Relevant bibliographies by topics / Kosovo, Battle of, 1389, in literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Kosovo, Battle of, 1389, in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Kosovo, Battle of, 1389, in literature.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Kosovo, Battle of, 1389, in literature"

1

Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

Full text
Abstract:
In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Vojicic?s Kosovo epic poetry leaves an impression of an active singer who has internalised tradition, and on this foundation composes new works in the traditional manner and "in the folk style". Vojicic is a literate singer who was familiar with the collections of Vuk Karadzic, Bogoljub Petranovic, the Matica Hrvatska, and the songbooks of the time. He did not hesitate to remake or rewrite songs from printed collections or periodicals, which means that his understanding of authorship was in the traditional spirit. Vojicic?s compilations lie on that delicate line between oral traditional and modern literary poetry; he is, naturally, not alone in this double role - the majority of the gusle-players who were his contemporaries could be similarly described. In the body of Kosovo epic poetry Vojicic?s songs stand out (The Death of Pavle Orlovic at Kosovo, The Kosovo Tragedy), where he abandons the printed model and achieves the kind of originality which is in fact part of tradition itself. Vojicic highly valued oral tradition and the opportunity to perform it, as part of the process of creating an image of himself as a folk gusle-player in modern terms. For this reason, his repertoire includes both old and new themes. They are sung according to the epic standard, but also in accordance with the modern standard of epic semi-literary works. In Vojicic?s world, oral tradition is an important component in viewing the historical past, and in perceiving reality and the singer?s place in it. The epic is a form of oral memory and the guardian of remembrance of past events; however it also provides a space for surveying and commenting on modern historical situations in a popularly accepted manner, at times in an ideological key, as seen in songs which gather together major historical events. This perception of the epic tradition and history is mirrored in the heterogeneity of the corpus and in the repertoire of songs, and is all a consequence of vastly changed conditions of origin, existence and acceptance, i.e. the consumption of oral works in the first half of the 20th century, in a process of interaction between literature and folklore.
APA, Harvard, Vancouver, ISO, and other styles
2

Mosusova, Nadezda. "The wedding and death of Milos Obilic: From The Fairy’s veil to The Fatherland." Muzikologija, no. 25 (2018): 119–31. http://dx.doi.org/10.2298/muz1825119m.

Full text
Abstract:
The prominent Serbian and Yugoslav composer Petar Konjovic (1883-1970) wrote five operas between 1900 and 1960. Konjovic?s operatic opus represents his homeland and his spiritual spectrum: in the first place, indelible memories of his childhood and youth focused on the Serbian National Theatre in Novi Sad, in particular its heroic repertoire of Serbian literature. Consequently, three out of five of Konjovic?s music dramas are derived from Serbian epic and theatre plays. In addition to Ivo Vojnovic?s Death of the Jugovic Mother, these are Dragutin Ilic?s Wedding ofMilos Obilic and Laza Kostic?s Maksim Crnojevic. Therefore three of Konjovic?s operas can be conditionally brought together as being in many ways related, not only by their content but also by music and the scope of time they were created: The Fairy?s Veil (based on Wedding of Milos Obilic)during World War I, The Fatherland (based on Death of the Jugovic Mother)during World War II, and between them The Prince of Zeta (based on Maksim Crnojevic). The last of them, subtitled ?A sacred festival drama? (following with its subtitle the idea of Wagner?s Parsifal) had its gala performance in Belgrade National Theatre on 19 October 1983. The structure of the musical composition was inspired by the ?Kosovo mystery play? by Vojnovic (1857-1929), an outstanding dramatist from Dubrovnik. In this case, the playwright was a narrator of the historical-legendary past of the Serbs. Drawing on Serbian national epic poetry which deals with the downfall of the Serbian medieval empire caused by the Turkish invasion, Vojnovic constructed his play on the basis of the central poem of the epic cycle about Kosovo, The Death of the Jugovic Mother. Both the epic and Vojnovic?s play present the tragedy of Serbian people in the figure of the Mother. She dies with a broken heart after the loss of her heroic husband, Jug-Bogdan, and her nine sons, the Jugovici, in the decisive battle against the Turks in the Kosovo field in 1389. Vojnovic?s play was performed in Belgrade and Zagreb in 1906 and 1907 respectively, as well as in Trieste (1911) and Prague (1926); and several Serbian and Croatian composers wrote incidental music for it. Slovenian composer Mirko Polic was also inspired by it and his work was performed in Ljubljana in 1947, while Konjovic?s ?festival drama? finished in 1960 was staged much later. Its premiere in 1983 was scrupulously prepared by the father-son duo, Dusan Miladinovic (conductor) and Dejan Miladinovic (director), who paid special attention to the visual aspect of the performance. The director, together with the scenographer Aleksandar Zlatovic created for The Fatherland a semi-permanent set of symbolical characters, with an enormous raven, made of jute, replacing the backdrop. The costume designer was influenced by medieval frescoes from Serbian monasteries in Kosovo. The director himself conceived a ?mute? and motionless appearance of figures of Serbian warriors in ?tableaux vivants? by placing them in attitudes of combat on the edge of the revolving stage during the curtain music between the acts. What the composer Konjovic aimed for with his last music drama was to eternalize in music the beautiful Serbian epic, depicting the tragic history of his people and thus reminding Serbs of their roots. In this sense The Fatherland was Konjovic?s Ninth Symphony and his oath of Kosovo.
APA, Harvard, Vancouver, ISO, and other styles
3

Hilton Saggau, Emil. "Kosovo Crucified—Narratives in the Contemporary Serbian Orthodox Perception of Kosovo." Religions 10, no. 10 (October 16, 2019): 578. http://dx.doi.org/10.3390/rel10100578.

Full text
Abstract:
In contemporary Serbian Orthodox texts, Kosovo is often referred to as the Serbian “Jerusalem”: a city calling for a Christian defense. All Serbs are bound to heed the call in keeping with the Kosovo “covenant” or “pledge” dating back to the Battle of Kosovo Polje in 1389, when Serbian troops, led by Prince Lazar, were defeated by the invading Muslim Ottoman army. The battle and Kosovo in general have since then assumed a central symbolic role in Serbian nationalism and the Serbian Orthodox Church. Furthermore, it has been claimed that the imagery and narratives of Kosovo were the ideological backdrop for the wars in the Balkans in the 1990s. This article investigates the development of the Serbian narratives and imagery pertaining to Kosovo and their modern form in the Serbian Orthodox Church in order to trace what type of imagery is dominant. The main focus will be on whether and to what extent the narratives of Christian defense and holy Serbian warriors fighting in the name of Christ are dominant. This investigation seeks to discuss whether the Kosovo imagery and narratives are formed upon and influenced by a broader Christian European antemurale myth.
APA, Harvard, Vancouver, ISO, and other styles
4

الأرناؤوط, محمد. "معركة كوسوفو 1389 م : من الأسطرة إلى الأدلجة = The Battle of Kosovo 1389 : From Myth Making to Ideology." أسطور للدراسات التاريخية, no. 2 (July 2015): 60–87. http://dx.doi.org/10.12816/0014764.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Miletich, John S., John Matthias, and Vladeta Vuckovic. "The Battle of Kosovo." Modern Language Review 85, no. 2 (April 1990): 542. http://dx.doi.org/10.2307/3731941.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Leszka, Mirosław J., and Michał Zytka. "Ilona Czamańska, Jan Leśny, "Battle of Kosovo 1389", Wydawnictwo Poznańskie, Poznań 2015, pp. 245." Studia Ceranea 5 (December 30, 2015): 379–80. http://dx.doi.org/10.18778/2084-140x.05.17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Batakovic, Dusan. "Serbia, the Serbo-Albanian conflict and the First Balkan War." Balcanica, no. 45 (2014): 317–52. http://dx.doi.org/10.2298/balc1445317b.

