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Dissertations / Theses on the topic 'Korean Pop'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Han, Ae Jin. "The aesthetics of cuteness in Korean pop music." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61472/.

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The aesthetic of ‘cuteness' in South Korean popular music (known as K-pop) is a pivotal concept in Korean media and culture and is frequently used to describe performances by both male and female K-pop groups. Aegyo is a fundamental part of this aesthetic, also called ‘K-cute', and it refers to the behaviour of ‘acting cute' that denotes a particular coquettish style not only in K-pop but also in South Korean society in a broader sense. This thesis explores K-pop performance from the mid-2000s to the 2010s through an examination of K-pop artists' training process, an analysis of K-pop music vi

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2

Solomon, Mary Joanna. "Multivariate Analysis of Korean Pop Music Audio Features." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617105874719868.

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Almqvist-Ingersoll, Petter. "Conceptually androgynous : The production and commodification of gender in Korean pop music." Thesis, Umeå universitet, Umeå centrum för genusstudier (UCGS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-161973.

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Stemming from a recent surge in articles related to Korean masculinities, and based in afeminist and queer Marxist theoretical framework, this paper asks how gender, with a specificfocus on what is referred to as soft masculinity, is constructed through K-pop performances, aswell as what power structures are in play. By reading studies on pan-Asian masculinities andgender performativity - taking into account such factors as talnori and kkonminam, andinvestigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for aqualitative research project. By conducting qualitativ

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Williams, Jolin Johan. "The South Korean Music Industry: The Rise and Success of ‘K-Pop’ By: Johan." Thesis, Stockholms universitet, Avdelningen för koreanska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-148696.

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Šarmanová, Lucie. "Role soft-power v budování image Korejské republiky." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-192583.

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This paper presents the concept of soft power which is applied on the case of the Republic of Korea. South Korea, defined as a middle power, strives to make itself visible in the international milieu by focusing on soft power and multilateral cooperation with other countries. The Korean Wave (or Hallyu) refers to the increased export of Korean cultural products (mainly popular music, dramas and films) to the rest of Asia and to the world and projects an image of modern and cool country which attracts foreign tourists and students and helps the branding of the nation and its products.

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Roupcová, Michaela. "Fenomén jihokorejské kulturní vlny v kontextu globalizace." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-203978.

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The master thesis analyses the South Korean culture wave (known as Hallyu) in the context of globalisation and Internet development. The theoretical part defines key terms in the area of globalisation, focusing on cultural globalisation and the role of Internet. This part further explains the origins and the spread of Korean popular culture with focus on its glocalization and the role of social media and the benefits of the wave for its country. The practical part of this master thesis deals with the presence of Korean wave in the Czech Republic. Included is also own research aimed at Czech fa

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Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

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Ha, Jarryn. "My Song is My Power: Postcolonial South Korean Popular Music." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522941303946503.

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Schön, Ragnar. "A cross-cultural listener-based study on perceptual features in K-pop." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-178018.

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Recent research within the Music Information Retrieval (MIR) field has shown the relevance of perceptual features for musical signals. The idea is to identify a small set of features that are natural descriptions from a perceptual perspective. The notion of perceptual features is based on the ecological approach to music, that is, focussing on sound events rather than spectral information. Furthermore, MIR research has had an overemphasis on Western music and listeners. This leads to the question of whether the concept of perceptual features is culturally independent or not. This was investiga

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KIM, JU OAK. "THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION." Diss., Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/385105.

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Media & Communication<br>Ph.D.<br>This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influ

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Chang, Yifan. "Research on the Identity Construction of Korean Pop Music’s Fandom Groups on the Weibo Platform : Exemplified by G-Dragon (Kwon Ji-Yong)." Thesis, Uppsala universitet, Institutionen för informatik och media, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226402.

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abbes, cyrine. "Online Digital Media Practices on Twitter By Korean Pop Idol BTS and Fans: A Case on BTS (방탄소년단) and their Fans". Thesis, Uppsala universitet, Institutionen för informatik och media, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-388680.

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The research conducted focused on the media practices by a South Korean band « BTS » and the named fandom « A.R.M.Y ». Through the use of Twitter, the research consisted in making use of BTS’s Twitter posts to study what they are doing on social media in order to engage fans, as well as the type of practices that are being executed. The second part of the study investigated the fandoms’ interaction, participation, and online engagement in regard to the media content tweeted by the south Korean band. Mix methods were used in order to answer the three research questions that were presented for t

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Maeng, Jisoo. "Urban commercial space design proposal through pop-up store : Space design utilizing the formative features and meaning of Hangul, the Korean letter system." Thesis, Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6480.

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Ekström, Karl. "K-pop : Diskurs och konsumtion i koreansk populärmusik 1996 – 2015." Thesis, Högskolan Dalarna, Historia, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-18164.

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Denna uppsats undersöker koreansk populärmusiks explosiva framfart från slutet av 1990-talet och framåt. Den försöker svara på vad K-pop och dess idoler mer specifikt har representerat och erbjudit fans att konsumera och koppla detta till dess växande popularitet i ett historiskt perspektiv. Vidare försöker uppsatsen svara på varför K-pop gradvis har vuxit markant från slutet av 2000-talet i perifera regioner som Sverige. Uppsatsen analyserar ett urval av idolers representation i olika medier och källor som behandlar hur svenska fans förhåller sig till K-pop. Resultaten visar att idoler histor

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Kim, Leejin. "Analysis and Construction of Engaging Facial Forms and Expressions: Interdisciplinary Approaches from Art, Anatomy, Engineering, Cultural Studies, and Psychology." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/567.

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The topic of this dissertation is the anatomical, psychological, and cultural examination of a human face in order to effectively construct an anatomy-driven 3D virtual face customization and action model. In order to gain a broad perspective of all aspects of a face, theories and methodology from the fields of art, engineering, anatomy, psychology, and cultural studies have been analyzed and implemented. The computer generated facial customization and action model were designed based on the collected data. Using this customization system, culturally-specific attractive face in Korean popular

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Vohradská, Zuzana. "Analýza aktivit jihokorejských firem z hudebního průmyslu na evropských trzích." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-196536.

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This master thesis analyzes activities of South Korean companies from music industry in the markets in Europe and this analysis is based on a questionnaire survey. The first part focuses on the theory and describes the Korean popular music, cross its history, major companies in the sector and their activity in foreign markets. In following theoretical chapters there is the definition of basic marketing terms, the theory of marketing research, its methods and evaluation and use of marketing research in culture, a summary of the economic situation in South Korea and differences in business negot

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Cha, Eurina Yujin. "Korean Immigrant Women's Perceptions of Cervical Cancer Screening in Hawaii." ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5992.

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Minority immigrant women are more likely to be diagnosed with and suffer from cervical cancer compared to other minority women in the United States. The purpose of this qualitative ethnographic study was to explore cultural health perceptions, behaviors, and barriers to cervical cancer prevention among Korean immigrant women (KIW) in Hawaii. The health belief model and the social-ecological model were used to guide the study. Data were collected using individual structured interviews with 20 KIW ages 21 to 65 who are first-generation KIW immigrant to Hawaii. Data were coded and analyzed to ide

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Jong, Poo Lum [Verfasser]. "Wherever You Go, There You Are: A Biographical Reconstruction of Korean Immigrants in the United States by Way of Germany / Poo Lum Jong." Mainz : Universitätsbibliothek Mainz, 2019. http://d-nb.info/119139123X/34.

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WANG, ZI-YUN, and 王姿云. "An exploration on Korean pop (K-POP): Some empirical evidence." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/wvufac.

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碩士<br>東海大學<br>國際企業管理碩士學位學程<br>107<br>This research is mainly related to K-POP topics, providing a brief review of past research. In addition, the study goes through the history of Korean Wave, the development of K-POP, the current market condition of K-POP, and elaborates the stakeholders of K-POP industry. In terms of the research methods, this study employed content analysis methodology as the main way to analysis the data. This study collect the information of 405 K-POP groups from 1992 to 2018, and then use the analysis software SPSS to analysis. Compared to other related researches, th

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WANG, MIN-JU, and 王敏如. "Adolescent Idolization of Korean Pop Stars as a Serious Leisure." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/6r498u.

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碩士<br>國立高雄大學<br>運動健康與休閒學系碩士班<br>104<br>Current literature has documented the widespread idolization of pop stars as a leisure activity among adolescents and its influence on shaping teen’s identity and personality. It is important to further investigate the nature of leisure behavior of idolization of pop stars. The purpose of this study is to explore adolescent idolization of pop stars as a type of serious leisure, and to examine the differences in qualities of serious leisure among those with various backgrounds. Notably, serious leisure is defined as a systemic pursuit of leisure activity a

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Liao, Shumin, and 廖淑敏. "The Development and Success Factors of Korean POP Music in Taiwan." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/10213586099919513644.

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碩士<br>中國文化大學<br>韓國語文學系<br>101<br>The “Korean Wave” ignited by K-Dramas has started to grow in popularity in the late 1990s. Recently, Korean pop music has been internationally marketed to not only Asia, but America, and Europe. Consequently, Taiwan has also become one of the areas impacted by K-POP while the Neo-Korean Wave is sweeping the world. The objectives of this thesis are to study the success factors and development status of K-POP in Taiwan. The primary frame of this thesis comprises three parts. Part One deals with the background and developing progress in various phases in Taiwan.

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LIU, KAUN-YIN, and 劉冠吟. "Taiwan K-pop Fans' Reception and Practice with Korean Supporting Fandom Culture." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/r5vwva.

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碩士<br>輔仁大學<br>大眾傳播學研究所碩士班<br>107<br>In 2009, Korean men's group Super Junior quickly became popular in Asia with the song " Sorry Sorry", and Taiwan also brought a new wave of music Hallyu -- K-pop. As K-pop prevails, a unique fandom culture of Korean idol fans -- Korean supporting fandom culture is also introduced to Taiwan and is accepted by Taiwanese K-pop Fans. Due to the characteristics of fan, Taiwanese K-pop fans began to learn, imitate, practice and innovate on the Korean supporting fandom culture in Taiwan. However, through observation can be found that Taiwanese K-pop Fans are not co

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SUNMI, LEE. "Effects of Consumption Value on Korean Pop Culture Contents Consumption Behavior in Taiwan: The Moderating Role of Korean Language Ability." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/b6tb6v.

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碩士<br>國立高雄大學<br>國際企業管理碩士學位學程<br>106<br>Despite Korean Pop Culture Contents (KPCC) are gaining popularity in Taiwan for past decades, previous literature has paid a limited attention to revealing why Taiwanese consume KPCC for manufacturers, retailers, or even traders. Using qualitative study, this research thesis proposes and examines a research model that describes association of consumption values and cultural value on KPCC consumption behavior. The consumption value theory advocates that consumption behavior comes generally from functional value, epistemic value, social value, conditional v

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LIANG, YI-HSUN, and 梁懿薰. "A CASE STUDY OF KOREAN POP MV DANCE DEVELOPMENT AND PEDAGOGIC TRANSFORMATION IN TAIWAN." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/928sd2.

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碩士<br>國立臺灣體育運動大學<br>舞蹈學系碩士班<br>106<br>In recent years, South Korea's K-POP has become an imitation trend as well as led to the MV dance teaching in Taiwan. This paper aims to explored the transformation of K- POP dance teaching in movement materials in this “Korean Wave” trend. First of all, the characteristics and cultural factors of K- POP related literature were collected and analyzed. In addition in-depth interviews and in-class observations were conducted through out the entire research period. Thus the development of Korean MV dance in Taiwan was examined. The result of this study found

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LI, CHIA-SHU, and 李家恕. "Globalizing and renovating Korean popular music strategically:A musicology analysis of K-pop production process." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/dmr47p.

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碩士<br>世新大學<br>傳播管理學研究所(含碩專班)<br>106<br>While Korean pop songs have emerged as a dominant form of artistic commodity in the global pop music market, Korean pop (K-Pop thereafter) is thus less affected by cultural discount among their followers. Research efforts have paid along K-POP paying attention to the cultural production, such as cultural intermediaries (agencies and recording companies) - as of how Korean pop music agencies formulate a symbolic system where the intellectual properties can be duplicated and quickly expanded in the global consumerist society. However, scarce researches have

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Lee, Jamie Shinhee. "Discourses of fusion and crossing pop culture in Korea and Japan /." 2005. http://catalog.hathitrust.org/api/volumes/oclc/73174853.html.

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HUANG, YI-YA, and 黃意雅. "An Action Research on Using Korean Pop Songs in the Recorder Tonguing Teaching of Sixth Graders." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/mr6tpm.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>107<br>The purpose of this study is to explore the results of an action research on using Korean pop songs in the recorder tonguing teaching of sixth graders. This study is based on the sixth grade students of Kaohsiung City Happy Elementary School (a pseudonym) taught by researcher. The researcher based on the content of the recorder teaching of the eighth volume of the arts and humanities textbooks of the Hanlin edition, selected the learning skills and replaced the songs of textbook with Korean pop songs and designing the teaching plan, divided into three units

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Chen, Pei-Wen, and 陳沛雯. "Industrial Dynamics, the Evolution of Platform Architecture and the Business Model in the Korean Pop Music Industry." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/91816202749787842709.

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碩士<br>東海大學<br>企業管理學系碩士班<br>104<br>The emergence of Korean Pop Music (the K-Pop) has been recognized as a new global genre rise. Many scholars have provided extensive discussions of the reasons and the factors of the K-Pop industry rise. However, little literature has the focus on the power drive behind the K-Pop. This paper has an evolutionary perspective on industry dynamics, seeking the reasons behind its contrasting the platform architecture to identify and discuss the different stages of the evolution of the K-Pop music platform development. Then through the perspective of the platform lea

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YUAN, CHUN-CHI, and 元君綺. "A Study of Korean Pop Music fans Application Integrated Marketing Communication - A Case Study of the Social Media Platform." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/54016292679038560651.

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碩士<br>南臺科技大學<br>資訊傳播系<br>105<br>In recent years, Korean pop culture has become an important trend of international communication, in the world set off a new Korean wave. As the Internet is free from time and space constraints, anytime, anywhere to pass and receive messages, fans through the network can quickly grasp the latest information, and even for their favorite idol, have set up a community site dedicated idol station , Therefore, the virtual community has become the best platform for fans chasing stars. The rapid development of science and technology, Integrated Marketing Communication

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Patrícia, Portugal Marques de Carvalho Lourenço Patricia. "K-Pop Music Digital Marketing Role in Brazil; case study: Kim Hyun Joong." Master's thesis, 2015. http://hdl.handle.net/10400.26/22742.

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K-Pop is hugely promoted offline/online in East Asia, while efforts to promote it elsewhere are kept to a minimum. Whilst addressing the role of digital marketing in the promotion of K-Pop in the Brazilian music industry this MSc dissertation aims to demonstrate that if K-Pop thinks globally and acts locally in their marketing and communication strategies they will provide their audience with a unique and engaging experience. A case study analysis of Korean Pop star Kim Hyun Joong including a broad survey of K-Pop world fan base and Kim Hyun Joong’s fans specifically was carried out onl

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Lee, Hsing-Lun, and 李幸倫. "A Study on the Management of Taiwan Representation of Korean Pop Music - A Case Study on avex taiwan in Representation of SUPER JUNIOR." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/40417202773033356246.

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碩士<br>世新大學<br>傳播管理學研究所(含碩專班)<br>100<br>The digitalization and globalization have proved to be monumental impacts on pop music industry and altered consumer patterns of a global scale. The impact on Taiwan's music industry was accelerated severely compared to its peers in the global market. Taiwan's controversy laid in its society being one that lacked sufficient knowledge and legislation to protect intellectual property. Under these circumstances, consumers face contradicting ethical values and behaviors in expectance of "high value" and "zero cost" goods. These behaviors can be seen

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Li, Ya-Chu, and 李雅筑. "The Visual Culture of Korean Pop Music: A case Study on the Seeing/ Using of the Music Videos of Girls'' Generation." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/29853769218623969169.

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碩士<br>國立臺灣大學<br>新聞研究所<br>101<br>In the mid-to-late 1990s, Korean Pop music, also known as K-Pop, has become widespread and garnered great attention internationally with the development and expansion of “Korean Wave”. After 2008, a number of Korean idol groups introduced K-Pop from Asia to North America and Europe. This thesis aims at answering the key point of the trans-cultural communication of K-Pop, and how it marked itself. Traditional trans-cultural communications utilizes “Cultural Proximity” as the main research route. However, this research attempts to analyze K-Pop in the perspective

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Loureiro, Maria Inês Madureira. "Cultura sul-coreana em Portugal: o efeito da "Korean Wave"." Master's thesis, 2018. http://hdl.handle.net/10071/17254.

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Num cenário global onde o consumo de produtos culturais há muito que deixou de ser restringido por barreiras geográficas, e temporais, a Korean Wave surge como uma onda pronta para se impor na indústria do entretenimento. O consumo e exportação de cultura popular Sul Coreana têm vindo assim, como consequência, a ser cada vez mais estudado. Procuram-se respostas para a razão da sua popularidade, procura-se saber quais os seus meios de difusão e como funcionam. Embora na presente dissertação não se tente analisar o fenómeno da Korean Wave ao pormenor quis saber qual o impacto que esta tem

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Silva, Ana Rita Dias da. "Cultura em movimento: a korean wave como instrumento de soft power sul coreano: o efeito entre jovens portugueses." Master's thesis, 2021. http://hdl.handle.net/10071/24340.

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A Korean Wave, ou Hallyu, como é referida em coreano, é o termo usado para designar o crescente sucesso da cultura popular sul-coreana que ofereceu ao governo uma oportunidade de a usar como nova ferramenta para trabalhar o seu soft power. O presente estudo tem como propósito analisar os comportamentos dos jovens consumidores e fãs portugueses que consomem conteúdo de entretenimento sul-coreano, como música (K-Pop), séries (K-Dramas) ou filmes, e as perceções que têm da Coreia do Sul, a sua sociedade e cultura, à luz da teoria do soft power, assim como a forma como a Korean Wave sofistic

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Park, Hyunyoo, and 朴炫惟. "Construction of Folk Scenes in 1970s Taiwan and Korea: "Rock Magazine" and "Monthly Pop Song"." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/bb2hs9.

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碩士<br>國立臺灣大學<br>音樂學研究所<br>106<br>This research examines the issue of localization of popular music through folk music in the 1970s Taiwan and South Korea. Two representative pop music magazines in this period, Rock Magazine (Taiwan) and Monthly Pop Song (Korea), are examined and compared to show how the American folk as a genre was localized and modified, and what the possible reasons would be. The two magazines are valuable data which show how Anglo-American popular music was promoted and localized each in Taiwan and Korea. Furthermore, the publications contributed greatly to the construction

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Dias, Gonçalo Jorge de Carvalho Coelho Mendes. "Ritmos em revolução : o K-POP e as suas plataformas transnacionais." Master's thesis, 2014. http://hdl.handle.net/10400.14/18065.

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Este trabalho pretende compreender o papel das plataformas transnacionais como veículos de promoção do K-Pop e da sua disseminação à escala global. Partindo das tipologias existentes de plataformas – físicas, digitais e híbridas – procedemos à sua caracterização, à análise dos processos em que intervêm e ao exame das consequências e tendências que delas decorrem. Para o efeito, recorremos a um questionário aplicado à comunidade do allkpop.com, que nos possibilita conhecer os hábitos de consumo dos fãs de K-Pop e nos ajuda a ilustrar os domínios de produção, distribuição, recepção e proc

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Kim, Jeoung Hee. "Secondary prevention health behavior on cervical cancer in Korea : Papanicolaou smear screening test." Thesis, 1996. http://hdl.handle.net/10125/10270.

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Brabant, Camille Simone. "Supertexte et représentation des idols féminines dans les télé-réalités sud-coréennes." Thesis, 2020. http://hdl.handle.net/1866/24291.

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Ce mémoire de maîtrise présente une étude des normes genrées auxquelles sont soumises les idols féminines de la K-pop. La construction, par l'industrie du divertissement, de ces vedettes de la culture populaire sud-coréenne, est un lieu de négociation entre les valeurs traditionnelles et modernes. Ce contexte se manifeste par une personnalité paradoxale, unissant l’innocence enfantine et la sexualité explicite. Les normes entourant ces célébrités sont étudiées par le biais de trois émissions de télé-réalité sud-coréennes mettant en scène des idols féminines : Invincible Youth (KBS, 2009- 20

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