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Dissertations / Theses on the topic 'Krzysztof'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Filipec, Radim. "Krzysztof Kieslowski - Hledání skutečnosti." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78771.

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In my dissertation essay I am trying to analyse the relationship between a documentary and a feature film in the works of Krzysztof Kieślowski, their mutual interconnection and merger which intensively occurred in the early period of his creation. A progress from director - documentarist to the director of feature film. The advancement from recording reality to later efforts for its closest possible reconstruction in a fictional story. The reality which will become an important thought and inspiring material for the director but also a binding burden. His sensitive reception of the role of aut

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2

Krones, Hartmut. "Krzysztof Penderecki und Wien." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70567.

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3

Jarzębska, Alicja. "Krzysztof Penderecki's 'Ars contrapuncti." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70767.

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4

Woda, Krzysztof [Verfasser]. "Elektronisches Geld / Krzysztof Woda." Aachen : Shaker, 2003. http://d-nb.info/1170544347/34.

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5

Loos, Helmut. "Krzysztof Penderecki im deutschen 'Spiegel." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70570.

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6

Malecka-Contamin, Barbara. "Krzysztof Penderecki : style et matériaux." Paris 8, 1996. http://www.theses.fr/1996PA080920.

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La recherche a pour theme krzysztof penderecki : style et materiaux. Elle s'organise et se presente sous trois angles d'approche correspondant aux trois parties respectivement intitulees : "histoire", "analyse", "concept". Dans la premiere, on se propose de donner quelques precisions sur la vie musicale en pologne apres la deuxieme guerre mondiale et sur l'evolution de la composition contemporaine de la musique dite savante. Dans la seconde partie, on procedera a l'analyse des elements du langage, du "sonorisme" et des rapports qu'entretient la partie musicale avec son equivalent litteraire. E

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7

Chérel, Emmanuelle. "Le Porte parole de Krzysztof Wodiczko." Rennes 2, 2002. http://www.theses.fr/2002REN20019.

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Cette étude a pour thème le rôle social et politique de l'art contemporain. Pour appréhender ce sujet, nous avons décidé de nous pencher sur la manière dont Krzysztof Wodiczko conçoit l'art, qu'il définit comme une pratique socio-esthétique agissant au sein de la culture dans le but de la transformer. Ainsi, nous avons porté notre attention sur une de ses prestations esthétiques : "le Porte-parole" (1994). Pour l'artiste, cet Instrument destiné aux immigrés leur permet de prendre la parole dans l'espace public et de s'opposer à leur exclusion. Mais que peut signifier l'utilisation d'un objet e

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8

Mirka, Danuta. "The sonoristic structuralism of Krzysztof Penderecki /." Katowice : Music Academy, 1997. http://catalogue.bnf.fr/ark:/12148/cb369654996.

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9

Contreras, Díaz Sylvia Fabyola, and Díaz Sylvia Fabyola Contreras. "Aproximación semiótica al Decálogo de Krzysztof Kieslowski." Tesis de Licenciatura, Facultad de Ciencias Políticas y Sociales, 2014. http://hdl.handle.net/20.500.11799/13687.

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Comencé a pensar en dedicar mi tesis a Krzysztof Kieslowski desde que supe debía elegir un tema, lo elegí porque me considero admiradora de su filosofía sobre cómo hacer cine haciéndolo un medio de comunicación, la forma en que nos cuenta sus historias, su arte, su manera de ver la vida y transmitirla. En el Capítulo 1 veremos el Cine de Posguerra en Polonia, dado que Kieslowski director y guionista era polaco, y su trabajo lo desarrolló posterior a la segunda Guerra Mundial, la privatización de los países socialistas y el impacto que generó en la comunidad éstos cambios, cosa que para Kieslos

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10

Loos, Helmut, and Stefan Keym. "Krzysztof Penderecki: Musik im Kontext: Konferenzbericht Leipzig 2003." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70554.

