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Dissertations / Theses on the topic 'Kubrick stanley'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Vacirca, Silvia <1981&gt. "Stanley Kubrick: architetture dello spazio." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/3058/.

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2

Saengprapan, Pichaiwat. "Le décor chez Stanley Kubrick." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20064.

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S’interroger sur le décor de cinéma parait ouvrir un champ de recherche illimité, surtout lorsqu’il s’agit de la création cinématographique de Stanley Kubrick. Indéniablement le décor nous transmet l'état émotif des personnages, illustre l’ambiance des séquences et est même source de jouissance esthétique. Le décor de cinéma chez Kubrick apparaît alors comme un élément prépondérant de son langage cinématographique. Certains décors de ses films font même partie de notre mémoire cinématographique collective. Parmi ses treize longs métrages, cette recherche analyse plus précisément le décor dans
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3

Thompson, Andrew William. "Stanley Kubrick and the American Myth." Thesis, Boston College, 2011. http://hdl.handle.net/2345/1962.

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Thesis advisor: John Michalczyk<br>Stanley Kubrick explored and subverted the concept of American Myth throughout his filmography. American Myth may include the notion of social mobility (the American Dream), the archetypal gunslinger of the American West, the righteousness of a democratic system, a belief in social egalitarianism, and explicit foreign policies such as the Monroe Doctrine and the idea of Manifest Destiny. Kubrick’s Paths of Glory is an indictment of modern war and the commoditization of human lives. Dr. Strangelove demonstrates a uniquely American obsession with technology, pr
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4

Fischer, Ralf Michael. "Raum und Zeit im filmischen Œuvre von Stanley Kubrick /." Berlin : Gebr. Mann Verlag, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3190068&prov=M&dok_var=1&dok_ext=htm.

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5

Fischer, Ralf Michael. "Raum und Zeit im filmischen Oeuvre von Stanley Kubrick." Berlin Gebr. Mann, 2006. http://d-nb.info/991631412/04.

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6

Aziza, Samy. "Approche philosophique du nihilisme dans l'oeuvre de Stanley Kubrick." Paris 1, 2008. http://www.theses.fr/2008PA010653.

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Le pessimisme parfois radical des oeuvres de Kubrick et sa vision désabusée de la nature humaine lui valurent souvent d'être taxé de nihiliste. Pourtant, il ne se reconnaissait pas dans cette description. Dans un premier temps, nous nous proposerons de définir le champ philosophique de notre étude en nous appuyant principalement sur les travaux de Nietzsche et de Heidegger. Dans un deuxième temps, nous nous efforcerons de montrer en quoi le nihilisme est effectivement l'un des principaux thèmes du cinéma de Kubrick. Une première partie sera consacrée au nihilisme actif dans des films tels qu'O
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7

Marcolino, Marcio Cardoso. "O compositor Stanley Kubrick: análise do som no filme De olhos bem fechados de Stanley Kubrick através da teoria sonora de Michel Chion." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/JSSS-8ZFPVQ.

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This present work proposes the analisys of the film Eyes wide shut (1999) of Stanley Kubrick under the aspect of the intersection of the sound and image languages beyond the categories of sound theory´s Michel Chion. The sound context of film suggest a specific analysis in parallel with the filmic narrative of Kubrick, pointing him like a composer of soundtrack, increasing sound, giving it meaning in front of images.The way adopted came with the sound plans graphic plans of film sequences, showing on time, music, sound effects and voice to study the form like the director use sound like a se
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8

Roblou, Yann. "La violence du langage dans les films de Stanley Kubrick." Paris 10, 1997. http://www.theses.fr/1997PA100021.

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La violence est un phenomene facilement identifiable mais un concept evanescent. Elle nous semble constituer l'essence meme du travail du cineaste stanley kubrick. En partant d'une mise en relation de la violence et du langage, nous avons tente de montrer que, dans le cadre de son oeuvre, ces deux termes conditionnent une esthetique formelle aussi bien que thematique. En effet, le langage cinematographique utilise par le realisateur porte des marques evidentes du rapport entre la violence et l'image, le son, le montage et le champ referentiel. On peut trouver egalement des exemples d'une viole
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Sa, Leonor da Cruz e. "Figuração e invisibilidade: uma leitura de \'De olhos bem fechados\' de Stanley Kubrick." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102007-153102/.

