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Journal articles on the topic 'Korean Poems'

Author: Grafiati

Published: 28 February 2023

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1

Fajar, Yusri. "Perlawanan Terhadap Penjajahan dalam Puisi-Puisi Indonesia dan Korea." ATAVISME 18, no. 2 (December 25, 2015): 183–93. http://dx.doi.org/10.24257/atavisme.v18i2.114.183-193.

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Penjajahan di muka bumi, seperti yang dialami Indonesia dan Korea telah mengakibatkan kerugian materiil dan non materiil. Akibat-akibat dari kolonialisme ini mendapat respon puitik dari para penyair Indonesia dan Korea yang tidak hanya menulis puisi namun juga bersentuhan dengan gerakan perlawanan untuk menggapai kemerdekaan. Artikel ini membahas resistensi terhadap penjajahan sebagaimana tercermin dalam puisi-puisi para penyair Indonesia dan Korea. Untuk meneliti puisi-puisi tersebut konsep sastra bandingan digunakan dan dielaborasi bersama dengan teori kolonialisme. Sumber data penelitian ini adalah antologi puisi Korea yang berjudul Puisi buat Rakyat Indonesia (terjemahan Chung Yong Rim tahun 2013) dan antologi puisi Indonesia Aku ini Binatang Jalang karya Chairil Anwar cetakan tahun 2015. Hasil penelitian menunjukkan bahwa pengalaman ketika dijajah Jepang membuat para penyair kedua negara ini melahirkan puisi-puisi yang secara tematis menggambarkan berbagai akibat kolonialisme dan semangat antipenjajahan yang lahir sebagai bentuk perlawanan. Abstract: Colonization as experienced by Indonesia and Korea brought about impacts on infrastructure and people of both countries. Those effects triggered Indonesian and Korean poets to give poetical response. These poets not only wrote poems but also involved in the movement in gaining independence. This article discusses the resistance toward colonization as represented in the poems by Indonesian and Korean Poets. The concept of comparative literature and colonialism are employed in this research. Sources of the data in this research are taken from the anthology of Korean poems entitled Puisi buat Rakyat Indonesia (translated into Indonesian by Chung Yong Rim in 2013) and anthology of Indonesian poems by Chairil Anwar entitled Aku ini Binatang Jalang published in 2015. The result of the research shows that colonization in Indonesia and Korea inspired the poets from these two colonized countries to write poems that delineate the impacts of colonization and spirit of anti colonization as the foundation of the resistence. Key Words: colonization, resistance, Indonesian and Korean poems

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2

OH, Kyong-geun. "KOREAN SIJO POEMS AND THEIR TRANSFORMATIONS." International Journal of Korean Humanities and Social Sciences 1 (November 4, 2016): 23–38. http://dx.doi.org/10.14746/kr.2015.01.02.

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Sijo is an original genre of short Korean poems with a strictly defined structure reflecting the rhythm of a traditional Korean song. Sijo poems are the only traditional genre of Korean poetry, which is still practised by contemporary Korean poets. It gained tremendous popularity during the reign of the Joseon dynasty, especially among the Confucian scholars and noblemen who ruled the country. Sijo poetry has undergone a transformation as far as the topics and structure of sijo poems are concerned. Initially the authors of sijo belonged to the ruling class and were solely men (Confucian scholars). But with the passage of time and the development of society the representatives of the middle class started writing sijo poems as well. The sijo transformations also included the linguistic changes, which may be observed through the course of sijo history. The topics also changed as new types of sijo appeared beside traditional sijo devoted mainly to Confucian ideas formulated in a refined language.

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3

Han, Christina. "Turning Songs into Poems and Poems into Songs: Intersections of Literary Sinitic and Vernacular Korean in Chosŏn Literature." Sungkyun Journal of East Asian Studies 21, no. 2 (November 1, 2021): 211–35. http://dx.doi.org/10.1215/15982661-9326219.

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Abstract This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth- through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-poems. The article probes the creative collaboration and competition between Literary Sinitic and vernacular Korean, and the fluid relations between translation and vernacularization. On the whole, it explores the ways in which the evolution of poetry-song discourse and the ensuing literary innovations contributed to Chosŏn's complex linguistic ecology.

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4

Oh Moon-seok. "Shamanism In Korean Poems." Korean Poetics Studies ll, no. 38 (December 2013): 101–26. http://dx.doi.org/10.15705/kopoet..38.201312.005.

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5

Kim, Sangdeog Augustin. "I Will Make My Husband to Eat So Much! (Tcheonzamun 289th-304th)." South Asian Research Journal of Humanities and Social Sciences 4, no. 4 (July 30, 2022): 261–63. http://dx.doi.org/10.36346/sarjhss.2022.v04i04.006.

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French missionary Dallet (1874) wrote that Tcheonzamun (The thousand character essay) had been utilized as a textbook for children of the ancient Chinese people and those of the ancient Korean people. The book, Tcheonzamun, was used for instructing Chinese character. Park et al. (2021a) and Park et al. (2021b) translated several Tcheonzamun poems. The present researcher tried to translate those poems of Tcheonzamun through Korean pronunciation and through the meaning of Chinese character. For the present researcher, there are two methods for the translation of Tcheonzamun (The thousand character essay) poem. The first one is through Korean pronunciation of Chinese character, and the other is through the meaning of Chinese character. In addition to this, the present researcher tried the same or the similar part from the two Chinese characters on the same line. With remained parts, the poem was translated. And the poem selected was (Tcheonzamun 289th-304th). The title of this work is ‘I will make my husband to eat so much!’. The present researcher tried to translate this Thceonzamun (The thousand character essay) poem with two methods.

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6

HONG, Sunghee. "I CALL MYSELF SNOB: POLITICS OF AESTHETICS OF KOREAN POETRY UNDER DICTATORSHIPS." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 51–62. http://dx.doi.org/10.14746/kr.2017.03.02.

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This study addresses the issue of politics of aesthetics in Korean poetry in regards of ‘authenticity of snobbism’ manifested in poems and essays published from late 1960s to 1980s under dictatorships. The special attention is on the double positioning of oneself as the accuser and the accused. The questions of the politics of aesthetics of Korean poetry, even the recent argument, has discriminated ‘authenticity’ from ‘snobbism’, in the needs to qualify literature as the accuser of the opportunism and passivism under the dictatorships. However, this dichotomy has restricted the political-aesthetic possibilities of literature to an exclusive property of poets or (poets as) ‘citizens’. This study explores how Korean poetry generated the possibility of political aesthetics from every single snobbish corner of lives by placing ‘the accuser’ of the dictatorial government on the position of ‘the accused’ through its own voice. Poems and essays of Kim Soo-young, Kim Kwang-kyu and Lee Seong-bok will be significantly examined as what manifested the autoimmunity of literature beyond the pose of self-reflection.

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7

Kim, Hyo Sin. "A Rendezvous between Korean Poems and Korean Songs in collaboration with Korean Culture." Institute of Humanities 38 (November 30, 2019): 1–39. http://dx.doi.org/10.46270/ssw.38.1.

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8

최미정. "Ecological Consciousness in Korean American Diaspora poems." Literature and Environment 12, no. 2 (December 2013): 279–306. http://dx.doi.org/10.36063/asle.2013.12.2.012.

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9

Knowlton, Edgar C., and Kevin O'Rourke. "Looking for the Cow: Modern Korean Poems." World Literature Today 74, no. 2 (2000): 359. http://dx.doi.org/10.2307/40155623.

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10

Seong, ShinHyung. "A study of the theological implications of the Korean reunification movement focusing on the story of Rev. Ik-whan Moon." Theology Today 74, no. 2 (July 2017): 172–84. http://dx.doi.org/10.1177/0040573616688731.

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Peace matters in various ways in this globalized world, and the Korean Peninsula has been a critical situation in this matter, especially in the current climate. This article delves into Rev. Ik-whan Moon, a leader of the reunification movement, in South Korea in order to deal with the issue of peace. This article examines him in three parts: the enjoyable tenets of his life and social action, the theological meaning of his activism, and the new horizon of social activism through his new vision of the Kingdom of God. Rev. Moon began his social action at 59, but he dedicated his life to society as he wrote many poems, playing a part in the Korean reunification movement. His activism is based on his theology of the oppressed ( min-joong) and the Kingdom of God. Lastly, he created a historical momentum for the Korean reunification movement by visiting North Korea in 1989, in that he opened a new hope that South Korean civilians and North Korean civilians could meet each other. It was a non-obedience movement because no civilians could visit North Korea due to the National Security Law. Rev. Moon's actions towards Korean reunification give us great wisdom for peace in this contemporary violent world.

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11

Han, Christina. "Overcoming the Pandemic through Viral Poetry Games: The Phenomenon of Coronavirus-Inspired Digital Acrostic Poetry in South Korea." Connections: A Journal of Language, Media and Culture 2, no. 1 (December 16, 2021): 55–71. http://dx.doi.org/10.29173/connections28.

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Following the outbreak of COVID-19 in South Korea in winter 2019, acrostic poems on the three-syllable word “Corona” became viral on major search engines and social media platforms across the country. The composition of acrostic poems, particularly in three lines, has been a popular cultural phenomenon in Korea since the 1980s when it became a participatory literary exercise and game featured on television entertainment shows. The digital revolution in the 2000s allowed the writing and sharing of these short and whimsical poems to expand into various digital platforms. Since 2010, PC and mobile games have been developed to further enhance the ludic approach to acrostic poetry composition and contests. While facilitating individual creativity, and as an interactive and ludic way of community building and branding, acrostic poetry contests have also been used to promote social and political campaigns and consumer products. This paper will investigate poetry games and contests of acrostic poems on the Coronavirus featured on South Korean digital platforms. It will analyze the various games and contests organized by schools, communities, consumer product brands, and social media circles. The poems, composed by children and adults, display a wide range of messages involving self-reflection, social campaign, political criticism, and subversive wordplay. Together, these viral poems and contests promoted values of collaboration, competition, and social exchange during the pandemic. All in all, the paper explores the viral powers of language and language art in the digital world, as well as digital poetry’s connections to networked self, social mobilization, and online activism.

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12

Lim, Boyoun, and Kiin Chong. "The Role of Classical Chinese Poetry in Modern Transition － Focusing on Samcheonri(『三千里』)." Korean Association for Literacy 13, no. 5 (October 31, 2022): 535–64. http://dx.doi.org/10.37736/kjlr.2022.10.13.5.18.

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Although 374 classical Chinese poems were published in Samcheonri, which is known as the core of the colonial modern culture of colonial Joseon, it has not been well explored. To comprehend the meaning of Korean literature’s ‘modern transition,’ it is essential to grasp the characteristics of classical Chinese poetry in magazines during the modern period. From this viewpoint , this paper outlines classical Chinese poems in Samcheonri, and pays particular attention to independence activists, Gim Rip(金笠), and women’s poetry. The exposure of traces of censorship strengthened the meaning of independence activists’ poems in Samcheonri. The translation and commentary of Gim Rip’s poems attempted to soothe readers’ anger with laughter and resentment. Finally, by introducing female Chinese poetry and emphasizing its importance, it accentuated the emotions of minorities. The characteristics of Chinese poetry published in Samcheonri are significant in this study because they provide a basis for understanding the multilayer aspects of Korean poetry during the “modern transition period.”

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13

Kim, Hak Jung. "The Study on Other Space in Korean Manchuria Poems - focus on Collected poem of Korean Manchurian and Manseon." Comparative Korean Studies 23, no. 1 (April 30, 2015): 85–125. http://dx.doi.org/10.19115/cks.23.1.4.

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14

Shin, Wonchul. "The Comparative Sensualism in English and Korean Poems." Journal of East-West Comparative Literature 40 (June 30, 2017): 161–81. http://dx.doi.org/10.29324/jewcl.2017.06.40.161.

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15

신웅순. "Review on Korean Traditional Poems by Hoon Sim." 한국문예비평연구 ll, no. 36 (December 2011): 183–200. http://dx.doi.org/10.35832/kmlc..36.201112.183.

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16

Sungsik Hong. "Edvard Munch in Korean Modern Poems have accepted." KOREAN EDUCATION ll, no. 75 (April 2007): 613–32. http://dx.doi.org/10.15734/koed..75.200704.613.

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17

최미정 and Kim Seong Ho. "Conception of Capitalistic Ecology in Korean American poems : Focused on Kim Yoon-Tae's Poems." Literature and Environment 13, no. 2 (December 2014): 295–326. http://dx.doi.org/10.36063/asle.2014.13.2.012.

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18

CHOI, Seoyoon. "LIBERTY AS THE IMPOSSIBLE, THE LANGUAGE OF SILENCE: IN REREADING KIM SUYǑNG’S WORKS IN 1960s." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 63–71. http://dx.doi.org/10.14746/kr.2017.03.03.

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This article examines several works written by Kim Suyǒng in the 1960s with a focus on negation as the poetic method in accordance with revolution. He lived through a late colonial period, the Korean War, the April Revolution, and Park Chung Hee’s regime and he was keenly aware Koreans had not spoken of liberty as the invention of modernity in our mother tongue throughout our history. He dedicated all his poems to demonstrating why liberty was impossible to be spoken in Korean. In the course of his writing, his authentic poetic language developed into silence as a martyr, the language of death and love. In so doing, he could “live liberty” through his poetry in accordance with his conscience in the authoritarian society.

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19

AN, Seung-Woo. "The Book of Changes in the Modern Korean Poetry." Tae Dong Institute of classic research 49 (December 31, 2022): 59–86. http://dx.doi.org/10.31408/tdicr.2022.49.59.

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This paper explored how the Book of Changes can communicate with the public and what role it can play through the analysis of how the Book of Changes has been dealt with in modern Korean poetry. Contemporary poetry, which is intended to be covered in this paper, targets poetry books, prose books, and commentary books published by modern Korean poets in the 2010-2020s, especially focusing on the works of Jang Seok-ju, Lee Young-shin, Oh Jung-hwan and Ahn Soo-hwan. This paper explores how the difficulty of the Book of Changes, which is often considered a major obstacle to understand, is understood and interpreted by poets. In particular, the symbols of the Book of Changes let poets experience meeting the object with an open mind away from their ignorance, prejudice, and stereotypes, and in the process, the symbols of it were organically linked to each other and expanded to a new meaning about our daily lives and relationships. Next, this paper analyzes whether the principle of the Book of Changes can still have a meaning for the public in contemporary culture. In modern Korean poetry, it has been examined that the principles of the Book of Changes are embodied as “body” poems that lead to new reflections on life crisis, life, and death in the process of experiencing with the poet's “body”, suggesting poetic sensitivity as a part of great vitality in the principle of organic circulation.

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20

Setia Sari, Winda. "Stepping Out of The Cultural Identity: A Critical Analysis of Cathy Song’s Memory Poetry." International Journal of Culture and Art Studies 2, no. 1 (April 30, 2019): 54–59. http://dx.doi.org/10.32734/ijcas.v2i1.948.

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Cathy Song, a Chinese-Korean ancestry woman poet, grew up in Hawaii, America. In “What Belongs to You”, a poem taken from her second poetry publication, she chronicles the memory of a child who is trapped between her dream and devotion. The theme of the poem is portrayed in a strong poetic devices. The poems lean in vivid visual imageries to evoke to the poet’s life memory. The speaker of What Belongs to You dreams of having the freedom and attempts to escape from her parental tie. Ironically, she finds herself devote to her family and tradition. The poems use past materials ranging from domestic domain and landscape which define the speaker’s personal memory. Comparing than Cathy’s Song first poetry publication, arguably, the cultural materials in the poem cannot be traced through Song’s poetic devices as an ethnic woman poet. In fact, song locates the dream and devotion in visual imageries and nostalgic tones in a general way. This is true; Song has denied herself as a cultural visionary. Song merely mines the memory from the point of view and identity of a woman, leaving her cultural traits behind.

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오성호. "A Study on North Korean poems in 'Chollima Period'." Korean Poetics Studies ll, no. 20 (December 2007): 281–314. http://dx.doi.org/10.15705/kopoet..20.200712.011.

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22

Jeongkeun Park. "Park YoungKeun's Reception and Transformation of Korean Existential Poems." Review of Korean Cultural Studies ll, no. 38 (October 2011): 79–112. http://dx.doi.org/10.17329/kcbook.2011..38.004.

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Changho Kim. "The Image of ‘Cow’ Observed in Sino‐Korean Poems." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 62 (March 2015): 145–74. http://dx.doi.org/10.17293/dbkcls.2015..62.145.

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24

권성훈. "A Study of Healing Shown in Korean Christian Poems." Studies in Religion(The Journal of the Korean Association for the History of Religions) ll, no. 66 (March 2012): 221–48. http://dx.doi.org/10.21457/kars..66.201203.221.

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권성훈. "The study on healing effect in Korean Buddhist Poems." Studies in Religion(The Journal of the Korean Association for the History of Religions) ll, no. 70 (March 2013): 309–40. http://dx.doi.org/10.21457/kars..70.201303.309.

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26

이정예. "A Study on the Types of North Korean Poems." Journal of North-east Asian Cultures 1, no. 30 (March 2012): 105–21. http://dx.doi.org/10.17949/jneac.1.30.201203.006.

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27

Hong, Sung Sook. "한국 시와 아일랜드 시속의 ‘방랑’ 비교." Yeats Journal of Korea 58 (April 30, 2019): 187–96. http://dx.doi.org/10.14354/yjk.2019.58.187.

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김현자. "The Metaphors in Korean Nature Poems (Analyzing poems of Park, Mok-wol and Park, Yong-rae)." Korean Poetics Studies ll, no. 20 (December 2007): 249–79. http://dx.doi.org/10.15705/kopoet..20.200712.010.

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29

Kan, Hobae. "Sensibility Images in Gu Yeon-sik’Poetry." Korean Society of Culture and Convergence 44, no. 6 (June 30, 2022): 395–416. http://dx.doi.org/10.33645/cnc.2022.6.44.6.395.

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Gu Yeon-sik’s second collection of poems, Senses , creates unique and diverse images by combining lyrical and emotional images with surreal techniques. In particular, this collection of poems is an important resource in that it shows the process of transformation from Korean surrealist poetry to lyrical poetry in various ways since the 1970s. Nevertheless, until now, it has received little attention from academia due to the limitations of regional literature. Therefore, the purpose of this study is to examine an aspect of Korean modern poetry since the 1970s through the poetic world of Gu Yeon-sik’s. The characteristic of this collection of poems is sensibility images, which are clearly expressed through the visual images of typography, surreal transformation, and the extensibility and transcendence of images. First of all, typography, a visually unique form of expression, is a form of ‘dada’, which visually arranges the structure of a poem or uses language as a sign, such as pun, to create meaning and content sensibly. And the languages of sensibility images are being transformed into abstract images by making the poetic flow difficult or deconstructing the symbols or meanings inherent in language through methods such as objects, dépaysement, and automatic description methods. In other words, in the process of concrete situations or objects being shaped into poetry, abstract images are created by combining with surreal methodologies, which ‘create’ and ‘deconstruct’ another image or meaning at the same time. In other words, the attitude to become infinitely free from the fixed meaning of the idea of objects or characters is creating an abstract image. Lastly, in the ‘Top (17)’ series, the lyrical and symbolic image of the tower is embodied by a surreal technique, thereby creating expanded and transcendent images. In other words, the lyrical images of waiting and longing, which are the symbolic meanings of the tower, merge with the surreal technique to create a grotesque and new form of poetry. Therefore, the sensibility image that appeared in Gu Yeon-sik’s poetry was created by adding surreal techniques to lyrical images, and this study could not only confirm the characteristics of Gu Yeon-sik’s poetry, but also examine the unique poetic form of Korean modernist poetry after the 1970s.

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Park, Kyung-su. "A study on Korean modern poems based on Arirang songs." Korean Literature and Arts 6 (September 30, 2010): 125. http://dx.doi.org/10.21208/kla.2010.09.6.125.

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31

Rhee, Young Suck. "Kevin O’Rourke, trans., Looking for The Cow: Modern Korean Poems." Yeats Journal of Korea 10 (May 31, 1999): 283–88. http://dx.doi.org/10.14354/yjk.1999.10.283.

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Kim In-Seob. "Research on image of nature in North Korean War Poem – Focusing on ‘selection of lyric poems’." Korean Language and Literature ll, no. 158 (August 2011): 301–34. http://dx.doi.org/10.17291/kolali.2011..158.007.

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JEONG, Myeong Kyo. "AN EVENT AT THE DAWN OF MODERN KOREAN POETRY: KIM SOWOL’S “AZALEAS”." International Journal of Korean Humanities and Social Sciences 5 (November 12, 2019): 7–20. http://dx.doi.org/10.14746/kr.2019.05.01.

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Kim Sowol is one of the Korean poets who opened the horizon of modern poetry in Korea. His poem, “Azaleas”(1925) has been known as a masterpiece which Korean people love most to recite as “To Cassandra” of Pierre de Ronsard in France. Nevertheless, this poem has been taken for the highest expression of the traditional sentiment without being appreciated for the quality of the modern poetry as follows: Koreans have sung for a long time the sorrow from the parting with the lover. In “Azaleas”, any reader can see easily the repeat of the same situation and same feeling. In this article I analyzed the attitude and the intention of the speaker of this poem and reinterpret the theme of poem. In doing so, I found the clever strategy of the speaker in front of the irreversible situation to press secretly the reflection of the lover about his departure. This strategy is the invention of the modern [wo]man which can appropriate the crisis. So, I defined the modern characteristic of this poem and proved that this poem is not a repeated expression of the traditional feeling of the Koreans, but the de/re-construction of that.

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Lahiani, Raja. "Student Translations of Korean Poetry: A Retrospective Study." Journal of Research in Higher Education 6, no. 2 (December 5, 2022): 8–37. http://dx.doi.org/10.24193/jrhe.2022.2.1.

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In a collaboration between student translators and teachers, they worked to produce Arabic translations of the canonical poems by the Korean poet, Yoon Dong-Joo. In this retrospective study, the revisions to the student translations are classified, explained and justified. Both the translation process and translation product are scrutinized in order to assess the students’ work and to provide an understanding of the translation journey, the aim of which was to produce a poetic work in Arabic that aspires to echo the original text.

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최석화. "A Study on Kim Chun-su's Perception of Prose Poems ― Focusing on 『The Morphology of Korean Modern Poems』." Korean Poetics Studies ll, no. 34 (August 2012): 309–37. http://dx.doi.org/10.15705/kopoet..34.201208.011.

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김보성. "Characteristics of Korean and Chinese Poems on Ginseng(人蔘詩)." Journal of Korean Classical Chinese Literature 36, no. 1 (June 2018): 299–329. http://dx.doi.org/10.18213/jkccl.2018.36.1.010.

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Park, Sang-Min. "A Study on Sea Image Poems in Korean High School Textbooks." Studies of Korean Literature 57 (January 31, 2018): 239–61. http://dx.doi.org/10.20864/skl.2018.01.57.239.

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Mun Hye Won. "The antiwar consciousness in Korean poems based on the Iraq War." Cross-Cultural Studies 51, no. ll (June 2018): 1–24. http://dx.doi.org/10.21049/ccs.2018.51..1.

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HyukSang Cho. "A study of three imageries about Korean KiNyo Sword-Dance Poems." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 64 (September 2015): 91–120. http://dx.doi.org/10.17293/dbkcls.2015..64.91.

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Lee, Kyung-Soo. "The Sino-Korean poems about the Daeseung waterfall in Mt. Seolak." STUDIES IN HUMANITIES 60 (March 31, 2019): 31–59. http://dx.doi.org/10.33252/sih.2019.3.60.31.

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41

Kim, Sangmoo. "The Current State of W. B. Yeats's Poems in Korean Translation." Yeats Journal of Korea 31 (December 30, 2008): 25–56. http://dx.doi.org/10.14354/yjk.2009.31.25.

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LEE, KUN JONG. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker." Journal of American Studies 44, no. 4 (February 19, 2010): 741–57. http://dx.doi.org/10.1017/s0021875810000022.

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African Americans and Korean Americans have addressed Black–Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American–Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African American film and the Korean American fiction as dialogic responses to the well-publicized strife between Korean American merchants and their African American customers in the late 1980s and early 1990s and as windows into a larger question of African American–Korean American relations and racialization in US culture. This study ultimately argues that the dialogue between Spike Lee's film and Chang-rae Lee's novel moves towards a possibility of cross-racial identification and interethnic coalition building.

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Lee, Sookhwa. "An Analysis of the Researches on Independence activist Shin Kyusik." Institute of History and Culture Hankuk University of Foreign Studies 84 (November 30, 2022): 69–102. http://dx.doi.org/10.18347/hufshis.2022.84.69.

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The purpose of this study is to review existing academic research and present future research tasks about the life and ideology of Shin Kyusik, an anti-Japanese activist. We find this is a fitting way to commemorate the 100th anniversary of his death. Around 38 research theses about Shin Kyusik have been published to date. Among these theses, the majority focus on Shin’s independence struggles, while four studies are related to Daejonggyo religion, and five studies are about his book, 『Korean Spirit』 as well as the various poems he also authored. The impacts of these theses may seem minor when compared to his accomplishments, which left a large footprint in the Korean independence activists, however they are still valuable to inform us of his views and achievements. In this study, the historical facts about Shin’s acts are first introduced by classifying the results of previous studies according to their subject. Second, this study then examines some generally misunderstood facts about Shin’s life and his anti-Japanese activists, but those that were corrected through follow-up studies were also summarized. The views of the researchers on the contents of the issues are also expressed in this study. While previous studies have contributed to illuminating Shin Kyusik’s accomplishments to further Korean independence, researchers have not sufficiently delved into Shin’s ideology and his life as an independence activist. Errors concerning the date of Shin’s birth and the time of his exile to Shanghai have also been corrected through the follow-up studies, but his historic roles in establishing the Provisional Government of Korea still remains controversial. In the future, when conducting in-depth research on Shin Kyusik, it will also be necessary to focus on his ideology, his historic role and ideas in Daejonggyo Religion, and his solidarity with Chinese revolutionaries. It will also be worthwhile analyzing and discussing his poems to have a complete body of research about his life and ideology.

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Damrosch, David. "Scriptworlds Lost and Found." Journal of World Literature 1, no. 2 (2016): 143–57. http://dx.doi.org/10.1163/24056480-00102002.

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When writing systems spread beyond their language of origin, they bring literacy to formerly oral cultures or intrude on or displace an existing system. The process of learning a new script often entails learning a good deal about the source culture and its literature, sometimes overwriting earlier local traditions, other times creatively stimulating them. This essay looks first at some of the literary consequences of the spread of cuneiform writing in relation to its hieroglyphic and alphabetic rivals in the ancient Near East, and then discusses the advance and later loss of Chinese script in Vietnam and Korea, in the examples of the foundational work of modern Vietnamese literature, Nguyen Du’s The Tale of Kieu, and poems by the modern Korean poet Pak Tujin.

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尹, 載煥. "The Meanings of Heros Visualized in Sino-Korean Poems during Joseon Dynasty." Journal of Japanese Studies 44 (January 15, 2015): 51–75. http://dx.doi.org/10.18841/2015.44.03.

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김남기. "The weather’s recognition and representation patterns in Joseon kings Sino-korean poems." Journal of Korean Classical Chinese Literature 21, no. 1 (December 2010): 37–63. http://dx.doi.org/10.18213/jkccl.2010.21.1.002.

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kim, mi-sun. "Overview and Characteristics of Sino-Korean Poems in 『Seohaengnok(西行錄)』." Study of Korean Poetry and Culture 50 (August 31, 2022): 151–76. http://dx.doi.org/10.52530/kpac.2022.50.6.

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DongJae Lee. "A Study on the Patterns of ‘Tiger’ Configuration in Sino-Korean Poems." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 61 (December 2014): 125–58. http://dx.doi.org/10.17293/dbkcls.2014..61.125.

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Kim, Chung-Woo. "Study of Adjacency as Relational Principle -Focusing on Recent Korean Contemporary Poems-." Humanities Research 59 (February 28, 2020): 265–94. http://dx.doi.org/10.52743/hr.59.9.

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Shim, Hyoeun, Chang Ahn Seol, Chan-Jeoung Park, Young-Uk Cho, Eul-Ju Seo, Jung-Hee Lee, Dok Hyun Yoon, Cheol Won Suh, Sang Hyuk Park, and Seongsoo Jang. "POEMS Syndrome: Bone Marrow, Laboratory, and Clinical Findings in 24 Korean Patients." Annals of Laboratory Medicine 39, no. 6 (November 1, 2019): 561–65. http://dx.doi.org/10.3343/alm.2019.39.6.561.

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