Full text
Abstract:
After the restoration of Serbia in 1830, the areas of medieval Serbia left out of her borders were dubbed Old Serbia - Kosovo, Metohija, Rascia (the former sanjak of Novi Pazar and the neighbouring areas). Old Serbia (from 1877 onwards the vilayet of Kosovo) was dominated by local Albanian pashas, whereas the Christian Orthodox Serbs and their villages were attacked and pillaged by Muslim Albanian brigands. The religious antagonism between Muslims and Christians expanded into national conflict after the 1878 Albanian League had claimed the entire ?Old Serbia for Greater Albania?. The position of Christian Orthodox Serbs, who accounted for a half of the population at the end of the nineteenth century, was dramatically aggravated due to Muslim Albanians' tribal anarchy, Austria-Hungary's pro-Albanian agitation and, after 1908, frequent Albanian rebellions. All efforts of Serbia to reach a peaceful agreement with Muslim Albanian leaders in Old Serbia before the First Balkan War had ended in failure. The First Balkan War was the most popular war in Serbia?s history as it was seen as avenging the 1389 Battle of Kosovo which had sealed the Ottoman penetration into the Serbian lands. In October 1912, Serbia liberated most of Old Serbia, while Montenegro took possesion of half of the Rascia area and the whole of Metohija. While the decimated and discriminated Serb population greeted the Serbian and Montenegrin troops as liberators, most Albanians, who had sided with the Ottomans, saw the establishment of Serbian rule as occupation.
APA, Harvard, Vancouver, ISO, and other styles
8

Cirkovic, Sima. "The double wreath a contribution to the history of kingship in Bosnia." Balcanica, no. 45 (2014): 107–43. http://dx.doi.org/10.2298/balc1445107c.

Full text
Abstract:
The fact that ban Tvrtko of Bosnia had maternal ties with Nemanjic dynasty and seized certain areas of the former Serbian Empire was used as a basis for him to be crowned king of the Serbs and Bosnia in 1377 in the monastery of Mileseva over the grave of Saint Sava. His charter issued to the Ragusans in 1378 contains the term ?double wreath? which figuratively symbolized the rule of Tvrtko I over two Serb-inhabited states, Bosnia and Serbia. Tvrtko?s choice not to annex the conquered territory to his own state, Bosnia, but to be crowned king of Serbia as well required the development of a new ideology of kingship and a new form of legitimation of power. Although his royal title was recognized by his neighbours, including probably the rest of the Serbian lands, that the project was unrealistic became obvious in the aftermath of the Battle of Kosovo in 1389. What remained after his death was only the royal title, while the state ruled by his successors became exclusively related to Bosnia. Yet, echoes of his coronation in medieval Bosnia can be followed in the further development of the title and of the concept of crown and state. Interestingly, an attempt to revive the double crown concept was made in the early fifteenth century by the king Sigismund of Hungary, who requested that the Bosnians crown him the way Tvrtko had been crowned.
APA, Harvard, Vancouver, ISO, and other styles
9

Curcic, Slobodan. "Gracanica and the cult of the Saintly Prince Lazar." Zbornik radova Vizantoloskog instituta, no. 44 (2007): 465–72. http://dx.doi.org/10.2298/zrvi0744465c.

Full text
Abstract:
The article explores a virtually unknown episode in the history of Gracanica Monastery, a late nineteenth-century restoration of the monastery church. The results of this undertaking were still visible during the conservation of the church conducted in the 1960s and early 1970s. At that time the nineteenth-century interventions were only partially recorded before some of them were removed and permanently lost. The nineteenth- century refurbishing of the frescoes in the main dome was signed by one Mihail Iourokosk Debrel and is dated 1898. More significant, now lost and hitherto unpublished, was the refurbishing probably by the same Mihail, of an arcosolium in the south wall of the church. This arcosolium, whose original function is unknown, was painted and inscribed with a lengthy inscription indicating that the remains of Prince Lazar (who died in the Battle of Kosovo, on June 15, 1389) was temporarily deposited in this tomb before being moved to the monastery of Vrdnik - Ravanica on Fruska Gora. While the content of the inscription is a total fabrication, its implications are nonetheless interesting in several ways. The mastermind behind the project was probably the Metropolitan of Ra{ka - Prizren, Dionisije, who died on Dec. 5, 1900. In accordance with his own wishes, he was buried in the very arcosolium identified as the ?temporary burial place? of Prince Lazar. The rising importance of the cult of the Saintly Prince Lazar around 1900 provides the background for this historical fabrication whose construction was actually made up of several disparate elements, each marked by a degree of historical accuracy in its own right thus collectively contributing to its general relevance.
APA, Harvard, Vancouver, ISO, and other styles
10

Ivanović, Jovan, Iris Žeželj, and Charis Psaltis. "(Im)moral Symbols and (Im)moral Deeds: Defensive Strategies for Coping with Historical Transgressions of Group Heroes and Villains." Journal of Pacific Rim Psychology 15 (January 2021): 183449092199143. http://dx.doi.org/10.1177/1834490921991437.

