama Korea." Jurnal Ilmu dan Budaya 43, no. 2 (October 13, 2022): 184. http://dx.doi.org/10.47313/jib.v43i2.1819.
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<p align="center"><strong><em> </em></strong></p><p><em>The Hallyu phenomenon is a </em><em>Korean Wave</em><em> phenomenon created due to the increasingly sophisticated mass media technology. Hallyu influences global civilization with various mass media products, including a Korean drama series with the theme of romance. The romance promoted in this Korean drama cannot be separated from what Jean Baudrillard calls Simulacra (false reality), which will later become a hyperreality when the pseudo-reality is believed to be more accurate than reality itself. The Korean drama series 'A Business Proposal' is an example of a drama that presents a form of utopian romance (pseudo-romantic). The concept of romanticism is built to give rise to a new concept of romanticism that is very different from the reality of romanticism. A Business Proposal presents a new concept of romanticism with an image as an ideal figure, aspects of romantic nature, hierarchical aspects of romanticism, aspects of romantic absurdity, and motivational aspects of romanticism. This study focuses on the analysis of the Korean drama A Business Proposal which was released in February 2022, in the perspective of Jean Baudrillard's Simulacra Theory, especially on the concept of romanticism or romantic relationships. The results show that the Korean drama A Business Proposal, wrapped in the main theme of romance, presents various kinds of utopian realities so that it can be said to be a drama full of avalanches of romantic Simulacra that creates a utopian romance.</em></p><p> </p><p>Fenomena Hallyu merupakan fenomena Gelombang Korea yang tercipta karena makin canggihnya teknologi media massa. Hallyu memengaruhi peradaban global dengan berbagai macam produk media massa, termasuk salah satunya serial drama Korea dengan mengusung tema romantisme. Romantisme yang diusung dalam drama Korea ini, tidak bisa lepas dari apa yang disebut oleh Jean Baudrillard sebagai <em>Simulacra</em> (realitas semu) yang kelak akan menjadi sebuah hiperrealita ketika realitas semu itu diyakini menjadi lebih riil daripada realita itu sendiri. Serial drama Korea <em>A Business Proposal</em> menjadi salah satu contoh drama yang menyajikan bentuk romantisme utopis (romantisme semu). Konsep romantisme dibangun sedemikian rupa sehingga memunculkan konsep romantisme yang baru yang berbeda jauh dengan realita romantisme. <em>A Business Proposal</em>, menyajikan konsep baru romantisme dengan citra sebagai figur ideal, aspek naturalitas romantisme, aspek hirarkis romantisme, aspek absurditas romantisme serta aspek motivasional romantisme. Penelitian ini menfokuskan pada analisa drama Korea <em>A Business Proposal</em> yang dirilis pada bulan Februari 2022, dalam perspektif <em>Teori Simulacra</em> Jean Baudrillard terutama pada konsep romantisme atau hubungan romantis. Hasil penelitian menunjukkan, drama <em>Korea A Business Proposal</em> dengan dibalut tema pokok romantisme, menyuguhkan berbagai macam realita utopis sehingga dapat dikatakan sebagai drama yang penuh dengan longsoran <em>Simulacra</em> romantisme yang menciptakan sebuah romantisme utopis.</p>
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Tilland, Bonnie. ""Wise Mothers," "Mom Bugs," and Pyŏngmat (Twisted Tastes): The Limits of Maternal Emotional Expression in South Korean Webtoons." Korean Studies 48, no. 1 (2024): 284–317. http://dx.doi.org/10.1353/ks.2024.a931004.
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Abstract: In the last decade, South Korean webtoons have joined television dramas (K-dramas) and K-pop as an important element of the Korean Wave abroad. Domestically, the South Korean public can idly browse or religiously follow thousands of free or subscription webtoons on their smartphones. Webtoon artists may dream of achieving broader success by having their works adapted transmedially, as a web drama (online TV drama) or even better, as a network, cable or Netflix series that achieves mainstream success. Two significant subgenres of webtoons are "lifestyle webtoons" (saenghwarwept'un) and "family webtoons" (kajogwept'un) and these two subgenres are combined in what I am calling "childcare webtoons" (yugawept'un). While South Korea also follows global media trends of "mom blogs" and Instagram microcelebrities or Youtubers sharing their parenting journeys ("sharenting"), "childcare webtoons" are a particularly rich space for observing changing mothering ideologies and parenting norms. This article examines "mom humor" and other stories mothers tell across the South Korean Internet, paying particular attention to what kinds of emotional expression are sanctioned and what is taboo. I analyze webtoons such as "I'm a Mom (Nanŭn ŏmmada)" and "The Birth of a Married Woman(Yubunyŏŭi t'ansaeng)," suggesting that even as the tedium of everyday motherhood is increasingly critiqued through media, the still somewhat rigid gender roles and maternal expectations in South Korea translate into an overall more muted and subtle "mom humor" alongside the still more socially expected stories of maternal gratitude and fulfillment.
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Prasanti, Rahayu Putri, and Ade Irma Nurmala Dewi. "Dampak Drama Korea (Korean Wave) terhadap Pendidikan Remaja." Lectura : Jurnal Pendidikan 11, no. 2 (August 14, 2020): 256–69. http://dx.doi.org/10.31849/lectura.v11i2.4752.
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Budaya korea atau yang biasa disebut sebagai Hallyu telah menghasilkan banyak produk seperti film, music, makanan, drama seri, fashion, serta gaya hidup. Produk-produk Hallyu tersebut telah tersebar ke seluruh penjuru dunia seiring berkembangnya ilmu pengetahuan dan teknologi. Drama korea atau yang lebih dikenal dengan sebutan Drakor menjadi salah satu produk hallyu yang paling digemari oleh remaja Indonesia saat ini lebih lagi dengan adanya pandemic saat ini penonton drakor sangat meningkat tajam dari kalangan remaja . Penelitian ini bertujuan untuk mengetahui bagaimana dampak drama korea dalam pendidikan khusunya remaja. Penelitian ini dilaksanakan pada bulan April 2020 dan merupakan penelelitian kualitatif. Populasi dan sampel dalam penelitian ini berjumlah 12 mahasiswa. Pengumpulan data dilakukan melalui wawancara online melalui pengisian kuisioner. Penelitian ini menggunakan pendekatan kualitatif dengan rancangan etnografi. Data penelitian dianalisis dengan menggunakan aplikasi Nvivo 12. Hasil penelitian menunjukkan bahwa drama korea memiliki dampak positif dan dampak negatif terhadap pendidikan remaja. Dampak positif dari kegemaran mereka menonton drama korea adalah memberi motivasi belajar, mendapat pengetahuan baru, mengenal budaya pendidikan Korea Selatan, adanya semangat untuk mengikuti program beasiswa ke Korea Selatan, belajar bahasa baru. Sedangkan dampak negatifnya adalah malas belajar, menunda pekerjaan, berkurangnya waktu belajar dan istirahat, tidak fokus dalam belajar, kesehatan berkurang dalam menunjang aktivitas sebagai peserta didik. Berdasarkan data ini maka dapat disimpulkan bahwa terdapat dampak yang ditimbulkan dari drama korea ini terhadap pendidikan remaja.
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Bodomo, Adams, and Eun-Sook Chabal. "Africa – Asia Relations through the Prism of Television Drama." African and Asian Studies 13, no. 4 (December 10, 2014): 504–29. http://dx.doi.org/10.1163/15692108-12341319.
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Even though many African and Asian countries share a common history of European colonialism and thus a model of economic development shaped within the aegis of center-periphery analysis, many Asian countries have been able to ride through the burden of center-periphery economics and built more successful political economies than most African countries. This state of affairs has often led many African analysts to point to Asian success stories like China and South Korea for comparative analysis and often see these Asian countries as models of socio-economic and socio-cultural success to emulate. In particular, Africans in the Diaspora, especially Africans in China, tend to compare very frequently the socio-economic and socio-cultural conditions of their host countries with those of their source countries. This paper outlines and discusses how a group of Africans living in Hong Kong and other parts of Asia see Korea and Korean culture through the prism of Korean television dramas, which constitute a popular cultural phenomenon among Hong Kong/Asian youths. Through qualitative and quantitative survey methods, participant-observation, and questionnaire surveys, the paper reports on how African community members of Hong Kong and others think of Koreans. We show that Africans draw a lot of comparisons between Korean and African ways of conceptualizing the world.
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Maryam, Siti. "STUDI KOMPARASI EMIK DAN ETIK MASYARAKAT TERHADAP MENJAMURNYA TAYANGAN DRAMA ASING DI INDONESIA: KAJIAN ANTROPOLOGI KONTEMPORER." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 1 (May 7, 2018): 91–105. http://dx.doi.org/10.47269/gb.v3i1.8.
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AbstrakBahasa merupakan suatu hal yang telah membuat manusia menjadi makhluk istimewa. Sejak lahir, setiap manusia telah dibekali dengan alat akuisisi bahasa yang sering diistilahkan dengan Language Acquisition Device (LAD). Seiring dengan berkembangnya zaman dan teknologi yang semakin maju, semakin berkembang pula dunia perfilman di setiap negara, terutama negara India, Korea, Amerika Latin, Filipina, dan Turki. Seperti yang kita lihat, belakangan ini sekitar tahun 2014 sampai sekarang, drama-drama India, Korea, Amerika Latin, Filipina, dan Turki yang sedang marak di layar kaca Indonesia. Dalam hal ini, karena semakin maraknya drama-drama luar, maka banyak sekali pengaruh yang ditimbulkan drama-drama tersebut kepada masyarakat Indonesia terutama para remaja, misalnya karena sering menonton drama Korea mereka jadi mengikuti gaya bicara, berpakaian, dan bahasanya seperti, Annyeong Haseyo (Hallo), Gamsamhamnida (Terima Kasih), Mianhae (Maaf), dan masih banyak lagi. Hal serupa juga sama dilakukan bagi masyarakat yang menyukai drama India, Amerika Latin, Filipina, dan Turki. Tidak disangka dari drama tersebutlah budaya dari negara-negara tersebut jadi semakin dikenal oleh bangsa Indonesia. Oleh karena itu, dianggap penting untuk melakukan kajian tentang persepsi masyarakat terkait menjamurnya drama asing di Indonesia sebagai bahan informasi untuk menambah wawasan masyarakat. Adapun drama yang dimaksud terwujud dalam bentuk film, sebab antara film dengan drama memiliki persamaan terutama dalam ihwal bentuk tayangan dan konten yang disajikan. Hal tersebut yang menyebabkan terjadinya berbagai persepsi di tengah masyarakat yang menikmatinya. Kata kunci: komparasi, emik dan etik, drama asing, antropologi kontemporer AbstractLanguage is something that has made human a special being. Since birth, every human has been equipped with language acquisition tools that are often called the Language Acquisition Device (LAD). Along with the development of the era and the progress of technology, the more developed the world of cinema in every country, especially India, Korea, Latin America, Philippines, and Turkey. As we see, lately around 2014 until now, the dramas of India, Korea, Latin America, Philippines, and Turkey are often broadcasted on the Indonesian television. In this case, since the increase of the widespread of foreign dramas, many influences caused by those dramas to Indonesian, especially the teenagers. For instance because of watching Korean dramas, the youth follow the style of speech, dressing, and language like, Annyeong Haseyo (Hallo), Gamsamhamnida (Thank You), Mianhae (Sorry), and so on. The same is also true for people who love India, Latin America, Philippines, and Turkey dramas. Unexpectedly, based on those dramas, the culture of those countries become increasingly recognized by Indonesian people. Therefore, it is considered important to conduct a study on public perceptions related to the proliferation of foreign dramas in Indonesia as an information material to increase community insight. About dramas is being in the film, causes between film and dramas having the same is the structure of showing and content. That’s same be the caused of perception variated in the people community. Key words: comparation, emik and ethics, foreign drama, contemporary anthropology