Relevant bibliographies by topics / Korean poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Korean poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Korean poetry"

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Xu, Bao-yu. "Tang Poetry Hermeneutics in Korean Poetic Discourse." Society for Chinese Humanities in Korea 84 (August 31, 2023): 155–70. http://dx.doi.org/10.35955/jch.2023.08.84.155.

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Koreans have adopted a variety of methods in the interpretation of Tang poetry, among which the five aspects of interpretaion of poetry by Chinese classics(以經解詩), Neo-Confucianism(以理解詩), other Tang poetry(以唐解唐), dialect slang and customs(以方言风俗解詩), and personal experience are the most distinctive. The interpretation of poetry by Chinese classics shows the role of Confucian classics such as the Book of Poetry in regulating and restraining poetry, highlighting the complex and insoluble relationship between scripture and literature. Some neo-Confucianism had a hostile attitude towards literature, believing that literature was harmful, such as Er-Cheng(二程), and some neo-Confucianism had a tolerant attitude towards literature, such as Zhu Xi(朱熹). This had also created some characteristics of Koreans in understanding poetry. Interpreting poetry in dialect slang and customs brought Tang poetry into the Korean context, and tried to interpret Tang poetry regionally with its own social customs and linguistic environment, which could indeed increase and expand the ways and methods of interpretation, but it also made some misunderstandings because it was separated from the specific environment created by Tang poetry. On the contrary, the interpretation of poetry by experiencing it was somewhat in the spirit of textual research in Qing Dynasty, and the interpreter only felt some emotions and even facts in Tang poetry after experiencing certain scenes or events personally, so as to better experience the charm of Tang poetry, which can be said to be a step further in the hermeneutics of Tang poetry. There are also some foreseeable problems in the methods used by Koreans in interpreting Tang poetry, such as curious interpretation, overinterpretation, etc., which existed in Chinese poetics, and also existed in Korean poetics. If it can be rooted in the local environment of Chinese poetics, combined with the interpretive experience of Koreans, and reasonable speculation and deduction within the limits of interpretation, Korean Tang poetry hermeneutics still has important academic historical value, especially as an exotic eye, Korean poetics criticism of China should attract the attention of Chinese scholars.
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Moon, Dae il. "Korea (Korean) Imagery in Korean Sanctions Poetry." Comparative Literature 79 (October 30, 2019): 61–91. http://dx.doi.org/10.21720/complit79.03.

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UM, Inkyung. "A Study of the Genealogy of Japanese Modern-style Poetry in Korea (1920s-1930s)." Border Crossings: The Journal of Japanese-Language Literature Studies 18, no. 1 (June 28, 2024): 175–89. http://dx.doi.org/10.22628/bcjjl.2024.18.1.175.

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The purpose of this study is to elucidate the formation, maintenance, and transformation of the poetry scene, referred to as Parnassos, on the Korean Peninsula during the 1920s and 1930s. By concentrating on the activities of poetry magazines such as Kenji UCHINO’s Kōjin (1922-1925) and Asian Poetic Pulse (1926-1927), it has been observed that Japanese-language poetry in the Korean Peninsula during the 1920s promoted diversity through the translation of Western poetry and extensive exchanges with both Japanese and Korean poets.Following Kenji UCHINO’s permanent expulsion from Korea by order of the Governor-General in 1928, the network of Japanese poets residing in Korea within the Chosen Poetry Circle became more prominent. This is particularly evident in the two volumes of the Chosen Poetry Collection (1928, 1929) and the Anthology of Chosen Poets (1933).These materials provide valuable information that will significantly contribute to future research. They offer insights into the diverse membership of the Chosen Poetry Circle, the richness of the poetic landscape, the definition of ‘Chosen poetry,’ the specific characteristics of its poetic language, and the distinctive aspects of poet exchanges in East Asia.
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Lim, Bom. "A Phenomenological Study of Poetry Writing Class for the Settlement of North Korean Refugees." Korean Society of Culture and Convergence 45, no. 6 (June 30, 2023): 843–53. http://dx.doi.org/10.33645/cnc.2023.06.45.06.843.

