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Journal articles on the topic 'Kublai Khan'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Chang, Na. "Kublai Khan in the Eyes of Marco Polo." European Review 25, no. 3 (2017): 502–17. http://dx.doi.org/10.1017/s1062798717000096.

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This article will shed new light on the already crowded area of Marco Polo research, by examining the perspective of Polo, his direct observation of Kublai Khan and Yuan China, as revealed inThe Travels of Marco Polo.The paper analyses the sources of Polo’s perspective on the people he encountered on his travels in foreign lands. It argues that Polo’s ideas were shaped by his cultural background, personal experience and his own interests. Then it examines how the work presents Kublai Khan himself, as well as the Yuan empire’s monetary system, its waterway trade and its ethnic policy. The resul

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Li, Zimu. "“The Battle of Diaoyu City” And Its Impact on The Mongol Empire, The Southern Song Dynasty, And the European Landscape." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 275–81. http://dx.doi.org/10.54097/pjrz9g21.

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The Mongol Empire in the 13th century was unprecedentedly powerful, establishing a vast empire on the grasslands and setting its sights on the Eastern Song Dynasty. Led by Genghis Khan, the Mongol army launched a three-pronged invasion of the Song Dynasty. However, unexpectedly, Genghis Khan died under the walls of Diaoyu City, leading to a series of significant changes within the Mongol Empire. First, Kublai Khan was forced to withdraw his troops from Xiangyang, giving the Song Dynasty a breathing space. Then, the internal war between Ariq Böke and Kublai Khan resulted in Kublai Khan's victor

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Sultanbekova, Danara Botir qizi, and Ermanovna Karimova Natalya. "JAMALIDDIN BUKHARI - SCIENTIST-ASTRONOMER AND GEOGRAPH OF THE YUAN EMPIRE." Eurasian Journal of Academic Research 1, no. 5 (2021): 57–64. https://doi.org/10.5281/zenodo.5253545.

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The article examines the activities of the Muslim astronomer and geographer Jamaliddin Muhammad ibn Bukhari, a native of Central Asia, the creator of the "Eternal Calendar" and a man who discovered the scientific achievements of the East for China, thereby making his contribution to the development of science and technology during the reign of the Mongol dynasty Yuan. Through his knowledge, Jamaliddin became a close advisor to Kublai Khan and promoted foreign and Chinese talents. He initiated various imperial projects: the construction of the Huihui Astronomy Department, the compilat

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Cole, Juan R. I. "Invisible Occidentalism: Eighteenth-Century Indo-Persian Constructions of the West." Iranian Studies 25, no. 3-4 (1992): 3–16. http://dx.doi.org/10.1017/s0021086200015681.

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Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expeditions, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his. In the lives of emperors there is a moment which follows pride in the boundless extension of the territories we have conquered, and the melancholy and relief of knowing we shall soon give up any thought of knowing and understanding them.—Italo Calvino, Invisible CitiesMarco Polo's encounter with Kublai Kha

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Seaton, Jerome P., and J. I. Crump. "Chinese Theater in the Days of Kublai Khan." Chinese Literature: Essays, Articles, Reviews (CLEAR) 13 (December 1991): 195. http://dx.doi.org/10.2307/495083.

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Bocconcino, Maurizio. "La dimensione collaborativa della città immaginata: ciberspazio e disegno." TRIBELON Journal of Drawing and Representation of Architecture, Landscape and Environment 1, no. 2 (2024): 52–63. https://doi.org/10.36253/tribelon-3071.

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The concepts of cyberspace and cybertext are of pivotal importance in the understanding of urban environments and their representation. In the context of cyberspace, data and information are represented and manipulated in a virtual space, thereby creating new dimensions of interaction and perception. In these domains, drawing is the preferred medium for integrating disparate thematic worlds and facilitating interaction between individuals with different backgrounds, experiences and goals. The capacity to co-create these spaces, whether through adaptation or emulation of the model of the tangib

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Antonov, Igor' Vladimirovich. "Eastern policy of Mengu-Timur (1266-1282)." Genesis: исторические исследования, no. 11 (November 2020): 66–75. http://dx.doi.org/10.25136/2409-868x.2020.11.34476.

