Relevant bibliographies by topics / Kosovo, Battle of, Kovoso, 1389

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Academic literature on the topic 'Kosovo, Battle of, Kovoso, 1389'

Author: Grafiati
Published: 2 March 2023
Last updated: 2 March 2023

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Journal articles on the topic "Kosovo, Battle of, Kovoso, 1389"

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Radić, Radivoj, and Čedomir Antić. "The Internationalization of the Battle of Kosovo of 1389." Српске студије 13 (2022): 11–47. http://dx.doi.org/10.18485/srpske_studije.2022.13.1.

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Hilton Saggau, Emil. "Kosovo Crucified—Narratives in the Contemporary Serbian Orthodox Perception of Kosovo." Religions 10, no. 10 (October 16, 2019): 578. http://dx.doi.org/10.3390/rel10100578.

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In contemporary Serbian Orthodox texts, Kosovo is often referred to as the Serbian “Jerusalem”: a city calling for a Christian defense. All Serbs are bound to heed the call in keeping with the Kosovo “covenant” or “pledge” dating back to the Battle of Kosovo Polje in 1389, when Serbian troops, led by Prince Lazar, were defeated by the invading Muslim Ottoman army. The battle and Kosovo in general have since then assumed a central symbolic role in Serbian nationalism and the Serbian Orthodox Church. Furthermore, it has been claimed that the imagery and narratives of Kosovo were the ideological backdrop for the wars in the Balkans in the 1990s. This article investigates the development of the Serbian narratives and imagery pertaining to Kosovo and their modern form in the Serbian Orthodox Church in order to trace what type of imagery is dominant. The main focus will be on whether and to what extent the narratives of Christian defense and holy Serbian warriors fighting in the name of Christ are dominant. This investigation seeks to discuss whether the Kosovo imagery and narratives are formed upon and influenced by a broader Christian European antemurale myth.
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Mani, Kujtim. "Lute and Canon: Millosh Encounters Miloš." Balkanistic Forum 32, no. 1 (January 15, 2023): 74–93. http://dx.doi.org/10.37708/bf.swu.v32i1.5.

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This paper seeks to examine the epic and canonical status of the lute and songs of the Kosovo Cycle in both, Albania and Serbia. The interplay of epics with national identity and political aims will be scrutinized, with a particular focus on the nexus of imagination, identity, and history. Moreover, the Kosovo Cycle of Serbs, takes a central position concerning the fall of the medieval state following from the Battle of Kosovo (1389). On the other hand, the Albanian Cycle is more consecrated to the hero as an individual, a brave loyal nobleman and honest chevalier who fights for his besa as code d’honeur. Millosh Kopiliqi/Miloš (K)obilić, the hero of the Battle of Kosovo, is without doubt the most chevaleresque figure of the cycle, in Albanian and Serbian songs. Why the lute became an identity corner stone of Albanians, Serbs, and the other nations in the region? Figuratively speaking, it is the lute epic space of the Kosovo Cycle in Albanian and Serbian where Millosh encounters Miloš and historical truth and imaginary encounters fiction.
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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Vojicic?s Kosovo epic poetry leaves an impression of an active singer who has internalised tradition, and on this foundation composes new works in the traditional manner and "in the folk style". Vojicic is a literate singer who was familiar with the collections of Vuk Karadzic, Bogoljub Petranovic, the Matica Hrvatska, and the songbooks of the time. He did not hesitate to remake or rewrite songs from printed collections or periodicals, which means that his understanding of authorship was in the traditional spirit. Vojicic?s compilations lie on that delicate line between oral traditional and modern literary poetry; he is, naturally, not alone in this double role - the majority of the gusle-players who were his contemporaries could be similarly described. In the body of Kosovo epic poetry Vojicic?s songs stand out (The Death of Pavle Orlovic at Kosovo, The Kosovo Tragedy), where he abandons the printed model and achieves the kind of originality which is in fact part of tradition itself. Vojicic highly valued oral tradition and the opportunity to perform it, as part of the process of creating an image of himself as a folk gusle-player in modern terms. For this reason, his repertoire includes both old and new themes. They are sung according to the epic standard, but also in accordance with the modern standard of epic semi-literary works. In Vojicic?s world, oral tradition is an important component in viewing the historical past, and in perceiving reality and the singer?s place in it. The epic is a form of oral memory and the guardian of remembrance of past events; however it also provides a space for surveying and commenting on modern historical situations in a popularly accepted manner, at times in an ideological key, as seen in songs which gather together major historical events. This perception of the epic tradition and history is mirrored in the heterogeneity of the corpus and in the repertoire of songs, and is all a consequence of vastly changed conditions of origin, existence and acceptance, i.e. the consumption of oral works in the first half of the 20th century, in a process of interaction between literature and folklore.
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Stojkovski, Boris. "Sibinjanin Janko: History, tradition, legend." Kultura, no. 174-175 (2022): 77–91. http://dx.doi.org/10.5937/kultura2275077s.

