Relevant bibliographies by topics / Kosovo, Battle of, Kosovo, 1389

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Academic literature on the topic 'Kosovo, Battle of, Kosovo, 1389'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Kosovo, Battle of, Kosovo, 1389"

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Ismaili, Nevrije. "Albanian Songs of The Battle of Fushë Kosovë (1389)." International Journal of Religion 5, no. 10 (June 4, 2024): 693–705. http://dx.doi.org/10.61707/5rqs1284.

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The corresponding song received this name because the fighting between the forces of the Balkan coalition and the invading Ottoman army took place in this space, near today's Pristina, the capital of the Republic of Kosovo. The Albanian variants of this theme convey in an original and special way the general picture of the Kosovo War. In this sense, we would say that the songs about the Kosovo War, 1389, among the Albanians, although in different variants, with significant differences, come as a specific creativity of the Albanians, distinct from the other variants of the peoples who sang them this major event in the history of the Balkans. The true purpose of the creators and the circulating media of the songs about the Kosovo War has been the reflection of a concrete historical event, with real characters, historically documented, in addition to created figures, which is a completely legitimate phenomenon for folkloric artistic creations in generally.
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Hilton Saggau, Emil. "Kosovo Crucified—Narratives in the Contemporary Serbian Orthodox Perception of Kosovo." Religions 10, no. 10 (October 16, 2019): 578. http://dx.doi.org/10.3390/rel10100578.

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In contemporary Serbian Orthodox texts, Kosovo is often referred to as the Serbian “Jerusalem”: a city calling for a Christian defense. All Serbs are bound to heed the call in keeping with the Kosovo “covenant” or “pledge” dating back to the Battle of Kosovo Polje in 1389, when Serbian troops, led by Prince Lazar, were defeated by the invading Muslim Ottoman army. The battle and Kosovo in general have since then assumed a central symbolic role in Serbian nationalism and the Serbian Orthodox Church. Furthermore, it has been claimed that the imagery and narratives of Kosovo were the ideological backdrop for the wars in the Balkans in the 1990s. This article investigates the development of the Serbian narratives and imagery pertaining to Kosovo and their modern form in the Serbian Orthodox Church in order to trace what type of imagery is dominant. The main focus will be on whether and to what extent the narratives of Christian defense and holy Serbian warriors fighting in the name of Christ are dominant. This investigation seeks to discuss whether the Kosovo imagery and narratives are formed upon and influenced by a broader Christian European antemurale myth.
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Radić, Radivoj, and Čedomir Antić. "The Internationalization of the Battle of Kosovo of 1389." Српске студије 13 (2022): 11–47. http://dx.doi.org/10.18485/srpske_studije.2022.13.1.

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Mani, Kujtim. "Lute and Canon: Millosh Encounters Miloš." Balkanistic Forum 32, no. 1 (January 15, 2023): 74–93. http://dx.doi.org/10.37708/bf.swu.v32i1.5.

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This paper seeks to examine the epic and canonical status of the lute and songs of the Kosovo Cycle in both, Albania and Serbia. The interplay of epics with national identity and political aims will be scrutinized, with a particular focus on the nexus of imagination, identity, and history. Moreover, the Kosovo Cycle of Serbs, takes a central position concerning the fall of the medieval state following from the Battle of Kosovo (1389). On the other hand, the Albanian Cycle is more consecrated to the hero as an individual, a brave loyal nobleman and honest chevalier who fights for his besa as code d’honeur. Millosh Kopiliqi/Miloš (K)obilić, the hero of the Battle of Kosovo, is without doubt the most chevaleresque figure of the cycle, in Albanian and Serbian songs. Why the lute became an identity corner stone of Albanians, Serbs, and the other nations in the region? Figuratively speaking, it is the lute epic space of the Kosovo Cycle in Albanian and Serbian where Millosh encounters Miloš and historical truth and imaginary encounters fiction.
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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Vojicic?s Kosovo epic poetry leaves an impression of an active singer who has internalised tradition, and on this foundation composes new works in the traditional manner and "in the folk style". Vojicic is a literate singer who was familiar with the collections of Vuk Karadzic, Bogoljub Petranovic, the Matica Hrvatska, and the songbooks of the time. He did not hesitate to remake or rewrite songs from printed collections or periodicals, which means that his understanding of authorship was in the traditional spirit. Vojicic?s compilations lie on that delicate line between oral traditional and modern literary poetry; he is, naturally, not alone in this double role - the majority of the gusle-players who were his contemporaries could be similarly described. In the body of Kosovo epic poetry Vojicic?s songs stand out (The Death of Pavle Orlovic at Kosovo, The Kosovo Tragedy), where he abandons the printed model and achieves the kind of originality which is in fact part of tradition itself. Vojicic highly valued oral tradition and the opportunity to perform it, as part of the process of creating an image of himself as a folk gusle-player in modern terms. For this reason, his repertoire includes both old and new themes. They are sung according to the epic standard, but also in accordance with the modern standard of epic semi-literary works. In Vojicic?s world, oral tradition is an important component in viewing the historical past, and in perceiving reality and the singer?s place in it. The epic is a form of oral memory and the guardian of remembrance of past events; however it also provides a space for surveying and commenting on modern historical situations in a popularly accepted manner, at times in an ideological key, as seen in songs which gather together major historical events. This perception of the epic tradition and history is mirrored in the heterogeneity of the corpus and in the repertoire of songs, and is all a consequence of vastly changed conditions of origin, existence and acceptance, i.e. the consumption of oral works in the first half of the 20th century, in a process of interaction between literature and folklore.
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Stojkovski, Boris. "Sibinjanin Janko: History, tradition, legend." Kultura, no. 174-175 (2022): 77–91. http://dx.doi.org/10.5937/kultura2275077s.

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The aim of the paper was to provide historical background of the so-called second battle of Kosovo that has occurred in October 1448, as well as the oral tradition that came out from the battle. In the battle, Janos Hunyadi (Sibinjanin Janko in the Serbian oral epic tradition) fought and lost against the Turks at the very same place where prince Lazar had encountered the same enemy in 1389. From the historical point of view, the most important facts about this event are the following: Hunyadi led the army of Hungarians, Czechs, Germans, Poles and other Christians who had encountered the Ottoman army of Sultan Murat II; the Christians were defeated; Janko's nephew Szekely Janos lost his life; and Hunyadi himself escaped. Later on, Hunyadi became one of the most prominent heroes of the Serbian folk tradition and epic songs about heroic deeds. Beside him, Janos Szekely, who governed Slavonia and Croatia also become an epic legend, under the name of Sekula Banović. A part of the tradition of the battle of Varna, which took place in the year 1444, also came into the tradition of the Kosovo battle, from which emerged one complex oral memory of the heroic fights against the Ottoman conquerors. Even though there are a lot historically vague facts, even a lot of fictional characters, the tradition of Hunyadi's valiant clashes with the Turks on the field of Kosovo has remained and survived through different epochs.
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Ślawska, Magdalena. "O literackich losach opowieści o bitwie na Kosowym Polu i próbie przybliżenia jej polskim czytelnikom dziecięcym." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 23 (December 30, 2023): 257–76. http://dx.doi.org/10.24917/20811853.23.15.

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This article is devoted to the Polish edition of a collection of Serbian folk songs, which was published in 1962 by the Polish publishing house Nasza Księgarnia under the title Bitwa na Kosowym Polu (The Battle of Kosovo). It is the first and only complete edition of the songs of the Kosovo cycle in Polish, translated for young readers by Zygmunt Stoberski, an outstanding translator and promoter of Serbian literature in Poland. The article is divided into several parts. In the first one, attention is focused on the battle itself, which took place in 1389, the folk songs commemorating this event and the importance of the Kosovo myth. In the second part, the focus is on the fascination with the Serbian Middle Ages in Serbian literature for children and youth. In the following parts, Polish‑Serbian literary contacts after World War II and the history of translations of texts for children, the translation and popularization activities of Zygmunt Stoberski, and the reception of Serbian folk song in Poland were reviewed. The main purpose of the article was to show how the translator and the publishing house Nasza Księgarnia adapted the Serbian epic to the perceptual abilities of young readers. It also shows how Bitwa na Kosowym Polu can be seen against the background of Polish historical prose for children, which was written in the 1950s and 1960s.
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Stojanović-Šešlak, Ivana. "Cultural heritage in Kosovo through the eyes of Rebecca West." Sabornost, no. 15 (2021): 127–41. http://dx.doi.org/10.5937/sabornost2115127s.

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A large part of our public is familiar with the name of the British-Irish author Rebecca West. Domestic journalism abounds with texts about the author due to her extremely positive writing about Serbs and Serbian culture. In the travelogue Black Lamb and the Gray Falcon, West expresses great admiration for our cultural heritage and understanding of our identity, which she identifies with the poem The Fall of the Serbian Empire. During her stay in Macedonia, she was introduced to Bishop Nikolaj, whom she considered one of the most extraordinary people she had ever met. In her travelogue, the author draws a comparison between the Battle of Kosovo in 1389 and England in 1939. In this paper, we will try to present her experience of monasteries in Kosovo, pointing to the fact that she considered herself different from other Western authors who, like herself, wrote about the Balkans.
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الأرناؤوط, محمد. "معركة كوسوفو 1389 م : من الأسطرة إلى الأدلجة = The Battle of Kosovo 1389 : From Myth Making to Ideology." أسطور للدراسات التاريخية, no. 2 (July 2015): 60–87. http://dx.doi.org/10.12816/0014764.

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Kršljanin, N. V. "THE STATE ASSEMBLY AFTER THE BATTLE OF KOSOVO IN 1389: SERBIA AT THE CROSSROADS." Moscow University Bulletin of them SY Witte Series 2 Legal science, no. 4 (2021): 11–15. http://dx.doi.org/10.21777/2587-9472-2021-4-11-15.

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Dissertations / Theses on the topic "Kosovo, Battle of, Kosovo, 1389"

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Ringheiser, Anna. "Narrative and Nationhood: The Battle of Kosovo." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:107970.

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Thesis advisor: Ali Banuazizi
This thesis explores the centrality of myth in the master narrative of Serbian ethno-nationalism that erupted in the late 1980s through the 1990s. By looking at Serbian folk epics depicting the battle of Kosovo, this thesis examines the role of myth as a part of Serbian identity and culture. The way the myth of the battle of Kosovo is remembered is a way of reconstructing the past through using themes in the myth to manipulate public memory and political consciousness. This thesis shows that while myth represents a key construction of a master national narrative, the narrative does not represent the stories of all members of the nation. The theoretical and official “history” of a nation is separate from the lived history of individuals. The last chapter uses gender as a lens to examine the master national stemming from the Kosovo myth, showing how the national master narrative connects to the “myth of the all pervasive patriarchy” in how history is understood
Thesis (BA) — Boston College, 2018
Submitted to: Boston College. College of Arts and Sciences
Discipline: Departmental Honors
Discipline: History
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Bakić-Hayden, Milica. "Devastating victory and glorious defeat : the Mahabharata and Kosovo in national imaginings /." 1997. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9733907.

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Books on the topic "Kosovo, Battle of, Kosovo, 1389"

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Emmert, Thomas Allan. Serbian Golgotha: Kosovo, 1389. [Boulder]: East European Monographs, 1990.

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Dušan, Bataković, Dragić Kijuk, Predrag R., 1945-, Mileusnić Slobodan, and Savić Vladimir, eds. Boj na Kosovu =: The Battle of Kosovo : 1389-1989. Beograd: Zavičaj, 1989.

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Ismail, Kadare. Elegy for Kosovo. New York: Arcade Pub., 2000.

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Lomonosov, M. I︠U︡. Russkie istoricheskie istochniki Kosovskoĭ bitvy 1389 g. Permʹ: [s.n.], 2005.

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Luan, Malltezi, and Instituti i Historisë (Akademia e Shkencave e RSH), eds. Beteja e Kosovës 1389: Përmbledhje studimesh. Tiranë: Akademia e Shkencave e Shqipërisë, Instituti i Historisë, 2005.

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Malltezi, Luan. Beteja e Fushë-Kosovës dhe shqiptarët, 1389. Tiranë: "Eurorilindja", 1998.

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S, Vucinich Wayne, and Emmert Thomas Allan 1945-, eds. Kosovo: Legacy of a medieval battle. Minneapolis, Minn: University of Minnesota, 1991.

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I. Kosova Zaferi'nin 600. Yıldönümü Sempozyumu (1989 Ankara, Turkey). I. Kosova Zaferi'nin 600. Yıldönümü Sempozyumu bildirileri: 26 Nisan 1989. Ankara: Türk Tarih Kurumu Basımevi, 1992.

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Haxhaj, Ardian. Kryekronika e Fushës së Kosovës: Roman. Prishtinë: Shtepia Botuese Faik Konica, 2008.

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Damjanović, Dragan. Gazimestan: Suze božura. Beograd: Princip Pres, 2009.

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Book chapters on the topic "Kosovo, Battle of, Kosovo, 1389"

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Šuica, Marko. "The Image of the Battle of Kosovo (1389) Today: a Historic Event, a Moral Pattern, or the Tool of Political Manipulation." In The Uses of the Middle Ages in Modern European States, 152–74. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230283107_10.

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Antoche, Emanuel Constantin. "Hunyadi’s Campaign of 1448 and the Second Battle of Kosovo Polje (October 17–20)." In Reconfiguring the Fifteenth-Century Crusade, 245–84. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-46281-7_8.

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"1. The Battle of Kosovo of 1389 and Serbian Nationalism." In History and Popular Memory, 1–32. Columbia University Press, 2014. http://dx.doi.org/10.7312/cohe16636-003.

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Mitchell, Jolyon, and Joshua Rey. "3. Sanctifying secular wars." In War and Religion: A Very Short Introduction, 37–56. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198803218.003.0003.

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‘Sanctifying secular wars’ evaluates another category of religious wars: secular wars, in which religious commitment is used to pursue aims largely unrelated to religion. Shinto and Buddhism helped strengthen the Japanese war effort in the Second World War. But Japan fought a war of outward conquest. More often, when religion supports rather than motivates war, this is in situations where two religions, each related to a community more or less defined in other ways, collide. This dynamic can arguably be seen at work in Serbia during the Battle of Kosovo Polje (1389), in Northern Ireland, in Sudan, in the Biafra war in Nigeria (1967–70), and in Sri Lanka.
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Kaliganov, Igor I. "The Holy Blessed Prince Lazarus of Serbia who died in the battle with the Turks on the Kosovo Field." In Materials for the virtual Museum of Slavic Cultures. Issue II, 133–38. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0440-4.22.

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The article is dedicated to Prince Lazarus (c. 1320–89), who ruled Serbia in the 14th century for about two decades and died in the battle with the Turks on the Kosovo field in 1389. He proved to be a successful ruler and diplomat, managing to unite a large part of the scattered Serbian lands and strengthening dynastic ties with his Balkan neighbors, as well as resolving the conflict of the Serbian Church with the Constantinople Patriarchate. Almost immediately after his death, Prince Lazarus was proclaimed a holy martyr. He occupies a prominent place in Serbian literature and folklore. In the 16th century the cult of Prince Lazarus spread to the Moscow state, but was less important than the veneration in Russian lands of St Sava of Serbia and St Simeon of Serbia.
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Shriver, Donald W. "Introduction." In An Ethic For Enemies, 3–11. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195091052.003.0001.

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Abstract In the aftermath of the most destructive urban riot in American history, the man whose case ignited it all touched millions of Americans when he said: “People, I just want to say, you know, can we all get along? ... I mean, we’re all stuck here for a while. Let’s try to work it out.”In those simple words Rodney King was implicitly defining politics: how humans “get along” with each other in spite of their conflicts. So defined, the political is one of our most necessary and most fragile human achievements. From a million years back, we have been a fractious species. Fighting comes easily to us. But cooperation had to come too, or else we might not have survived our own combativeness. This is a book about how human enemies, some or all of whom have greatly harmed each other, can grope toward political association again; if they are not to be derailed from that goal, they will find themselves practicing a collective form of forgiveness. How necessary, and how lacking, forgiveness is in the ordinary push and pull of human politics has many contemporary illustrations, but none more graphic and horrible than the civil war in the former Yugoslavia. The world cringes at a Serb’s willingness to kill a Muslim in revenge for ancestors who fought the Battle of Kosovo in the year 1389; but in fact every nation has among its citizens those who have vast unresolved resentments against the descendants of some other group of citizens. The majority of us are apparently a long way from ceasing to hold the sins of the ancestors against their living children. Were the ancestors still living, we might be willing to refight our wars with them. In the early 1990s, one did not have to travel to Bosnia to find vivid examples of that truth in the life of the United States of America. As Euro-Americans prepared to celebrate the 500th anniversary of Columbus’s voyages, a mixed chorus of domestic voices rose in protest: “Our ancestors had nothing to celebrate in that landing. Neither do we.” It was one way of saying-if one were African American, Hispanic American, or Native American-that something more moral than Euro imperialism had better be at the base of a publicly shared memory capable of uniting the United States of America.
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"Reverberations of the Battle of Kosovo: The Mountain Wreath and Ethnic Cleansing." In The Conscience of Humankind, 393–414. BRILL, 2000. http://dx.doi.org/10.1163/9789004484085_033.

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"The Eternal Battle for the Domination of the World, or, Forget Kosovo." In Deconstruction After 9/11, 49–62. Routledge, 2008. http://dx.doi.org/10.4324/9780203891100-8.

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Rosamond, Annika Bergman, and Christine Agius. "Sweden, military intervention and the loss of memory." In The politics of identity. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526110244.003.0010.

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Within the space of roughly two decades, Sweden has changed from a neutral country to one that is currently engaged in a range of activities and practices that are far removed from the definition of neutrality. Its engagement with NATO, contribution of forces to Kosovo, Afghanistan and Libya, and its role as a leading framework nation in the emergent EU Battle Groups suggest at first glance the shifting demands of global security practices. The rationale of the move away from traditional state-centric security, however, obscures a more complex picture. In this chapter, we investigate specific aspects of these changes in relation to Swedish security policy, specifically robust forms of military intervention. We argue that rather than reflecting global security practices, deeper endogenous processes are at work. Significantly, such engagements are part of disembedding norms around neutrality and revising public and elite memory of Sweden as a neutral state. By focusing on identity and memory, we posit that Sweden’s current military engagements are concerned with rewriting identity and with a view to making new memories (or a ‘memory bank’) of wartime experiences. This has played a crucial part in not only justifying and naturalizing specific practices and actions, but also reconstituting identity in the process.
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