Full text
Abstract:
In two post-conflict societies (Serbia and Cyprus), the authors investigated how people cope with in-group historical transgression when heroes and villains relevant for their collective identity are made salient in it. The authors set the events in foundational periods for Serbian (Experiment 1) and Greek Cypriot (Experiment 2) ethnic identity—that is, historical representations of the Battle of Kosovo (1389) and the Liberation Struggle (1955–1959), respectively. In both experiments, a between-subjects design was used to manipulate group membership (in-group or out-group) and representation of the salient character (hero, villain, or neutral) in fictitious but historically plausible accounts of transgressions. In Experiment 1 ( N = 225), the participants showed more moral disengagement in the case of in-group historical transgressions than in the case of identical transgressions by an out-group, while the in-group hero was rejected less than all the other historical characters. Social identification based on in-group superiority moderated both observed effects in such a manner that they were more pronounced for participants perceiving their ethnic group as superior. In Experiment 2 ( N = 136), historical transgression involving the in-group hero provoked the most moral disengagement and the least rejection of the group deviant. In-group superiority and in-group importance as distinct modes of social identification moderated these effects in such a way that they were more pronounced for high-identifying individuals. Taken together, the experiments show that the in-group hero, as a highly valued ethnic symbol, is exempt from the black sheep effect and the sanctions of critically attached group members. The authors discuss the implications of in-group heroes for political and educational communication.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Kosovo, Battle of, 1389, in literature"

1

Bakić-Hayden, Milica. "Devastating victory and glorious defeat : the Mahabharata and Kosovo in national imaginings /." 1997. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9733907.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Kosovo, Battle of, 1389, in literature"

1

The battle of Kosovo 1389: An Albanian epic. London: I.B. Tauris, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Suzopolje: Roman o boju na Kosovu. Beograd: BIGZ, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kosovski boj u Gerasimovom letopisu. Beograd: Sloboda, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1952-, Petrović Milorad, and Jovičić Olja 1962-, eds. Kosovo u svesti i nadahnuću srpskoga naroda. Šabac: "Nova knj.", 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Junaci kosovske legende. Beograd: Beogradski izdavačko-grafički zavod, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ređep, Jelka. Kosovska legenda. 2nd ed. Novi Sad: Prometej, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nikola Vratković: Kosovski car i bog : rezultati istraživanja kosovskih pesama i kosovske legende : priroda i poreklo knjiga carostavnih : nikolijanstvo. Niš: DIGP "Prosveta", 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Petrov, Aleksandar. Pre prošlosti: Srpska književnost i književni život (1959-2011). Beograd: Službeni glasnik, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Miloš Obilić: Legende. Beograd: [Jovo Karadžić ... [et. al]., 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ubistvo vladara: Studije i ogledi. Novi Sad: Prometej, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Kosovo, Battle of, 1389, in literature"

1

Šuica, Marko. "The Image of the Battle of Kosovo (1389) Today: a Historic Event, a Moral Pattern, or the Tool of Political Manipulation." In The Uses of the Middle Ages in Modern European States, 152–74. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230283107_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"1. The Battle of Kosovo of 1389 and Serbian Nationalism." In History and Popular Memory, 1–32. Columbia University Press, 2014. http://dx.doi.org/10.7312/cohe16636-003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mitchell, Jolyon, and Joshua Rey. "3. Sanctifying secular wars." In War and Religion: A Very Short Introduction, 37–56. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198803218.003.0003.

Full text
Abstract:
‘Sanctifying secular wars’ evaluates another category of religious wars: secular wars, in which religious commitment is used to pursue aims largely unrelated to religion. Shinto and Buddhism helped strengthen the Japanese war effort in the Second World War. But Japan fought a war of outward conquest. More often, when religion supports rather than motivates war, this is in situations where two religions, each related to a community more or less defined in other ways, collide. This dynamic can arguably be seen at work in Serbia during the Battle of Kosovo Polje (1389), in Northern Ireland, in Sudan, in the Biafra war in Nigeria (1967–70), and in Sri Lanka.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Kosovo, Battle of, 1389, in literature' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography