Relevant bibliographies by topics / Kubla Khan / Journal articles
To see the other types of publications on this topic, follow the link: Kubla Khan.

Journal articles on the topic 'Kubla Khan'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Kubla Khan.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

KNOX-SHAW, PETER. "EDWARD YOUNG IN ‘KUBLA KHAN’." Notes and Queries 47, no. 3 (September 1, 2000): 323–25. http://dx.doi.org/10.1093/nq/47-3-323.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

KNOX-SHAW, PETER. "EDWARD YOUNG IN ‘KUBLA KHAN’." Notes and Queries 47, no. 3 (2000): 323–25. http://dx.doi.org/10.1093/nq/47.3.323.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hosseini, Sajed, and Payam Babaie. "Artistic Immortality as an Objet Petit a: The Subject of Samuel Taylor Coleridge’s “Kubla Khan”." Khazar Journal of Humanities and Social Sciences 25, no. 1 (April 2022): 5–16. http://dx.doi.org/10.5782/2223-2621.2022.25.1.5.

Full text
Abstract:
This study presents a psychoanalytical reading of Coleridge’s “Kubla Khan” having an eye on Žižek’s theory of the subject. “Kubla Khan” contains a host of components providing an illustration of Coleridge’s psychological status. In such a case, Žižekian approach to psychoanalysis could provide a suitable paradigm for an analytical reading of the poem. The works of Žižek conducted disputatious re-articulations of the subject/object, the displacement of an objet petit a (object of desire) with object-cause of desire, and parallax. Žižek, like Hegel, accentuates the one-to-one relationship of the subject and the object while introducing parallax and the ticklish subject, which are later followed by tickling object. It is thus possible to illustrate the psychoanalytical status of Coleridge in the course of writing “Kubla Khan.” The poem pictures a path to immortality while it is in search to immortalize its poet too. In this study, it is demonstrated how Coleridge followed his objet petit a, which is ‘artistic immortality,’ in the lines of “Kubla Khan.”
APA, Harvard, Vancouver, ISO, and other styles
4

Jones, Ewan James. "The Sonic Organization of “Kubla Khan”." Studies in Romanticism 57, no. 2 (2018): 243–64. http://dx.doi.org/10.1353/srm.2018.0011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tindol, Robert. "Pleasure Domes and Sunbeams: An Anti-Oedipal Reading of “Kubla Khan”." Anglica. An International Journal of English Studies, no. 26/1 (September 11, 2017): 55–72. http://dx.doi.org/10.7311/0860-5734.26.1.04.

Full text
Abstract:
Samuel Taylor Coleridge’s 1797 poem “Kubla Khan” begins with the statement that Kubla Khan once caused a pleasure-dome to come into existence by dint of a kingly decree. The last line states that the narrator, should he gain sufficient poetic vision, would have “drunk the milk of paradise” and would “build that dome in air.” A new reading may be derived from a focus on precisely what these lines say and what they imply within the perspective of Gilles Deleuze and Felix Guattari’s work Anti-Oedipus. If the process of the narrator’s gaining poetic insight is set in motion by a conscious decree from Kubla Khan, then an Anti-Oedipal reading considers whether the end result is simply the consequence a powerful individual’s wishes, or else is paradoxically a liberation from those wishes.
APA, Harvard, Vancouver, ISO, and other styles
6

Wheeler, Kathleen. "''Kubla Khan'' and Eighteenth Century Aesthetic Theories." Wordsworth Circle 22, no. 1 (January 1991): 15–24. http://dx.doi.org/10.1086/twc24042640.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Friedman, Max M. "“Kubla Khan” in Finnegans Wake." James Joyce Quarterly 47, no. 4 (2010): 643–45. http://dx.doi.org/10.1353/jjq.2010.0020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

TINDOL, Robert. "Hybridization in Samuel Taylor Coleridge’s “Kubla Khan”." Comparative Literature: East & West 25, no. 1 (March 2016): 10–29. http://dx.doi.org/10.1080/25723618.2016.12015412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rowe, M. W. "'Kubla Khan' and the Structure of the Psyche." English 40, no. 167 (June 1, 1991): 145–54. http://dx.doi.org/10.1093/english/40.167.145.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Moon, Kenneth. "Lowry’s under the Volcano and Coleridge’s Kubla Khan." Explicator 44, no. 2 (January 1986): 44–47. http://dx.doi.org/10.1080/00144940.1986.11483914.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Reid, Nicholas. ""Kubla Khan" and Harington's "The Witch of Wokey"." Wordsworth Circle 30, no. 2 (March 1999): 112–13. http://dx.doi.org/10.1086/twc24044707.