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The aim of the paper was to provide historical background of the so-called second battle of Kosovo that has occurred in October 1448, as well as the oral tradition that came out from the battle. In the battle, Janos Hunyadi (Sibinjanin Janko in the Serbian oral epic tradition) fought and lost against the Turks at the very same place where prince Lazar had encountered the same enemy in 1389. From the historical point of view, the most important facts about this event are the following: Hunyadi led the army of Hungarians, Czechs, Germans, Poles and other Christians who had encountered the Ottoman army of Sultan Murat II; the Christians were defeated; Janko's nephew Szekely Janos lost his life; and Hunyadi himself escaped. Later on, Hunyadi became one of the most prominent heroes of the Serbian folk tradition and epic songs about heroic deeds. Beside him, Janos Szekely, who governed Slavonia and Croatia also become an epic legend, under the name of Sekula Banović. A part of the tradition of the battle of Varna, which took place in the year 1444, also came into the tradition of the Kosovo battle, from which emerged one complex oral memory of the heroic fights against the Ottoman conquerors. Even though there are a lot historically vague facts, even a lot of fictional characters, the tradition of Hunyadi's valiant clashes with the Turks on the field of Kosovo has remained and survived through different epochs.
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الأرناؤوط, محمد. "معركة كوسوفو 1389 م : من الأسطرة إلى الأدلجة = The Battle of Kosovo 1389 : From Myth Making to Ideology." أسطور للدراسات التاريخية, no. 2 (July 2015): 60–87. http://dx.doi.org/10.12816/0014764.

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Kršljanin, N. V. "THE STATE ASSEMBLY AFTER THE BATTLE OF KOSOVO IN 1389: SERBIA AT THE CROSSROADS." Moscow University Bulletin of them SY Witte Series 2 Legal science, no. 4 (2021): 11–15. http://dx.doi.org/10.21777/2587-9472-2021-4-11-15.

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Leszka, Mirosław J., and Michał Zytka. "Ilona Czamańska, Jan Leśny, "Battle of Kosovo 1389", Wydawnictwo Poznańskie, Poznań 2015, pp. 245." Studia Ceranea 5 (December 30, 2015): 379–80. http://dx.doi.org/10.18778/2084-140x.05.17.

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Stojanović-Šešlak, Ivana. "Cultural heritage in Kosovo through the eyes of Rebecca West." Sabornost, no. 15 (2021): 127–41. http://dx.doi.org/10.5937/sabornost2115127s.

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A large part of our public is familiar with the name of the British-Irish author Rebecca West. Domestic journalism abounds with texts about the author due to her extremely positive writing about Serbs and Serbian culture. In the travelogue Black Lamb and the Gray Falcon, West expresses great admiration for our cultural heritage and understanding of our identity, which she identifies with the poem The Fall of the Serbian Empire. During her stay in Macedonia, she was introduced to Bishop Nikolaj, whom she considered one of the most extraordinary people she had ever met. In her travelogue, the author draws a comparison between the Battle of Kosovo in 1389 and England in 1939. In this paper, we will try to present her experience of monasteries in Kosovo, pointing to the fact that she considered herself different from other Western authors who, like herself, wrote about the Balkans.
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Batakovic, Dusan. "Serbia, the Serbo-Albanian conflict and the First Balkan War." Balcanica, no. 45 (2014): 317–52. http://dx.doi.org/10.2298/balc1445317b.

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After the restoration of Serbia in 1830, the areas of medieval Serbia left out of her borders were dubbed Old Serbia - Kosovo, Metohija, Rascia (the former sanjak of Novi Pazar and the neighbouring areas). Old Serbia (from 1877 onwards the vilayet of Kosovo) was dominated by local Albanian pashas, whereas the Christian Orthodox Serbs and their villages were attacked and pillaged by Muslim Albanian brigands. The religious antagonism between Muslims and Christians expanded into national conflict after the 1878 Albanian League had claimed the entire ?Old Serbia for Greater Albania?. The position of Christian Orthodox Serbs, who accounted for a half of the population at the end of the nineteenth century, was dramatically aggravated due to Muslim Albanians' tribal anarchy, Austria-Hungary's pro-Albanian agitation and, after 1908, frequent Albanian rebellions. All efforts of Serbia to reach a peaceful agreement with Muslim Albanian leaders in Old Serbia before the First Balkan War had ended in failure. The First Balkan War was the most popular war in Serbia?s history as it was seen as avenging the 1389 Battle of Kosovo which had sealed the Ottoman penetration into the Serbian lands. In October 1912, Serbia liberated most of Old Serbia, while Montenegro took possesion of half of the Rascia area and the whole of Metohija. While the decimated and discriminated Serb population greeted the Serbian and Montenegrin troops as liberators, most Albanians, who had sided with the Ottomans, saw the establishment of Serbian rule as occupation.
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Dissertations / Theses on the topic "Kosovo, Battle of, Kovoso, 1389"

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Bakić-Hayden, Milica. "Devastating victory and glorious defeat : the Mahabharata and Kosovo in national imaginings /." 1997. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9733907.

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Books on the topic "Kosovo, Battle of, Kovoso, 1389"

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Ismail, Kadare. Elegy for Kosovo. New York: Arcade Pub., 2000.

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Ismail, Kadare. Trois chants funèbres pour le Kosovo: Récits. Paris: Fayard, 1998.

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Ismail, Kadare. Tri këngë zie për Kosovën: Novela. Tiranë: Onufri, 1998.

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1938-, Vukadinović Alek, ed. Kosovo 1389-1989. Beograd, Jugoslavija: Association of Serbian Writers, 1989.

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Emmert, Thomas Allan. Serbian Golgotha: Kosovo, 1389. [Boulder]: East European Monographs, 1990.

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Dragoslav, Srejović, Ćirković Sima M, Srpska akademija nauka i umetnosti., and Istorijski muzej Srbije (Belgrade, Serbia), eds. Bitka na Kosovu 1389. godine. Beograd: Srpska akademija nauka i umetnosti, 1989.

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Kosovo i Vidovdan. 3rd ed. Šabac: "Glas crkve" i Srpska cars[k]a lavra Manastir Hilandar na Svetoj Gori Atonskoj, 1988.

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Luan, Malltezi, and Instituti i Historisë (Akademia e Shkencave e RSH), eds. Beteja e Kosovës 1389: Përmbledhje studimesh. Tiranë: Akademia e Shkencave e Shqipërisë, Instituti i Historisë, 2005.

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Malltezi, Luan. Beteja e Fushë-Kosovës dhe shqiptarët, 1389. Tiranë: "Eurorilindja", 1998.

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The battle of Kosovo 1389: An Albanian epic. London: I.B. Tauris, 2009.

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Book chapters on the topic "Kosovo, Battle of, Kovoso, 1389"

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Šuica, Marko. "The Image of the Battle of Kosovo (1389) Today: a Historic Event, a Moral Pattern, or the Tool of Political Manipulation." In The Uses of the Middle Ages in Modern European States, 152–74. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230283107_10.

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"1. The Battle of Kosovo of 1389 and Serbian Nationalism." In History and Popular Memory, 1–32. Columbia University Press, 2014. http://dx.doi.org/10.7312/cohe16636-003.

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Mitchell, Jolyon, and Joshua Rey. "3. Sanctifying secular wars." In War and Religion: A Very Short Introduction, 37–56. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198803218.003.0003.

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‘Sanctifying secular wars’ evaluates another category of religious wars: secular wars, in which religious commitment is used to pursue aims largely unrelated to religion. Shinto and Buddhism helped strengthen the Japanese war effort in the Second World War. But Japan fought a war of outward conquest. More often, when religion supports rather than motivates war, this is in situations where two religions, each related to a community more or less defined in other ways, collide. This dynamic can arguably be seen at work in Serbia during the Battle of Kosovo Polje (1389), in Northern Ireland, in Sudan, in the Biafra war in Nigeria (1967–70), and in Sri Lanka.
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Kaliganov, Igor I. "The Holy Blessed Prince Lazarus of Serbia who died in the battle with the Turks on the Kosovo Field." In Materials for the virtual Museum of Slavic Cultures. Issue II, 133–38. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0440-4.22.

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The article is dedicated to Prince Lazarus (c. 1320–89), who ruled Serbia in the 14th century for about two decades and died in the battle with the Turks on the Kosovo field in 1389. He proved to be a successful ruler and diplomat, managing to unite a large part of the scattered Serbian lands and strengthening dynastic ties with his Balkan neighbors, as well as resolving the conflict of the Serbian Church with the Constantinople Patriarchate. Almost immediately after his death, Prince Lazarus was proclaimed a holy martyr. He occupies a prominent place in Serbian literature and folklore. In the 16th century the cult of Prince Lazarus spread to the Moscow state, but was less important than the veneration in Russian lands of St Sava of Serbia and St Simeon of Serbia.
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