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Relevant bibliographies by topics / Kottabos

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Academic literature on the topic 'Kottabos'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "Kottabos"

1

Rosen, Ralph M. "Euboulos' Ankylion and the Game of Kottabos." Classical Quarterly 39, no. 2 (1989): 355–59. http://dx.doi.org/10.1017/s0009838800037423.

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Euboulos' 'αγκελ⋯ων is represented by only four fragments (frr. 1–3 frr. 1–4 Hunter), all culled from Athenaeus, which tell us nothing about the plot of the play or about the identity of its titular character. R. L. Hunter, in his recent commentary on Euboulos, discusses at length the name 'αγκελ⋯ων and concludes that it could belong to either (1) a humble and poor man; (2) ‘a character from folklore notorious for sexual relations with his mother’ ; or (3)’ a wily slave such as those foreshadowed in Aristophanes and familiar from New Comedy'. In view of our ignorance of the play's plot, each o

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2

Csapo, E., and M. C. Miller. "The "Kottabos-Toast" and an Inscribed Red-Figured Cup." Hesperia 60, no. 3 (1991): 367. http://dx.doi.org/10.2307/148071.

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Attia, Alexandra, and Adrien Delahaye. "Vertiges du banquet : jeux d'habileté et d'équilibre au symposion." Kentron 36 (December 17, 2021): 29–66. https://doi.org/10.5281/zenodo.6471354.

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<em>Place of sociability</em> par excellence<em> for the ancient Greeks, the</em> symposion <em>is also a privileged setting for playing with social norms. Beyond the shared consumption of wine, which underpins the group’s cohesion, the</em> symposion <em>allows values and norms to be reaffirmed, but also to be exceeded, within a circumscribed framework. This constant wobbling between the rules and their transgression often takes the form, in the iconography of Greek vases, of a game of mirrors between civilisation and wildness, in which komasts and satyrs e

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Attia, Alexandra, and Adrien Delahaye. "Vertiges du banquet : jeux d'habileté et d'équilibre au symposion." Kentron 36, Jeu, normes et transgressions (2022): 29–66. https://doi.org/10.4000/kentron.4415.

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Lieu de sociabilité par excellence des Grecs anciens, le <em>symposion</em> constitue aussi un cadre privilégié pour jouer avec les normes sociales. Au-delà de la consommation partagée du vin qui fonde la cohésion du groupe, le <em>symposion</em> permet de réaffirmer les valeurs et les normes, mais aussi d’outrepasser ces dernières, dans un cadre circonscrit. Cette oscillation constante entre les règles et leur transgression prend souvent la forme, dans l’iconographie des vases grecs, d’un jeu

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5

Ambrosini, Laura. "Candelabra, Thymiateria and Kottaboi at Banquets: Greece and Etruria in Comparison." Etruscan Studies 16, no. 1 (2013): 1–38. http://dx.doi.org/10.1515/etst-2013-0007.

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6

McWilliam, Janette. "Family perpetrated and condoned violence in the education of male Greco-Roman children." Bulletin of the Institute of Classical Studies 66, no. 2 (2023): 63–83. http://dx.doi.org/10.1093/bics/qbae016.

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ABSTRACT It is widely recognized that physical corporal punishment was experienced by many Greco-Roman children and youths when they attended schools. However, relatively little attention has been paid to family perpetrated or condoned violence that was directed at children with learning impairments. This study examines the role of physical, emotional, and verbal family abuse perpetrated by parents, relatives, and other members of the household, such as slaves and freedmen, in the education of males with learning impairments. It examines in detail the family abuse suffered by Kottalos, the son

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7

Attia, Alexandra. "Jouer au banquet : le kottabe au féminin en Grande Grèce." Clio, no. 56 (December 1, 2022): 187–97. http://dx.doi.org/10.4000/clio.22861.

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Alexandra, Attia. "Jouer au banquet. Le kottabe au féminin en Grande Grèce." in V. Dasen et M.-L. Arnette (dir.), dossier "Joueuses!", Clio. Femmes, Genre, Histoire 56, no. 2 (2022): 187–97. https://doi.org/10.5281/zenodo.7993640.

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Le jeu du kottabe, intervenant une fois le symposion entamé, est sans doute le plus célèbre des jeux de banquet. Cette pratique ludique, source d’émulations entre les buveurs, consistait à projeter d’un geste habile et maîtrisé la dernière goutte de vin de sa coupe sur une cible prédéfinie. Le vin, médiateur de sociabilité, est dans ce cadre à la fois la modalité et l’instrument du jeu, tandis que la vaisselle de banquet est détournée de son usage premier. À p

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9

முனைவர், பீ. பெரியசாமி /. Dr. B. Periyaswamy. "தமிழர் பண்பாட்டு மரபில் வழிபாடும் கோயில்களின் தோற்றமும் / Worship and Origin of Temples in Tamil Cultural Heritage". IJTLLS 7, SPL 1 (2024): 314–41. https://doi.org/10.5281/zenodo.15129689.

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<em>Culture is related to food, dress, shelter, worship, culture, civilization and traditional customs. This article explores the impact of temples on the worship tradition of Tamils and the social change faced by them. It tells about the ancient worship of Tamils such as nature worship, temple-based gods and their worship, tree worship, Indra worship, Kaman worship, Kartika festival, Pongal and Panguni Uthiram. Then, Anangu and Sur were also known as deities worshipped out of fear. Nadukal worship, the tradition of worshipping stones, mother goddess worship and Muruga worship paved the way to

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Krishnan, Vineetha. "Who Debarred "you‟?" Artha - Journal of Social Sciences 15, no. 3 (2016): 81. http://dx.doi.org/10.12724/ajss.38.5.

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The paper examines the idea of „unqualified public‟ in International Film Festival of Kerala, IFFK. The general notions about the public in IFFK will be described by narrating incidents and tales of hindrances people faced while entering into the above-mentioned space. The criticisms leveled against cinema in the discussions, outside the space, always contributed to number of censures of the Film Festival too, spurring debates centering around who should watch a movie or who should participate in IFFK. A paper that aims to understand the notion of public, in an international festival on films

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Books on the topic "Kottabos"

1

(Editor), R. Y. Tyrrell, and Edward Sullivan (Editor), eds. Echoes From Kottabos. Kessinger Publishing, LLC, 2007.

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(Editor), R. Y. Tyrrell, and Edward Sullivan (Editor), eds. Echoes From Kottabos. Kessinger Publishing, LLC, 2007.

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3

Kottas-Heldenberg, Arthur. Kottas on Dressage. Kenilworth Press, Limited, 2010.

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4

Kottas On Dressage. Trafalgar Square Publishing, 2010.

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5

Kottas On Dressage. Quiller Publishing Ltd, 2010.

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6

Unknown. Hozanna teljes kottas nepenekeskonyv. Szent Istvan Tarsulat, 2002.

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7

Kottas-Heldenberg, Arthur, and Julie Rowbotham. Dressur mit Arthur Kottas: Grundsätze und Lektionen der Spanischen Hofreitschule in Wien. Müller Rüschlikon, 2010.

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Book chapters on the topic "Kottabos"

1

Pownall, Frances. "Critias on the Aetiology of the Kottabos Game." In Recherches sur les Rhétoriques Religieuses. Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.rrr-eb.4.00453.

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2

"The Teacher (ΔΙΔΑΣΚΑΛΟΣ‎)." In Herodas: Mimiambs, edited by Graham Zanker. Liverpool University Press, 2009. http://dx.doi.org/10.3828/liverpool/9780856688836.003.0004.

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This chapter examines Herodas' Mimiamb 3, which is unique among the poems preserved by the papyrus as it deals with a family. It describes the characterization of Mêtrotimê and her family circumstances, as well as her attitude to Kottalos as the aim of Mimiamb 3. It also discusses the Mêtrotimê that has affinities with the New Comedy type of the woman chatterbox and her 57.5-line monologue that was cut short abruptly by Lampriskos. The chapter mentions Kottalos as the family's only child and sole hope for Mêtrotimê's superannuation. It analyses how Herodas steadfastly presents Mêtrotimê in all

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