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The purpose of this study is to phenomenologically examine the effect of poetry writing classes for North Korean defectors and residents of Pyeongtaek belonging to the Hana Center in southern Gyeonggi Province on the settlement of North Korean defectors in the community. This study is a small group in which seven South Koreans and four North Korean defectors participate together, and a total of nine classes were conducted once a week, 120 minutes per session. Each time, topics were presented, and individual-centered poetry writing classes were conducted according to the topic. More than 90% of the participants participated in this study, and each session was conducted by reading the poem they wrote and conveying the story and contents of writing the poem. After the course, the results were analyzed through a survey. Poetry writing classes involving South Koreans and North Korean defectors contributed to enhancing their understanding of each other, raising self-esteem for North Korean defectors, and raising confidence in community settlement by eliminating mental distance from South Koreans.
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Seo, Hyowon, and Taesoo Kim. "A Case Study of Korean Language Education Utilizing Poetry Recitation." Korean Association for Literacy 14, no. 5 (October 31, 2023): 415–47. http://dx.doi.org/10.37736/kjlr.2023.10.14.5.15.

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This study aims to introduce a case of Korean language education using poetry recitation in literature and examine its educational implications. The study initially establishes that recitation and memorization have been traditional methods in foreign language education in South Korea and subsequently argues for the importance of memorization in Korean language education using literary works. Following the design of an educational program, classes were conducted from June 27th to July 25th, 2023. After completing the classes, the educational effects of using poetry recitation in Korean language education were examined among six participants who agreed to take part in the study. The educational implications of this research are as follows: Firstly, Korean language learners showed a high level of satisfaction in vocabulary, pronunciation, and intonation through the use of poetry recitation in Korean language education. Secondly, learners developed an increased interest in Korean literature and culture. Thirdly, learners experienced emotional stability and healing effects. Fourthly, learners gained confidence in learning the Korean language through this education. Lastly, participating in a ‘poetry recitation competition’ provided learners with an opportunity to showcase their abilities. This study is significant in focusing on the educational implications of poetry recitation in Korean language education using literary works. Furthermore, it differentiates itself by suggesting the potential of a new learning activity, poetry recitation, while most existing activities have been limited to imitation writing activities. Additionally, by providing real classroom examples, it offers immediate applicability in the field of Korean language education. Moreover, it extends beyond classroom education by offering opportunities for learners to apply the educational content they have learned through participation in 'poetry recitation competitions.'
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Knowlton, Edgar C., and Kim Jaihuin. "Contemporary Korean Poetry." World Literature Today 70, no. 1 (1996): 243. http://dx.doi.org/10.2307/40152030.

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김응교. "“National Poetry” and Japanese Poetry by Korean in Late Colonial Korea." Journal of Korean Modern Literature ll, no. 38 (June 2009): 179–211. http://dx.doi.org/10.35419/kmlit.2009..38.006.

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Lee, Seonghyuk. "The poetics of “testimony poetry” in recent Korean poetry - The responses of Korean poetry to recent Korean events." Journal of Language & Literature 75 (September 30, 2018): 259–90. http://dx.doi.org/10.15565/jll.2018.09.75.259.

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Park, Song Yi. "Suggestions on the Method of Poetry Creative Education for the Scalability of Korean Poetry." Korean Society of Culture and Convergence 45, no. 2 (February 28, 2023): 253–62. http://dx.doi.org/10.33645/cnc.2023.02.45.02.253.

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The purpose of this study is to propose a poetry creation education plan for the scalability of Korean poetry by presenting a plan to implement narrative and build convergence content for Korean poetry as a way to overcome the limitations of translation of Korean poetry. This is because Korean poetry considered that translation is much more difficult than other genres, and recognized the limitations and necessity of the poetry’s creative education method to realize the scalability of “K-Poetry” in the field of creative creation and creative education. For this reason, it was inspired by the expression method of K-culture, which is popular around the world, in how to build it as a convergence content for the leap and scalability of Korean poetry, and presented it as the third stage of poetry creation education. In the future, we hope that the convergence content that breathes the breath of a new narrative into Korean poetry will actually realize the scalability of “K-Poetry” through an online digital platform based on YouTube and metaverse.
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JEONG, Myeong Kyo. "AN EVENT AT THE DAWN OF MODERN KOREAN POETRY: KIM SOWOL’S “AZALEAS”." International Journal of Korean Humanities and Social Sciences 5 (November 12, 2019): 7–20. http://dx.doi.org/10.14746/kr.2019.05.01.

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Kim Sowol is one of the Korean poets who opened the horizon of modern poetry in Korea. His poem, “Azaleas”(1925) has been known as a masterpiece which Korean people love most to recite as “To Cassandra” of Pierre de Ronsard in France. Nevertheless, this poem has been taken for the highest expression of the traditional sentiment without being appreciated for the quality of the modern poetry as follows: Koreans have sung for a long time the sorrow from the parting with the lover. In “Azaleas”, any reader can see easily the repeat of the same situation and same feeling. In this article I analyzed the attitude and the intention of the speaker of this poem and reinterpret the theme of poem. In doing so, I found the clever strategy of the speaker in front of the irreversible situation to press secretly the reflection of the lover about his departure. This strategy is the invention of the modern [wo]man which can appropriate the crisis. So, I defined the modern characteristic of this poem and proved that this poem is not a repeated expression of the traditional feeling of the Koreans, but the de/re-construction of that.
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Dissertations / Theses on the topic "Korean poetry"

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Lamp, Sebastian. "Korean Sijo music and poetry : transmission and aesthetics." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30276/.

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This thesis explores Korean 'sijo', as both poetry and music. It surveys the different bodies of research on the topic that are the result of 'sijo' long being treated from one or other of the perspectives of literary and musicological scholarship by both Western (e.g. Rutt 1971, McCann 1988, O'Rourke 2002) and Korean scholars (e.g. Chang Sa-hun 1986, Kim Tae-Haeng 1986, Cho Kyu-Ick 1994). Placing both literary and musicological aspects together, this thesis discusses the form, origins and content of 'sijo'. The synthesis of the two aspects forms the basis of my exploration of 'sijo' performance during the 20th century. My focus is on the transmission of 'chongga' - 'sijo', along with 'kagok' and 'kasa', that together form Korea's classical vocal music tradition - during the turbulent times from the late 19th century through the colonial period to the post-liberation era. The important actors, that is, the singers, scholars and relevant institutions - governmental and private - have been discussed at least partially in various publications (e.g. Hahn Man-young 1990, Yi Pohyong 2004, Song Bang-Song 2007, Kim Minjong 2015, Moon Hyun 2015), but this thesis provides the first thorough account of 'chongga' in the 20th century, its teaching genealogies, institutions, aspects of its preservation, and its regional variants. This thesis demonstrates that the subtle aesthetic of 'chongak' literati music lies at the heart of what constitutes 'sijo' as a genre; reference to Confucian and sometimes Daoist influence on the aesthetic of literati music is frequent, but the nature of such influence has not been adequately discussed. I survey academic writings by Korean and Western scholars (e.g. Donna Kwon 1995, Lee Byong Won 1997, Byung-ki Hwang 2001) to address terminology and concepts relevant in the context of 'chongga' and then, based on my personal fieldwork, and in order to provide a comprehensive account of 'chongga' aesthetics, I complement previous writing by incorporating the views of contemporary 'chongga' singers.
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Ehrhart, William D. "Back where the past is mined : American poetry of the Korean War." Thesis, Swansea University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403162.

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Kweon, Young. "The textual and imaginary world of Ho Kyongbon (1563-1589)." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19659.

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This thesis is a study of the Korean woman poet Ho Kyongbon (1563-1589) and her poetry. In it, I investigate Ho's two brothers' active involvement in her literary life, particularly her younger brother Ho Kyun's publication of her poetry collection, the Nansorhon chip and promotion of her literary works to Chinese scholars. I also examine late Ming and Qing anthologies which include Ho's poetry to disclose how late Ming and Qing scholars evaluated her poetry and represented her life. I argue that the attention these critics paid to Ho's literary works and talent reflected a blossoming of women's literary culture and a rapid growth in the anthologizing of women's poetry. I also undertake an analysis of Ho's poetry, with particular emphasis on the influence of Tang poetry on her poetic practice. This analysis is accompanied by a discussion of Ho's relationship to the "Tang revival movement" in which her two brothers were fervently engaged. This relationship provides a context through which to better understand not only Ho's particular interest in emulating Tang poetry, but also the very textual qualities of her poetry.
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Choi, Jung Ja. "Writing Herself: Resistance, Rebellion, and Revolution in Korean Women's Lyric Poetry, 1925--2012." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13070020.

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Despite a recent global surge in the reception and translation of Korean women poets, there has been surprisingly little scholarship on this topic. This dissertation aims to expand the focus of Western scholarship beyond the Korean male canon by providing the first in-depth analysis of the works of Korean women poets in the 20th and 21st centuries. The poets I chose to examine for this study played a critical role in revolutionizing traditional verse patterns and in integrating global socio-political commentary into modern Korean poetry. In particular, by experimenting widely with forms from epic narrative, memoir in verse, and shamanic narration to epistolary verse and avant-garde styles, they opened up new possibilities for Korean women's lyric poetry. In addition, they challenged the traditional notion of lyric poetry as simply confessional, emotional, passive, or feminine. Their poetry went beyond the commonplace themes of nature, love, and longing, engaging with socio-political concerns such as racial, class, and gender discrimination, human rights issues, and the ramifications of the greatest calamities of the 20th century, including the Holocaust, the Korean War, and the Kwangju Uprising. Unlike the dominant scholarship that tends to highlight the victimization of women and their role as passive observers, this project shows Korean women poets as active chroniclers of public memory and vital participants in global politics and literature. The multifaceted and detailed reading of their work in this dissertation facilitates a more nuanced understanding of the complexity of 20th-and 21st-century women's lives in Korea.
East Asian Languages and Civilizations
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Tierney, John. ""Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.

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Byun, Eun-Jung. "Music and Oppression: Korean art song based on poetry from the Japanese Occupation Period (1910-1945)." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/27991.

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The first Korean art song was composed in 1922 during the period of Korean history that has now come to be known as the Japanese Occupation Period (1910-1945). This project focuses on art songs which were based on poetry written during the Japanese Occupation Period, and on the compositions of various Korean composers who integrated both western music and Korean poetry into a European-established genre that has existed for hundreds of years. Three poets: Jeong Ji-Yong (1902-1950?), Kim Sowol (1902-1934) and Yun Dong-Ju (1917-1945) who were all active during this period have been selected. Their poetry was set to music by thirty-nine Korean composers from different generations with the years of composition ranging between 1927 and 2017. Most art songs based on Jeong’s poetry were composed from 1933 and a significant number of Kim’s poems were set to music with Korean traditional music influences between 1937 and 1979. Yun was recognized as a poet posthumously, but his works are continually chosen by contemporary composers in Korea whose works display some of the traits of modern Korean art song compositions. Using the compositions based on poetry written under political oppression, this study will trace the development of the art song genre in Korea.
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Ku, Won-Sook. "Aspects of Modernism in Korean poetry : Western influence on poetics and poems of Kim Kirim." Thesis, SOAS, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273267.

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Kim Kirim was the most prominent figure ~n the Korean literary world during the 1930s. He was a poet and critic, well versed in major western literary theories and poems of that time, and a pioneer in employing the techniques of western Modernism in literature. Kim believed the Modernism of western poetry could be very useful to reinvigorate the Korean poetry of the time. This study compares several important concepts of modern western poetics and poetry, as understood by Kim Kirim, with those of the western poets and critics who originally created and employed these new concepts. Kim's poetics are analyzed in detail to trace his theoretical understanding of western literary criticism and to show how he used them in building theories of modern Korean poetry. Several of his "misconceptions" exist unquestioned even at present and are strongly influencing modern Korean poetry. It is therefore essential in understanding the present state of Korean poetry that one begin with a study of Kim Kirim, since he contributed so much to providing new models for Korean poetry. This· work begins with a discussion of the nature of Korean poetry before the influence of Modernism. A discussion of elements of new poetics in Korea as introduced by Kim with special attention to areas of possible misinterpretation, leads the way to analysis indetail of "Kisangdo", Kim's most famous work, in relation to Eliot's poem "The Waste Land". Poetic concepts of unity, rhythm, and objectivity in modern poetry are the final areas of focus due to the importance that both Kim and the western Modernists placed on them
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Zhang, Wenyu. "Poems easily written in a hard life." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/7054.

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Poems Easily Written in a Hard Life is an English-language translation of Yun Dongju’s 40 poems. This work of literary translation is proceeded by a translator’s preface which seeks to situate the work in its specific social and linguistic context and to render the translator’s work visible.
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Zhu, Han, and Han Zhu. ""Using the Peak of the Five Elders as a Brush": A Calligraphic Screen by Jung Hyun-bok (1909-1973)." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12314.

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Korean calligraphy went through tremendous changes during the twentieth century, and Jung Hyun-bok (1909-1973), a gifted calligrapher, played an important role in bringing about these changes. This thesis focuses on one of Jung's most mature and refined works, "Using the Peak of the Five Elders as a Brush," owned by the Jordan Schnitzer Museum of Art. In addition to translating and explicating the poems on the screen, through a close examination of both the form and content of the work I explore how it reflects Jung's values, intentions, and background. This thesis also addresses the question of why some critics have classified Jung as a professional artist and considers some of the ways in which he actually cultivated and projected an image of himself as a traditional literatus.
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Smith, Sarah Jane. "Pretend Her Genealogies." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1218072822.

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Books on the topic "Korean poetry"

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Yi, Yŏng-gŏl. Korean poetry. Seoul, Korea: Korean Culture and Arts Foundation, 1987.

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1934-, Kim Jaihiun, ed. Modern Korean poetry. Fremont, Calif: Asian Humanities Press, 1994.

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1934-, Kim Jaihiun, ed. Contemporary Korean poetry. Oakville, Ont: Mosaic Press, 1994.

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1934-, Kim Jaihiun, ed. Korean poetry today. Seoul, Korea: Hanshin Pub. Co., 1987.

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Simunhakhoe, Wŏsingt'ŏn Muninhoe. Sihyang: Fragrance of poetry. Sŏul-si: Wŏrin, 2012.

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Chʻoe, Yŏn-hong. An empty house: Korean-American poetry. Paramus, N.J: Homa & Sekey Books, 2008.

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Yŏn-hong, Chʻoe, ed. An empty house: Korean-American poetry. Paramus, N.J: Homa & Sekey Books, 2008.

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Chong-wha, Chung, ed. The Anthology of modern Korean poetry. London: East West Publications, 1986.

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Yŏn-hong, Chʻoe, ed. Fragrance of poetry: Korean-American literature. Dumont, NJ: Homa & Sekey Books, 2005.

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Kim, Yŏng-sam. Hanʼguksi taesajŏn =: The encyclopedia of Korean poetry. Sŏul Tʻŭkpyŏlsi: Ŭlchi Chʻulpʻan Kongsa, 1988.

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Book chapters on the topic "Korean poetry"

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Yi, Ivanna Sang Een. "Continuing Orality in Korean Poetry." In The Routledge Companion to Korean Literature, 371–82. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429328411-38.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Choi Seung-ja – My Earlier Self." In On Translating Modern Korean Poetry, 43–50. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-5.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Kim Sijong – Summer." In On Translating Modern Korean Poetry, 85–93. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-10.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Kim Hyesoon – Land of Echoes." In On Translating Modern Korean Poetry, 67–74. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-8.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Lee Seong-bok – The Wait." In On Translating Modern Korean Poetry, 146–53. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-17.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Yoo An-jin – Picking Up Dabotap." In On Translating Modern Korean Poetry, 188–94. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-22.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Noh Cheonmyeong – April Song." In On Translating Modern Korean Poetry, 163–70. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-19.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Na Hye-seok – Nora." In On Translating Modern Korean Poetry, 154–62. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-18.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Lee Hae-in – The Taste of Potato." In On Translating Modern Korean Poetry, 120–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-14.

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Kiaer, Jieun, Anna Yates-Lu, and Mattho Mandersloot. "Ha Jongoh – A Band and a Wild Dance." In On Translating Modern Korean Poetry, 51–58. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003000747-6.

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Conference papers on the topic "Korean poetry"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Shin, Ju Cheol. "Taoist Imagination within Modern Korean Poetry." In Education 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.115.34.

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Guryeva, Anastasia. "LITERARY TRADITION IN CONTEMPORARY CONTEXT: PEACH BLOSSOM SPRING AND DREAM JOURNEY IN SOUTH KOREAN LITERATURE." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.34.

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The paper deals with contemporary representations of two classical plot models: Peach Blossom Spring (武陵桃源) and Dream Journey (夢遊錄) originated in Chinese literature tradition and were peculiarly developed in pre-modern Korean literature. The paper discusses their representations in South Korean poetry and prose. The analysis shows, that Peach Blossom Spring as a social utopia enters Korean literature both in an ironical context and as an opposition to the city life preoccupied with everyday vanity. The majority cases is when it serves the base for contemporary stories of an ideal place quest with the protagonist realizing the false character of the ideal. The case of the reversed usage of the Dream Journey plot in the existential story The Journey to Mujun by Kim Seung-ok has been analysed by the A. F. Trotsevich. The paper will render another case with a lost opportunity to wake up after the realization of mistakes. The paper bases on the works of widely known South Korean writers/poets as Choe In-ho, Jeong Hyon-jong, Ha Il-ji and others making the conclusion on the main transformational trends in the plot models.
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Reports on the topic "Korean poetry"

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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