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Journal articles on the topic 'Korean Poems'

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1

Fajar, Yusri. "Perlawanan Terhadap Penjajahan dalam Puisi-Puisi Indonesia dan Korea." ATAVISME 18, no. 2 (2015): 183–93. http://dx.doi.org/10.24257/atavisme.v18i2.114.183-193.

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Penjajahan di muka bumi, seperti yang dialami Indonesia dan Korea telah mengakibatkan kerugian materiil dan non materiil. Akibat-a­kibat dari kolonialisme ini mendapat respon puitik dari para penyair Indonesia dan Korea yang tidak hanya menulis puisi namun juga bersentuhan dengan gerakan perlawanan untuk menggapai kemerdekaan. Artikel ini membahas resistensi terhadap penjajahan sebagaimana tercermin dalam puisi-puisi para penyair Indonesia dan Korea. Untuk meneliti puisi-puisi tersebut konsep sastra bandingan digunakan dan dielaborasi bersama dengan teori kolonialisme. Sumber data penelitian i
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2

Erik Mayzaldi, Abdul Malik, and Ahada Wahyusari. "Discusses the message in Poetry for the Indonesian People of poems Korean poets." Santhet (Jurnal Sejarah Pendidikan Dan Humaniora) 8, no. 1 (2024): 649–55. http://dx.doi.org/10.36526/santhet.v8i1.3494.

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This research discusses the message in Poetry for the Indonesian People, a of poems from Korean poets. The aim of this research is to convey the message in Poetry for the Indonesian People, a collection of poems from Korean poets. The method used in this research is descriptive qualitative. The data in this research are words or sentences contained in Poetry for the Indonesian People, a collection of poems from Korean poets. The data collection techniques used to obtain research data are documentation, reading, listening and note-taking techniques. The data analysis technique used is a content
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3

Song, ChaeEun. "Study on the Acceptance Pattern of BaiLiang style in Early Chosŏn." Daedong Hanmun Association 76 (September 30, 2023): 161–84. http://dx.doi.org/10.21794/ddhm.2023.76.161.

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This article analyzes the concept of the BaiLiang style, a literary style derived from a literary genre called BaiLiang poem, known as the origin of the heptasyllabic and stanzaic poem, while examining how it was accepted and developed in Korea. The BaiLiang poem is a stanzaic poem collaboratively written by the Wu Emperor of the Han Dynasty and his twenty-five subjects. After that, poets began to produce heptasyllabic poems, leading to the formation of the genre, BaiLiang style.
 It stands to reason that not only Chinese authors but also Korean literati wrote and enjoyed the BaiLiang sty
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4

OH, Kyong-geun. "KOREAN SIJO POEMS AND THEIR TRANSFORMATIONS." International Journal of Korean Humanities and Social Sciences 1 (November 4, 2016): 23–38. http://dx.doi.org/10.14746/kr.2015.01.02.

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Sijo is an original genre of short Korean poems with a strictly defined structure reflecting the rhythm of a traditional Korean song. Sijo poems are the only traditional genre of Korean poetry, which is still practised by contemporary Korean poets. It gained tremendous popularity during the reign of the Joseon dynasty, especially among the Confucian scholars and noblemen who ruled the country. Sijo poetry has undergone a transformation as far as the topics and structure of sijo poems are concerned. Initially the authors of sijo belonged to the ruling class and were solely men (Confucian schola
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B, Dulmaa. "About Mongolian translation of poems by Kim So-Wol." Translation Studies 11, no. 1 (2023): 190–205. http://dx.doi.org/10.22353/ts20230120.

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Abstract of the Mongolian language translation of two poems by Kim So-Wol, a famous Korean poet One of the prominent poet Kim So-Wol's poems is famous for being like "traditional folk song lyrics". Kim So-Wol is well known for expressing the feeling of Korean people's "sadness and sorrow" through his poems. In this study, I tried to do side by side comparison of Mongolian language translation by 3 different translators' work in his poems "Azalea Flower" and "Calling the Soul". In these two poems, one describes the sorrow of feeling separated from his love of life by no choice but to let her go
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6

Han, Christina. "Turning Songs into Poems and Poems into Songs: Intersections of Literary Sinitic and Vernacular Korean in Chosŏn Literature." Sungkyun Journal of East Asian Studies 21, no. 2 (2021): 211–35. http://dx.doi.org/10.1215/15982661-9326219.

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Abstract This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth- through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-
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7

Liu, Jiaming, and Deogje Kang. "A Comparative Study of Alcohol Images in Korean and Chinese Classical Poetry: Focusing on Lee Gyu-Bo and Tao Yuanming's Poetry." Asia Europe Perspective Association 21, no. 2 (2024): 103–14. http://dx.doi.org/10.31203/aepa.2024.21.2.103.

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This study comparatively analyzes the imagery of alcohol in classical Korean and Chinese poetry, focusing on the works of Lee Gyu-bo and Tao Yuanming, to examine the symbolic and cultural meanings of alcohol in their poems. Both poets used alcohol as a significant medium in their creative processes, expressing their life philosophies and emotions through it. In Tao Yuanming's poems, alcohol serves as a medium for seeking tranquility, transcendence, and self-consolation, reflecting his longing for nature and rural life and his critical perspective on society. Conversely, Lee Gyu-bo's poems are
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8

Oh Moon-seok. "Shamanism In Korean Poems." Korean Poetics Studies ll, no. 38 (2013): 101–26. http://dx.doi.org/10.15705/kopoet..38.201312.005.

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9

HONG, Sunghee. "I CALL MYSELF SNOB: POLITICS OF AESTHETICS OF KOREAN POETRY UNDER DICTATORSHIPS." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 51–62. http://dx.doi.org/10.14746/kr.2017.03.02.

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This study addresses the issue of politics of aesthetics in Korean poetry in regards of ‘authenticity of snobbism’ manifested in poems and essays published from late 1960s to 1980s under dictatorships. The special attention is on the double positioning of oneself as the accuser and the accused. The questions of the politics of aesthetics of Korean poetry, even the recent argument, has discriminated ‘authenticity’ from ‘snobbism’, in the needs to qualify literature as the accuser of the opportunism and passivism under the dictatorships. However, this dichotomy has restricted the political-aesth
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10

Koo, Jea-hyoun, and Jae-won Choi. "A Study of the Compilation of Selected Poems, Cheonggusicho and Its Meaningin Korean Chinese Literature History." Daedong Hanmun Association 74 (March 31, 2023): 329–56. http://dx.doi.org/10.21794/ddhm.2023.74.329.

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The main purpose of the present study is to elucidate the background and process in the compilation of selected poems, Cheonggusicho published by the Japanese Government-General of Joseon and its meaning in Korean Chinese literature history. Because Kim, Taejun made a diachronic study of Korean Chinese literature history to describe ancient parts of Joseon Chinese Literature History by using a lot of Cheonggusicho.
 The Competitive Exhibition of Local Products for the Fifth Anniversary of New Politics’ held by the Japanese Government-General of Joseon provided an occasion to publish Cheon
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Trisiana, Dinda, Velayeti Nurfitriana Ansas, and Arif Husein Lubis. "Analisis metafora konseptual dalam puisi Indonesia dan Korea karya Chairil Anwar dan Seo Jeong-ju." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 7, no. 3 (2024): 465–76. https://doi.org/10.30872/diglosia.v7i3.1001.

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Poetry is a literary work that is intrinsically linked to the use of metaphor. This study examines the conceptual metaphors found in Indonesian poetry by Chairil Anwar and Korean poetry by Seo Jeong-Ju. Specifically, the research aims to identify the forms of conceptual metaphors present in the poetry of these two poets, using a contrastive analysis approach based on Johnson and Lakoff's theory of conceptual metaphor. The method employed is a qualitative descriptive method, utilizing note-taking data collection techniques. The data consists of 10 poems by Chairil Anwar and 10 poems by Seo Jeon
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12

Oh, Soo Yeon. "Investigating aspects of Korean contemporary Poetry in Korean language education textbooks: Focusing on cultural elements." Korean Association For Learner-Centered Curriculum And Instruction 23, no. 20 (2023): 591–609. http://dx.doi.org/10.22251/jlcci.2023.23.20.591.

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Objectives This study aims to analyze modern poetry from a cultural perspective rather than a literary aspect in Korean language education, and to present a way to use modern poetry more effectively in Korean language edu-cation by analyzing cultural elements.
 Methods For this study, 55 modern poems, excluding overlapping psalms, were analyzed from 75 contemporary poems contained in 141 Korean textbooks at 12 universities in Seoul, which have the highest distribution of aca-demic learners. In order to analyze modern poetry contained in Korean textbooks, poetry was classified as a cul-tur
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13

Kim, Hyo Sin. "A Rendezvous between Korean Poems and Korean Songs in collaboration with Korean Culture." Institute of Humanities 38 (November 30, 2019): 1–39. http://dx.doi.org/10.46270/ssw.38.1.

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14

Bian, Dongbo. "“Chunjiang huayue ye” in the History of Sinographic Literature in East Asia." Journal of Chinese Humanities 9, no. 4 (2024): 410–32. http://dx.doi.org/10.1163/23521341-12340166.

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Abstract Zhang Ruoxu’s poem “Chunjiang huayue ye,” reached Japan and Korea in the anthology Tangshi xuan compiled by the Ming dynasty scholar Li Panlong. In the mid-Edo period, under the influence of the “Kobunjigaku” (Ancient Rhetoric School) represented by Ogyū Sorai, the Tangshi xuan anthology enjoyed a phase of great popularity and became the widest-read Tang poetry work at the time. Because “Chunjiang huayue ye” was included in Tangshi xuan, it was also widely read. Many versions of Tangshi xuan containing abundant commentaries on “Chunjiang huayue ye” were published in Japan; most of the
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15

Yu, Sijia. "The spread of mazu belief from shamen island to the Korean peninsula: Focusing on poems and laments." International Journal of Social Science Exceptional Research 2, no. 6 (2023): 161–65. http://dx.doi.org/10.54660/ijsser.2023.2.6.161-165.

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Mazu belief has significant cultural importance as a tradition of marine deities in coastal China and an essential part of Sino-Korean cultural exchange. Shamen Island, located in northeast China, at the junction of the Bohai Sea and the Yellow Sea, functioned as a crucial hub for the most convenient journey from the Korean peninsula to China. Throughout the Ming Dynasty (1368AD-1644AD), Korean envoys traveled to China for political and commercial communication, navigating Shamen Island as a crucial passageway. Their exposure to Mazu legends and worship practices on Shamen Island was meticulou
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16

Seong, ShinHyung. "A study of the theological implications of the Korean reunification movement focusing on the story of Rev. Ik-whan Moon." Theology Today 74, no. 2 (2017): 172–84. http://dx.doi.org/10.1177/0040573616688731.

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Peace matters in various ways in this globalized world, and the Korean Peninsula has been a critical situation in this matter, especially in the current climate. This article delves into Rev. Ik-whan Moon, a leader of the reunification movement, in South Korea in order to deal with the issue of peace. This article examines him in three parts: the enjoyable tenets of his life and social action, the theological meaning of his activism, and the new horizon of social activism through his new vision of the Kingdom of God. Rev. Moon began his social action at 59, but he dedicated his life to society
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17

최미정. "Ecological Consciousness in Korean American Diaspora poems." Literature and Environment 12, no. 2 (2013): 279–306. http://dx.doi.org/10.36063/asle.2013.12.2.012.

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18

Knowlton, Edgar C., and Kevin O'Rourke. "Looking for the Cow: Modern Korean Poems." World Literature Today 74, no. 2 (2000): 359. http://dx.doi.org/10.2307/40155623.

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19

Lim, Boyoun, та Kiin Chong. "The Role of Classical Chinese Poetry in Modern Transition - Focusing on Samcheonri(『三千里』)". Korean Association for Literacy 13, № 5 (2022): 535–64. http://dx.doi.org/10.37736/kjlr.2022.10.13.5.18.

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Although 374 classical Chinese poems were published in Samcheonri, which is known as the core of the colonial modern culture of colonial Joseon, it has not been well explored. To comprehend the meaning of Korean literature’s ‘modern transition,’ it is essential to grasp the characteristics of classical Chinese poetry in magazines during the modern period. From this viewpoint , this paper outlines classical Chinese poems in Samcheonri, and pays particular attention to independence activists, Gim Rip(金笠), and women’s poetry. The exposure of traces of censorship strengthened the meaning of indepe
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20

Han, Christina. "Overcoming the Pandemic through Viral Poetry Games: The Phenomenon of Coronavirus-Inspired Digital Acrostic Poetry in South Korea." Connections: A Journal of Language, Media and Culture 2, no. 1 (2021): 55–71. http://dx.doi.org/10.29173/connections28.

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Following the outbreak of COVID-19 in South Korea in winter 2019, acrostic poems on the three-syllable word “Corona” became viral on major search engines and social media platforms across the country. The composition of acrostic poems, particularly in three lines, has been a popular cultural phenomenon in Korea since the 1980s when it became a participatory literary exercise and game featured on television entertainment shows. The digital revolution in the 2000s allowed the writing and sharing of these short and whimsical poems to expand into various digital platforms. Since 2010, PC and mobil
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21

Baek, Seungho. "On Yun Haengim’s Poems in response to the King's poem." Korea University Institute for Sinographic Literatures and Philology 19 (September 30, 2024): 361–87. https://doi.org/10.31666/jspklls.2024.9.19.361.

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This thesis aims to identify the characteristic aspects of the Yun Haengim’s Sino-Korean poem, focusing on his poems in response to the king’s poem. There are 264 poems in Seogjaego, his collective works and 60 poems are the poems in response to the king’s poem. In addition, his relationship with the king Jeongjo is important in his studies and literature. Therefore, it is important to study the poems in response to the king’s poems in his poetic world. As the King's letter to Yi Mansu indicates, Jeongjo sent a letter to his favorite subjects and asked them to write a reply to embody the king'
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Baek, Seungho. "On Yun Haengim’s Poems in response to the King's poem." Korea University Institute for Sinographic Literatures and Philology 19 (September 30, 2024): 361–87. https://doi.org/10.31666/jspklls.2023.9.19.361.

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This thesis aims to identify the characteristic aspects of the Yun Haengim’s Sino-Korean poem, focusing on his poems in response to the king’s poem. There are 264 poems in Seogjaego, his collective works and 60 poems are the poems in response to the king’s poem. In addition, his relationship with the king Jeongjo is important in his studies and literature. Therefore, it is important to study the poems in response to the king’s poems in his poetic world. As the King's letter to Yi Mansu indicates, Jeongjo sent a letter to his favorite subjects and asked them to write a reply to embody the king'
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23

Kim, Hak Jung. "The Study on Other Space in Korean Manchuria Poems - focus on Collected poem of Korean Manchurian and Manseon." Comparative Korean Studies 23, no. 1 (2015): 85–125. http://dx.doi.org/10.19115/cks.23.1.4.

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Youm, Chul. "A Study on the “Dissonance” of Gu Ja-woon’s a printed version poetry collection." Modern Bibiography Review Society 30 (December 21, 2024): 763–91. https://doi.org/10.56640/mbr.2024.30.763.

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The purpose of this paper is to investigate the publication period of 『Dissonce(불협화음)』 of Gu Ja-woon’s poetry collection newly discovered and the consciousness of the Gu Ja-woon revealed in this collection. First of all, 『Dissonce』 is estimated to have been published approximately between 1963 and 1966. The reason is as follows. First, poems with a strong critical attitude toward political reality were included. Second, poems about the Busan experience, that is, poems written about the sea, were included. Third, many of the poems included in 『Dissonce』 overlap in their creation period with the
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Shin, Wonchul. "The Comparative Sensualism in English and Korean Poems." Journal of East-West Comparative Literature 40 (June 30, 2017): 161–81. http://dx.doi.org/10.29324/jewcl.2017.06.40.161.

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신웅순. "Review on Korean Traditional Poems by Hoon Sim." 한국문예비평연구 ll, no. 36 (2011): 183–200. http://dx.doi.org/10.35832/kmlc..36.201112.183.

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Sungsik Hong. "Edvard Munch in Korean Modern Poems have accepted." KOREAN EDUCATION ll, no. 75 (2007): 613–32. http://dx.doi.org/10.15734/koed..75.200704.613.

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28

CHOI, Seoyoon. "LIBERTY AS THE IMPOSSIBLE, THE LANGUAGE OF SILENCE: IN REREADING KIM SUYǑNG’S WORKS IN 1960s." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 63–71. http://dx.doi.org/10.14746/kr.2017.03.03.

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This article examines several works written by Kim Suyǒng in the 1960s with a focus on negation as the poetic method in accordance with revolution. He lived through a late colonial period, the Korean War, the April Revolution, and Park Chung Hee’s regime and he was keenly aware Koreans had not spoken of liberty as the invention of modernity in our mother tongue throughout our history. He dedicated all his poems to demonstrating why liberty was impossible to be spoken in Korean. In the course of his writing, his authentic poetic language developed into silence as a martyr, the language of deat
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Lee, Kang-Ha. "Diagnosis of the Question of Continuity in the Themes of Lee Yong-ak’s Poems: Focusing on Poems Written during the Wartime Period." Korean Language and Literature 123 (March 30, 2023): 219–44. http://dx.doi.org/10.21793/koreall.2023.123.219.

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This paper aims to analyze Lee Yong-ak’s poems written during the wartime period in the Japanese colonial era, raise a question about the continuity of Lee Yong-ak’s literature, and investigate the phenomenon. The thematic criterion of literary continuity assumed in this paper is Lee Yong-ak’s political stance on social reality, and the periodic category is the wartime period (1937-1945). This setting implies that some of Lee Yong-ak’s poems written during the wartime period deviated from the flow of consistency in Lee Yong-ak’s entire literature. Lee Yong-ak, who used poetry to give shape to
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최미정 and Kim Seong Ho. "Conception of Capitalistic Ecology in Korean American poems : Focused on Kim Yoon-Tae's Poems." Literature and Environment 13, no. 2 (2014): 295–326. http://dx.doi.org/10.36063/asle.2014.13.2.012.

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AN, Seung-Woo. "The Book of Changes in the Modern Korean Poetry." Tae Dong Institute of classic research 49 (December 31, 2022): 59–86. http://dx.doi.org/10.31408/tdicr.2022.49.59.

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This paper explored how the Book of Changes can communicate with the public and what role it can play through the analysis of how the Book of Changes has been dealt with in modern Korean poetry. Contemporary poetry, which is intended to be covered in this paper, targets poetry books, prose books, and commentary books published by modern Korean poets in the 2010-2020s, especially focusing on the works of Jang Seok-ju, Lee Young-shin, Oh Jung-hwan and Ahn Soo-hwan. This paper explores how the difficulty of the Book of Changes, which is often considered a major obstacle to understand, is understo
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오성호. "A Study on North Korean poems in 'Chollima Period'." Korean Poetics Studies ll, no. 20 (2007): 281–314. http://dx.doi.org/10.15705/kopoet..20.200712.011.

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Jeongkeun Park. "Park YoungKeun's Reception and Transformation of Korean Existential Poems." Review of Korean Cultural Studies ll, no. 38 (2011): 79–112. http://dx.doi.org/10.17329/kcbook.2011..38.004.

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Changho Kim. "The Image of ‘Cow’ Observed in Sino‐Korean Poems." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 62 (2015): 145–74. http://dx.doi.org/10.17293/dbkcls.2015..62.145.

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권성훈. "A Study of Healing Shown in Korean Christian Poems." Studies in Religion(The Journal of the Korean Association for the History of Religions) ll, no. 66 (2012): 221–48. http://dx.doi.org/10.21457/kars..66.201203.221.

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권성훈. "The study on healing effect in Korean Buddhist Poems." Studies in Religion(The Journal of the Korean Association for the History of Religions) ll, no. 70 (2013): 309–40. http://dx.doi.org/10.21457/kars..70.201303.309.

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이정예. "A Study on the Types of North Korean Poems." Journal of North-east Asian Cultures 1, no. 30 (2012): 105–21. http://dx.doi.org/10.17949/jneac.1.30.201203.006.

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Kim, Sangdeog Augustin. "I Will Make My Husband to Eat So Much! (Tcheonzamun 289th-304th)." South Asian Research Journal of Humanities and Social Sciences 4, no. 4 (2022): 261–63. http://dx.doi.org/10.36346/sarjhss.2022.v04i04.006.

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French missionary Dallet (1874) wrote that Tcheonzamun (The thousand character essay) had been utilized as a textbook for children of the ancient Chinese people and those of the ancient Korean people. The book, Tcheonzamun, was used for instructing Chinese character. Park et al. (2021a) and Park et al. (2021b) translated several Tcheonzamun poems. The present researcher tried to translate those poems of Tcheonzamun through Korean pronunciation and through the meaning of Chinese character. For the present researcher, there are two methods for the translation of Tcheonzamun (The thousand charact
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Yim, Jae-wook. "Characteristics of Natural Spaces and Objects in Toegye(退溪) and Yulgok(栗谷)’s Chinese Poems". Society Of Korean Literature 50 (30 листопада 2024): 171–208. https://doi.org/10.52723/jkl.50.171.

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This thesis examines whether the differences in Toegye(退溪) and Yulgok(栗谷)’s Korean poems, Dosansibigok(陶山十二曲) and Gosangugokga(高山九曲歌), appear as they are in the two writers’ Chinese poems. Toegye’s Dosansibigok and Yulgok’s Gosangugokga show the two artists’ views of nature and humans, and the views of nature and humans expressed in the work appear differently depending on their ideological orientation. First, speaking of their view on nature, Unlike Toegye, who focused on the universal, symbolic, unchanging, and ideal aspects of nature, Yulgok focused on the concrete, changeable, and practica
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김현자. "The Metaphors in Korean Nature Poems (Analyzing poems of Park, Mok-wol and Park, Yong-rae)." Korean Poetics Studies ll, no. 20 (2007): 249–79. http://dx.doi.org/10.15705/kopoet..20.200712.010.

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KIM, Kyoungin. "A Study on the Trends of Korean Atomic Bomb Literature and Its Epic Reproduction:Focusing on “Discrimination against Korean Atomic Bomb Victims” Expressed in Novels and Poems." Border Crossings: The Journal of Japanese-Language Literature Studies 17, no. 1 (2023): 159–75. http://dx.doi.org/10.22628/bcjjl.2023.17.1.159.

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This article analyzes the current status and varied aspects of Korean atomic bomb literature, which portrays the harm suffered by Korean atomic bomb victims in August 1945, and examines how discrimination against Korean atomic bomb victims was expressed in literary works. It also cites Japanese atomic bomb literature and shows that this same discrimination is present there, in doing so presenting both its similarities and differences with Korean works. According to Korean atomic bomb literature, the harm incurred by Korean victims of the atomic bomb and that of Japanese people is completely di
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Park, Kyung-su. "A study on Korean modern poems based on Arirang songs." Korean Literature and Arts 6 (September 30, 2010): 125. http://dx.doi.org/10.21208/kla.2010.09.6.125.

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Rhee, Young Suck. "Kevin O’Rourke, trans., Looking for The Cow: Modern Korean Poems." Yeats Journal of Korea 10 (May 31, 1999): 283–88. http://dx.doi.org/10.14354/yjk.1999.10.283.

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Kim, Jeong-hun. "A Study on the Variations of Preface of Korean Poems." Journal of Shimhoon 3 (August 31, 2024): 111–42. http://dx.doi.org/10.61392/shun.2024.8.31.04.

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Kwon, Juan. "A Study on the Korean Literature Education by using the Korean Old Poetry <Jeongeupsa>." Korean Society of Bilingualism 86 (March 31, 2022): 1–25. https://doi.org/10.17296/korbil.2022..86.1.

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This study aimed to propose the method of Korean literature education using the classical poem Jeongeupsa known to have originated from the Baekje era. To this end, the significance of the poem as a teaching material for Korean literature was reviewed. The contemporary interpretation for foreign learners was newly added through the review of the existing interpretation of Jeongeupsa in modern terms and background stories. Moreover, a linked activity that combines exploration of the Jeongeup area (North Jeolla Province) with “digital camera poems” and parodies was also presented. This would be
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Kim In-Seob. "Research on image of nature in North Korean War Poem – Focusing on ‘selection of lyric poems’." Korean Language and Literature ll, no. 158 (2011): 301–34. http://dx.doi.org/10.17291/kolali.2011..158.007.

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Hong, Sung Sook. "한국 시와 아일랜드 시속의 ‘방랑’ 비교". Yeats Journal of Korea 58 (30 квітня 2019): 187–96. http://dx.doi.org/10.14354/yjk.2019.58.187.

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Nguyen Thi Thu, Thuy, and Van Nguyen Thi Hong. "Cultural exchange between Vietnam and Korea in the 16th – 18th centuries." Journal of Science Social Science 67, no. 3 (2022): 61–71. http://dx.doi.org/10.18173/2354-1067.2022-0041.

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Despite being geographically separated and obstructed, the historical and cultural trajectories of Vietnam and Korea bear some resemblances. Right from the Middle Ages, the influence of Chinese civilization and the ties of tributary relations with Chinese monarchies made Vietnam and Korea have many historical and cultural similarities. Besides, the contacts between Vietnamese and Joseon envoys in China were an essential opportunity to promote cultural exchange and understanding between the two countries. Studies on cultural exchange between Vietnam and Korea throughout history have attracted i
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LEE, KUN JONG. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker." Journal of American Studies 44, no. 4 (2010): 741–57. http://dx.doi.org/10.1017/s0021875810000022.

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African Americans and Korean Americans have addressed Black–Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American–Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African A
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Lahiani, Raja. "Student Translations of Korean Poetry: A Retrospective Study." Journal of Research in Higher Education 6, no. 2 (2022): 8–37. http://dx.doi.org/10.24193/jrhe.2022.2.1.

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In a collaboration between student translators and teachers, they worked to produce Arabic translations of the canonical poems by the Korean poet, Yoon Dong-Joo. In this retrospective study, the revisions to the student translations are classified, explained and justified. Both the translation process and translation product are scrutinized in order to assess the students’ work and to provide an understanding of the translation journey, the aim of which was to produce a poetic work in Arabic that aspires to echo the original text.
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