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Am 17. Oktober 2003 verlieh die Fakultät Geschichte, Kunst- und Orientwissenschaften der Universität Leipzig Krzysztof Penderecki 'als einem Repräsentanten polnischer Kultur im Widerstand gegen den Kommunismus in Anerkennung seiner Verdienste um die Weiterentwicklung der Neuen Musik seit den 1950er-Jahren sowie die deutsch-polnischen Kulturbeziehungen und die Verständigung zwischen den beiden Ländern' die Ehrendoktorwürde. Aus diesem Anlass fand vom 17. bis 19. Oktober 2003 am Institut für Musikwissenschaft der Leipziger Universität eine internationalewissenschaftliche Konferenz statt.:Einleit

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11

Tomaszewski, Mieczysław. "Krzysztof Penderecki: Wandlungen und Knotenpunkte des schöpferischen Weges." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70676.

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12

Siemdaj, Ewa. "Types of Climaxes in Krzysztof Penderecki's Symphonic Works." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70765.

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13

Drobnik-Rogers, Justyna. "Krzysztof Warlikowski's theatre and the possibility of encounter." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/krzysztof-warlikowskis-theatre-and-the-possibility-of-encounter(1b01746f-bcc5-4e70-b4fc-5b5a7081a4a1).html.

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This thesis discusses the work of theatre director Krzysztof Warlikowski, which holds an important place within Polish and world theatre, although it remains little known in the UK. It argues that that existing approaches to Warlikowski’s theatre are inadequate as they focus too much on the perspective of an interpreter of productions who decodes the meaning of the performance. Instead Warlikowki’s work should be approached from the perspective of an observer of the complex creative processes that lead to performance and determine its relationship with the audience. The connection between acto

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14

Jeong, Hye Min. "Das musikalische Material und seine Behandlung im Frühwerk von Krzysztof Penderecki : eine Studie zum Cluster und zur Klangfarbe /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2007. http://catalogue.bnf.fr/ark:/12148/cb41068005h.

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15

Pluta, Agnieszka. "Trzy warianty neoklasycyzmu w poezji polskiej po roku 1980 (Drzewucki - Ćwikliński - Koehler)." Doctoral thesis, Katowice : Uniwersytet Śląski, 2007. http://hdl.handle.net/20.500.12128/5230.

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Współczesny neoklasycyzm jest rodzajem postawy heroicznej. Jest rodzajem wewnętrznej zgody na świat rozpadający się, świat apokalipsy spełnionej, równocześnie to uwrażliwienie na to, co w życiu najważniejsze - prawdę, dobro i piękno. Niniejsza praca ukazuje trzy warianty neoklasycyzmu poetów debiutujących po 1980 roku - Janusza Drzewuckiego, Krzysztofa Ćwiklińskiego i Krzysztofa Koehlera. Są to nie tylko poeci, ale i krytycy literaccy biorący udział w dyskusji na temat kształtu współczesnej literatury. Wrażliwi na brzmienie słowa poetyckiego, ale i skorzy do refleksji teoretycznej. Wart

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16

Dissinger, Bettina. "Das musikalische Zitat bei Krzysztof Penderecki: Verwendung und Wirkung." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70768.

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17

Janicka-Słysz, Małgorzata. "The Idea of dramaturgy in instrumental concertos of Krzysztof Penderecki." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70764.

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18

Sokołowski, Krzysztof Piotr [Verfasser]. "Die gemischte Schenkung. Eine dogmatische und rechtsvergleichende Analyse / Krzysztof Piotr Sokołowski." München : Verlag Dr. Hut, 2013. http://d-nb.info/1045987409/34.

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19

Philippi, Daniela. "Traditionelle Muster als Material: Zur Konzeption der 3. Symphonie Krzysztof Pendereckis." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70766.

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20

Cain, Peter L. "A “Farewell” to His Past: Krzysztof Penderecki’s Clarinet Quartet and Sextet." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1336683462.