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The object of this research is the political history of the Ulus of Jochi as a part of the Great Mongol Empire. The subject of this is the Eastern policy of Mengu-Timur &ndash; the 6th ruler of the Ulus of Jochi (1266-1282). The author examines such aspects of the topic as the relationship of Mengu-Timur with the rulers of the uluses of Hulagu &ndash; Abaga, Chagatay &ndash; Borak, Ugedei &ndash; Kaidu, decisions made by the representatives of the uluses of Jochi, Chagatay and Ugedei in Talas Kurultai. Special attention is given to the analysis of relationship between Mengu-Tim

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8

Lambert, Shaena. "Kublai Khan and the Sun Bird: A Fairy Tale." Marvels & Tales 15, no. 2 (2001): 224–28. http://dx.doi.org/10.1353/mat.2001.0025.

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Kimura, Jun, Mark Staniforth, Lê Thi Lien, and Randall Sasaki. "Naval Battlefield Archaeology of the Lost Kublai Khan Fleets." International Journal of Nautical Archaeology 43, no. 1 (2013): 76–86. http://dx.doi.org/10.1111/1095-9270.12033.

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Conway, Paul. "Birmingham, CBSO Centre: ‘Invisible Cities’." Tempo 59, no. 233 (2005): 57. http://dx.doi.org/10.1017/s0040298205270237.

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The Birmingham Contemporary Music Group opened their 2004–05 season on 19 September 2004 in typically adventurous, innovatory style with an evening of music — including no less than four world premieres — all centred on Italo Calvino's 1972 book Invisible Cities, in which traveller Marco Polo describes, in imaginary dialogues with Kublai Khan, fifty amazing cities, all of which turn out to be Venice.

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B, Ariunbaigal. "About official document’s traditions and the translation of some fixed words and expressions of the Mongol Empire (On an example of a letter sent by Kublai Khan to the king of Goryeo)." Translation Studies 11, no. 1 (2023): 56–65. http://dx.doi.org/10.22353/ts20230106.

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Korean historical sources contain a lot of information related to Mongolia and Mongolian-Korean relations written in ancient Korean original text, which is in Chinese. In this research, we aim to narrate the tradition of official letters of the Mongol Empire, as well as how certain fixed words and expressions were translated in diplomatic correspondence and how they were reflected through "A letter sent by Kublai Khan to the king of Goryeo".

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Waterhouse, David, and Lulu Huang Chang. "From Confucius to Kublai Khan: Music and Poetics Through the Centuries." Notes 51, no. 1 (1994): 102. http://dx.doi.org/10.2307/899186.

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Jing, Lun. "Kublai Khan and His Empire Shall Be Reconsidered in “World Horizon”." Fudan Journal of the Humanities and Social Sciences 7, no. 4 (2014): 691–96. http://dx.doi.org/10.1007/s40647-014-0051-x.

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Jin, Yi. "Writing and Reflecting on the Imagination of the City – Interpretation of Calvino’s Invisible Cities." SHS Web of Conferences 158 (2023): 01006. http://dx.doi.org/10.1051/shsconf/202315801006.

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Invisible Cities by Italo Calvino is a novel that depicts an imaginary city, explores the appearance of an ideal city, and ponders over modern urban problems. He used the dialogue between Marco Polo and Kublai Khan to write his imaginary city in a light tone. He skillfully constructed fifty-five different cities and described them from different specific angles, and the characteristics of each city represent a certain aspect of the city concept. People see the modern city in the imaginary city he has constructed and gradually reflect on the nature of the city.

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Carolina, Sparavigna Amelia. "Sunrise and Sunset Azimuths in the Planning of Ancient Chinese Towns." International Journal of Sciences Volume 2, no. 2013-11 (2013): 52–59. https://doi.org/10.5281/zenodo.3348515.

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In the planning of some Chinese towns we can see an evident orientation with the cardinal direction north-south. However, other features reveal a possible orientation with the directions of sunrise and sunset on solstices too, as in the case of Shangdu (Xanadu), the summer capital of Kublai Khan. Here we discuss some other examples of a possible solar orientation in the planning of ancient towns. We will analyse the plans of Xi'an, Khanbalik and Dali.Read Complete Article at ijSciences: V2201310334 AND DOI: http://dx.doi.org/10.18483/ijSci.334

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Cho, Won. "Changes and the Maintenance of the Mongol Military Tradition in the Yuan: focused on the Establishment and the Operation of the Military System under the Kublai Khan." Institute of History and Culture Hankuk University of Foreign Studies 85 (February 28, 2023): 209–40. http://dx.doi.org/10.18347/hufshis.2023.85.209.

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This study examined the changes caused by the expansion of the Mongol Empire to the military system, and in particular, focused on the changes of the military system after Kublai became the Great Khan. The trends and characteristics of the empire’s rule over China were reviewed in relation the military system. The Mongol Empire dominated Eurasia based on its military power, which was driven not only by the strength of individual soldiers but also the teamwork of Mingɣan-a unit of 1,000 households created based on the decimal system in the days of Genghis Khan. The empire expanded across Eurasi

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Fu, Yuqin, Chengzhi Xie, Xuelian Xu, et al. "Ancient DNA analysis of human remains from the upper capital city of Kublai Khan." American Journal of Physical Anthropology 138, no. 1 (2009): 23–29. http://dx.doi.org/10.1002/ajpa.20894.

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Marandola Junior, Eduardo. "Narrativas calvinianas: da descrição do explorador ao percurso do andarilho." RUA 12, no. 1 (2015): 45. http://dx.doi.org/10.20396/rua.v12i1.8640788.

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Em As cidades incisíveis, o escritor italizano Italo Calvino utiliza a metáfora da cidade para falar do significado da existência humana. Cidade e homem se confundem. O autor fala da essência da condição humana ao procurar a essência de diferentes cidades, que por serem "invisíveis" aos olhos do grande Imperador, Kublai Khan, não deixam de ser imaginárias ou reais. Marco Polo, o viajante que descreve (no sentido fenomenológico) ao grande Imperador, circunscrito ao seu palácio, as cidades que visita, é como o explorador de Antoine de Saint-Exupéry em O pequeno príncipe, fornecendo a nós, os geó

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G.I., Sheriff, and Akeje K. "Developmental Historiography of the Ancient Silk Road." African Journal of Culture, History, Religion and Traditions 4, no. 1 (2021): 69–80. http://dx.doi.org/10.52589/ajchrt-a7od6ndn.

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This study seeks to explain the history of the ancient Silk Road and also explain its strategic importance as a network of trade routes connecting China and the Far East with the Middle East and Europe. Using the library's documented instrument and historical descriptive methodology, findings show that the Silk Road is historically connected with the Eastern and Western civilizations and culture. Merchants on the Silk Road transported goods and traded at bazaars along the way. They traded goods such as silk, spices, tea, ivory, cotton, wool, precious metals, and ideas. The Silk Road also enabl

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Kula, Marcin. "Królestwo Goryeo wobec najazdu mongolskiego w XIII wieku." Gdańskie Studia Azji Wschodniej, no. 24 (December 2023): 237–51. http://dx.doi.org/10.4467/23538724gs.23.036.19029.

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The Kingdom of Goryeo and the Mongol invasion in the thirteenth century In the thirteenth century, vast areas of Eurasia witnessed the Mongols’ destructive expansion initiated by Chinggis Khan and continued by his successors. It also extended to the Kingdom of Goryeo, which was founded in 918 by Wang Geon. For almost three centuries, the country in question conducted a skilful foreign policy towards its more powerful neighbours, but from 1170 it was in an incessant internal crisis caused by a military revolt. Subsequently, in 1196, General Choe Chungheon took over the reins of government, marg

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Panić, Marija. "ISKUSTVENA NASPRAM SIMBOLIČKE GEOGRAFIJE: INOVACIJE MARKA POLA U OPISIMA ISTOKA U ODNOSU NA SREDNjOVEKOVNU DIDAKTIČKU KNjIŽEVNOST." Nasledje, Kragujevac XX, no. 54 (2023): 369–82. http://dx.doi.org/10.46793/naskg2354.369p.

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This article aims to examine Marco Polo’s innovations of the descriptions of the Orient in his travelogue Le Devisement du monde (13th century). Unlike other geographical texts largely transmitted in the Middle Ages (Pierre de Beauvais’ Mappemonde, Jacques de Vitry’s Historia Orientalis, Goussouin de Metz’ Image du monde, La Lettre du Prêtre Jean) and the medieval bestiaries, Marco Polo’s travelogue (transcribed actually by Rustichello da Pisa in Franco-Ital- ian) manifests mostly its practical side: it informs the reader on the landscapes, climate, plants and animals in Asia, as well as the p

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Mohammed, Arwa Hussein. "Towards an Anti-Barthesian Reading of Poetry: "Kublakhan" as a Case Study." Journal of Tikrit University for Humanities 28, no. 3, 4 (2021): 47–56. http://dx.doi.org/10.25130/jtuh.28.3.4.2021.25.

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Samuel Taylor's Coleridge's poem "Kublakhan" was composed when the poet experienced an opium-influenced dream and after reading a book on Xanadu and the Mongol Emperor Kublai Khan. The present study aims to analyze this genuine poem by means of Roland Barthes's theory of the author's death. It also refers to Sigmund Freud's principles of psycho-analytical criticism. It focuses on the interpretation of the dream in it as a kin way to make a literary analysis of it. The study significantly defies "The death of the author" theory, arguing that "Kublakhan" is a representation of Coleridge's id; he

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Yong, Ping. "The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell." Communications in Humanities Research 3, no. 1 (2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.

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Romanticism is an important branch of the literary genre, and imagination is an important feature of it. From different historical backgrounds, Both British poets and Chinese have each profound insight into the imagination in their romantic poetry creations. Samuel Taylor Coleridge, as a pioneer of English Romantic poetry, his dream fragment Kublai Khan established an unshakable position in the poet's literary circle, while Li Bai was a well-known romantic poet in the prosperous Tang Dynasty. His representative work, Mount Skyland ascended in a Dream-A Song of Farewell, shocked the entire Chin

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Bańczyk, Alicja. "Czas miniony w Opisaniu świata Marca Polo." Terminus 25, no. 3 (68) (2024): 299–308. http://dx.doi.org/10.4467/20843844te.23.017.18205.

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This article analyses the role of the past references in the Book of the Marvels of the World written in the 13th century by Marco Polo, a Venetian explorer and merchant who travelled through Asia and had his memories written down by Rustichiello da Pisa. At the beginning, the characteristics of the text and its complexity are presented. In the following section, the role of descriptions relating to the future and to the present is shown. Then, a number of levels are distinguished through which references to the past are situated in the narrative. One level is through a description of the circ

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Acri, Andrea. "VIAJANDO POR LOS «CAMINOS DEL SUR»: EL BUDISMO ESOTÉRICO EN EL ASIA MARÍTIMA, SIGLOS VII-XIII D.C." Revista Científica Arbitrada de la Fundación MenteClara 2, no. 2 (2017): 6–62. http://dx.doi.org/10.32351/rca.v2.2.28.

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Este artículo presenta un panorama histórico de las redes de sitios y agentes que fueron instrumentales en la creación y circulación de las diferentes variedades de budismo esotérico (o tántrico) entre los siglos VII y XIII hasta su casi desaparición. El autor aborda el estudio del budismo esotérico desde una perspectiva geográfica amplia, hace hincapié en las interacciones marítimas que se produjeron a través de las llamadas «Rutas Marítimas de la Seda» en el curso de varios siglos y avanza en una narrativa histórica complementaria que toma las conexiones marítimas. Basado en evidencias textu

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Miah, A. S. M. Shamim. ""Kubla Khan": A Poem of Sexual Ambiguity." East West Journal of Humanities 1 (May 25, 2011): 23–32. http://dx.doi.org/10.70527/ewjh.v1i.75.

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The poem 'Kubla Khan' is quite inexplicable. It a fun of ambiguity and seemingly bizarre Implications. Many critics have seen it as a poem full of ethereal music, but I find it a mysterious reflection on human sexuality. In it Coleridge makes reference to what Freud would have called "dream work? basically thoughts surfacing as thing and thinking being dramatized: the thoughts being pulled from the subconscious and made significant. Had It not been for the opium. Coleridge's 'Kubla Khan" would have remained a fantasy. dreamt arid last. Certainty. the poem is a mad intricate work, full of the p

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Hosseini, Sajed, and Payam Babaie. "Artistic Immortality as an Objet Petit a: The Subject of Samuel Taylor Coleridge’s “Kubla Khan”." Khazar Journal of Humanities and Social Sciences 25, no. 1 (2022): 5–16. http://dx.doi.org/10.5782/2223-2621.2022.25.1.5.

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This study presents a psychoanalytical reading of Coleridge’s “Kubla Khan” having an eye on Žižek’s theory of the subject. “Kubla Khan” contains a host of components providing an illustration of Coleridge’s psychological status. In such a case, Žižekian approach to psychoanalysis could provide a suitable paradigm for an analytical reading of the poem. The works of Žižek conducted disputatious re-articulations of the subject/object, the displacement of an objet petit a (object of desire) with object-cause of desire, and parallax. Žižek, like Hegel, accentuates the one-to-one relationship of the

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Tindol, Robert. "Pleasure Domes and Sunbeams: An Anti-Oedipal Reading of “Kubla Khan”." Anglica. An International Journal of English Studies, no. 26/1 (September 11, 2017): 55–72. http://dx.doi.org/10.7311/0860-5734.26.1.04.

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Samuel Taylor Coleridge’s 1797 poem “Kubla Khan” begins with the statement that Kubla Khan once caused a pleasure-dome to come into existence by dint of a kingly decree. The last line states that the narrator, should he gain sufficient poetic vision, would have “drunk the milk of paradise” and would “build that dome in air.” A new reading may be derived from a focus on precisely what these lines say and what they imply within the perspective of Gilles Deleuze and Felix Guattari’s work Anti-Oedipus. If the process of the narrator’s gaining poetic insight is set in motion by a conscious decree f

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Li, Cha, and Qian Zhao. "An Ambiguous Manifestation of Draining Inspiration-Exploring Coleridge’s Writing Block." Methodology Insight 1, no. 2 (2025): 1–12. https://doi.org/10.71290/mi01020001.

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Samuel Taylor Coleridge’s celebrated yet incomplete poem Kubla Khan has received mixed reviews, but it remains a quintessential example of Romantic poetry. This article adopts Writer’s Block Theory to explore Coleridge’s writing block, especially during the process of creating Kubla Khan. It argues that Coleridge’s writing block is attributed to a combination of external and internal factors. The external causes are related to the turbulent historical context and his personal struggles, while the internal ones include physiological/affective causes and motivational/cognitive causes. Then the a

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Huang, Chihlien. "Notes from the Pier No. 1: On Route to “A Global Renaissance”: An f : Fabric in the “BRI: One Belt One Road”." China and the World 01, no. 04 (2018): 1850025. http://dx.doi.org/10.1142/s2591729318500256.

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This paper is actually a summary of the authors series of academic research since 1970s. It focuses on interconnectivity of civilizations with a focus on major civilizations and their impact on regional development. It is very clear that in comparison to Hinduism, Buddhism, Islam, Christianity and modern Western Civilizations, the Imperial China and its traditional civilizations did not play a profound role outside China as judged by the Kublai Khan and Zheng Hes naval expeditions to East Asia and Indian Ocean areas. Apparently, she did not make good use of the “f-shaped” maritime road either.

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KNOX-SHAW, PETER. "EDWARD YOUNG IN ‘KUBLA KHAN’." Notes and Queries 47, no. 3 (2000): 323–25. http://dx.doi.org/10.1093/nq/47-3-323.

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KNOX-SHAW, PETER. "EDWARD YOUNG IN ‘KUBLA KHAN’." Notes and Queries 47, no. 3 (2000): 323–25. http://dx.doi.org/10.1093/nq/47.3.323.

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Jones, Ewan James. "The Sonic Organization of “Kubla Khan”." Studies in Romanticism 57, no. 2 (2018): 243–64. http://dx.doi.org/10.1353/srm.2018.0011.

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Volpe, Míriam L. "A imagem como ruína: de uma totalidade irrecuperável." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 262–69. http://dx.doi.org/10.17851/2317-2096.8..262-269.

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Resumo: O dialogismo entre o filme Citizen Kane, de Orson Welles, e o poema “Kubla Khan”, de S. T. Coleridge, é analisado, sendo evidenciados não só o tema em comum – o mito do Paraíso perdido – como também a similaridade na organização do discurso na justaposição das imagens, como fragmentos da memória a serem preservados.Palavras-chave: literatura; cinema; montagem; intertexto; museu.Abstract: The intertext between the film Citizen Kane, by Orson Welles, and the poem “Kubla Khan”, by S. T. Coleridge, is analised. A common theme, the myth of lost Paradise, and similar strategies in the organi

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Wheeler, Kathleen. "''Kubla Khan'' and Eighteenth Century Aesthetic Theories." Wordsworth Circle 22, no. 1 (1991): 15–24. http://dx.doi.org/10.1086/twc24042640.

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Friedman, Max M. "“Kubla Khan” in Finnegans Wake." James Joyce Quarterly 47, no. 4 (2010): 643–45. http://dx.doi.org/10.1353/jjq.2010.0020.

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TINDOL, Robert. "Hybridization in Samuel Taylor Coleridge’s “Kubla Khan”." Comparative Literature: East & West 25, no. 1 (2016): 10–29. http://dx.doi.org/10.1080/25723618.2016.12015412.

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Santiko, Hariani. "KEHIDUPAN BERAGAMA RAJA KERTANAGARA." KALPATARU 29, no. 1 (2020): 29–38. http://dx.doi.org/10.24832/kpt.v29i1.634.

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Abstract. During the reign of King Kertanagara the last ruler of Singasari, the Buddhist Tantrayana and the Siwa Bhairawa merging together into one religious system. The motivation behind the merging of the two religions is not clear, it may have been tolerant nature of the king or to strengthen the kingdom to face the Chinese enemy Kubilai Khan. For this reason, king Kertanagara built two Siva-Buddhist temples, Candi Jawi and Candi Singasari. Keywords: Kertanagara, Singasari, Tantrayana  Abstrak. Pada masa pemerintahan Raja Kertanagara, penguasa terakhir Singasari, Buddha Ta

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Rowe, M. W. "'Kubla Khan' and the Structure of the Psyche." English 40, no. 167 (1991): 145–54. http://dx.doi.org/10.1093/english/40.167.145.

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Moon, Kenneth. "Lowry’s under the Volcano and Coleridge’s Kubla Khan." Explicator 44, no. 2 (1986): 44–47. http://dx.doi.org/10.1080/00144940.1986.11483914.

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Reid, Nicholas. ""Kubla Khan" and Harington's "The Witch of Wokey"." Wordsworth Circle 30, no. 2 (1999): 112–13. http://dx.doi.org/10.1086/twc24044707.

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Nayar, Pramod K. "‘Kubla Khan’ and its Narratives of Possible Worlds." Changing English 20, no. 4 (2013): 404–8. http://dx.doi.org/10.1080/1358684x.2013.855553.

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Bhandari, Sabindra Raj. "Imagination and Fancy: Unveiling the Creative Faculty of the Mind in Coleridge’s “Kubla Khan”." Literary Oracle 8, no. 2 (2024): 152–68. https://doi.org/10.70532/lodec2411.

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The main objective of this article is to unveil the power of imagination and fancy in Coleridge’s poem “Kubla Khan”. The poem charms the readers with the use of fancy while presenting the graphic scene of Xanadu, where the Chinese emperor, Kubla Khan, built his majestic palace. The article interprets the power of fancy as an arbitrary process that conjoins the ideas about Kubla Khan’s palace together that remain in distance and unite them to create something fanciful. The tapestry of the poem looks appealing when the play of fancy is in the first stanza. The real transformation with the awe an

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Volpe, Míriam. "A Imagem como Ruína." Aletria: Revista de Estudos de Literatura 8 (December 31, 2001): 264. http://dx.doi.org/10.17851/2317-2096.8.0.264-271.

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O dialogismo ente o filme Citizen Kane, de Orson Welles, e o poema “Kubla Khan”, de S.T. Coleridgé, é analisado, sendo evidenciados não só o tema em comum – o mito do Paraíso perdido – como também a similariedade na organização do disurso na justaposição das images, como fragmentos da memória a serem preservados.

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Milne, Fred L. "Coleridge's "Kubla Khan": A Metaphor for the Creative Process." South Atlantic Review 51, no. 4 (1986): 17. http://dx.doi.org/10.2307/3199754.

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Nayar, Pramod K. "Another Source for Coleridge's Pleasure-Dome in "Kubla Khan"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 17, no. 3 (2004): 35–37. http://dx.doi.org/10.3200/anqq.17.3.35-37.

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Engell, James. "A Yet Deeper Well: "Kubla Khan," Wookey Hole, Cain." Wordsworth Circle 26, no. 1 (1995): 3. http://dx.doi.org/10.1086/twc24042944.

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Bradburn, Elizabeth. "'Kubla Khan' — Poetic Structure, Hypnotic Quality and Cognitive Style." Pragmatics & Cognition 16, no. 1 (2008): 190–92. http://dx.doi.org/10.1075/p&c.16.1.14bra.

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Leask, Nigel. "Kubla Khan and Orientalism: The Road to Xanadu Revisited." Romanticism 4, no. 1 (1998): 1–21. http://dx.doi.org/10.3366/rom.1998.4.1.1.

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Elizabeth Bush. "Kubla Khan: The Emperor of Everything (review)." Bulletin of the Center for Children's Books 64, no. 3 (2010): 137. http://dx.doi.org/10.1353/bcc.2010.0206.

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