Relevant bibliographies by topics / Kotzebue, August von

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Academic literature on the topic 'Kotzebue, August von'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Kotzebue, August von"

1

Stone, Ian R. "August von Kotzebue's Count Benyowsky,1794." Polar Record 30, no. 173 (1994): 132–34. http://dx.doi.org/10.1017/s0032247400021355.

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As is well-known, Kotzebue Sound in Alaska is named after Otto von Kotzebue, who surveyed the area during his second circumnavigation of the globein 1815–1818. However, Otto was not the only member of his family worthy of attention. His father, August von Kotzebue, was the author of Count Benyowsky, one of the earliest plays the action of which is set in the north. The work was written in German in 1794 and was widely translated. In English, in B. Thompson's translation of 1800, it received the subtitle ‘The conspiracy of Kamtschatka.’
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2

Adams, Sarah J. "Democratizing Abolitionism: Anti-slavery Discourses and Sentiments in August von Kotzebue's Die Negersklaven (1796)." Cultural History 9, no. 1 (2020): 26–45. http://dx.doi.org/10.3366/cult.2020.0207.

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Despite their peripheral position in the Atlantic slave trade, authors of the late eighteenth-century German states composed a number of dramas that addressed imperialism and slavery. As Sigrid G. Köhler has argued (2018), these authors aimed to exert political leverage by grounding their plays in the international abolitionist debate. This article explores how a body of intellectual texts resonated in August von Kotzebue's bourgeois melodrama Die Negersklaven (1796). In a sentimental preface, he mentions diverse philosophical, historical and political sources that contributed to the dramatic plot and guaranteed his veracity. Looking specifically at the famous Histoire des deux Indes (1770) by Denis Diderot and Guillaume-Thomas F. Raynal, I will examine the ways in which Kotzebue adapted highbrow abolitionist discourses to the stage in order to convery an anti-slavery ideology to the white European middle classes. Kotzebue seems to ground abolitionism in the bourgeois realm by moulding political texts into specific generic templates such as an elaborate mise-en-scène, the separation and reunion of lost lovers, a fraternal conflict, and the representation of suffering victims and a compassionate white hero.
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3

Ramtke, Nora. "Kotzebues journalliterarisches Nachleben." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 1 (2019): 3–38. http://dx.doi.org/10.1515/iasl-2019-0002.

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Abstract Introduced in response to the assassination of August von Kotzebue, the Carlsbad Decrees of 1819 marked a new era in German press and censorship history. Whereas the historical developments surrounding the Decrees have been well researched, this article traces Kotzebue’s literary afterlife by focusing on a series of fictional letters ostensibly written by the dead author. Drawing on the genre tradition of the dialogues of the dead, this fictional correspondence was published (and occasionally censored) in various periodicals of the early 1820 s and thus explored the manifold ramifications of the new restrictive press law.
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4

Gerlach, Klaus. "August von Kotzebue et le Siècle de Frédéric II. Histoire d’un succès inachevé1." Cahiers d’études germaniques 65, no. 65 (2013): 47–58. http://dx.doi.org/10.4000/ceg.6509.

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5

Hoogenboom, Hilde. "Sentimental Novels and Pushkin: European Literary Markets and Russian Readers." Slavic Review 74, no. 3 (2015): 553–74. http://dx.doi.org/10.5612/slavicreview.74.3.553.

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This article examines literature in Russia, as opposed to Russian literature, through the window of Tat'iana's reading, especially two novels by Sophie Cottin, in Aleksandr Pushkin'sEugene Onegin. A quantitative, sociological approach to European markets for novels shows that Russians and Europeans were reading the same popular French, German, and English sentimental novels by August von Kotzebue; Stéphanie-Félicité, comtesse de Genlis; August Lafontaine; and Cottin. Pushkin, however, positioned himself in the Russian literary field with the canonical novels of Jean-Jacques Rousseau, Samuel Richardson, and Madame de Stael, against the "mediocre" novels of Cottin. Nevertheless, in his ongoing efforts to write Russian novels, Pushkin covertly engaged with popular sentimental novels to integrate their conservative emphasis on duty, virtue, and love with Russian noble life. I argue that a likely intertext for the eponymous heroine ofThe Captain's Daughterwas Cottin's European bestsellerÉlisabeth, ou Les exilés de Sibérie(1806).
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6

Larkin, Edward T., and Oscar Mandel. "August von Kotzebue: The Comedy, the Man Including: "The Good Citizens of Piffelheim," Translated from "Die deutschen Kleinstadter"." German Quarterly 64, no. 3 (1991): 399. http://dx.doi.org/10.2307/406414.

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7

Fisher, Richard, Oscar Mandel, and August von Kotzebue. "August von Kotzebue: The Comedy, The Man. Including The Good Citizens of Piffelheim, translated From die deutschen Kleinstadter." Eighteenth-Century Studies 25, no. 3 (1992): 383. http://dx.doi.org/10.2307/2739347.

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8

Williamson, George S. "What Killed August von Kotzebue? The Temptations of Virtue and the Political Theology of German Nationalism, 1789–1819." Journal of Modern History 72, no. 4 (2000): 890–943. http://dx.doi.org/10.1086/318549.

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9

Ullrich, Heiko. "August von Kotzebue: Die Indianer in England. Lustspiel in drey Aufzügen. Mit zwölf Kupferstichen von Daniel Chodowiecki. Hg. und mit einem Nachwort von Alexander Košenina." Zeitschrift für interkulturelle Germanistik 7, no. 1 (2016): 200–204. http://dx.doi.org/10.14361/zig-2016-0114.

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10

Meech, Anthony. "Oscar Mandel August von Kotzebue: the Comedy, the ManLondon: Pennsylvania State University Press, 1989, 132 p. £18. ISBN 0-271-00668-4." New Theatre Quarterly 7, no. 25 (1991): 100–101. http://dx.doi.org/10.1017/s0266464x0000525x.

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Books on the topic "Kotzebue, August von"

1

August von Kotzebue: Theatergenie zur Goethezeit. Tectum, 2003.

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2

August von Kotzebue: Auch ein deutsches Dichterleben. Union Verlag, 1985.

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3

1760-1835, Böttiger Karl August, and Maurach Bernd 1927-, eds. Der Briefwechsel zwischen August von Kotzebue und Carl August Böttiger. P. Lang, 1987.

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4

Verehrt, Verdammt, Vergessen: August von Kotzebue, Werk und Wirkung. New York, 2005.

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5

August von Kotzebue: Erfolgsautor zwischen Aufklärung, Klassik und Frühromatik. WV, Weimarer Verlagsgesellschaft, 2011.

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6

Strohschänk, Johannes. William Dunlap und August von Kotzebue: Deutsches Drama in New York um 1800. H.-D. Heinz, 1992.

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7

Mandel, Oscar. August von Kotzebue: The comedy, theman : including The good citizens of Piffelheim, translated from Die deutscher Kleinstädter. Pennsylvania State University Press, 1990.

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8

1761-1819, Kotzebue August von, ed. August von Kotzebue: The comedy, the man : including The good citizens of Piffelheim, translated from Die deutscher Kleinstädter. Pennsylvania State University Press, 1990.

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9

Nicolai, Karl. Authentischer Bericht über die Ermordung des kaiserlich-russischen Staatsraths Herrn August von Kotzebue: Nebst vielen interessanten Notizen über ihn und über Carl Sand, den Meuchelmörder, 1819. Berliner Handpresse, 1999.

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10

Musik zu den Schauspielen August von Kotzebues: Zur Bühnenpraxis während Goethes Leitung des Weimarer Hoftheaters. Studio, 2006.

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Book chapters on the topic "Kotzebue, August von"

1

Korte, Hermann. "Kotzebue, August von." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7238-1.

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Kreidt, Dietrich. "Kotzebue, August von." In Metzler Autoren Lexikon. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_244.

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Alefeld, Yvonne-Patricia. "Kotzebue, August von: Das dramatische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7239-1.

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Barclay, Katie, and François Soyer. "Augustus Von Kotzebue (1761–1819), The Stranger: A Drama, in Five Acts." In Emotions in Europe 1517–1914. Routledge, 2021. http://dx.doi.org/10.4324/9781003175537-49.

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5

Lindinger, Stefan. "Die andere Reformation. Jan Hus und die Hussiten in der deutschen Literatur- und Kulturgeschichte: August von Kotzebues ‚vaterländisches Schauspiel‘ Die Hussiten vor Naumburg." In Die Reformation 1517. Vandenhoeck & Ruprecht, 2020. http://dx.doi.org/10.13109/9783666564819.137.

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6

Burnham, Michelle. "Coils." In Transoceanic America. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840893.003.0005.

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This chapter reads Charles Brockden Brown’s 1799 novel Ormond in the context of Philadelphia’s newly intimate commercial relationship with the East Indies during the final decades of the eighteenth century. The novel draws from accounts of the Pacific and Siberia by such figures as Maurice Benyowsky, August von Kotzebue, and John Ledyard. Ormond embodies many of the features of the new merchant millionaires whose Philadelphia fortunes derived from transoceanic speculations in the East India trade. Such a transoceanic context aligns Ormond’s revolutionary politics with the logic and temporality of global finance capital rather than the Illuminati conspiracy with which he is often associated. Similarly, the narrative pace of Ormond mimics the expectant temporalities of financial investment and revolutionary discourse to show how seductive spectacles of the future distract us from the present acts of violence necessary to arrive at them.
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7

Bleek, Wilhelm. "Die Ermordung August von Kotzebues durch Carl Sand (1819) Ein Th eologiestudent ersticht einen Lustspieldichter aus nationalistischem Glaubenswahn." In Vormärz. Verlag C.H.BECK oHG, 2019. http://dx.doi.org/10.17104/9783406735349-63.

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8

Bohnengel, Julia. "“You can go to hell with your Chinese bridge”: August von Kotzebue's Most Successful Play Menschenhaß und Reue and the European Garden Revolution." In Edinburgh German Yearbook 12. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787444379.010.

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