Relevant bibliographies by topics / Korean Pop

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Korean Pop'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Korean Pop"

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Fella, Sarah, and Abdus Sair. "“MENJADI KOREA”: MELIHAT CARA, BENTUK DAN MAKNA BUDAYA POP KAREA BAGI REMAJA DI SURABAYA." Journal of Urban Sociology 3, no. 2 (January 29, 2021): 7. http://dx.doi.org/10.30742/jus.v3i2.1232.

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This article explores the ways, forms and meanings of Korean pop culture for teenagers in Surabaya. Several studies show that Korean pop culture has developed in Indonesia since the early 2000s through Korean films, followed by music, food and beauty products. However, studies that focus on the ways, forms and meanings of Korean pop culture for Surabaya youth in metropolitan city are still very limited. This article, on the other hand, wants to discuss this in field research through in-depth interviews with 5 Surabaya teenagers, members of KLOSS (Korea Lovers Surabaya Community). This article shows that Korean pop culture has become a new culture for youth in Surabaya because its novelty values. They get the Korean pop through television and social media. The prominent forms of pop culture used by the majority of youths are Korean cultural symbols represented in everyday life. Meanwhile, the meaning of Korean pop culture is in the form of information about Korean youth, Korean artists and other “Korean-ness”.Keywords: Korean Pop Culture, To be Korea, Korean-ness, Surabaya Teenagers.
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Oleksiuk, Marlena. "Koreańska fala, czyli wpływ i rozprzestrzenianie się kultury koreańskiej w krajach europejskich i amerykańskich." Gdańskie Studia Azji Wschodniej 19 (2021): 209–18. http://dx.doi.org/10.4467/23538724gs.20.059.13499.

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The Korean wave, the influence and spread of Korean culture in European and American countries The Korean wave, especially over the past few years, has had a significant impact on the world. More and more people have begun to be interested in the culture of South Korea to a greater or lesser extent. Some people are interested only in K-pop or Korean series, but there are many people who expand their interest in Korean culture, start learning the language, history, and customs. Of all aspects of South Korean culture, K-pop is certainly the most popular. Much more artists organize concert tours for the benefit of European countries and America, in 2019, in Poland there were 15 such concerts. More and more often, Korean food festivals, stationary stores selling Korean cosmetics and food products are organized, in some countries, there even appear themed dance schools focusing on learning specific K-pop dance arrangements. The Korean wave also affects the perception of beauty by people – in 2018, on the annual list of the most handsome men, there appeared much more Koreans than in previous years, even members of the BTS group occupy the first places on the list.
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Shinhee Lee, Jamie. "I'm the illest fucka." English Today 23, no. 2 (April 2007): 54–60. http://dx.doi.org/10.1017/s026607840700209x.

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ABSTRACTAn analysis of African American English in South Korean hip hop. English is rarely used in face-to-face terms in South Korea, but the use of English in commerce and entertainment is not such a rarity. The presence of English expressions in advertising and pop lyrics is no longer considered extraordinary. Lee (2006) reports that 83.75% of 720 South Korean TV commercials use some type of English, and only 16.25% of advertisements rely exclusively on Korean. Pop music is another discourse space in which English is fairly frequently used, occurring in more than 50% of pop song titles. A detailed analysis of the frequency of English in South Korean pop music (SK-pop) is reproduced.
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Ri'aeni, Ida. "Pengaruh Budaya Korea (K-Pop) Terhadap Remaja Di Kota Cirebon." Communications 1, no. 1 (January 11, 2019): 1–25. http://dx.doi.org/10.21009/communications.1.1.1.

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Berbagai produk budaya Korea mulai dari drama film, lagu, fashion, gaya hidup produk-produk industri mulai mewarnai kehidupan masyarakat di berbagai belahan dunia. Budaya Korea berkembang begitu pesatnya dan meluas serta diterima publik sampai menghasilkan sebuah fenomena demam Korean Wave. Budaya dan gaya hidup Korea (Hallyu atau Korean Wave) telah menjadi budaya populer yang menyebar ke berbagai negara termasuk Indonesia. Belakangan ini budaya Korea atau K-pop begitu mewabah pada remaja di Indonesia termasuk remaja di sekitar Kota Cirebon. K-pop tidak hanya soal musik, akan tetapi lebih terasosiasikan K-pop dengan semua budaya asal Korea. Adanya komunitas Dance Korea seperti Cirebon Kpop Dance Cover atau Cirebon Korean Dance Cover; Komunitas Fans K-Pop, seperti ARMYINA, ARMYCIR; Grup Online yang diikuti remaja seperti IKON, K-DRAMAS FOR LIVE, KIM TAEHYUNG, KOREAN DRAMA FANS; hingga Kedai Makan Korea seperti Haebaragi dan Epen’s Box yang menyediakan hidangan seperti kimbab, ramyeon, bulgogi, kimchi, daenjang Jjiggae, bibimbap serta samyang. didapati beberapa remaja yang sejatinya menganggap budaya lokal atau nasional lebih disukai atau lebih mereka kenal, namun mereka pun tidak ingin ketinggalan mengikuti perkembangan sebagai penggemar budaya pop yang berasal dari Korea. Mereka beranggapan mengikuti perkembangan tersebut adalah sejalan dengan modernitas yang sedang marak.
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Pratama, Aditya Putra. "Nature Republic dan Innisfree Sebagai Soft Power Brand Ambasador and Personality Korea Selatan di Indonesia." Jurnal Manajemen Strategi dan Aplikasi Bisnis 4, no. 1 (January 16, 2021): 1–12. http://dx.doi.org/10.36407/jmsab.v4i1.263.

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Brand Ambassador is an instrument of achieving the interests of the state which is popularly used South Korea as one example of countries that use their Brand Using (Hallyu) as the mediums to get achieved success in Indonesia. in 2002, Indonesia began to look at South Korea by showing Korean drama with the introduction of Korean drama in Indonesia through private television. The reason for the development of Korean pop culture (Korean Wave) in Indonesia is the embodiment of globalization. In the communication and cultural dimensions, South Korea is increasingly recognized by the Indonesian public drama that aired in Indonesia became the gateway for the entry of other Korean cultural products or known by the name Hallyu / Korean Wave, such as Korean pop music (K-Pop), Korean food (K-Food ), and Korean language and letters (Hangeul). It also makes many products made in Korea also enter Indonesia, including cosmetics, automotive, electronics, etc. As a form of Korean Nation Brand in Indonesia. So, Indonesian people can feel about (Hallyu) that came in. The purpose of this study will look at how Indonesia's attitude in responding to it and what is driving Indonesia's response to the phenomenon of Korean Skincare that uses as Diplomacy in Indonesia.
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Asrori, Yuni Wachid, and Supriadianto Supriadianto. "Hallyu dan Pengaruhnya pada Perkembangan Objek Wisata Tematik Korea Selatan." Jurnal Pariwisata Terapan 3, no. 1 (March 3, 2019): 76. http://dx.doi.org/10.22146/jpt.49278.

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Korean Pop phenomenon, Hallyu, affect to the development of various tourism objects in Seoul and South Korea in general. Hallyu as a new wave is popular among young generations, not only as an entertainment, but also as tourist attraction in South Korea. This phenomenon increased number of travelers to South Korea year by year. This descriptive research analyze qualitatively several tourism objects well known as shooting site of several popular Korean dramas where travelers may experience several things related to Korean dramas. There are not only K-Pop experiences that make Korean tourism popularity increasing rapidly, but also the government rules have also been paving the important way to promote and develop Korean tourism destinations
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Effendi, Tonny Dian. "K-pop and J-pop Influences to University Students in Malang, East Java – Indonesia : A Comparative Public Diplomacy Studies." Andalas Journal of International Studies (AJIS) 1, no. 2 (March 9, 2015): 182. http://dx.doi.org/10.25077/ajis.1.2.182-198.2012.

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This paper discussing the comparison of Korean Pop Culture and Japan Pop Culture to the youth in Malang.One of the important of this research is about public diplomacy using pop culture which creating many fans and lovers. The main purpose of the research is to show how the globalization in culture has influencing the youth in developing country like Indonesia. Malang is one of the city that have many K-Pop lovers and J-Pop lovers. This research is qualitative and using depth interview to get information from the participant as the member of the pop lovers. The result shows that both Korea and Japan's government have role on their public diplomacy by using this pop culture. They are often held the events like competition on music, dance and another shape of pop culture. J-pop has more focus on the animation (anime), cartoon (manga) and costume-player (cosplay). Whereas K-pop has more focus on the drama movie and music. From observation to the pop lovers, the J-pop lovers is more creative because they have a challenge, especially for cosplay to create their own costume to the competition. But for K-pop, they are more focused to learn and imitate the dance style of the Korean artist. But, both of them have significant influence to the options for the university students in Department of International Relations, University of Muhammadiyah Malang to choose Japanese and Koreans as their subject as the third language after Bahasa Indonesia and English.
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Wulansari, Dwi Windah. "K-POP NON-KOREA BUKAN APROPRIASI BUDAYA : ANALISIS WACANA KRITIS MODEL TEUN VAN DIJK." sarasvati 2, no. 1 (June 26, 2020): 62. http://dx.doi.org/10.30742/sv.v2i1.847.

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This research supports the structure of critical discourse when viewed from the perspective of Teun Van Dijk. The data source used was a video uploaded by the Indonesian representative entitled K-POP Non Korea EXP Edition. The method used is descriptive qualitative. The results of the analysis show that non-Koreans can be part of K-pop. Various pros and cons experienced by this EXP EDITION boy band, did not ignite their enthusiasm for a career in South Korea. The phenomenon in this EXP EDITION. Positive and negative opinion. Most of the supporters of this boy band because they see their efforts are not instantaneous as previously reported. Some consider that they are giving up Korean culture or what is cooler is called cultural appropriation. Associated with the practice of power and discourse accents. The practice of power in this non-Korean K-pop phenomenon. Reporting from the Columbia University official website, Bora Kim formed the EXP EDITION group and mapped it out with the aim of "discussing what Kpop and Kpop fandom are".
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Wicaksono, Liswindwinanto, and Robert La Are. "THE INFLUENCE OF KOREAN POP CULTURE TOWARD CONSUMER INTENTION ON SELECTING KOREAN FOODS." Emerging Markets : Business and Management Studies Journal 4, no. 1 (October 11, 2018): 13–23. http://dx.doi.org/10.33555/ijembm.v4i1.58.

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The purpose of the research is to find out the influence of Korean Pop Culture toward consumerintention on selecting Korean food. Korean Drama and Korean pop music are two phenomenal Korean pop culture which are spreaded around the world. In 1997, Korean Drama was first broadcast in China, following with the big step in 2004 where Korean Drama exported also to Hong Kong and Taiwan while Korean Pop Music start to gain popularity in the late of 1990s. In Indonesia, Korean Drama and K-pop music began to be popular in beginning of 2000’s. Their popularity are followed by Korean foods in 2014. This research is to look specifically on whether Korean Pop Culture influence Indonesian people to choose Korean foods as their options. Using SPSS software and with simple linear regression method analysis, 100 respondents’ data collected is processed through validity and reliability test, classical assumption test and hypothesis testing. The results show that Korean Pop Culture influence Indonesian people to choose Korean foods.
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Mulyaman, Darynaufal, and Prima Mega Purwatama. "Political Economy Analysis of The Rising of South Korean Property Industry:." Jurnal Asia Pacific Studies 4, no. 2 (December 28, 2020): 112–29. http://dx.doi.org/10.33541/japs.v4i2.2285.

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Korea is a country that once full of doubts. As time goes by, every sector from Korea are turns out to be huge achievements of the Korean people. Korean pop culture for instance, becomes a crucial driver for Korean economy. Not only Korean pop culture, recently property investor from Korea also becomes a big player in the US, and moreover in the global stage. New study also tells that Korea as global property industry player could exceed China as China’s economy slowing down. Therefore, question how can South Korea's property industry sectors thrive overseas, such as in the U.S.? Arises. This paper would explain the factors behind South Korean property industry performance in US, including push and pull factors through a scope of global capital movement paradigm. Meaningful government supports, big possibilities, and a good investment climate for South Korean property industry plus the right global demands could be some factors behind the rising of South Korean property industry, especially in the US
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Dissertations / Theses on the topic "Korean Pop"

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Han, Ae Jin. "The aesthetics of cuteness in Korean pop music." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61472/.

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The aesthetic of ‘cuteness' in South Korean popular music (known as K-pop) is a pivotal concept in Korean media and culture and is frequently used to describe performances by both male and female K-pop groups. Aegyo is a fundamental part of this aesthetic, also called ‘K-cute', and it refers to the behaviour of ‘acting cute' that denotes a particular coquettish style not only in K-pop but also in South Korean society in a broader sense. This thesis explores K-pop performance from the mid-2000s to the 2010s through an examination of K-pop artists' training process, an analysis of K-pop music videos' lyrical and visual codes and a study of notable live performances. The aesthetic of ‘cuteness' in K-pop is contextualised through a historical and cultural review of South Korea and the forms through which aegyo has been represented. Thus, we see how aegyo has evolved in response to gender stereotyping in both traditional and contemporary South Korean society and how it has come to represent a unique idea of Korean-ness expressed in a cultural form that also fulfils its potential for flexibility. Furthermore, this thesis investigates how the K-pop industry influences aegyo through issues of gender and sexuality, primarily examining Richard Schechner's performance theory and Erving Goffman's notion of self-presentation. A significant aspect of this investigation is the sexualisation of K-pop idol boy and girl groups through the deliberate adoption of the aegyo aesthetic, a process that forms a key part of the marketing strategy behind their ‘Korean wave' global success. Finally, I explore mediatised performances of aegyo and the possibility that remediation, as outlined by Bolter and Grusin, provides a potent vehicle for the repetition and reinforcement of ‘cuteness' via holographic and digitalised K-pop performances.
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Solomon, Mary Joanna. "Multivariate Analysis of Korean Pop Music Audio Features." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617105874719868.

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Almqvist-Ingersoll, Petter. "Conceptually androgynous : The production and commodification of gender in Korean pop music." Thesis, Umeå universitet, Umeå centrum för genusstudier (UCGS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-161973.

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Stemming from a recent surge in articles related to Korean masculinities, and based in afeminist and queer Marxist theoretical framework, this paper asks how gender, with a specificfocus on what is referred to as soft masculinity, is constructed through K-pop performances, aswell as what power structures are in play. By reading studies on pan-Asian masculinities andgender performativity - taking into account such factors as talnori and kkonminam, andinvestigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for aqualitative research project. By conducting qualitative interviews with Swedish K-pop fans andperforming semiotic analysis of K-pop music videos, the thesis finds that although K-popmasculinities are perceived as feminine to a foreign audience, they are still heavily rooted in aheteronormative framework. Furthermore, in investigating the production of genderperformativity in K-pop, it finds that neoliberal commercialism holds an assertive grip overthese productions and are thus able to dictate ‘conceptualizations’ of gender and projectidentities that are specifically tailored to attract certain audiences. Lastly, the study shows thatthese practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized toconsume in order to show support for their idols – in which the concept of desire plays asignificant role.
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Williams, Jolin Johan. "The South Korean Music Industry: The Rise and Success of ‘K-Pop’ By: Johan." Thesis, Stockholms universitet, Avdelningen för koreanska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-148696.

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Šarmanová, Lucie. "Role soft-power v budování image Korejské republiky." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-192583.

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This paper presents the concept of soft power which is applied on the case of the Republic of Korea. South Korea, defined as a middle power, strives to make itself visible in the international milieu by focusing on soft power and multilateral cooperation with other countries. The Korean Wave (or Hallyu) refers to the increased export of Korean cultural products (mainly popular music, dramas and films) to the rest of Asia and to the world and projects an image of modern and cool country which attracts foreign tourists and students and helps the branding of the nation and its products.
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Roupcová, Michaela. "Fenomén jihokorejské kulturní vlny v kontextu globalizace." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-203978.

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The master thesis analyses the South Korean culture wave (known as Hallyu) in the context of globalisation and Internet development. The theoretical part defines key terms in the area of globalisation, focusing on cultural globalisation and the role of Internet. This part further explains the origins and the spread of Korean popular culture with focus on its glocalization and the role of social media and the benefits of the wave for its country. The practical part of this master thesis deals with the presence of Korean wave in the Czech Republic. Included is also own research aimed at Czech fans of Korean culture. The final part includes the research evaluation, interpretation of the findings and the results obtained.
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Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

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Ha, Jarryn. "My Song is My Power: Postcolonial South Korean Popular Music." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522941303946503.

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Schön, Ragnar. "A cross-cultural listener-based study on perceptual features in K-pop." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-178018.

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Recent research within the Music Information Retrieval (MIR) field has shown the relevance of perceptual features for musical signals. The idea is to identify a small set of features that are natural descriptions from a perceptual perspective. The notion of perceptual features is based on the ecological approach to music, that is, focussing on sound events rather than spectral information. Furthermore, MIR research has had an overemphasis on Western music and listeners. This leads to the question of whether the concept of perceptual features is culturally independent or not. This was investigated by having listeners of two distinct cultural backgrounds (Swedish and Chinese) rating a set of eight perceptual features: dissonance, speed, rhythmic complexity, rhythmic clarity, articulation, harmonic complexity, modality and pitch. A culturally specific dataset consisting of Korean pop songs was used to provide the stimuli. This was a subset of a larger set of songs from a previous study selected based on genre and mood annotations to create a diverse dataset. The listener ratings were evaluated by a variety of statistical measures, including cross-correlation and ANOVA. It was found that there was a small but significant difference in the ratings of the perceptual features speed and rhythmic complexity between the two cultural groups.
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KIM, JU OAK. "THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/385105.

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Media & Communication
Ph.D.
This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. In conclusion, the Korean Wave has rekindled national forces in spreading local popular content globally in three ways: 1) by deconstructing a binary approach of West vs. non-West, and Global vs. Local in order to understand media cultures and practices; 2) by understanding the rise of Northeast Asian media connections as part of a global culture; and 3) by decolonizing non-US/UK state actors to perceive their actions, which hinges on the ongoing centrality of nation-states in the global media sphere.
Temple University--Theses
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Books on the topic "Korean Pop"

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K-POP Now!: The Korean Music Revolution. New York: Tuttle Publishing, 2014.

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Siriyuwasak, ʻUbonrat, ed. Pop culture formations across East Asia. Seoul: Jimoondang., 2010.

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Korean masculinities and transcultural consumption: Yonsama, Rain, Oldboy, K-Pop idols. Hong Kong: Hong Kong University Press, 2011.

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Rayns, Tony. Seoul stirring: 5 Korean directors. London: Institute of Contemporary Arts, 1995.

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Wi, T'aek-hwan. Hallyu: K-pop esŏ K-culture ro. [Seoul]: Munhwa Ch'eyuk Kwan'gwangbu Haeoe Munhwa Hongbowŏn, 2012.

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K-pop ŭl mein sŭt'ŭrim ŭro hanŭn chŏnhwan'gi ŭi Hallyu. Sŏul-si: Pukpuksŏ, 2013.

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Ik-ki, Kim, ed. Hallyu wa Asia p'ap munhwa ŭi pyŏndong: Hallyu and the transformations of Asian pop culture. Sŏul-si: P'urŭn Kil, 2014.

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Hyŏn-jin, Im, ed. Tong Asia munhwakwŏn esŏŭi Hallyu: Hyŏnji chumin ŭi panŭng ŭl t'onghae pon Tong Asia ŭi Hallyu : yŏksa, munhwa, tŭrama, yŏnghwa, K-pop, ŭmsik, ŭisang = Korean wave. Kyŏnggi-do Kwach'ŏn-si: Chininjin, 2014.

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Ko, Yŏng-jin. Chosŏn sidae sasangsa rŭl ŏttŏkʻe pol kŏsinʾga. Sŏul-si: Pʻulpit, 1999.

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Sŏng-hŭi, Chŏng, Kang Un-gu 1941-, and Ppuri Kipʻŭn Namu (Firm), eds. Pom kaŭl ŭmsik. Sŏul Tʻŭkpyŏlsi: Taewŏnsa, 1989.

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Book chapters on the topic "Korean Pop"

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Yoon, Kyong. "K-pop Diaspora." In East Asian Popular Culture, 101–32. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94964-8_4.

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AbstractFor young Korean Canadians, K-pop (Korean idol pop music) is presented not only as an ethnic media form but also as a highly global media practice. The diasporic youth’s consumption of K-pop may partly fulfill their cultural nostalgia and contribute to enhancing their ethnic ties with their ancestral homeland. Moreover, they appreciate K-pop as a global sound that is considered to be youthful, kaleidoscopic, hybrid, and relatable. While feeling ethnic and cultural affinities with K-pop, the diasporic youth engage with this genre as a cultural resource for questioning the mainstream cultural frame that takes Whiteness as a norm for granted.
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Fuhr, Michael. "K-Pop Music and Transnationalism." In The Routledge Handbook of Korean Culture and Society, 283–96. 1st edition. | New York, NY : Routledge, [2017] |: Routledge, 2016. http://dx.doi.org/10.4324/9781315660486-20.

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Oh, Chuyun. "The Politics of the Dancing Body: Racialized and Gendered Femininity in Korean Pop." In The Korean Wave, 53–81. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137350282_4.

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Lie, John. "BTS, the highest stage of K-pop." In The Soft Power of the Korean Wave, 118–28. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003102489-10.

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Cicchelli, Vincenzo, and Sylvie Octobre. "Looking in the Korean Mirror: Enchantment and Disenchantment with Elsewhere." In The Sociology of Hallyu Pop Culture, 229–66. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84296-3_7.

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Jin, Dal Yong. "The rise of digital platforms in the networked Korean society." In Transnational Convergence of East Asian Pop Culture, 149–69. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2022.: Routledge, 2021. http://dx.doi.org/10.4324/9781003126850-12.

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Tuan, Iris H. "Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds." In Pop with Gods, Shakespeare, and AI, 41–63. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7297-5_3.

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Cha, Hyunhee, and Seongmook Kim. "A Case Study on Korean Wave: Focused on K-POP Concert by Korean Idol Group in Paris, June 2011." In Communications in Computer and Information Science, 153–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-27186-1_19.

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Kim, Dohyung, Minsu Jang, Youngwoo Yoon, and Jaehong Kim. "Choreography Retrieval from the Korean POP Dance Motion Capture Database with Low-Cost Depth Cameras." In Advances in Computer Science and Ubiquitous Computing, 805–11. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-10-0281-6_113.

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Kiaer, Jieun. "K-pop." In Study Abroad in Korea, 135–40. London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780367824020-20.

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Conference papers on the topic "Korean Pop"

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Ahn, JoongHo, Sehwan Oh, and Hyunjung Kim. "Korean pop takes off! Social media strategy of Korean entertainment industry." In 2013 10th International Conference on Service Systems and Service Management (ICSSSM). IEEE, 2013. http://dx.doi.org/10.1109/icsssm.2013.6602528.

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Safithri, Nurul Aini, Riana Sahrani, and Debora Basaria. "Quality of Life of Adolescent (Korean Pop fans)." In Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200515.124.

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Oh, Soyoung, Jisu Kim, Seungpeel Lee, and Eunil Park. "Jujeop: Korean Puns for K-pop Stars on Social Media." In Proceedings of the Ninth International Workshop on Natural Language Processing for Social Media. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.socialnlp-1.15.

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Wijaya, Hendry, and Raymond Sunardi Oetama. "Song Similarity Analysis With Clustering Method On Korean Pop Song." In 2021 6th International Conference on New Media Studies (CONMEDIA). IEEE, 2021. http://dx.doi.org/10.1109/conmedia53104.2021.9617204.

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Lee, Huei-Min. "The Development and Success Factors of Korean POP Music in Taiwan." In 3rd Eurasian Conference on Educational Innovation 2020 (ECEI 2020). WORLD SCIENTIFIC, 2020. http://dx.doi.org/10.1142/9789811228001_0185.

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Sun, Kai Hsu, and Yun Lin. "Embracing Difference: Case Study of BoA in Japanese-Korean Pop Music Album Cover Design." In – The Asian Conference on Arts & Humanities 202. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2186-229x.2020.13.

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Whang, Haesung, Ting Zhang, Sung Hwa Yong, and Eunju Ko. "THE EFFECT OF POP CULTURE INVOLVEMENT ON DESTINATION IMAGE FORMATION AND ITS PERCEPTION : FOCUSED ON GLOBAL DIFFUSION PROCESS OF KOREAN WAVE." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.01.10.04.

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Whang, Haesung, Ting Zhang, Sung Hwa Yong, and Eunju Ko. "THE EFFECT OF POP CULTURE INVOLVEMENT ON DESTINATION IMAGE FORMATION AND ITS PERCEPTION : FOCUSED ON GLOBAL DIFFUSION PROCESS OF KOREAN WAVE." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.02.10.04.

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Kim, Kyung-Cho, Sung-bu Choi, Koo-Kab Chung, and Hae-Dong Chung. "Korean Regulatory Experience on PWSCC in Korean NPP." In ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25929.

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The degradation of alloy 600 and its weld material (alloy 82/182) has been reported in many nuclear power plants. In Korea, the crack induced by PWSCC was discovered in the drain nozzle of Yongkwang units 3 & 4 in 2006∼2008 and SG plug weld of Yongkwang unit 3 in 2007. In July 2007, during visual inspections of SG tube plugs at Yonggwang unit 4, boric acid deposits were observed around five Alloy 600 welded plugs. The root cause of the cracking in alloy 600 plugs was revealed to be due to the fact that the cracks were mainly caused by residual stress induced from the welding, expanding and tight-fitting. Younggwang unit 3 found the white small deposits on the drain nozzle on the 10th RFO in 2007. The root cause of the cracking in drain nozzle was revealed to be due to the initiation of a crack on the inside surface of drain nozzle and propagated to through wall cracks in the axial and circumferential direction. Younggwang unit 3 found the white widespread deposits on the upper head of a reactor vessel on the 12th RFO in 2010. Utility is trying to reveal the root cause of the cracking in the vent line of the reactor head according the KINS requirement. In this article, Korean regulatory experiences for PWSCC are introduced. After these PWSCC experiences, all SG tubes welded by Alloy 600 were replaced and all SG drain and instrumentation nozzles with Alloy 600 have been replaced into Alloy 690 material.
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Chung, Kyung Hwa, and Jae Hee Han. "The IMS Development Plan in Construction Phase for Nuclear Power Plants." In ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25375.

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The implementation of advanced information technology for nuclear power plant construction industry in the Republic of Korea is a challenging task to improve the competitive edge for APR1400 across the global nuclear business market. This paper will briefly describe the phases of development of an information management system (hereinafter IMS) in nuclear power construction during the last 40 years in Korea. Additional development task which strengthen the IMS capability will be described from our experience. It will analyze the IMS development and implementation stages for Korean nuclear power plant construction projects such as YGN 3&4, UCN 3&4, YGN 5&6 and UCN 5&6, and the successful application case of the UCN 5&6 Radwaste Building in which 3D CAD technology was implemented for the first time. By reviewing lessons learned, this paper will define the Information Technology advancements resulting the reduction of project costs and construction schedule both by project execution procedures and IT systems including 3D CAD application. The future plan will include integrating project management systems based on data-centric approach and handover strategy for better O&M phase through configuration management technology. In this report, we address the functions to be developed and added in the new IMS.
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Reports on the topic "Korean Pop"

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Kim, Hyeyoung, Jihyun Lee, and Gerardo Reyes-Tagle. Standardized PPP Contract in Korea and its Implications for Latin America and the Caribbean. Inter-American Development Bank, November 2021. http://dx.doi.org/10.18235/0003708.

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The standardization of PPP contracts in Korea has played a key role in establishing PPP institutional frameworks in the civil law system in which there must be legal and institutional safeguards for the long-term PPP contracts. The reliability of standardized contracts is secured due to the fact that the standardized PPP contract has been prepared by the statutory PPP agency under the approval of the Ministry of Economy and Finance, an influential ministry within the government. The standardization of PPP contracts has been of great utility for both the competent authorities and private partners. The standardized contract has streamlined negotiations. The private partner was able to trust in the major risk allocation declared through the standardized contract in handling land acquisition, construction completion, operation and demand, and termination. We found out through our survey that there are similarities between Korea and LAC countries in that most LAC countries have adopted the civil law system and the countries have developed similar payment types for PPP and risk allocation principles. The experience and lessons on standardized PPP contract in Korea can be of great utility to LAC countries.
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Yahav, Shlomo, John McMurtry, and Isaac Plavnik. Thermotolerance Acquisition in Broiler Chickens by Temperature Conditioning Early in Life. United States Department of Agriculture, 1998. http://dx.doi.org/10.32747/1998.7580676.bard.

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The research on thermotolerance acquisition in broiler chickens by temperature conditioning early in life was focused on the following objectives: a. To determine the optimal timing and temperature for inducing the thermotolerance, conditioning processes and to define its duration during the first week of life in the broiler chick. b. To investigate the response of skeletal muscle tissue and the gastrointestinal tract to thermal conditioning. This objective was added during the research, to understand the mechanisms related to compensatory growth. c. To evaluate the effect of early thermo conditioning on thermoregulation (heat production and heat dissipation) during 3 phases: (1) conditioning, (2) compensatory growth, (3) heat challenge. d. To investigate how induction of improved thermotolerance impacts on metabolic fuel and the hormones regulating growth and metabolism. Recent decades have seen significant development in the genetic selection of the meat-type fowl (i.e., broiler chickens); leading to rapid growth and increased feed efficiency, providing the poultry industry with heavy chickens in relatively short growth periods. Such development necessitates parallel increases in the size of visceral systems such as the cardiovascular and the respiratory ones. However, inferior development of such major systems has led to a relatively low capability to balance energy expenditure under extreme conditions. Thus, acute exposure of chickens to extreme conditions (i.e., heat spells) has resulted in major economic losses. Birds are homeotherms, and as such, they are able to maintain their body temperature within a narrow range. To sustain thermal tolerance and avoid the deleterious consequences of thermal stresses, a direct response is elicited: the rapid thermal shock response - thermal conditioning. This technique of temperature conditioning takes advantage of the immaturity of the temperature regulation mechanism in young chicks during their first week of life. Development of this mechanism involves sympathetic neural activity, integration of thermal infom1ation in the hypothalamus, and buildup of the body-to-brain temperature difference, so that the potential for thermotolerance can be incorporated into the developing thermoregulation mechanisms. Thermal conditioning is a unique management tool, which most likely involves hypothalamic them1oregulatory threshold changes that enable chickens, within certain limits, to cope with acute exposure to unexpected hot spells. Short-tem1 exposure to heat stress during the first week of life (37.5+1°C; 70-80% rh; for 24 h at 3 days of age) resulted in growth retardation followed immediately by compensatory growth" which resulted in complete compensation for the loss of weight gain, so that the conditioned chickens achieved higher body weight than that of the controls at 42 days of age. The compensatory growth was partially explained by its dramatic positive effect on the proliferation of muscle satellite cells which are necessary for further muscle hypertrophy. By its significant effect of the morphology and functioning of the gastrointestinal tract during and after using thermal conditioning. The significant effect of thermal conditioning on the chicken thermoregulation was found to be associated with a reduction in heat production and evaporative heat loss, and with an increase in sensible heat loss. It was further accompanied by changes in hormones regulating growth and metabolism These physiological responses may result from possible alterations in PO/AH gene expression patterns (14-3-3e), suggesting a more efficient mechanism to cope with heat stress. Understanding the physiological mechanisms behind thermal conditioning step us forward to elucidate the molecular mechanism behind the PO/AH response, and response of other major organs. The thermal conditioning technique is used now in many countries including Israel, South Korea, Australia, France" Ecuador, China and some places in the USA. The improvement in growth perfom1ance (50-190 g/chicken) and thermotolerance as a result of postnatal thermal conditioning, may initiate a dramatic improvement in the economy of broiler's production.
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