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Para filmar o último filme de sua vida, Stanley Kubrick baseou-se na novela de Arthur Schnitzler, \"Breve romance de sonho\" (1926), fato que já requer atenção: como filmar em 2000 um filme baseado em um livro escrito no final do século XIX? Como mostrar as questões de uma classe social tão marcante, naquela época em transformação e consolidação, agora no século XXI ? Kubrick definiu o livro como sendo o romance sobre o medo. Uma questão é tentar responder a qual medo ele se referia? O tema da sexualidade forte no romance e no filme e a relação clara entre Schnitzler e Freud fazem pensar na re
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10

Ezequiel, Maíra Cínthya N. "Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/4858.

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Made available in DSpace on 2016-04-26T18:16:02Z (GMT). No. of bitstreams: 1 Maira Cinthya Nascimento Ezequiel.pdf: 683377 bytes, checksum: f0d27e8c791fe6f4cea2b427509e9bf5 (MD5) Previous issue date: 2007-03-02<br>This investigation searches for the effects of meaning resultants from the use of plasticity as a method for creating the visuality in the movie Barry Lyndon, by Stanley Kubrick (1975), and, at the same time, the intersemioticity that emerges from the blending of the aesthetic languages of cinema, painting and literature here involved. Concerning the methodology, it is based on a g
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11

Carvalho, Francisco Egydio de. "O cinema como experiência sinfônica = a partitura orquestral do filme "O iluminado", de Stanley Kubrick." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283957.

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Orientador: Francisco Elinaldo Teixeira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:12:12Z (GMT). No. of bitstreams: 1 Carvalho_FranciscoEgydiode_M.pdf: 1016284 bytes, checksum: 212eacc09a57d8e76634395d3805721b (MD5) Previous issue date: 2010<br>Resumo: O presente estudo tem como objetivo estabelecer uma aproximação entre cinema e música no que concerne aos mecanismos de produção de sentido articulados por ambas as artes. A partir dos conceitos de imagem-movimento e imagem-tempo, concebidos por Deleuze através
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Gulias, Max Strickland Ronald. "It's alive, it's alive authorship as late capitalist fetish /." Normal, Ill. : Illinois State University, 2005. http://proquest.umi.com/pqdweb?index=0&did=1225101241&SrchMode=1&sid=6&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1176211895&clientId=43838.

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Thesis (Ph. D.)--Illinois State University, 2005.<br>Title from title page screen, viewed April 10, 2007. Dissertation Committee: Ron Strickland (chair), Chris Breu, Hilary Justice. Includes bibliographical references (leaves 166-183) and abstract. Also available in print.
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Girardi, Bertrand. "L'imaginaire lumineux : un corps de l'image entre fiction et documentaire : le style kubrick." Bordeaux 3, 2005. http://www.theses.fr/2005BOR30013.

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L’image, qu’elle soit picturale, photographique ou bien encore cinématographique, télévisuelle ou numérique, doit composer avec l’élément lumière. Cependant, il n’est pas question de considérer la lumière dans l’image sans faire appel à sa représentation matérialisée : le lumineux. En effet, une fois impressionnée dans le cadre, la lumière devient la réalité de l’image, un corps, c’est-à-dire une luminosité transitoire, comme une émanation entre présence et absence. Il est alors possible de constater, en suivant différents styles cinématographiques, soit un lumineux factuel, soit un lumineux d
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14

Lee, Nara. "Matière et fluidité dans le cinéma contemporain : Stanley Kubrick, Alexandre Sokourov, Tsai Ming-liang, Gus Van Sant." Paris 1, 2013. http://www.theses.fr/2013PA010522.

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Cette thèse a pour objet d'éclairer la matérialité de l'image dans le cinéma contemporain, à travers les œuvres de Stanley Kubrick, Alexandre Sokourov, Tsai Ming-liang et Gus Van Sant. Pour comprendre l'apport de l'esthétique de la matière, cette étude relève les éléments de fluidité dans leurs films, mais aussi cherche à montrer comment ces cinéastes font apparaître la qualité sensible de la matière par le langage cinématographique, c'est-à-dire par l'image. La première partie étudie le rapport entre la matière et la forme dans les œuvres de Stanley Kubrick et d'Alexandre Sokourov. Dans « Shi
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JAOUAN, SANCHEZ JAOUAN MARIE-PIERRE. "La drolerie. Comique fantastique; etude de deux effets apparemment contradictoires, centree sur l'analyse des films de stanley kubrick." Toulouse 2, 1991. http://www.theses.fr/1991TOU20071.

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Ce travail part de trois constats: -avatars de reception; -contradictions theoriques; -hybridations proliferantes: dans les oeuvres contemporaines, le melange du comique et du fantastique, que nous appelons "drolerie", prend une place considerable. Il se deroule en trois phases: -prise de reperes dans les theories antiques, modernes et contemporaines; -analyse des films de stanley kubrick, permettant de mettre en evidence certains modes d'emergence de la "drolerie", et d'apprehender toute une serie de degres entre le comique cauchemardesque de dr strangelove et le fantastique ironique de shini
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Pita, César. "CineScrúpulos (Año 1. Número 2. Abril de 2013)." Universidad Peruana de Ciencias Aplicadas (UPC), 2013. http://hdl.handle.net/10757/625039.

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CineScrúpulos es una revista digital que recopila los trabajos desarrollados por los alumnos en la clase de Historia del Cine de la Facultad de Comunicaciones de la UPC. El curso no pretende brindar una visión historicista del cine repleta de fechas, nombres de directores, títulos de películas y lugares exóticos, sino que intenta evidenciar la linealidad casi genética que es intrínseca al quehacer fílmico, una tradición que no solo se repite sino que se reinterpreta en distintos escenarios y en distintos momentos. Porque se entiende que el cine es, ante todo, la herencia permanente de lo que s
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17

Caplinger, James C. "Oz wide shut : an exploration of gender and master narratives in Stanley Kubrick's final film /." Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1107791166.

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18

Saçashima, Edilson Atsuo. "A questão da \'violência\' no Cinema de Stanley Kubrick: análise dos filmes \'Laranja Mecânica\', \'Barry Lindon\' e \'O Iluminado\'." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03062008-151100/.

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Este trabalho investiga três filmes do cineasta Stanley Kubrick: Barry Lyndon, O Iluminado e Laranja Mecânica. Do fluxo incessante de imagens desses filmes buscaremos destacar aqueles que nos permitam discutir a questão da violência. Em nosso trabalho, não nos apoiaremos em um conceito prévio de violência. O que buscamos será discutir o problema que essa expressão nos reserva. Assim, acreditamos que também poderemos compreender um dos fenômenos constituintes da sociedade moderna.<br>This work investigate three Stanley Kubrick\'s movies: Barry Lyndon, The Shining and A Clockwork Orange. From th
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19

Streitlien, Albin, and Joel Tromark. "The Shining - Gestaltningen av det obehagliga : En analys baserad på Stanley Kubricks filmadaption av The Shining." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35759.

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Syftet med denna uppsats är att reda ut hur Stanley Kubricks filmadaption av The Shining(1980) har lyckats framställa känslor av obehag. Utredningen sker genom en analys av trespecifikt utvalda sekvenser ur filmen. Analysen arbetar utifrån en kvalitativ metod och despecifika huvudområden som analysen utgår ifrån är de audiovisuella aspekterna, det villsäga fotografi, ljussättning, ljudläggning och musik. Dessutom är Sigmund Freudspsykoanalytiska begrepp ”The Uncanny” (det kusliga) en viktig utgångspunkt i analysen.Kombinationen av de konkreta och psykologiska aspekterna kan således bidra till
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Caplinger, James C. "Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film." Ohio University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107791166.

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21

REMY, EMMANUEL Vidailhet Colette. "STANLEY KUBRICK LA RAISON ET LA PASSION, L'ORDRE ET LE CHAOS OU LA QUETE DE L'INACCESSIBLE ABSOLU ET L'INEVITABLE FACTEUR HUMAIN /." [S.l.] : [s.n.], 2000. http://www.scd.uhp-nancy.fr/docnum/SCDMED_T_2000_REMY_EMMANUEL.pdf.

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22

Jaunas, Vincent. "La subjectivité au prisme de la réflexivité dans l'oeuvre de Stanley Kubrick : de "2001 l'Odyssée de l'espace" à "Eyes Wide Shut"." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30059.

