Relevant bibliographies by topics / Korean Poems

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Korean Poems'

Author: Grafiati
Published: 28 February 2023

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Journal articles on the topic "Korean Poems"

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Fajar, Yusri. "Perlawanan Terhadap Penjajahan dalam Puisi-Puisi Indonesia dan Korea." ATAVISME 18, no. 2 (December 25, 2015): 183–93. http://dx.doi.org/10.24257/atavisme.v18i2.114.183-193.

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Penjajahan di muka bumi, seperti yang dialami Indonesia dan Korea telah mengakibatkan kerugian materiil dan non materiil. Akibat-a­kibat dari kolonialisme ini mendapat respon puitik dari para penyair Indonesia dan Korea yang tidak hanya menulis puisi namun juga bersentuhan dengan gerakan perlawanan untuk menggapai kemerdekaan. Artikel ini membahas resistensi terhadap penjajahan sebagaimana tercermin dalam puisi-puisi para penyair Indonesia dan Korea. Untuk meneliti puisi-puisi tersebut konsep sastra bandingan digunakan dan dielaborasi bersama dengan teori kolonialisme. Sumber data penelitian ini adalah antologi puisi Korea yang berjudul Puisi buat Rakyat Indonesia (terjemahan Chung Yong Rim tahun 2013) dan antologi puisi Indonesia Aku ini Binatang Jalang karya Chairil Anwar cetakan tahun 2015. Hasil penelitian menunjukkan bahwa pengalaman ketika dijajah Jepang membuat para penyair kedua negara ini melahirkan puisi-puisi yang secara tematis menggambarkan berbagai akibat kolonialisme dan semangat antipenjajahan yang lahir sebagai bentuk perlawanan. Abstract: Colonization as experienced by Indonesia and Korea brought about impacts on infrastructure and people of both countries. Those effects triggered Indonesian and Korean poets to give poetical response. These poets not only wrote poems but also involved in the movement in gaining independence. This article discusses the resistance toward colonization as represented in the poems by Indonesian and Korean Poets. The concept of comparative literature and colonialism are employed in this research. Sources of the data in this research are taken from the anthology of Korean poems entitled Puisi buat Rakyat Indonesia (translated into Indonesian by Chung Yong Rim in 2013) and anthology of Indonesian poems by Chairil Anwar entitled Aku ini Binatang Jalang published in 2015. The result of the research shows that colonization in Indonesia and Korea inspired the poets from these two colonized countries to write poems that delineate the impacts of colonization and spirit of anti colonization as the foundation of the resistence. Key Words: colonization, resistance, Indonesian and Korean poems
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OH, Kyong-geun. "KOREAN SIJO POEMS AND THEIR TRANSFORMATIONS." International Journal of Korean Humanities and Social Sciences 1 (November 4, 2016): 23–38. http://dx.doi.org/10.14746/kr.2015.01.02.

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Sijo is an original genre of short Korean poems with a strictly defined structure reflecting the rhythm of a traditional Korean song. Sijo poems are the only traditional genre of Korean poetry, which is still practised by contemporary Korean poets. It gained tremendous popularity during the reign of the Joseon dynasty, especially among the Confucian scholars and noblemen who ruled the country. Sijo poetry has undergone a transformation as far as the topics and structure of sijo poems are concerned. Initially the authors of sijo belonged to the ruling class and were solely men (Confucian scholars). But with the passage of time and the development of society the representatives of the middle class started writing sijo poems as well. The sijo transformations also included the linguistic changes, which may be observed through the course of sijo history. The topics also changed as new types of sijo appeared beside traditional sijo devoted mainly to Confucian ideas formulated in a refined language.
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Han, Christina. "Turning Songs into Poems and Poems into Songs: Intersections of Literary Sinitic and Vernacular Korean in Chosŏn Literature." Sungkyun Journal of East Asian Studies 21, no. 2 (November 1, 2021): 211–35. http://dx.doi.org/10.1215/15982661-9326219.

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Abstract This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth- through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-poems. The article probes the creative collaboration and competition between Literary Sinitic and vernacular Korean, and the fluid relations between translation and vernacularization. On the whole, it explores the ways in which the evolution of poetry-song discourse and the ensuing literary innovations contributed to Chosŏn's complex linguistic ecology.
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Oh Moon-seok. "Shamanism In Korean Poems." Korean Poetics Studies ll, no. 38 (December 2013): 101–26. http://dx.doi.org/10.15705/kopoet..38.201312.005.

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Kim, Sangdeog Augustin. "I Will Make My Husband to Eat So Much! (Tcheonzamun 289th-304th)." South Asian Research Journal of Humanities and Social Sciences 4, no. 4 (July 30, 2022): 261–63. http://dx.doi.org/10.36346/sarjhss.2022.v04i04.006.

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French missionary Dallet (1874) wrote that Tcheonzamun (The thousand character essay) had been utilized as a textbook for children of the ancient Chinese people and those of the ancient Korean people. The book, Tcheonzamun, was used for instructing Chinese character. Park et al. (2021a) and Park et al. (2021b) translated several Tcheonzamun poems. The present researcher tried to translate those poems of Tcheonzamun through Korean pronunciation and through the meaning of Chinese character. For the present researcher, there are two methods for the translation of Tcheonzamun (The thousand character essay) poem. The first one is through Korean pronunciation of Chinese character, and the other is through the meaning of Chinese character. In addition to this, the present researcher tried the same or the similar part from the two Chinese characters on the same line. With remained parts, the poem was translated. And the poem selected was (Tcheonzamun 289th-304th). The title of this work is ‘I will make my husband to eat so much!’. The present researcher tried to translate this Thceonzamun (The thousand character essay) poem with two methods.
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HONG, Sunghee. "I CALL MYSELF SNOB: POLITICS OF AESTHETICS OF KOREAN POETRY UNDER DICTATORSHIPS." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 51–62. http://dx.doi.org/10.14746/kr.2017.03.02.

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This study addresses the issue of politics of aesthetics in Korean poetry in regards of ‘authenticity of snobbism’ manifested in poems and essays published from late 1960s to 1980s under dictatorships. The special attention is on the double positioning of oneself as the accuser and the accused. The questions of the politics of aesthetics of Korean poetry, even the recent argument, has discriminated ‘authenticity’ from ‘snobbism’, in the needs to qualify literature as the accuser of the opportunism and passivism under the dictatorships. However, this dichotomy has restricted the political-aesthetic possibilities of literature to an exclusive property of poets or (poets as) ‘citizens’. This study explores how Korean poetry generated the possibility of political aesthetics from every single snobbish corner of lives by placing ‘the accuser’ of the dictatorial government on the position of ‘the accused’ through its own voice. Poems and essays of Kim Soo-young, Kim Kwang-kyu and Lee Seong-bok will be significantly examined as what manifested the autoimmunity of literature beyond the pose of self-reflection.
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Kim, Hyo Sin. "A Rendezvous between Korean Poems and Korean Songs in collaboration with Korean Culture." Institute of Humanities 38 (November 30, 2019): 1–39. http://dx.doi.org/10.46270/ssw.38.1.

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최미정. "Ecological Consciousness in Korean American Diaspora poems." Literature and Environment 12, no. 2 (December 2013): 279–306. http://dx.doi.org/10.36063/asle.2013.12.2.012.

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Knowlton, Edgar C., and Kevin O'Rourke. "Looking for the Cow: Modern Korean Poems." World Literature Today 74, no. 2 (2000): 359. http://dx.doi.org/10.2307/40155623.

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Seong, ShinHyung. "A study of the theological implications of the Korean reunification movement focusing on the story of Rev. Ik-whan Moon." Theology Today 74, no. 2 (July 2017): 172–84. http://dx.doi.org/10.1177/0040573616688731.

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Peace matters in various ways in this globalized world, and the Korean Peninsula has been a critical situation in this matter, especially in the current climate. This article delves into Rev. Ik-whan Moon, a leader of the reunification movement, in South Korea in order to deal with the issue of peace. This article examines him in three parts: the enjoyable tenets of his life and social action, the theological meaning of his activism, and the new horizon of social activism through his new vision of the Kingdom of God. Rev. Moon began his social action at 59, but he dedicated his life to society as he wrote many poems, playing a part in the Korean reunification movement. His activism is based on his theology of the oppressed ( min-joong) and the Kingdom of God. Lastly, he created a historical momentum for the Korean reunification movement by visiting North Korea in 1989, in that he opened a new hope that South Korean civilians and North Korean civilians could meet each other. It was a non-obedience movement because no civilians could visit North Korea due to the National Security Law. Rev. Moon's actions towards Korean reunification give us great wisdom for peace in this contemporary violent world.
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Dissertations / Theses on the topic "Korean Poems"

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Zhang, Wenyu. "Poems easily written in a hard life." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/7054.

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Poems Easily Written in a Hard Life is an English-language translation of Yun Dongju’s 40 poems. This work of literary translation is proceeded by a translator’s preface which seeks to situate the work in its specific social and linguistic context and to render the translator’s work visible.
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Ku, Won-Sook. "Aspects of Modernism in Korean poetry : Western influence on poetics and poems of Kim Kirim." Thesis, SOAS, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273267.

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Kim Kirim was the most prominent figure ~n the Korean literary world during the 1930s. He was a poet and critic, well versed in major western literary theories and poems of that time, and a pioneer in employing the techniques of western Modernism in literature. Kim believed the Modernism of western poetry could be very useful to reinvigorate the Korean poetry of the time. This study compares several important concepts of modern western poetics and poetry, as understood by Kim Kirim, with those of the western poets and critics who originally created and employed these new concepts. Kim's poetics are analyzed in detail to trace his theoretical understanding of western literary criticism and to show how he used them in building theories of modern Korean poetry. Several of his "misconceptions" exist unquestioned even at present and are strongly influencing modern Korean poetry. It is therefore essential in understanding the present state of Korean poetry that one begin with a study of Kim Kirim, since he contributed so much to providing new models for Korean poetry. This· work begins with a discussion of the nature of Korean poetry before the influence of Modernism. A discussion of elements of new poetics in Korea as introduced by Kim with special attention to areas of possible misinterpretation, leads the way to analysis indetail of "Kisangdo", Kim's most famous work, in relation to Eliot's poem "The Waste Land". Poetic concepts of unity, rhythm, and objectivity in modern poetry are the final areas of focus due to the importance that both Kim and the western Modernists placed on them
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Han, Sang-Eun. "Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary." Thesis, connect to online resource, 2004. http://www.unt.edu/etd/all/Aug2004/han%5Fsang-eun/index.htm.

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Choi, Jung Ja. "Writing Herself: Resistance, Rebellion, and Revolution in Korean Women's Lyric Poetry, 1925--2012." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13070020.

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Despite a recent global surge in the reception and translation of Korean women poets, there has been surprisingly little scholarship on this topic. This dissertation aims to expand the focus of Western scholarship beyond the Korean male canon by providing the first in-depth analysis of the works of Korean women poets in the 20th and 21st centuries. The poets I chose to examine for this study played a critical role in revolutionizing traditional verse patterns and in integrating global socio-political commentary into modern Korean poetry. In particular, by experimenting widely with forms from epic narrative, memoir in verse, and shamanic narration to epistolary verse and avant-garde styles, they opened up new possibilities for Korean women's lyric poetry. In addition, they challenged the traditional notion of lyric poetry as simply confessional, emotional, passive, or feminine. Their poetry went beyond the commonplace themes of nature, love, and longing, engaging with socio-political concerns such as racial, class, and gender discrimination, human rights issues, and the ramifications of the greatest calamities of the 20th century, including the Holocaust, the Korean War, and the Kwangju Uprising. Unlike the dominant scholarship that tends to highlight the victimization of women and their role as passive observers, this project shows Korean women poets as active chroniclers of public memory and vital participants in global politics and literature. The multifaceted and detailed reading of their work in this dissertation facilitates a more nuanced understanding of the complexity of 20th-and 21st-century women's lives in Korea.
East Asian Languages and Civilizations
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Richardson, Recarlo Angelo. "My Seoul." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1533668273026016.

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Books on the topic "Korean Poems"

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Poems of 99 modern Korean poets. Seoul, Korea: Literature Academy, 2006.

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Ko, Ŭn. Beyond self: 108 Korean Zen poems. Berkeley, Calif: Parallax Press, 1997.

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Anthony, of Taizé, Brother, 1942-, ed. A Korean century: River & fields : poems. London: Forest Books, 1991.

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Unforgettable things: Poems. Seoul, Korea: Si-sa-yong-o-sa, Inc., 1986.

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Yŏn-hong, Chʻoe, Kim Chungmi, Kim Mun-hŭi 1949-, and Gertrude Clarke Whittall Poetry and Literature Fund., eds. Selected poems. [Seoul?: s.n., 1994.

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Association, Korean Literary Translation, ed. Essays and poems from Korea. Baltimore (1001 N. Calvert St., Baltimore 21202): Gateway Press, 1989.

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Sandford, Jim. Battle lines: A Korean War diary : poems. Laguna Hills, CA: NewMill Press, 2003.

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Kukche Pʻen Kʻŭllŏp Han'guk Ponbu. and International Congress of the P.E.N. Clubs (52nd : 1988 : Seoul, Korea), eds. Again & again: Anthology of modern Korean poems. Seoul, Korea: Korean P.E.N. Centre, 1988.

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Ŭn, Ko. What?: 108 Zen poems. Berkeley, Calif: Parallax Press, 2008.

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Yu, Chi-hwan. Banner, and other poems. Laurinburg, N.C: St. Andrews College Press, 1998.

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Book chapters on the topic "Korean Poems"

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Kim, Wook-Dong. "Intertextuality of Jeong Ji-yong’s Poems." In Global Perspectives on Korean Literature, 215–45. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8727-2_10.

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Choi, Jung Ja. "Poems on Yŏnae or Romantic Love." In The Life and Works of Korean Poet Kim Myŏng-sun, 139–70. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003332800-10.

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"30 Sijo Poems." In Korean Classical Literature, 63–94. Routledge, 2018. http://dx.doi.org/10.4324/9781315810690-9.

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"27. Reading Poems." In Intermediate College Korean, 261–66. University of California Press, 2019. http://dx.doi.org/10.1525/9780520924710-031.

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"Hanmun: Poems and Prose in Chinese." In Early Korean Literature, 75–96. Columbia University Press, 2000. http://dx.doi.org/10.7312/mcca11946-011.

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"Two Early Poems and ‘Words from the Heart’." In Korean Classical Literature, edited by Chung Chong-wha, 95–103. Routledge, 2018. http://dx.doi.org/10.4324/9781315810690-10.

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Howard, Keith. "Composing the Nation." In Songs for "Great Leaders", 215–40. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190077518.003.0009.

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In North Korea, with songs fundamental to ideology and central to cultural production, composers face challenges. How can large-scale pieces for instrumental ensembles and orchestras be composed? This chapter begins by discussing how composition activity developed in North Korea, initially with Japanese and then Soviet influence. It considers key early compositions that are no longer acceptable for performance in North Korea. It then shows how early, Japanese-colonial-era popular song structures were upscaled to create symphonic poems, and, from these, how combining the songs and interpretations of the dramatic action of revolutionary operas allowed these to be upscaled into symphonic works. The focus then shifts to the avant-garde composer Isang Yun (1917–1995), who was the best-known Korean composer of the twentieth century in international circles. Yun, after being forced to return to South Korea from Germany and being tried for sedition, was latterly celebrated in North Korea, and his story became the subject of four feature-length films made in Pyongyang. The chapter analyzes three of his most political works to explain why, despite his celebrity, his musical style was never fully acceptable to North Korea, and how he failed to fully embrace the socialist realism frame that North Korean ideology required.
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McBride, Richard D. "Selections from Ŭich’ŏn’s Collected Works of State Preceptor Taegak (Taegak kuksa munjip [sŏn]) 大覺國師文集 (選)‎." In Doctrine and Practice in Medieval Korean Buddhism. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824867430.003.0002.

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This section includes selections from The Collected Works of State Preceptor Taegak (Taegak kuksa munjip大 覺國師文集‎) an assemblage of Ŭich’ŏn’s writings. The selections coverage categories ranging from prefaces, lectures on Buddhist sutras, and memorials to letters, addresses, and lyric poems. These texts reveal an inclusive view of practice and study—the dual cultivation of doctrinal learning and meditative visualization—and a passionate commitment to the preservation of the Buddhadharma.
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"Index of Poets." In The Book of Korean Shijo, 205–6. BRILL, 2002. http://dx.doi.org/10.1163/9781684173754_010.

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"Introduction." In Poems from Korea, edited by Peter H. Lee, 17–30. Routledge, 2019. http://dx.doi.org/10.4324/9780429298813-1.

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Conference papers on the topic "Korean Poems"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Reports on the topic "Korean Poems"

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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