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Relevant bibliographies by topics / Korean music

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Dissertations / Theses
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Academic literature on the topic 'Korean music'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Korean music"

1

PARK, HYE-JUNG. "Musical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945–1948." Journal of the Society for American Music 15, no. 1 (2021): 1–29. http://dx.doi.org/10.1017/s1752196320000450.

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AbstractShortly after Japan's surrender to Allied forces, the Soviet Union occupied the northern part of Korea, and the United States moved into the south, where it established the US Army Military Government in Southern Korea (USAMGIK, 1945–1948). In the American zone, music played a unique role in forging US hegemony over Korea. Young American pianist Ely Haimowitz (1920–2010) was the central figure in shaping that policy. Associated with “highbrow” culture, Western orchestral music helped restore Koreans’ ethnic pride damaged by Japanese colonial rule, while countering the Soviet emphasis o

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Kim, Hee-sun. "Inter-Korea Musical Exchanges and Emotional Politics of Popular Music on the Korean Peninsula." Korean Association for the Study of Popular Music 32 (November 30, 2023): 73–116. http://dx.doi.org/10.36775/kjpm.2023.32.73.

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In the wake of the 2018 Pyeongchang Winter Olympics, inter-Korean musical exchanges featuring reciprocal performances by South and North Korean performing arts troupes resumed after a hiatus of 16 years. Such exchanges began in 1985, serving as peace events affirming ethnic homogeneity and persisted intermittently, subject to interruption by conflict between the two Koreas arising from domestic or international political contexts. However, the 2018 inter-Korea performance deviated from earlier programs of gugak, traditional Korean music from the South and minjok eumak, ethnic music from the No

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Ma, Lita. "Bentuk dan Elemen Musik Akustik dalam Piano Kover Lagu ‘DNA’ karya BangtanSonyeondan (BTS)." PROMUSIKA 9, no. 2 (2022): 78–83. http://dx.doi.org/10.24821/promusika.v9i2.5435.

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Perpaduan antara musik elektronis dan musik populer menghasilkan aliran musik baru, yaitu Electronic Dance Music (EDM). EDM merupakan genre musik elektronis perkursif dengan menggunakan peralatan berteknologi tinggi. Salah satu tempat yang mulai mengeksperimen EDM adalah Korea Selatan, yaitu Kpop atau lebih dikenal sebagai Korean Pop. Kpop menggunakan perpaduan antara musik Korea dengan musik Barat, salah satu contoh yang menggunakan EDM adalah lagu ‘DNA’ karya grup BTS. Masyarakat sekarang suka mengkover lagu ke bentuk vokal ataupun instrument, salah satunya adalah piano kover. Permasalahan y

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Yang, Yufan, and Chulhee Lee. "Comparative Analysis of NetEase Cloud Music and Korean Musician Support Service Platforms." Korean Society of Culture and Convergence 45, no. 12 (2023): 457–66. http://dx.doi.org/10.33645/cnc.2023.12.45.12.457.

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This study aims to compare NetEase Cloud Music with Korean musician support service platforms, to help Korean music platforms provide diverse support services for indie musicians. We analyzed the digital music markets and platform operations in Korea and China, finding that while Chinese platforms developed various revenue models in response to low payment rates and exclusive music sharing policies, Korean platforms have been less proactive, often influenced by telecom discounts/promotions. We also compared the characteristics of NetEase Cloud Music and Korean musician support service platform

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Jiang, Anrui. "Analysis of Korean Pop Music: The Enlightenment for Chinese Pop Music." Advances in Humanities Research 5, no. 1 (2024): 1–7. http://dx.doi.org/10.54254/2753-7080/5/2024041.

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Since the 21st century, Korean pop music, represented by TV dramas, music, movies, fashion products, and other cultural forms, has spread widely worldwide. 2012 when Psys Gangnam style swept the globe, Jay Chou, a representative figure of the Chinese music scene, said, Dont let the K-pop become more and more arrogant, the Chinese Chinese pop music is the best. However, is this the case? In 2022, the value of the cultural industry represented by the Korean Wave accounted for 18% of South Koreas GDP, nearly $320 billion (Qiu 2014). China and South Korea are culturally similar and belong to the s

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Fan, Hongtao, Congcong liu, and Bingze Du. "A Musical Messenger for Cultural Exchanges between China and South Korea: An Interview with Professor Piao Enyu from Kangwon National University." Yixin Publisher 1, no. 1 (2024): 1–5. http://dx.doi.org/10.59825/jms.2024.1.1.1.