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Cette thèse ambitionne d’interroger la notion de subjectivité dans la seconde moitié de la filmographie de Stanley Kubrick. Il s’agit d’explorer la façon dont le cinéaste, de 2001 : L’Odyssée de l’espace (1968) à Eyes Wide Shut (1999), fait montre d’une myriade d’effets réflexifs interrogeant, tant la dynamique au cœur de la subjectivité spectatorielle, que celle de l’entité auctoriale dont la présence surplombante s’irradie dans chaque film, et ce pour mettre à jour la façon dont l’œuvre de Kubrick se caractérise, par-delà sa grande variété de tons et de thématiques abordées, par une explorat
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Bertrand, Jean-Michel. "2001 L'Odyssée de l'espace : puissance de l'énigme." Dijon, 2004. http://www.theses.fr/2004DIJOL020.

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La dimension énigmatique de 2001 l'odyssée de l'espace est constitutive de la puissance artistique du film, qu'il est possible de définir comme passage sensible des idées. Aussi, le présent travail ne vise pas à la dissiper en l'élucidant ou en l'éclairant (comme on résoudrait un problème), mais à en déployer la consistance. La naissance de la pensée présentée comme intervalle et déploiement du temps, la communication verbale représentée comme discours neutralisant, injonctif, instrument d'assujettissement et perte d'un contact avec l'être, et enfin, la mise en jeu de nouvelles formes de la se
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Carvalho, Caio M. G. de. "Uma retórica a serviço da morte e da vida: estudo de um idioleto de background metafórico e metonímico no cinema de Stanley Kubrick." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21329.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-09T12:34:10Z No. of bitstreams: 1 Caio M. G. de Carvalho.pdf: 8716173 bytes, checksum: a37768758afe3bd0af36512c2257add3 (MD5)<br>Made available in DSpace on 2018-08-09T12:34:10Z (GMT). No. of bitstreams: 1 Caio M. G. de Carvalho.pdf: 8716173 bytes, checksum: a37768758afe3bd0af36512c2257add3 (MD5) Previous issue date: 2018-06-28<br>Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq<br>Based on the filmography of the director Stanley Kubrick (short-films excluded), the present work focuses on exposing
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Werner, Kjellberg Petra. "Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7036.

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<p>Filmmusic is often composed specially for a film. When analyzing film-music it seems very common to study the function of the music in a narrative context in order to see how it cooperates or relates to this narration. In the present thesis I am investigating the interaction between film and music as two ingredients on an equal level. In short: what happens when a filmmaker chooses music that has already been composed for another occasion, even in another time and a different cultural context? My aim is twofold: first to examine current film analytic strategies, secondly to find new ways of
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Batista, Fernanda Cristina Araújo. "Lolita de Ramsdale x Lolitas de Hollywood: uma análise do romance de Vladimir Nabokov e das adaptações fílmicas de Stanley Kubrick e Adrian Lyne." Universidade Presbiteriana Mackenzie, 2010. http://tede.mackenzie.br/jspui/handle/tede/2318.

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Made available in DSpace on 2016-03-15T19:46:58Z (GMT). No. of bitstreams: 1 Fernanda Cristina Araujo Batista.pdf: 3619358 bytes, checksum: 16900d05c8f15fa7ca1ce34f689f8932 (MD5) Previous issue date: 2010-08-12<br>Fundo Mackenzie de Pesquisa<br>This paper aims at analyzing the relation between Vladimir Nabokov s novel Lolita (1955) and Stanley Kubrick s and Adrian Lyne s film adaptations of the novel, the former released in 1962 and the latter in 1997. We will base our study on French semiotics, also known as greimasian semiotics, to analyze the effects of meaning created by the different ac
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Paula, Rodrigo Martini [UNESP]. "A reavaliação da Guerra do Vietnã apresentada no romance The short timer (197(), de Gustav Hasford, e em sua adaptação fílmica Fullmetal JAcket (1987), de Stanley Kubrick." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/99156.

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Made available in DSpace on 2014-06-11T19:29:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-06-24Bitstream added on 2014-06-13T21:00:17Z : No. of bitstreams: 1 paula_rm_me_sjrp.pdf: 2561833 bytes, checksum: 5e51329f8a6e197890cb17efd957b900 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Este projeto examina as maneiras pelas quais a obra The Short-Timers (1979), de Gustav Hasford, e o filme Full Metal Jacket (1987), de Stanley Kubrick, revisitam a Guerra do Vietnã, dessacralizando a História oficial. Em seu romance The Short Timers (1979), o veteran
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Paula, Rodrigo Martini. "A reavaliação da Guerra do Vietnã apresentada no romance The short timer (197(), de Gustav Hasford, e em sua adaptação fílmica Fullmetal JAcket (1987), de Stanley Kubrick /." São José do Rio Preto : [s.n.], 2010. http://hdl.handle.net/11449/99156.

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Orientador: Giséle Manganelli Fernandes<br>Banca: Manuel Fernando Medina<br>Banca: Álvaro Luis Hattnher<br>Resumo: Este projeto examina as maneiras pelas quais a obra The Short-Timers (1979), de Gustav Hasford, e o filme Full Metal Jacket (1987), de Stanley Kubrick, revisitam a Guerra do Vietnã, dessacralizando a História oficial. Em seu romance The Short Timers (1979), o veterano Gustav Hasford narra a trajetória de um soldado e de seus companheiros durante o treinamento militar e o posterior combate no Vietnã. Tomando a perspectiva desse soldado, o narrador focaliza esse episódio da história
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Failache, Mauricio José Vera. "Tecnologia, poder e violência em 2001 : uma odisseia no espaço." Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/7132.

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Submitted by Izabel Franco (izabel-franco@ufscar.br) on 2016-09-13T12:46:30Z No. of bitstreams: 1 DissMJVF.pdf: 3346925 bytes, checksum: 55ddf1d9a6a421610a78a428b3dcb62d (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-13T20:26:47Z (GMT) No. of bitstreams: 1 DissMJVF.pdf: 3346925 bytes, checksum: 55ddf1d9a6a421610a78a428b3dcb62d (MD5)<br>Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-13T20:26:56Z (GMT) No. of bitstreams: 1 DissMJVF.pdf: 3346925 bytes, checksum: 55ddf1d9a6a421610a78a428b3dcb62d (MD5)<br>Made availa
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Radhi, Yasser. "Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut." Thesis, Högskolan Dalarna, Bildproduktion, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24195.

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Subtext är en sanning gömd under ytan, som avslöjar en handling eller ords sanna mening. Hur kan en adaptionsprocess påverka subtexten då en bok tolkas om till film? Syftet med denna uppsats är att applicera en komparativ adaptionsanalys för att svara på frågan kring hur subtexten i en bok påverkas av att adapteras till film. Två kapitel och dess respektive filmscener analyseras därmed för att därefter peka ut dess subtext, detta från boken Dream Story och dess filmatisering Eyes Wide Shut. Skillnaderna i hur subtexten förmedlats pekas sedan ut i resultatet, där slutsatser kring adaptionsproce
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Wallace, Willie. "Govoreeting with Lewdies: A Critical Discourse Analysis of A Clockwork Orange and its Translations Across Media and Language." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3748.

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Much linguistic research has been done on the fictional argot of A Clockwork Orange, known as Nadsat, but few efforts have been made to expand beyond the classification and analysis of Nadsat. Using Critical Discourse Analysis, this paper looks at the overarching discourse of A Clockwork Orange and aims to answer three questions: What exigencies and discourses inform the creation of these works? What techniques and power structures are employed in the construction of these works? How do these works shape or attempt to shape the discourse? To answer these questions, I look at three instances of
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Injoque, Gonzales Daniela Patricia. "Análisis conceptual de las películas 2001: Odisea del Espacio y La Naranja Mecánica del director Stanley Kubrick, desde el trabajo de Dirección Fotográfica y su impacto en la sociedad estadounidense de la década del setenta." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/653071.

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En el presente trabajo de investigación se analizará las películas 2001: Odisea del Espacio y La Naranja Mecánica del director Stanley Kubrick desde la perspectiva visual de la dirección fotográfica, y su impacto en la sociedad estadounidense de los años 70’s.  El objetivo de este estudio es identificar los mensajes ocultos que busca demostrar Stanley Kubrick por medio del uso de técnicas fotográficas en sus películas 2001: Odisea del espacio y La Naranja Mecánica. Por ello, se realizará un análisis de la composición fotográfica, el manejo del color e iluminación, con la finalidad de inter
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Pezzotta, Elisa. "Adaptations : Stanley Kubrick's challenges." Thesis, University of Roehampton, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515227.

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34

Gay, Christian. "Queer Threats and Abject Desires in Four Films from New American Cinema." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/290.

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This dissertation is an in-depth critical analysis of four American films made during the 1970s, with emphasis placed on the films' construction of gender and sexuality. This dissertation draws from the tradition of queer film criticism presented in the writings of such theorists as Barbara Creed, Alexander Doty, Richard Dyer, Vito Russo, and Eve Kosofsky Sedgwick. Taking a queer perspective, these film readings explore how particular works implement queer codes and foster a sexually ambiguous world on film. While not typically included in discussions of Queer Cinema or New American Cinema, th
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Santos, Aline Peterson dos. "O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?" reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/149527.

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Esta dissertação discute os protagonistas do romance Laranja Mecânica, de Anthony Burgess, e dos filmes Laranja Mecânica e Vinyl, de Stanley Kubrick e Andy Warhol, respectivamente, comparando como tais personagens representam o indivíduo em sociedade. Para tanto, se apóia nas teorias de Joseph Campbell, Antonio Candido e Paulo Emílio Sales Gomes, sobre as personagens, e de Ítalo Calvino sobre a Leveza. São analisadas as três obras, para o entendimento das peculiaridades presentes em cada uma das narrativas, bem como a trajetória do protagonista nas três narrativas, até que estas atinjam o desf
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Tsampa, Anatoli. "Wort Ton Bild Welt." Doctoral thesis, Humboldt-Universität zu Berlin, 2017. http://dx.doi.org/10.18452/18053.

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Die Dissertation untersucht die Entwicklung des Gesamtkunstwerk-Konzeptes und seine Aktualität, Möglichkeit und Notwendigkeit in Bezug auf ein modernes filmisches Gesamtkunstwerk. Ausgegangen wird von der ästhetischen Theorie und Praxis der deutschen Frühromantik, in der das Konzept wurzelt. In einer umfassenden Betrachtung und Analyse der ästhetischen und gesellschaftspolitischen Dimension des Konzeptes in den Schriften und dem Werk Richard Wagners sollen wesentliche Strukturmerkmale erkundet und soll ein Maßstab für ein ‚positives‘ zeit-genössisches Gesamtkunstwerk gebildet werden, das sich
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Felcman, Jakub. "Imaginární kino." Doctoral thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-373531.

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Wenk, Christian. "Abjection, madness and xenophobia in gothic fiction." Berlin : wvb, Wiss. Verl, 2008. http://d-nb.info/989569101/04.

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Mata, Ariadne Costa da. "Blissful violence ambiguity in Stanley Kubrick's a clockwork orange." Florianópolis, SC, 2002. http://repositorio.ufsc.br/xmlui/handle/123456789/83942.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Gradução em Letras/Ingrês e Literatura Correspondente.<br>Made available in DSpace on 2012-10-20T04:50:21Z (GMT). No. of bitstreams: 0Bitstream added on 2014-09-26T00:48:58Z : No. of bitstreams: 1 185025.pdf: 2558408 bytes, checksum: 17eaae87814e655bbd925ed19326258c (MD5)<br>Analise da construção da ambigüidade na narrativa do filme Laranja Mecânica, de Stanley Kubrick (1971). Investiga a relação identificação-afastamento que o filme promove entre o protagonista e o espectador, a
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Ruschel, Christian. "Vom Innen und Aussen der Blicke aus Arthur Schnitzlers Traumnovelle wird Stanley Kubricks Eyes wide shut /." [S.l.] : [s.n.], 2002. http://ArchiMeD.uni-mainz.de/pub/2002/0173/diss.pdf.

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Lowery, J. Vincent. "A reel nightmare exposed : a study of the cultural significance of Stanley Kubrick's Dr. Strangelove (1964) /." Electronic version (PDF), 2003. http://dl.uncw.edu/etd/2003/loweryj/jvincentlowery.html.

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Park, Unyoung [Verfasser], Vinzenz [Akademischer Betreuer] Hediger, and Rembert [Akademischer Betreuer] Hüser. "Sehen und Sprechen: Männlichkeit und Weiblichkeit in Stanley Kubricks "Eyes wide shut" / Unyoung Park. Betreuer: Vinzenz Hediger. Gutachter: Vinzenz Hediger ; Rembert Hüser." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2016. http://d-nb.info/1091049114/34.

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Cavedo, Keith. "Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1593.

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The alien encounter has long been a defining and popular subject of science fiction cinema. However, Stanley Kubrick's 2001: A Space Odyssey (1968) and Andrei Tarkovsky's Solaris (1972) are interrogative, complex, and distinct artistic accomplishments that stand apart from and above the conventional science fiction film. 2001 and Solaris not only represent but complicate the alien/human dichotomy; in the end, they destabilize the dichotomy and even suggest a radical synthesis of the dichotomous elements. 2001 and Solaris further emphasize epistemological and specifically anthropocentric limita
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Langendorff, Judith. "Le nocturne comme catégorie esthétique de l'image dans la photographie et le cinéma contemporains." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA085.

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À partir d’un corpus ouvert de photographes et de cinéastes coloristes qui ont une fascination pour le nocturne, cette thèse explore les différentes gradations et significations de celui-ci, des plus évidentes aux plus abstraites. La thèse s’attache alors à démontrer que le régime nocturne transforme l’obscurité en valeurs chromatiques et qu’il éclaire, avec une subtilité qu’occulte la vision diurne, les aspects les plus complexes de la société et de l’esprit humain. La confrontation des analyses de séquences filmiques et de photographies dans une perspective articulant esthétique, philosophie
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Hebestreit, Melanie Klimsa Paul. "Paradigmatische Filmstrukturen : eine Strukturanalyse des Werkes "Eyes Wide Shut" von Stanley Kubrick /." 2006. http://www.gbv.de/dms/ilmenau/abs/521131189hebes.txt.

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Gonçalves, Ana Patrícia da Silva. "A música na construção da narrativa cinematográfica : (Alfred Hitchcock & Stanley Kubrick)." Master's thesis, 2014. http://hdl.handle.net/1822/33099.

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Dissertação de mestrado em Mediação Cultural e Literária<br>O tema proposto prende-se com a inegável ligação existente entre música e outros elementos como som e imagem na construção da narrativa cinematográfica. Ou seja, é nosso intuito prestar atenção à forma como se encadeiam e entrecruzam estes códigos do ponto de vista estético-expressivo e tecno-narrativo. Por outras palavras, o principal objetivo desta dissertação passa por tentar compreender em que medida a música se interpenetra com som e imagem, que é como quem afirma: estudar os alinhamentos homogéneos e as dissidências hetero
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VYHLIDALOVÁ, Nikola. "A CLOCKWORK ORANGE: THE SIGNIFICANCE AND IMPLICATIONS OF MUSIC IN BURGESS'S NOVEL AND ITS PRESENTATION IN KUBRICK'S FILM ADAPTATION." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-395034.

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This diploma thesis seeks to provide a thorough analysis of the significance and implications of music in the novel A Clockwork Orange and compare it to the role of music in the film adaptation based on this novel. Anthony Burgess, the author of the novel was an English writer and composer, whose work inspired an American film director Stanley Kubrick to make a film adaptation of the novel. The first part of this thesis deals with the life of the author of the novel, focusing mainly on the influence of music on his life. The thesis further explores the relation between music and man, music and
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Porto, João Pedro Leite. "O berço de Newton." Master's thesis, 2008. http://hdl.handle.net/10400.12/4313.

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Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário<br>A presente dissertação apresenta-se como um exercício motivado, não apenas por uma necessidade de homenagem ao que pode ser considerado como o realizador que definiu o cinema no século passado e que pensou o século presente antes de poder conhecê-lo; mas também como um movimento na melhor compreensão do fenómeno da psicopatia através da sua ilustração no que é o veículo artístico mais completo gerado pelo Homem. Numa análise livre da obra de Stanley Kubrick, procurámos a representação mais amplificada da violência
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Lacombe, Éric. "La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc." Mémoire, 2007. http://www.archipel.uqam.ca/3125/1/M9696.pdf.

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Dans ce mémoire, nous proposons de discuter le rapport entre le cinéma et l'histoire. Plus précisément, nous tenterons de tisser des liens entre deux films historiques peu orthodoxes, soit Barry Lyndon de Stanley Kubrick et L'Anglaise et le duc de Éric Rohmer et l'écriture de l'histoire. En fait, c'est la représentation historique dans ces films situés au XVIIIe siècle qui servira de point de départ à la recherche. De plus, nous allons aussi traiter de la connaissance du langage cinématographique comme prérequis à toute tentative de compréhension de la représentation de l'histoire au cinéma. N
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Ruschel, Christian [Verfasser]. "Vom Innen und Außen der Blicke : aus Arthur Schnitzlers Traumnovelle wird Stanley Kubricks Eyes wide shut / von Christian Ruschel." 2002. http://d-nb.info/967093678/34.

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