Full text
APA, Harvard, Vancouver, ISO, and other styles
12

Nayar, Pramod K. "‘Kubla Khan’ and its Narratives of Possible Worlds." Changing English 20, no. 4 (December 2013): 404–8. http://dx.doi.org/10.1080/1358684x.2013.855553.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Volpe, Míriam L. "A imagem como ruína: de uma totalidade irrecuperável." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 262–69. http://dx.doi.org/10.17851/2317-2096.8..262-269.

Full text
Abstract:
Resumo: O dialogismo entre o filme Citizen Kane, de Orson Welles, e o poema “Kubla Khan”, de S. T. Coleridge, é analisado, sendo evidenciados não só o tema em comum – o mito do Paraíso perdido – como também a similaridade na organização do discurso na justaposição das imagens, como fragmentos da memória a serem preservados.Palavras-chave: literatura; cinema; montagem; intertexto; museu.Abstract: The intertext between the film Citizen Kane, by Orson Welles, and the poem “Kubla Khan”, by S. T. Coleridge, is analised. A common theme, the myth of lost Paradise, and similar strategies in the organization of discourse, the manipulation of images as juxtaposed fragments from reservoirs of memories, are shown.Keywords: literature; cinema; montage; intertext; museum.
APA, Harvard, Vancouver, ISO, and other styles
14

Milne, Fred L. "Coleridge's "Kubla Khan": A Metaphor for the Creative Process." South Atlantic Review 51, no. 4 (November 1986): 17. http://dx.doi.org/10.2307/3199754.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Nayar, Pramod K. "Another Source for Coleridge's Pleasure-Dome in "Kubla Khan"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 17, no. 3 (May 2004): 35–37. http://dx.doi.org/10.3200/anqq.17.3.35-37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Engell, James. "A Yet Deeper Well: "Kubla Khan," Wookey Hole, Cain." Wordsworth Circle 26, no. 1 (January 1995): 3. http://dx.doi.org/10.1086/twc24042944.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Bradburn, Elizabeth. "'Kubla Khan' — Poetic Structure, Hypnotic Quality and Cognitive Style." Pragmatics & Cognition 16, no. 1 (April 1, 2008): 190–92. http://dx.doi.org/10.1075/p&c.16.1.14bra.

Full text
APA, Harvard, Vancouver, ISO, and other styles
18

Leask, Nigel. "Kubla Khan and Orientalism: The Road to Xanadu Revisited." Romanticism 4, no. 1 (April 1998): 1–21. http://dx.doi.org/10.3366/rom.1998.4.1.1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Elizabeth Bush. "Kubla Khan: The Emperor of Everything (review)." Bulletin of the Center for Children's Books 64, no. 3 (2010): 137. http://dx.doi.org/10.1353/bcc.2010.0206.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Laxer, Christopher. "“The Lantern of Typography”: “Christabel,” “Kubla Khan,” and Poetic Mediation." European Romantic Review 24, no. 2 (April 2013): 167–84. http://dx.doi.org/10.1080/10509585.2013.766403.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Larkin, Peter. "Infinite Closure in "Kubla Khan" and the "Cave of Yordas"." Wordsworth Circle 46, no. 1 (January 2015): 48–52. http://dx.doi.org/10.1086/twc24888103.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Rookmaaker, H. R. "'Kubla Khan' in the context of coleridge's writings around 1802." English Studies 68, no. 3 (June 1987): 228–35. http://dx.doi.org/10.1080/00138388708598511.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Chatterjee, Subhradeep. "“Kubla Khan” and Islamic Structures: Retracing Symbolism and Investigating Imagination." New Horizons in English Studies 4 (September 13, 2019): 67–73. http://dx.doi.org/10.17951/nh.2019.4.67-73.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Volpe, Míriam. "A Imagem como Ruína." Aletria: Revista de Estudos de Literatura 8 (December 31, 2001): 264. http://dx.doi.org/10.17851/2317-2096.8.0.264-271.

Full text
Abstract:
O dialogismo ente o filme Citizen Kane, de Orson Welles, e o poema “Kubla Khan”, de S.T. Coleridgé, é analisado, sendo evidenciados não só o tema em comum – o mito do Paraíso perdido – como também a similariedade na organização do disurso na justaposição das images, como fragmentos da memória a serem preservados.
APA, Harvard, Vancouver, ISO, and other styles
25

Hogsette, David S. "Eclipsed by the Pleasure Dome: Poetic Failure in Coleridge's 'Kubla Khan'." Romanticism on the Net, no. 5 (1997): 0. http://dx.doi.org/10.7202/005737ar.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Reilly, Olivia. "‘[A]nother and yet the same’: Rhyme's Music in Kubla Khan." Romanticism 23, no. 2 (July 2017): 145–54. http://dx.doi.org/10.3366/rom.2017.0321.

Full text
Abstract:
In Biographia Literaria (1817) Coleridge described the ‘sense of musical delight’ and the ‘power of producing it’ as ‘a gift of imagination’, necessary to the poet. The correlation between poetry and music, essential to the formation of his poetics, he develops suggestively in the ‘mingled measure’ of ‘Kubla Khan’. Paying close attention to the poem's intricate structure, this essay examines Coleridge's self-conscious construction in the poem of a complex patterning of aural connections and refrains. The exploration of rhyme's musical effect allows fresh insight into the poem, building upon previous interpretations to elucidate in particular the role of time, memory, and imagination in its realisation.
APA, Harvard, Vancouver, ISO, and other styles
27

Riem, Antonella. "Journeying into Australian literature." Queensland Review 30, no. 1 (November 27, 2023): 126–37. http://dx.doi.org/10.1558/qre.26535.

Full text
Abstract:
In this memoir, Antonella Riem reflects on her long career in Australian literary studies in Italy and internationally, and the scholars who have inspired her. She then outlines the principles of the partnership model of literary studies that she has developed over many years, and how she applies her approach to Samuel Taylor Coleridge’s ‘Kubla Khan’ and David Malouf’s An Imaginary Life.
APA, Harvard, Vancouver, ISO, and other styles
28

Falke, Cassandra. "Imaginary Landscapes: Sublime and Saturated Phenomena in “Kubla Khan” and the Arab Dream." Humanities 8, no. 3 (August 6, 2019): 133. http://dx.doi.org/10.3390/h8030133.

Full text
Abstract:
This article considers “Kubla Khan” and the the Arab dream section from the fifth book The Prelude as precursors to the recently theorized concept of saturated phenomenality. Both Coleridge and Wordsworth insist on the limitedness of their dream subjects even as they magnify their dreamt of landscapes to heights of sublimity. Falke describes the implications that this insistence on smallness has for relating experiences of sublime landscapes to experiences of reading or writing poetry.
APA, Harvard, Vancouver, ISO, and other styles
29

Bradburn, Elizabeth. "Review of Tsur (2006): ‘Kubla Khan’ — Poetic Structure, Hypnotic Quality and Cognitive Style." Pragmatics and Cognition 16, no. 1 (April 7, 2008): 190–92. http://dx.doi.org/10.1075/pc.16.1.14bra.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Robinson, Daniel. "From "Mingled Measure" to "Eestatic Measures": Mary Robinson's Poetic Reading of "Kubla Khan"." Wordsworth Circle 26, no. 1 (January 1995): 4–7. http://dx.doi.org/10.1086/twc24042945.

