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1

K-POP Now!: The Korean Music Revolution. New York: Tuttle Publishing, 2014.

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2

Siriyuwasak, ʻUbonrat, ed. Pop culture formations across East Asia. Seoul: Jimoondang., 2010.

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3

Korean masculinities and transcultural consumption: Yonsama, Rain, Oldboy, K-Pop idols. Hong Kong: Hong Kong University Press, 2011.

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4

Rayns, Tony. Seoul stirring: 5 Korean directors. London: Institute of Contemporary Arts, 1995.

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5

Wi, T'aek-hwan. Hallyu: K-pop esŏ K-culture ro. [Seoul]: Munhwa Ch'eyuk Kwan'gwangbu Haeoe Munhwa Hongbowŏn, 2012.

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6

K-pop ŭl mein sŭt'ŭrim ŭro hanŭn chŏnhwan'gi ŭi Hallyu. Sŏul-si: Pukpuksŏ, 2013.

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7

Ik-ki, Kim, ed. Hallyu wa Asia p'ap munhwa ŭi pyŏndong: Hallyu and the transformations of Asian pop culture. Sŏul-si: P'urŭn Kil, 2014.

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8

Hyŏn-jin, Im, ed. Tong Asia munhwakwŏn esŏŭi Hallyu: Hyŏnji chumin ŭi panŭng ŭl t'onghae pon Tong Asia ŭi Hallyu : yŏksa, munhwa, tŭrama, yŏnghwa, K-pop, ŭmsik, ŭisang = Korean wave. Kyŏnggi-do Kwach'ŏn-si: Chininjin, 2014.

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9

Ko, Yŏng-jin. Chosŏn sidae sasangsa rŭl ŏttŏkʻe pol kŏsinʾga. Sŏul-si: Pʻulpit, 1999.

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10

Sŏng-hŭi, Chŏng, Kang Un-gu 1941-, and Ppuri Kipʻŭn Namu (Firm), eds. Pom kaŭl ŭmsik. Sŏul Tʻŭkpyŏlsi: Taewŏnsa, 1989.

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11

Sŏng-hŭi, Chŏng, Kang Un-gu 1941-, and Ppuri Kipʻŭn Namu (Firm), eds. Pom kaŭl ŭmsik. Sŏul: Taewŏnsa, 1989.

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12

Pap mŏngnŭn saramdŭl. Sŏul-si: Paengnam Munhwasa, 1992.

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13

Han Pok-sŏn ŭi uri ŭmsik. [Seoul]: Risŭk'ŏm, 2009.

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14

Han Pok-sŏn ŭi uri ŭmsik. [Seoul]: Risŭk'ŏm, 2009.

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15

Yong-gŭn, Yi, ed. Han Pok-sŏn ŭi ŏmma ŭi papsang. [Sŏul]: Lisŭ Kʻŏm, 2007.

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16

Yi, Myŏng-ho. Kkot p'inŭn pom: Sirhwa munhakjip. [P'yŏngyang]: Munhak Yesul Chonghap Ch'ulp'ansa, 1995.

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17

Hŏ, Ong-nyŏ. Pom hyanggi: Chaeil yŏryu 3-in sijip. [Pʻyŏngyang]: Munhak Yesul Chonghap Chʻulpʻansa, 1998.

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18

Natsŏn oechʻul: Mun Pok-sŏn sijojip. Sŏul-si: Pʻurŭn Sasang, 2004.

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19

Allan, Poe Edgar. Collected works of Poe. San Diego, CA: ICON Classics, 2005.

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20

Allan, Poe Edgar. Collected works of Poe. San Diego, CA: ICON Classics, 2005.

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21

Allan, Poe Edgar. Collected works of Poe. San Diego, CA: ICON Classics, 2005.

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22

Allan, Poe Edgar. Collected works of Poe. San Diego, CA: ICON Classics, 2005.

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23

Allan, Poe Edgar. Collected works of Poe. San Diego, CA: ICON Classics, 2005.

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24

Yi, Ho-chʻŏl, Sŏg-yŏng Hwang, and Chŏng-hwan Kim. Pap kwa hŭimang kwa uridŭl ŭi kongdongchʻe. Sŏul: Chiyangsa, 1985.

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25

Paeksan ŭi pom ure: Changmak yŏnʼgŭk pʻyŏn. Kyŏnggi-do Pʻaju-si: Hanʼguk Haksul Chŏngbo, 2007.

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26

Pom hanŭl: Ko Sang-hun chakp'umjip. [P'yŏngyang]: Kŭmsŏng Ch'ulp'ansa, 2010.

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27

So-hong, Yun, ed. Kuk ahop tongi, pap ahop tongi. Sŏul-si: Mirae i Ai, 2008.

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28

Man'gyŏngdae ŭi pom: Munhak chakp'umjip. [P'yŏngyang]: Munhak Yesul Ch'ulp'ansa, 2012.

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29

Pol umul Chosŏn chʻŏnyŏ: Chungguk Chosŏnjok chakka sosŏlsŏn. Sŏul-si: Pʻan, 1990.

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30

Kae nara edo pom ŭn onŭn'ga. Sŏul-si: Haenuri, 2014.

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31

(Korea), Si Munhakhoe. Kyŏul ŭn tŏ isang pom i toeryŏ haji annŭnda. Sŏul: Paeksang, 1989.

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32

Pop goes Korea: Behind the revolution in movies, music, and internet culture. Berkeley, Calif: Stone Bridge Press, 2008.

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33

Im, Ki-ok. Pok iyagi: Pokchajip. Sŏul T'ŭkpyŏlsi: Ch'ŏngmun'gak, 2012.

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34

Song, Pok-chu. Hwagang Song Pok-chu Sŏnsaeng hoegap kinyŏm nonchʻong. [Seoul]: Hwagang Song Pok-chu Sŏnsaeng Hoegap Kinyŏm Nonchʻong kanhaeng Wiwŏnhoe, 1994.

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35

Pak, Wan-sŏ. Chʻinjŏrhan Pok-hui ssi: Pak Wan-sŏ sosŏljip. Sŏul: Munhak kwa Chisŏngsa, 2007.

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36

Chŏng, Hye-gyŏng, 1957 Apr. 24-, ed. Hanʼgugin ege pap ŭn muŏt inʼga. Sŏul-si: Humanist, 2004.

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37

Pangmulgwan esŏn pol su ŏmnŭn munhwajae. Sŏul T'ŭkpyŏlsi: Kyŏngin Munhwasa, 2014.

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38

Tonginhoe, Saemul Ppuri Munhak. Tosi pom namu: 'chonjae ŭisik ŭi chaehwagin' chagŏp ŭrosŏŭi si, sanmun. [Seoul?]: Saemul Ppuri Munhak Tonginhoe, 1992.

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39

Kim Pok-chin yŏn'gu: Ilche kangjŏm ha choso yesul kwa munye undong. Sŏul-si: Tongguk Taehakkyo Ch'ulp'anbu, 2010.

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40

Oh, Youjeong. Pop City. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755538.001.0001.

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This book examines the use of Korean television dramas and K-pop music to promote urban and rural places in South Korea. Building on the phenomenon of Korean pop culture, the book argues that pop culture-featured place selling mediates two separate domains: political decentralization and the globalization of Korean popular culture. By analyzing the process of culture-featured place marketing, the book shows that urban spaces are produced and sold just like TV dramas and pop idols by promoting spectacular images rather than substantial physical and cultural qualities. The book demonstrates how the speculative, image-based, and consumer-exploitive nature of popular culture shapes the commodification of urban space and ultimately argues that pop-culture-mediated place promotion entails the domination of urban space by capital in more sophisticated and fetishized ways.
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41

Jung, Sun. K-Pop and Korean Popular Culture. Taylor & Francis Group, 2018.

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42

Korean Pop Music: Riding the Wave. Global Oriental, 2006.

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43

K-Pop Style: Korean Pop Star Fashion to Style at Home. Skyhorse Publishing Company, Incorporated, 2019.

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44

K-Pop: A New Force in Pop Music [Korean Culture No. 2]. Korean Culture and Information Service94, 2011.

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45

The Korean wave: A new pop culture phenomenon. Korea: Korean Culture and Information Service, 2011.

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46

Huat, Chua Beng, and Iwabuchi Kōichi 1960-, eds. East Asian pop culture: Analysing the Korean wave. Hong Kong: Hong Kong University Press, 2008.

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47

Jin, Dal Yong. Critical Discourse of K-pop within Globalization. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039973.003.0006.

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This chapter examines the transformation of K-pop in the early twenty-first century in a broader sociocultural context. It maps out whether hybridity has generated new creative cultures, ones that are free from Western dominance, or whether this trend eventually oppresses local music. The aim is therefore to investigate the different cultural stages and transition of popular music in Korea occurring within the unfolding logic of globalization and to interrogate the adequacy of cultural hybridity as a plausible framework to explain cultural phenomena currently under way. In particular, it analyzes the development of English mixed into the lyrics of Korean popular music in order to identify and examine several key factors involved in the rapid growth of K-pop and its influence in the New Korean Wave. From the perspective gained from the combined angles of critical cultural studies and textual analysis, new insights are generated into the emerging discourse of cultural hybridization in Korean popular music.
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48

Soktam kwa Hangugin ui pop munhwa. Kyoyuk Kwahaksa, 1995.

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49

Lie, John. K-Pop. University of California Press, 2014.

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50

Hanmun, Hansi rul shwipke ilkko chinnun pop. Ihwa Munhwa Chulpansa, 2000.

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