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21

Chŏng, Hye-min. "Das musikalische Material und seine Behandlung im Frühwerk von Krzysztof Penderecki : eine Studie zum Cluster und zur Klangfarbe." Frankfurt am Main [u.a.] Lang, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015673967&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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22

Penderecki, Krzysztof. "Rede anlässlich der Verleihung der Ehrendoktorwürde der Universität Leipzig am 17. Oktober 2003." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70579.

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23

Keym, Stefan. "Krzysztof Pendereckis 'Sacra Rappresentazione' Paradise Lost und das religiöse Musiktheater im 20. Jahrhundert." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70769.

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24

Behrendt, Allmuth. "Offen für Veränderung: Modifzierung einer Werkgestalt am Beispiel von Krzysztof Pendereckis Oper Die Teufel von Loudun." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70770.

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25

Chrenkoff, Magdalena. "Krzysztof Penderecki in Polish Musicological Writings of the Last Decade (1992-2003)." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70565.

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26

Gebuhr, Ann. "Near the Center of the Labyrinth: Krzysztof Penderecki in the New Millenium." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70677.

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27

Templin, Krzysztof [Verfasser], and Hans-Peter [Akademischer Betreuer] Seidel. "Depth, shading, and stylization in stereoscopic cinematography / Krzysztof Templin. Betreuer: Hans-Peter Seidel." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2016. http://d-nb.info/1093342951/34.

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28

Sorenson, Vanessa Nicole. "Messages to the public : Krzysztof Wodiczko and Jenny Holzer vs. the Reagan revolution." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/30494.

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In the week preceding the 1984 United States presidential election, Jenny Holzer and Krzysztof Wodiczko presented ephemeral works of art in public spaces in Manhattan that addressed the election and were highly critical of President Ronald Reagan. Previous considerations of Wodiczko’s AT&T projection, Holzer’s Sign on a Truck and the larger public art movement of that time have emphasized a post-structuralist interpretation, neglecting the applied political aspects in favour of their theoretical underpinnings. With a move towards the practical aspects of the works, this thesis examines the con

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29

高慧芝 and Wai-chi Ko. "A comparative study of Wim Wenders and Krzysztof Kieslowski: the theme of alienation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31224490.

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30

Triana, Bruna Nunes da Costa. "Ensaio sobre as cores: ética, mimesis e experiência na trilogia de Krzysztof Kielowski." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-10022014-105143/.

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Esta dissertação tem como foco central uma reflexão sobre a interface entre cinema e antropologia. A partir disso, o objeto da nossa reflexão é a obra fílmica Trilogia das Cores, do diretor polonês Krzysztof Kielowski (1941-1996), produzida entre 1992 e 1994, na França, Polônia e Suíça. Esses filmes têm como contexto histórico-político de produção e filmagem a comemoração do bicentenário da Revolução Francesa, a assinatura do tratado que instituía a União Europeia e a derrocada do leste comunista. No entanto, esses fatos e questões apenas tangenciam os longas-metragens, que se preocupam mais e

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31

El, Koussa May. "De la dynamique des larmes au cinéma. Douglas Sirk, Krzysztof Kieslowski, Ingmar Bergman." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010662.

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Selon Jean-Louis Leutrat, « les larmes sont un sujet éminemment cinématographique ». Art de l'image en mouvement, le cinéma ouvre la voie à une « dynamique» des larmes. Au cinéma, les larmes coulent dans l’image : elles apparaissent, se forment et se transforment. Connues pour leur faculté de purification, d'échange et d'union, les larmes permettent aux gens de communiquer leur désir d'être accueillis les uns dans les autres. Ainsi, dans le mélodrame, les larmes coulent afin de combattre la difficulté d'être en contact avec « l'autre ». Douglas Sirk, maître du mélodrame hollywoodien fait des l

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32

Kowal, Roman. "Krzysztof Penderecki's Actions and the Polish Jazz Awakening of the 1950s and 1960s." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70574.

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33

Hubley, Katherine Louise. "Site and Sanctuary in Holocaust Memorial Compositions by Krzysztof Penderecki and Ruth Fazal." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1242675619.

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34

Kelly, Michael. "An Exploration of Pitch Organization in Krzysztof Penderecki’s Passion According to Saint Luke." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296593846.

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35

Ko, Wai-chi. "A comparative study of Wim Wenders and Krzysztof Kieslowski the theme of alienation /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23234295.

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36

Szlagor, Dagmara. "Le regard sur soi et sur l'autre dans le cinéma de Krzysztof Kieslowski, artiste complet." Toulouse 2, 2005. http://www.theses.fr/2005TOU20014.

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L'œuvre de Krzysztof Kieslowski devient un objet regardant et regardé à la fois, dévoilant la réalité du monde et les couches secrètes des dessous. L'artiste évolue, mûrit face à sa créature, change ses angles de vue et tente de connaître les assises de l'univers et de percer le mystère de l'homme. Sa vision est celle d'un observateur acharné du réel, celle d’un peintre travaillant méticuleusement ses motifs, fasciné par les couleurs, les ombres et les lumières, celle d’un musicien captant les sons de l'au-delà et celle d’un philosophe rêvant de comprendre. Son regard est celui d’un artiste co

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37

Miranda, Suzana Reck. "A musica no cinema e a musica do cinema de Krzystof Kieslowski." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285119.

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Orientador: Fernão Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-25T18:17:36Z (GMT). No. of bitstreams: 1 Miranda_SuzanaReck_M.pdf: 3650245 bytes, checksum: f0a4026342db96e0e4783c077ead7f0d (MD5) Previous issue date: 1998<br>Resumo: A pesquisa apresentada se propõe a descrever caracteristicas específicas da utilização da música de Zbigniew Preisner em dois filmes de Krzysztof Kieslowski: A Dupla Vida de Véronique - 1991 e A Liberdade é Azul - 1993. Acredita-se que, nos exemplos levantados, a relação da música co

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38

Gruszczyk, Tomasz. "Ocalające zatracenie : rozważania o doświadczeniu, pamięci i pragnieniu w twórczości Zygmunta Haupta, Stanisława Czycza i Krzysztofa Vargi." Doctoral thesis, Katowice: Uniwersytet Śląski, 2016. http://hdl.handle.net/20.500.12128/5874.

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The thesis consists of three parts. Each of them is divided into separate chapters devoted to particular authors. The composition of those chapters is determined by the level of representativeness of a particular issue in a particular prose text. And so in the first part, dedicated to the strategy and poetics of the fragment, the author takes into consideration their updating in the works of Krzysztof Varga at the first place, then of Zygmunt Haupt, and finally, of Stanisław Czycz. The past, reverting the memory and the rise of importance of individual experience constitute the entity,

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39

Kostrzewa, Krzysztof [Verfasser], and Manfred [Akademischer Betreuer] Aigner. "Advanced computational methods in identification of thermo-acoustic systems / Krzysztof Kostrzewa. Betreuer: Manfred Aigner." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2011. http://d-nb.info/1018421009/34.

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40

Wandzik, Krzysztof [Verfasser]. "Untersuchungen zum Eisenmetabolismus während der megakaryozytären Differenzierung und Proliferation der K562-Zellen / Krzysztof Wandzik." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1023233916/34.

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41

Bringezu, Nicole [Verfasser]. "Rezeption und Konstruktion. Aspekte ‚wissenschaftlicher‘ Legitimation musikästhetischer Kommunikation am Beispiel KRZYSZTOF PENDERECKIS / Nicole Bringezu." Wuppertal : Universitätsbibliothek Wuppertal, 2020. http://d-nb.info/1223989240/34.

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42

Dorociak, Rafał Krzysztof [Verfasser]. "Systematik zur frühzeitigen Absicherung der Sicherheit und Zuverlässigkeit fortschrittlicher mechatronischer Systeme / Rafal Krzysztof Dorociak." Paderborn : Universitätsbibliothek, 2015. http://d-nb.info/1067915494/34.

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43

Homma, Martina. "Sozialistischer Realismus und '11. September'?: Über Reaktionen und Überreaktionen auf Krzysztof Pendereckis Klavierkonzert (2002)." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70564.

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44

Wang, Amanda. "An analysis of Krzysztof Penderecki's String Quartet No.3: "Leaves of an Unwritten Diary"." Thesis, Boston University, 2013. https://hdl.handle.net/2144/12876.

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Thesis (D.M.A.)--Boston University<br>Penderecki's String Quartet No. 3: Leaves from an Unwritten Diary was commissioned by the Shanghai Quartet in 2008 and premiered at a special 75th birthday concert honoring the composer. The quartet is a single movement work consisting of four to five short sections of contrasting tempos and character. Stylistically, the quartet is quite representative of his chamber works since the 1990's, and stands in sharp contrast to the first two quartets from the avant-garde period. The purpose of this dissertation is to provide an historical background, formal and

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45

Lipinska, Katarzyna. "Le cinéma en République populaire de Pologne : le cas de l'ensemble filmique TOR (1967-1981) : analyse des discours d'auteur et idéologique." Thesis, Dijon, 2016. http://www.theses.fr/2016DIJOL029/document.

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L'objet de cette thèse est une étude de cas d'un ensemble de production cinématographique polonaise dans la période communiste des années 1970 - TOR (Kieslowski, Zanussi, Rozewicz). Cette recherche met en avant l'autonomie créatrice de l'auteur-cinéaste face aux bouleversements de la politique culturelle qui a déterminé la production cinématographique dans un pays non-démocratique, à savoir la Pologne populaire des années 1970. La filmographie de TOR est homogène et ses films communiquent un discours d’auteur sur les thématiques existentielles et morales où l’individu occupe une place centrale

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46

Daley, Paul B. (Paul Byron). "An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof Penderecki." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500894/.

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This study focuses on temporal aspects of the music of Krzysztof Penderecki and deals with these on the level of textural activity. The analyses are based on a referential idea called a "discrete sound event," defined as an occurrence of a sound or collection of sounds which, as a unit, is distinct from the surrounding texture. These sound events are then used to appraise textural activity from layer fluctuation and composite density. The pieces selected for applying these techniques are the Threnody to the Victims of Hiroshima, from 1960, the Fluorescences, from 1961, and the 1965 Capriccio f

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47

Gutknecht, Dieter. "Zur Uraufführungsgeschichte der Lukas-Passion von Krzysztof Penderecki: (nach den Unterlagen des Westdeutschen Rundfunks Köln)." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70571.

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48

Chłopicka, Regina. "Krzysztof Penderecki's St. Luke Passion, Polish Requiem and Credo in the Context of Polish History." Gudrun Schröder Verlag, 2006. https://ul.qucosa.de/id/qucosa%3A70678.

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49

Sturman, Esra. "Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500083/.

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Penderecki made a tremendous variety of contributions to the cello repertoire. His profound respect for tradition and for his past is deeply appreciated by both performers and audiences. In each individual composition, he explored the cello’s sonorous possibilities and created a new technical and musical palette for the instrument. He worked with legendary, world-renowned cellists who not only gave the premieres of his works but also established deep friendships with him. The Divertimento/Suite for Cello Solo (1994-2013), a compilation of miniature movements, each with its sophisticated struct

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50

Baran, Justyna. "Żywioł i duch : o wyobraźni pneumatologicznej Krzysztofa Kamila Baczyńskiego." Doctoral thesis, Katowice : Uniwersytet Śląski, 2014. http://hdl.handle.net/20.500.12128/5560.

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The thesis concerns the dimensions of the poetry of Krzysztof Kamil Baczyński which reveal particularly strongly in his late poems and provoke research at the frontier of literature and theology. Pneumatological imagination is a term that describes a particular quality of the poetic imagination of „the second Słowacki” which reflect on the different levels of the organization of the text. Pneumatology is the study of the theology of the Holy Spirit (from Gr. pneuma – breath), in literary studies – these are literary expressed beliefs and views on the spiritual structure of man and the world an

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