Full text
APA, Harvard, Vancouver, ISO, and other styles
31

Hedley, Douglas. "Coleridge's Intellectual Intuition, the Vision of God, and the Walled Garden of "Kubla Khan"." Journal of the History of Ideas 59, no. 1 (January 1998): 115. http://dx.doi.org/10.2307/3654057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

Enniss, Stephen. "IN THE AUTHOR’S HAND:: ARTIFACTS OF ORIGIN AND TWENTIETH-CENTURY READING PRACTICE." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 2, no. 2 (September 1, 2001): 106–20. http://dx.doi.org/10.5860/rbm.2.2.197.

Full text
Abstract:
Our contemporary fascination with origins, with the creative moment itself, goes back at least as far as the Romantic period, which, more than any other, enshrined the literary fragment as a relic of original artistic inspiration. Though Samuel Coleridge’s unfinished poem “Kubla Khan” is perhaps a familiar example, it is nevertheless worth retelling his account of that poem for what it conveys about romantic notions of creativity. When the poem was first published in 1816, Coleridge prefaced the text with a note explaining the circumstances of its composition and the reason the poem remained unfinished.1 As he explained, he composed . . .
APA, Harvard, Vancouver, ISO, and other styles
33

Raiger, Michael. "Fancy, Dreams, and Paradise: Miltonic and Baconian Garden Imagery in Coleridge’s Kubla Khan." Studies in Philology 110, no. 3 (2013): 637–65. http://dx.doi.org/10.1353/sip.2013.0018.

Full text
APA, Harvard, Vancouver, ISO, and other styles
34

Hedley, Douglas. "Coleridge's Intellectual Intuition, the Vision of God, and the Walled Garden of "Kubla Khan"." Journal of the History of Ideas 59, no. 1 (1998): 115–34. http://dx.doi.org/10.1353/jhi.1998.0003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Willett, Steven J. "‘Kubla Khan’—Poetic Structure, Hypnotic Quality and Cognitive Style A study in mental, vocal and critical performance." Journal of Pragmatics 41, no. 5 (May 2009): 1066–70. http://dx.doi.org/10.1016/j.pragma.2008.09.030.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Musselwhite, David. "Deleuze Goes to Xanadu." Deleuze Studies 1, no. 2 (December 2007): 100–125. http://dx.doi.org/10.3366/e1750224108000032.

Full text
Abstract:
Foucault's adjuration, which is to be found in the essay in which he notoriously announced that the century (the last) will be ‘Deleuzian’, would seem to have fallen on deaf ears to the extent that the notion of the phantasm and the place it occupies in Deleuze's thinking has received astonishingly little attention. One scours the indices of the enormous body of work dedicated to the exposition of Deleuze's thought in vain to find any mention of the phantasm or of the text that lies behind his use of the concept, namely Laplanche and Pontalis's 1964 paper, ‘Fantasme originaire, fantasmes des origines, origine du fantasme’. By way, in part, of remedying this situation I propose to examine what a ‘Deleuzian’ or a ‘phantasmatic’ reading might make of Coleridge's Kubla Khan.
APA, Harvard, Vancouver, ISO, and other styles
37

Meadows, Lucien Darjeun, and Leia Lynn. "Eighteenth-Century Literary Fragments: Queering the Fiction of “Finished” Work." Eighteenth-Century Fiction 35, no. 4 (October 1, 2023): 513–16. http://dx.doi.org/10.3138/ecf.35.4.513.

Full text
Abstract:
One of the most accepted fictions in literature is that a work will, at some point in its existence, be completed. In this essay, we queer that assumption, challenging its tenets through examining taxonomies and eighteenth-century categorizations alongside Samuel Taylor Coleridge’s “Kubla Khan” (1797; published 1816), John Keats’s Hyperion (1820), and Mary Wollstonecraft’s Maria: or, The Wrongs of Woman (1798), as well as other unfinished literary works of the long eighteenth century. We argue for the rereading of fragmented and unfinished work as a method of pluriversality and refusal of a singular, monumental, fixed and finished text. By accepting that the finished/unfinished binary of work is not true to creative processes, we refuse the fiction of finished work and argue to elevate those myriad fragmentary works that are currently considered critically inferior.
APA, Harvard, Vancouver, ISO, and other styles
38

Levene, D. S. "Sallust's Jugurtha: An ‘Historical Fragment’." Journal of Roman Studies 82 (November 1992): 53–70. http://dx.doi.org/10.2307/301284.

Full text
Abstract:
The ancient historian is used to dealing with texts that are fragments through the accident of transmission. This paper is concerned with a deliberate fragment: a work that is notionally complete, in that it is written and presented as something finished and whole, but which at the same time draws the reader's attention in a more or less systematic fashion to the fact that it is incomplete; it shows itself to be only part of the whole. The mode was especially popular in the Romantic period; the best-known example for English readers is Coleridge's Kubla Khan, but it also revealed itself in such diverse forms as the aphoristic writings of thinkers like Friedrich Schlegel, or the widespread admiration of the ruins of ancient buildings. I intend to argue that Sallust's Jugurtha is a work of this sort.
APA, Harvard, Vancouver, ISO, and other styles
39

Veit, Veronika. "„In Xanadu did Kubla Khan a stately pleasure dome decree“ Das mongolische Erbe des ersten Yüan-Herrschers Khubilai." Saeculum 65, no. 2 (May 2015): 245–70. http://dx.doi.org/10.7788/saeculum-2015-0204.

Full text
APA, Harvard, Vancouver, ISO, and other styles
40

Russett, Margaret E. "Language Strange: The Romantic Scene of Instruction in Twenty-First-Century Turkey." Publications of the Modern Language Association of America 133, no. 5 (October 2018): 1191–206. http://dx.doi.org/10.1632/pmla.2018.133.5.1191.

Full text
Abstract:
Reflecting on my experience of teaching British Romantic literature at a Turkish university, this essay addresses the current conversation about global English by exploring the intersections among second-language literary study, translation theory, and Romantic aesthetics. It begins with a reconsideration of orientalism that traces a foreignizing impulse in canonical Romanticism, links this with Victor Shklovsky's concept of ostranenie (“estrangement”), and goes on to propose foreign language study as the exemplary instance of Romantic or Shklovskian aesthetic experience. Turning next to recent accounts, by Emily Apter and others, of Istanbul as the birthplace of “translational transnationalism,” I juxtapose the utopianism of contemporary translation theory with Samuel Taylor Coleridge's poetic ideal of “untranslatableness.” I conclude with a reading of Orhan Pamuk's novel Snow, particularly its homage to Coleridge's “Kubla Khan,” as a meditation on translatability, before briefly revisiting the Turkish Romantic classroom and its global English futurity.
APA, Harvard, Vancouver, ISO, and other styles
41

Ali, Nur Baiti, and Doni Efriza. "Supernaturalism In Samuel Taylor Coleridge's Major Poems." Jurnal Humaniora Teknologi 6, no. 1 (June 9, 2020): 47–55. http://dx.doi.org/10.34128/jht.v6i1.78.

Full text
Abstract:
Samuel taylor coleridge’s the ancient mariner and kubla khan are the major poems regarded as the greatest compositions in the field of supernaturalism. As a poet of supernaturalism, coleridge strictly eschewed crudeness from his writings. Based on the purpose of this study, that is to seek supernaturalism in samuel taylor coleridge’s major poems, the research design of this study is conducted by applying content analysis as proposed by koul (1984). Content analysis is concerned with the phenomenon, elements and comparison. Because of its concern, content analysis is sometimes referred to as ‘documentary activity’ or ‘information analysis’. The data of this study belong to the non –manipulated variables as they are not the result of experiment; these are called the qualitative type. Therefore, the data analyzed with the qualitative descriptive approach. This research will show the nature of the situation as it exists at the time of the study as stated by gay (1987: 189), “descriptive research determines and reports the way the things are”. Dream, suggestiveness and vision are the elements of the supernaturalism in these poems which are presented in the research result.
APA, Harvard, Vancouver, ISO, and other styles
42

Bukhari, Syed Irtiza. "Reflection of the Notion of Materialism in the Selected Works of Samuel Taylor Coleridge- The Rime of the Ancient Mariner and Kubla Khan." International Journal of English Literature and Social Sciences 7, no. 2 (2022): 244–48. http://dx.doi.org/10.22161/ijels.72.31.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Ramón, Miguel R. "The Affect of Imaginative Delusion from Samuel Taylor Coleridge's KUBLA KHAN on the Meritocratic American Dream in F. Scott Fitzgerald's THE GREAT GATSBY." Explicator 74, no. 2 (April 2, 2016): 74–76. http://dx.doi.org/10.1080/00144940.2016.1169495.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Hurtado, Rosa Eugenia Rivas. "The English Romantic Poets." International Area Review 1, no. 1 (December 1997): 190–201. http://dx.doi.org/10.1177/223386599700100112.

Full text
Abstract:
The period dating from 1789 to about 1830 is the epoch of the Romanticism, who first exponens among others were Blake, Coleridge, Southey, Wordsworth and in a second generation Byron, Shelley, and Keats who all died at young age. Many values and interest of the Romantic period remained alive through the nineteen century with poets such as Yeats and Stevens. Imagination, Nature, the Self, and Eternity are among the elements that the period named “Romantic”. Indeed imagination and insight are in fact inseparable and form for all practical purposes a single faculty. “For Coleridge imagination is the primary instrument of all spiritual and creative activities.” At the ages of about 33 Wordsworth passed a crisis and this dealt to experience two different ideas about nature; the first one when he wrote Tintern Abbey in 1798, he distinguished the blessed of nature. Some years later, the other came when this all-absorbing wision was lost. Kubla Khan written by Coleridge after three hours in a profound sleep, during which time he had the most vivid confidence of the external senses. Rebellion specially ideas on favour of The French Revolution, political points of view idealist as Shelly had and never lost his enthusiasm for revolutionary politics.
APA, Harvard, Vancouver, ISO, and other styles
45

Berthin, Christine. "Quête et perte de l'image dans le poème romantique : la poétique de l'oxymore dans le Kubla Khan de Coleridge et le Prométhee Délivré de Shelley." Romantisme 15, no. 49 (1985): 23–34. http://dx.doi.org/10.3406/roman.1985.4729.

Full text
APA, Harvard, Vancouver, ISO, and other styles
46

Yong, Ping. "The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell." Communications in Humanities Research 3, no. 1 (May 17, 2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.

Full text
Abstract:
Romanticism is an important branch of the literary genre, and imagination is an important feature of it. From different historical backgrounds, Both British poets and Chinese have each profound insight into the imagination in their romantic poetry creations. Samuel Taylor Coleridge, as a pioneer of English Romantic poetry, his dream fragment Kublai Khan established an unshakable position in the poet's literary circle, while Li Bai was a well-known romantic poet in the prosperous Tang Dynasty. His representative work, Mount Skyland ascended in a Dream-A Song of Farewell, shocked the entire Chinese poetry circle as soon as it came out. This essay analyzes the poets' poetic thoughts on imagination by studying the different backgrounds of the two poets, the cultural traditions they contacted, and the philosophical thoughts they infected and meanwhile compares and analyzes the image characteristics of the two poets' representative works to explore the concrete expression of the poet's imagination in the poems. It is found that there are similarities and differences spatially and emotionally in terms of imagery. Moreover, the imagination in romantic poetry not only creates a series of illusory images and casts a phantom veil on the whole poem but also insinuates the poet's poetic thought and inner emotional appeal.
APA, Harvard, Vancouver, ISO, and other styles
47

Jasper, David. "N.F.S. Grundtvig, S.T Coleridge - The Hymnwriter and the Poet." Grundtvig-Studier 42, no. 1 (January 1, 1991): 56–67. http://dx.doi.org/10.7146/grs.v42i1.16058.

Full text
Abstract:
N.F.S. Grundtvig, S.T. ColeridgeSalmedigteren og den poetiske forfatter.Af David JasperI sin sammenligning mellem de to digtere viser David Jasper, at der er oplagte sammenligningspunkter, bl.a. i henseende til det omfattende forfatterskab og bredden af emner og stilformer. Men der er dog også åbenbare forskelle. Således omtaler Jasper, at Grundtvig fra sine tidlige år gennemgik en udvikling med brydnings- og afklaringsperioder, der førte frem mod en stadig tydeligere distance til hans romantiske udgangspunkt; mens Coleridge på sin side forblev inden for en romantisk bestemt horisont.Ligeledes finder David Jasper det afgørende, at Coleridge ikke kunne have skrevet de kirkesalmer, der udgår en s. markant del af Grundtvigs digtning. Det falder endvidere i øjnene, at Coleridge, modsat Grundtvig, ikke gik ind i aktivt politisk arbejde, ligesom han ikke blev ordineret som præst. Derimod var Coleridge gennem mange år aktiv som journalistisk skribent.Det afgørende slægtskab mellem dem beror på deres reaktion mod det 18. århundredes oplysningstradition, hvilket illustreres gennem en detaljeret sammenlignendeanalyse af Coleridges digt 'Kubla Khan'(1798) set i forhold til Grundtvigs udsagn om digterkaldet fra samlingen Saga (1811). Coleridge forener i sit digt en poetisk fantasi- og symbolverden, der har tydelige romantiske isl.t, med en rodfæstethed inden for en jødisk-kristen forståelseshorisont. Digtet handler dybest set om det tabte og genåbnede Paradis.Coleridges digt sammenlignes med Grundtvigs salme ’Kirken den er et gammelt hus’. Mens Coleridge var og blev en digterisk enegænger, ser Jasper i Grundtvigs salme et bevis for, at Grundtvig tænkte og digtede inden for en helhedsforståelse, der var afgørende bestemt af fællesskabet i menighed og kirke.
APA, Harvard, Vancouver, ISO, and other styles
48

Wichmann, Anne. "Book Review: 'Kubla Khan' — Poetic Structure, Hypnotic Quality and Cognitive Style: a Study in Mental, Vocal and Critical Performance by Reuven Tsur, 2006. Amsterdam: John Benjamins, pp. xi + 252. ISBN: 90 272 2369 6 (hbk)." Language and Literature: International Journal of Stylistics 16, no. 4 (November 2007): 412–14. http://dx.doi.org/10.1177/0963947007082998.

Full text
APA, Harvard, Vancouver, ISO, and other styles
49

Li, Zimu. "“The Battle of Diaoyu City” And Its Impact on The Mongol Empire, The Southern Song Dynasty, And the European Landscape." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 275–81. http://dx.doi.org/10.54097/pjrz9g21.

Full text
Abstract:
The Mongol Empire in the 13th century was unprecedentedly powerful, establishing a vast empire on the grasslands and setting its sights on the Eastern Song Dynasty. Led by Genghis Khan, the Mongol army launched a three-pronged invasion of the Song Dynasty. However, unexpectedly, Genghis Khan died under the walls of Diaoyu City, leading to a series of significant changes within the Mongol Empire. First, Kublai Khan was forced to withdraw his troops from Xiangyang, giving the Song Dynasty a breathing space. Then, the internal war between Ariq Böke and Kublai Khan resulted in Kublai Khan's victory but also caused the fragmentation of the Mongol Empire. Lastly, the commander of the Western Expeditionary Army, Hulagu, participated in the struggle for the Khanate, leading to the ultimate abandonment of the last Mongol Western Expedition and sparing Africa from the ravages of war.
APA, Harvard, Vancouver, ISO, and other styles
50

Chang, Na. "Kublai Khan in the Eyes of Marco Polo." European Review 25, no. 3 (May 23, 2017): 502–17. http://dx.doi.org/10.1017/s1062798717000096.

Full text
Abstract:
This article will shed new light on the already crowded area of Marco Polo research, by examining the perspective of Polo, his direct observation of Kublai Khan and Yuan China, as revealed inThe Travels of Marco Polo.The paper analyses the sources of Polo’s perspective on the people he encountered on his travels in foreign lands. It argues that Polo’s ideas were shaped by his cultural background, personal experience and his own interests. Then it examines how the work presents Kublai Khan himself, as well as the Yuan empire’s monetary system, its waterway trade and its ethnic policy. The result of this investigation shows that Polo was an acute observer; he pointed out occasions of misrule despite his adoration of Kublai Khan.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Kubla Khan' for other source types:
Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography