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Books on the topic 'Korean music'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Seo, Maria K. Hanyang kut: Korean shaman ritual music from Korea. Routledge, 2002.

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2

Howard, Keith. Korean music: A listening guide. National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 1999.

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3

Hong, Chŏng-su. History of Korean church music. PCT Press, 2013.

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4

Keith, Howard. Korean music: A listening guide. National Center for Korean Traditional Performing Arts, 1999.

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5

Nara Ŭmak K'ŭn Chanch'i Ch'ujin Wiwŏnhoe. Hanak ŭi pisang: The Ascension of Korean music : Album of Korean music festival 2006. Nara Ŭmak K'ŭn Chanch'i Ch'ujin Wiwŏnhoe, 2007.

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6

Han, Man-yŏng. Kugak: Studies in Korean traditional music. Tamgu Dang, 1990.

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7

Hahn, Man-young. Kugak: Studies in traditional Korean music. Tamgu Dang, 1990.

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8

Bang-song, Song. Korean music: Historical and other aspects. Jimoondang Pub. Co., 2000.

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9

Han, Man-yŏng. Kugak: Studies in Korean traditional music. Tamgu Dang, 1991.

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10

Song, Hye-jin. A stroll through Korean music history. The National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2000.

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11

Song, Hye-jin. A stroll through Korean music history. National Center for Korean Traditional Performing Arts, 2000.

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12

Hahn, Man-young. Kugak: Studies in Korean traditional music. Tamgu Dang, 1990.

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13

Kim, Hŭi-sŏn. Ritual music of the Korean court. National Gugak Center, 2015.

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14

Provine, Robert C. Essays on Sino-Korean musicology: Early sources for Korean ritual music. Il Ji Sa, 1988.

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15

Provine, Robert C. Essays on Sino-Korean musicology: Early sources for Korean ritual music. Il Ja Sa, 1988.

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16

Provine, Robert C. Essays on Sino-Korean musicology: Early sources for Korean ritual music. Il Ji Sa, 1988.

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17

Song, Bang-song. The sanjo tradition of Korean kŏmunʼgo music. Jung Eum Sa, 1986.

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18

Kwalliguk, Korea (South) Munhwajae, ed. Korean intangible cultural properties. Intangible Cultural Properties Division, Office of Cultural Properties, Ministry of Culture and Sports, 1997.

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19

Pratt, Keith. Korean music: Its history and its performance. Faber in association with Jung Eum Sa, 1987.

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20

Byeon, Gye-won. Writing new music for Korean traditional instruments. Minsokwon, 2009.

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21

Lee, Byong Won. Styles and esthetics in Korean traditional music. National Center for Korean Traditional Performing Arts, Ministry of Culture and Sports, Republic of Korea, 1997.

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22

1924-, Lee Duhyun, ed. Korean performing arts: Drama, dance & music theater. Jipmoondang Pub. Co., 1997.

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23

Chŏn, Nak-p'yo. Han'guk ŭmak chakkokpŏp: Composition technique of Korean music. P'yohyŏn, 2005.

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24

1941-, Lee Chaesuk, and Casswell Nicholas 1974-, eds. Korean kayagǔm sanjo: A traditional instrumental genre. Ashgate, 2008.

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25

Howard, Keith. Korean kayagǔm sanjo: A traditional instrumental genre. Ashgate, 2008.

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26

Howard, Keith. Korean kayagǔm sanjo: A traditional instrumental genre. Ashgate, 2008.

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27

Sŏng, Sim-on. Korean gayageum zither: A practical guide. Minsokwon, 2009.

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28

Sŏ, In-hwa. Theoretical perspectives on Korean traditional music: An introduction. National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2002.

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29

(Korea), Kungnip Kugagwŏn, ed. Theoretical perspectives on Korean traditional music: An introduction. The National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2002.

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30

Chŏn, In-p'yŏng. Han'guk ch'angjak ŭmaksa: History of new Korean music. Asia Munhwa, 2017.

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31

Kwalliguk, Korea (South) Munhwajae, ed. Korean intangible cultural properties: Traditional music and dance. Hollym International Corp., 1999.

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32

Bang-song, Song. The Sanjo tradition of Korean ko mun'go music. Jung Eum Sa, 1986.

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33

Chŏn, In-p'yŏng. Kugak kwanhyŏnakpŏp: Orchestration for Korean traditional instruments. Asia Ŭmak Hakhoe, 2017.

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34

Pihl, Marshall R. The Korean singer of tales. Council on East Asian Studies, 1994.

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35

(Korea), Kungnip Kugagwŏn, ed. Uri akki, uri ŭmak: Korean traditional instruments and music. Kungnip Chungang Pangmulgwan, 2011.

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36

1911-, Sŏng Kyŏng-nin, ред. Hanʾguk chŏntʻong ŭmak chŏnjip: Anthology of Korean traditional music. Hagŭm, 1987.

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37

Chʻu, Chŏng, Chŏng Min, Korea (South). Kuksa Pʻyŏnchʻan Wiwŏnhoe. та Hanyang Taehakkyo Hanʾgukhak Yŏnʾguso, ред. Sobietʻŭ sidae Koryŏin ŭi norae: Chŏng Chʻu kyosu chʻaerok. Hanyang Taehakkyo Chʻulpʻanbu, 2005.

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38

Pratt, Keith L. Korean music: Its history and its performance = Tongguk chi ak. Jung Eum Sa, 1987.

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39

Pratt, Keith L. Korean music: Its history and its performance = [Tongguk chi ak]. Faber Music in association with Jun Eum Sa Pub. Corp., Seoul, Republic of Korea, 1987.

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40

Howard, Keith David. Christianity and Korean Traditional Music. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.005.

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Keith Howard offers an account of how Korean Christians who are professional musicians specializing in traditional music (kugak) have been attempting to construct a relationship between their faith and Korean traditional music, by incorporating Christian narratives into traditional musical forms, such as p’ansori. Howard notes that both Christianity and Korean traditional music constitute powerful symbols of the place of Korea (for Koreans) in the globalized world; however, because of the contradictory logics of two transnationally imagined identity politics—one imagining Korea as modern and p

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41

Howard, Keith David. Christianity and Korean Traditional Music. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.005_update_001.

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Abstract:

Keith Howard offers an account of how Korean Christians who are professional musicians specializing in traditional music (kugak) have been attempting to construct a relationship between their faith and Korean traditional music, by incorporating Christian narratives into traditional musical forms, such as p’ansori. Howard notes that both Christianity and Korean traditional music constitute powerful symbols of the place of Korea (for Koreans) in the globalized world; however, because of the contradictory logics of two transnationally imagined identity politics—one imagining Korea as modern and p

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42

Korean Pop Music. 2006.

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43

Chae, Hyun Kyung. Ch'angjak kugak: Making Korean music Korean. 1996.

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44

Perspectives on Korean Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315246987.

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45

Crazy music (Korean edition). Bi Ryongso, 2004.

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46

Perspectives on Korean music. Ashgate, 2006.

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47

Harmonia Koreana : A Short History of 20th-Century Korean Music: A Short History of 20th-century Korean Music. KONG & PARK, Incorporated, 2011.

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48

Yoon, Jung-kang. Gugak: Traditional Korean Music Today. KONG & PARK, Incorporated, 2014.

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49

Gugak: Traditional Korean music today. Hollym International Corp., 2014.

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50

Music Sheet - Retro Vintage Distressed South Korea Korean Taegeuk Flag. Independently Published, 2021.

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