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This article is an interview with Professor Piao Enyu of Kangwon National University, a musical messenger of cultural exchanges between China and South Korea. Professor Piao introduced the process of embarking on the research of Korean music history, and discussed the music of the Goryeo Dynasty, the similarities and differences between Chinese and Korean music history, Korean folk music, Korean elegant music, and Professor Piao’s own work Goryeo Tang Music, etc. After making an analysis, she finally put forward her own expectations for young music scholars: strive to get closer to the music e

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Park, So Hyun. "COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE." International Journal of Korean Humanities and Social Sciences 5 (February 28, 2020): 67–99. http://dx.doi.org/10.14746/kr.2019.05.05.

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Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new Korean traditional music and fusion Korean traditional music. Finally, it is exempli

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Yi, Gina J. "Teaching about the Korean Ganggangsullae Folk Tradition in General Music Class." Music Educators Journal 105, no. 3 (2019): 45–53. http://dx.doi.org/10.1177/0027432118815961.

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Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use. This article introduces Ganggangsullae, a prominent Korean folk tradition (called a “folk play” by Koreans) that incorporates singing and dancing, and discusses its historical background and the unique elements of Korean folk music that it illuminates: Korean rhythm, minyo singing, dancing, and dialogue play. In addition, this article offers practical teaching guidance for incorporating Ganggangsullae into the elementary general music classroom.

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Clark, Jocelyn. "‘A Tiger’s Coming Down’: Gugak in the Metaverse." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (June 27, 2022): 27–54. http://dx.doi.org/10.30819/aemr.9-3.

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Prof. Dr. Jocelyn Clark is an assistant professor at Pai Chai University in South Korea. She has published in academic journals such as The World of Music, Asian Musicology, and Perspectives on Korean Music. Her research interests include orality, music of place, and contemporary “national music” performance practices in Korea, China, and Japan. She is engaged in long-term field research on sanjo and byeongchang, Korean traditional genres of which she is also a practitioner. She commissioned and/or premiered over 30 new works for Korean gayageum.

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Gruzdev, Aleksandr. "The development of musical and singing culture and sociopolitical situation on the Korean Peninsula from the liberation to the Korean War." Genesis: исторические исследования, no. 12 (December 2020): 161–70. http://dx.doi.org/10.25136/2409-868x.2020.12.34506.

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The subject of this research is the impact of sociopolitical situation on the Korean Peninsula upon the establishment and development of musical culture of the Koreans since 1945 to the beginning of the Korean War. The goal is to demonstrate the effect of political and social situation upon music and songs of the Koreans, as well as outline the vectors of their development during the period under review. In the course of research, the author analyzes the historical, political and social background, within the framework of which was formed the musical and song tradition of the Koreans of that t

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Dissertations / Theses on the topic "Korean music"

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Cha, Yeong Hoi. "An analytical study of Korean-based sacred choral music : Korean traditional music and its relation to fourteen selected Korean sacred choral works /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11379.

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Williams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.

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South Korea is internationally well known for its ethnic and cultural homogeneity, economic and technical success, and strong sense of nationalism. The peoples of South Korea have flourished economically after a series of colonizations, industrialization and political chaos. Over the past few decades, Korea has gained interest internationally for its entertainment industry through the Korean Wave (or Hallyu in Korean). Korean Wave is a term that refers to the increase in the popularity of South Korean culture since the late 1990’s due to Korean music, television shows and fashion. The Korean W

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KANG, YOO-SUN. "TOWARD THE NEW KOREAN MUSICAL LANGUAGE: THE MERGING OF KOREAN TRADITIONAL MUSIC AND WESTERN MUSIC IN PIANO WORKS BY CONTEMPORARY KOREAN COMPOSERS." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021469270.

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Noh, Wonil. "A Conductor's Guide to Hyo-Won Woo's Choral Music as Reflected in "Oh! KOREA"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404580/.

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The choral music of Hyo-won Woo, the composer of Oh! KOREA, is being widely performed by universities and professional choruses in Korea, as well as throughout the world. The work exhibits Woo's remarkable compositional style, which displays traditional Korean musical influences. Hyo-Won Woo's Oh! KOREA consisting of four movements, is for chorus, two pianos, and both Eastern and Western percussion instruments. Woo's Oh! KOREA employs an excellent introduction to the Korean choral repertoire for Western audiences, rooted in traditional Korean folk tunes. As today's choral conductors, singers,

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Yu, Youngmin. "Musical performance of Korean identities in North Korea, South Korea, Japan and the United States." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1417807691&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Kim, Bong-Ho. "Seo-Kwang (A Ray of Hope): Inspiration in Korean Crisis and the Influence of Korean Traditional Music." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392814935.

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Kim, Bong-ho. "Seo-kwang (a ray of hope) : inspiration in Korean crisis and the influence of Korean traditional music /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487952208108052.

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Kim, HaeOk N. "An Examination of Selected Contemporary Korean Piano Works." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/254512.

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Lamp, Sebastian. "Korean Sijo music and poetry : transmission and aesthetics." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30276/.

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This thesis explores Korean 'sijo', as both poetry and music. It surveys the different bodies of research on the topic that are the result of 'sijo' long being treated from one or other of the perspectives of literary and musicological scholarship by both Western (e.g. Rutt 1971, McCann 1988, O'Rourke 2002) and Korean scholars (e.g. Chang Sa-hun 1986, Kim Tae-Haeng 1986, Cho Kyu-Ick 1994). Placing both literary and musicological aspects together, this thesis discusses the form, origins and content of 'sijo'. The synthesis of the two aspects forms the basis of my exploration of 'sijo' performan

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Han, Ae Jin. "The aesthetics of cuteness in Korean pop music." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61472/.

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The aesthetic of ‘cuteness' in South Korean popular music (known as K-pop) is a pivotal concept in Korean media and culture and is frequently used to describe performances by both male and female K-pop groups. Aegyo is a fundamental part of this aesthetic, also called ‘K-cute', and it refers to the behaviour of ‘acting cute' that denotes a particular coquettish style not only in K-pop but also in South Korean society in a broader sense. This thesis explores K-pop performance from the mid-2000s to the 2010s through an examination of K-pop artists' training process, an analysis of K-pop music vi

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Books on the topic "Korean music"

1

Seo, Maria K. Hanyang kut: Korean shaman ritual music from Korea. Routledge, 2002.

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Howard, Keith. Korean music: A listening guide. National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 1999.

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Hong, Chŏng-su. History of Korean church music. PCT Press, 2013.

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Keith, Howard. Korean music: A listening guide. National Center for Korean Traditional Performing Arts, 1999.

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Nara Ŭmak K'ŭn Chanch'i Ch'ujin Wiwŏnhoe. Hanak ŭi pisang: The Ascension of Korean music : Album of Korean music festival 2006. Nara Ŭmak K'ŭn Chanch'i Ch'ujin Wiwŏnhoe, 2007.

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Han, Man-yŏng. Kugak: Studies in Korean traditional music. Tamgu Dang, 1990.

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Hahn, Man-young. Kugak: Studies in traditional Korean music. Tamgu Dang, 1990.

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Bang-song, Song. Korean music: Historical and other aspects. Jimoondang Pub. Co., 2000.

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Han, Man-yŏng. Kugak: Studies in Korean traditional music. Tamgu Dang, 1991.

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Song, Hye-jin. A stroll through Korean music history. The National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2000.

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Book chapters on the topic "Korean music"

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Jung, Eun-Young. "Korean Pop Music in Japan." In Introducing Japanese Popular Culture, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003302155-24.

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Anderson, Crystal S. "That’s My Man! Overlapping Masculinities in Korean Popular Music." In The Korean Wave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137350282_7.

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Isoda, Mitsuko. "Zainichi Korean Students and Korean Music in Japanese Elementary School." In Difference and Division in Music Education. Routledge, 2020. http://dx.doi.org/10.4324/9780429278525-4.

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Kim, Hyelim. "Music analysis I." In Tradition and Creativity in Korean Taegŭm Flute Performance. Routledge, 2021. http://dx.doi.org/10.4324/9781351216746-4.

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Kim, Hyelim. "Music analysis II." In Tradition and Creativity in Korean Taegŭm Flute Performance. Routledge, 2021. http://dx.doi.org/10.4324/9781351216746-5.

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Kim, Hyelim. "Music analysis III." In Tradition and Creativity in Korean Taegŭm Flute Performance. Routledge, 2021. http://dx.doi.org/10.4324/9781351216746-6.

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Oh, Hee Sook. "Korean Contemporary Music and Germany: An Examination of Four Korean Composers." In Palgrave Series in Asian German Studies. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78209-2_12.

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Fuhr, Michael. "K-Pop Music and Transnationalism." In The Routledge Handbook of Korean Culture and Society. Routledge, 2016. http://dx.doi.org/10.4324/9781315660486-20.

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Hyun Kim, Kyung. "BTS and the world music industry." In The Soft Power of the Korean Wave. Routledge, 2021. http://dx.doi.org/10.4324/9781003102489-9.

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Sung, Cholong. "Creating our culture together: the contemporary audience for traditional Korean music." In Routledge Handbook of Contemporary South Korea. Routledge, 2021. http://dx.doi.org/10.4324/9781003026150-12.

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Conference papers on the topic "Korean music"

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Kim, SunKyung, Jung-Min Kim, and PanSeop Shin. "Designing a Music Content Retrieval System Supporting Korean." In 2013 International Conference on Information Science and Applications (ICISA). IEEE, 2013. http://dx.doi.org/10.1109/icisa.2013.6579492.

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Li, Hao, and Zuping Xu. "Protection and Inheritance of the Korean Nationality Music." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.133.

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Chang, Charles B., and Danielle Dionne. "Unity and diversity in Asian American language variation: Data from Chinese, Filipino, Korean, and Vietnamese Americans." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001669.

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Narynskaia, Anna Antonovna. "Non-traditional religious organizations in the modern society of the Republic of Korea." In All-Russian Scientific Conference. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-99342.

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The article is devoted to the situation with the activities of different sectarian organizations in the Republic of Korea. There is a huge amount of information in our world that is not always possible to be objectively analyzed. It helps some sectarian organizations to promote their principles and ideas. This is especially true for the Republic of Korea, where the religious worldview is one of the most important components of the national mentality. Freedom of religion is highly valued in the country, sectarian ideas have the right to spread, and sects are practically not regulated by the sta

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Lee, Huei-Min. "The Development and Success Factors of Korean POP Music in Taiwan." In 3rd Eurasian Conference on Educational Innovation 2020 (ECEI 2020). WORLD SCIENTIFIC, 2020. http://dx.doi.org/10.1142/9789811228001_0185.

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Hyung, Ziwon, and Kyogu Lee. "Recommending Music Based on Probabilistic Latent Semantic Analysis on Korean Radio Episodes." In 2013 Ninth International Conference on Intelligent Information Hiding and Multimedia Signal Processing (IIH-MSP). IEEE, 2013. http://dx.doi.org/10.1109/iih-msp.2013.123.

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Sun, Kai Hsu, and Yun Lin. "Embracing Difference: Case Study of BoA in Japanese-Korean Pop Music Album Cover Design." In – The Asian Conference on Arts & Humanities 202. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2186-229x.2020.13.

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Mital, Matt Ervin G., Rogelio Ruzcko N.M.I. Tobias, Argel A. Bandala, Robert Kerwin Billones, and Elmer P. Dadios. "Utilization of Genetic Algorithm in Classifying Filipino and Korean Music through Distinct Windowing and Perceptual Features." In 2019 International Conference on contemporary Computing and Informatics (IC3I). IEEE, 2019. http://dx.doi.org/10.1109/ic3i46837.2019.9055676.

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Zhou, Yan. "Spring Comes Every Year Current Situation of Korean Nationality Music in Liaoning Region and Its Development Idea." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.66.

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Deep, Tamoso. "Redefining Masculinity in Korean Drama, Films and Music: Exploration of Dynamics of Fan Culture in Malaysia and Changing Gender Landscapes." In The Kyoto Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2436-0503.2023.65.

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Reports on the topic "Korean music"

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Józsa, Viven. Hallyu as Soft Power : The Success Story of the Korean Wave and its Use in South Korea’s Foreign Policy. Külügyi és Külgazdasági Intézet, 2021. http://dx.doi.org/10.47683/kkielemzesek.ke-2021.75.

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The Korean Wave is taking over the world, achieving great success in areas such as music and cinematography, and making Korean culture increasingly attractive. Culture being a crucial resource of soft power, which in turn serves as a powerful tool in international relations, the South Korean government is trying to take advantage of its improved national image and international influence. This analysis provides an overview of the relationship between the Korean government and the Korean Wave, how the perception of Korea has changed thanks to its cultural outflow, and how the government tries t

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