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Journal articles on the topic 'Kulintang'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Firmansyah, Dedy, and Awang Kautzar. "KONSEP MAT DALAM MUSIK KULINTANG TARI MILUR." Tonika: Jurnal Penelitian dan Pengkajian Seni 2, no. 2 (2019): 1–10. http://dx.doi.org/10.37368/tonika.v2i2.111.

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The function of kulintang music for the Komering tribe is as a supporting means to carry out the entire process of customary marriage of the Komering tribe. One of the marriage process in it there is a procession using milur dance accompanied by kulintang music. The concept of mat is a distinctive character as well as a guideline in the kulintang music game, so the writer is interested in studying the concept of mat in the komering kulintang music, especially in accompanying the milur dance. This study also analyzes the shape and structure of the kulintang music mat concept in the stages of th

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2

Rumengan, Perry, RA Dinar Sri Hartati, Roy G. A. Massie, Felly Philipus Senewe, and Reiner Emyot Ointoe. "Minahasa Kulintang Music (Musicological and Ethnomusicological Studies on Birth History)." International Journal of Religion 5, no. 10 (2024): 3275–81. http://dx.doi.org/10.61707/28rb4h15.

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This article describes the birth history of the Kulintang music genre or the Minahasa Wooden Kulintang Music Ensemble. Through the qualitative research method, using a multidisciplinary approach with musicology and ethnomusicology as an umbrella approach, it was found that the Wooden Kulintang Music Ensemble was born in Tumantangtang village of Tomohon Minahasa, made by Lodewijk Supit Kaligis in 1947. The entertainment needs of refugees drove the birth of this music genre during turbulent times in Japan. Kulintang Minahasa was a new music genre due to the transmutation of the Portuguese Keronc

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3

Barrete, Charlene, and Rafunzel Bulilawa. "A Dance Literature Chronicle of the Bohol Badjao's Traditional Kulintangan." Psychology and Education: A Multidisciplinary Journal 32, no. 10 (2025): 1174–90. https://doi.org/10.5281/zenodo.14967428.

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The Kulintangan Dance of the Badjao people in Bohol is a significant cultural expression that reflects the community's deep connection to their religious beliefs and seafaring lifestyle. Rooted in gratitude towards "Tuhan" (God), this traditional dance has been passed down through generations, embodying values such as hard work, community bonds, and a humble way of life. However, despite its cultural importance, there is limited research on the detailed features and preservation efforts surrounding the dance. This study aimed to address this gap by documenting the dance’s history, charac

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4

Scholz, Scott. "The Supportive Instruments of the Magindanaon Kulintang Ensemble." Asian Music 27, no. 2 (1996): 33. http://dx.doi.org/10.2307/834487.

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5

Posner, Karen L. "A Preliminary Analysis of Style in Maguindanoan Kulintang Music." Asian Music 27, no. 2 (1996): 19. http://dx.doi.org/10.2307/834486.

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Pebriyanti, Indah. "Makna Tari Sada-Sabai Dalam Upacara Pernikahan Masyarakat Komering Martapura, OKU Timur." Tanjak: Sejarah dan Peradaban Islam 2, no. 1 (2022): 46–54. http://dx.doi.org/10.19109/tanjak.v2i1.11976.

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Indonesia merupakan salah satu Negara dengan banyak ragam budaya maupun adat istiadat didalamnya. Salah satunya, Tari Sada Sabay yang merupakan salah satu tarian khas Suku Komering yang ada di Kabupaten Ogan Komering Ulu Timur, Sumatera Selatan. Tarian ini dilaksanakan ketika upacara pernikahan berlangsung, tarian ini tidak hanya dilakukan ketika sesama suku Komering yang menikah. Tari Sada Sabay tetap dilaksanakan dalam tiga kondisi pernikahan yakni perempuan suku Komering dengan laki-laki suku Komering, perempuan suku Komering dengan laki-laki bukan suku Komering, dan perempuan bukan suku Ko

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Kalanduyan, Danongan S. "Magindanaon Kulintang Music: Instruments, Repertoire, Performance Contexts, and Social Functions." Asian Music 27, no. 2 (1996): 3. http://dx.doi.org/10.2307/834485.

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8

Santaella, Mayco A. "Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora." Ethnomusicology 66, no. 3 (2022): 542–45. http://dx.doi.org/10.5406/21567417.66.3.16.

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9

Terada, Yoshitaka. "Variational and Improvisational Techniques of Gandingan Playing in the Magindanaon Kulintang Ensemble." Asian Music 27, no. 2 (1996): 53. http://dx.doi.org/10.2307/834488.

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10

Mahfud Tohari and Darmawati Darmawati. "Pengembangan Tari Sumbun di Kabupaten Tanjung Jabung Timur Provinsi Jambi." Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi 1, no. 2 (2024): 119–27. http://dx.doi.org/10.62383/imajinasi.v1i2.156.

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This study aims to reveal, describe, and analyze the development of Sumbun Dance in East Tanjung Jabung Regency, Jambi Province. This type of research is qualitative research using a descriptive method. The research instrument is the researcher himself assisted by supporting instruments in the form of stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data modeling, and drawing conclusions. The results of this study show that the development of Sumbun Dance can be s

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11

Hariandi, Ahmad, Chika Orsalia Yovita Sari, Denisya Zahara, Hasta Purwindah Hapsari, and Lailatul Badriatul Mubarokah. "Nilai-Nilai Moral Terkandung dalam Tradisi Arakan Sahur di Kabupaten Tanjung Jabung Barat." Jurnal Ilmiah Religiosity Entity Humanity (JIREH) 5, no. 1 (2023): 83–96. http://dx.doi.org/10.37364/jireh.v5i1.133.

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The people of Kuala Tungkal are characterized by this culture in their own unique way. The Arakan Sahur tradition is one that originates from Kuala Tungkal. In this tradition, members of the public play Malay musical instruments such as drums, kulintang, tambourines and bells to prepare food for the procession, which have been passed down from generation to generation. Today, this tradition is part of the annual calendar of West Tanjung Jabung Regency. As a result, researchers are interested in lifting this tradition to investigate its moral principles. An emic approach to qualitative research

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Kaunang, Meyny S. C. "Penerapan Manajemen Pembelajaran Seni Musik pada Masa Pandemi (Studi Kasus di SMA-Manado Independent School (MIS) Manado)." Syntax Literate ; Jurnal Ilmiah Indonesia 6, no. 5 (2021): 2358. http://dx.doi.org/10.36418/syntax-literate.v6i5.2729.

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Tujuan penelitian ini adalah untuk mengetahui keunggulan dalam pengelolaan Pembelajaran Seni Musik (Manajemen). Adapun manajemen pembelajarannya dilihat pada Perencanaan, Pengorganisasian, Pengarahan dan Pengendalian. Penelitian ini Menggunakan Pendekatan Deskriptif Kualitatif, dengan Tekhnik pengumpulan data Observasi, Wawancara dan Studi Dokumentasi, semua dilakukan di lingkungan SMA-MIS (Manado Independen School) Manado. Penelitian ini dilaksanakan di SMA-MIS (Manado Independen School), SMA-MIS yang merupakan satu-satunya sekolah yang memiliki keunggulan dibidang pembelajaran seni musik yan

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13

Destrianti, Sindi. "Etnomatematika dalam Seni Tari Kejei Sebagai Kebudayaan Rejang Lebong." Jurnal Equation: Teori dan Penelitian Pendidikan Matematika 2, no. 2 (2019): 116. http://dx.doi.org/10.29300/equation.v2i2.2316.

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Matematika adalah salah satu bentuk budaya, yang sesungguhnya telah terintegrasi pada setiap unsur kehidupan masyarakat. Budaya yang pada hakekatnya merupakan hasil pikiran dan karya manusia, mempengaruhi perilaku individu dalam memahami perkembangan pendidikan termasuk pembelajaran matematika. Salah satu budaya khas Kabupaten Rejang Lebong yang masih dilestarikan sampai saat ini adalah Tari Kejei. Tari Kejei merupakan tarian sakral dengan gerakan sederhana dan berbeda dengan gerakan pada umumnya, serta diiringi oleh alat musik khas Rejang Lebong yang memiliki alunan berulang. Penelitian ini b

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14

Fabro, Froilan. "Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora produced by Theodore S. Gonzalves and Mary Talusan Lacanlale (review)." Asian Music 56, no. 1 (2025): 148–50. https://doi.org/10.1353/amu.00010.

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15

Faturohim, Ikhsan, Triyanto Triyanto, and Joko Daryanto. "Character Education Based on Javanese Culture in Surakarta Palace at Kasatriyan Elementary School, Surakarta." Social, Humanities, and Educational Studies (SHES): Conference Series 7, no. 1 (2024): 140. http://dx.doi.org/10.20961/shes.v7i1.84302.

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<p><em>The research aims to describe the management of character education based on Javanese culture of Surakarta Kasunanan Palace in Kasatriyan Surakarta Elementary School, with a descriptive qualitative research type, in the form of a single case study strategy. Data collection techniques used participatory observation, in-depth interviews, documentation, and field notes. The results of the study concluded that the management of Javanese culture-based character education of Surakarta Palace in the form and implementation of the program. In terms of program form based on: The visi

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16

Barnawi, Erizal, Agung Hero Hernanda, and Sony Afandi. "Analisis Musikal dan Non Musikal pada Ansambel Krumungan di Desa Kuripan." Grenek Music Journal 13, no. 2 (2024): 192–205. https://doi.org/10.24114/grenek.v13i2.63469.

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Tujuan dari penelitian Ansambel Krumungan yang ada di Desa Kuripan Lampung Selatan adalah untuk mengetahui Musikal dan Non Musikal yang terdapat di dalamnya. Penelitian kualitatif deskriptif digunakan sebagai upaya memberikan keterangan secara rinci dengan penggunaan pengumpulan data seperti observasi, wawancara, dan dokumentasi. Selanjutnya, penggunaan konsep dari E. Barnawi dan Hasyimkan dalam bukunya Musik Perunggu Lampung (2019) menjadi pisau bedah dalam penelitian ini. Hasil dari penelitian ini menemukan bahwa kajian musikal Ansambel Krumungan yakni terdapat alat musik-alat musik seperti

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17

Talusan, Mary. "Kulintang: Gong Music from Mindanao in the Southern Philippines (2011, 23 minutes) and Maranao Culture at Home and in the Diaspora (2012, 33 minutes)." Asian Music 48, no. 1 (2017): 135–39. http://dx.doi.org/10.1353/amu.2017.0011.

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18

Auliannisa Ramadhani and Herlinda Mansyur. "Bentuk Penyajian Tari Lemea Di Sanggar Dulang Mas Pada Acara AMAN Di Desa Lubuk Kembang." Jurnal Kajian dan Penelitian Umum 1, no. 5 (2023): 115–24. http://dx.doi.org/10.47861/jkpu-nalanda.v1i5.429.

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This study aims to describe the form of presentation of the Lemea Dance at the Dulang Mas Studio at the Alliance of Indigenous Peoples of the Archipelago in Lubuk Kembang Village, North Curup District, Rejang Lebong Regency. This type of research is qualitative using descriptive analysis method. The key research instruments were the researchers themselves and assisted by data collection equipment such as stationery, interview guides, photo cameras and video cameras. The data in this study uses primary data and secondary data. Data collection techniques were carried out by means of literature s

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19

Traspe, Arlyn Carbon. "DEFINING PAG-IPAT: A MULTIMODAL SEMIOTIC ANALYSIS OF MAGUINDANAON’S HEALING RITUAL." International Journal of Asia Pacific Studies 20, no. 1 (2024): 77–97. http://dx.doi.org/10.21315/ijaps2024.20.1.4.

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Pag-ipat (ritual against disease) is a traditional healing ritual of the Maguindanaon people in the southern Philippines. Devoid of Islamic components, it is based on numerous ideas such as possession, invisible spirits, mythological history, and the offering of sacrifice. This study explores the signs and symbols incorporated in pagipat. Through a multimodal semiotic analysis, specifically ethnographic observation, this research determines the meanings conveyed by the semiotic resources used, expounds on how semiotic resources are orchestrated to communicate meaning, and rationalises the ideo

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20

Pala, Fransiskus Xaverius, Sena Radya Iswara Samino, and Florentianus Dopo. "KAJIAN ORGANOLOGI ALAT MUSIK GAA LI DI SANGGAR MURI MASA KECAMATAN AIMERE KABUPATEN NGADA." Jurnal Citra Pendidikan 2, no. 2 (2022): 421–35. http://dx.doi.org/10.38048/jcp.v2i2.411.

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Penelitian ini bertujuan untuk menemukan data yang jelas, akurat dan faktual mengenai latar belakang terciptanya alat musik Gaa Li di Sanggar Muri Masa Kecamatan Aimere Kabupaten Ngada. Penelitian ini juga bertujuan untuk memberikan informasi seputar ukuran, alat dan bahan yang digunakan, serta proses atau tahapan dalam pembuatannya. Karena alat musik Gaa Li ini belum banyak diketahui oleh masyarakat. Penelitian ini bersifat deskriptif yaitu medeskripsikan mengenai latar belakang terciptanya alat musik Gaa Li diantaranya mengenai sejarah dari alat musik Gaa Li, lokasi penelitian, alat-alat ser

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21

Sarah Rahmawani and Susmiarti. "Bentuk Penyajian Tari Kejai Nyambei Pada Pesta Pernikahan Di Kelurahan Kampung Jawa Kecamatan Lebong Utara Kabupaten Lebong Provinsi Bengkulu." Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan 1, no. 3 (2023): 355–63. http://dx.doi.org/10.24036/ag.v1i3.57.

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Penelitian ini bertujuan untuk menemukan dan mendeskripsikan bagaimana Bentuk Penyajian Tari Kejai Nyambei Pada Pesta Pernikahan di Kelurahan Kampung Jawa Kecamatan Lebong Utara Kabupaten Lebong Provinsi Bengkulu. Jenis penelitian yaitu penelitian kualitatif menggunakan metode deskriptif. Instrumen yang digunakan adalah peneliti sendiri di bantu oleh instrumen pendukung seperti alat tulis, kamera, handphone, flashdisk. Jenis data menggunakan data primer dan data sekunder. Teknik pengumpulan data dilakukan dengan cara studi pustaka, observasi, wawancara, dan dokumentasi. Langkah-langkah dalam m

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Jupin, Norezan, Nor Atikah Dolhan, Easther Indang, and Qistina Donna Lee Abdullah. "AWARENESS OF SOCIAL MEDIA BASIS AS A PROMOTIONAL MEDIUM FOR KULINTANGAN TRADITIONAL MUSIC OF SUNGAI TRIBES AT PAITAN." International Journal of Applied and Creative Arts 4, no. 1 (2021): 40–54. http://dx.doi.org/10.33736/ijaca.3553.2021.

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This article discussed the awareness level of Sungai Tribes on using social media as a promotional medium for Kulintangan traditional music at Paitan. This study used a Quantitative approach through a survey of 377 people who expert in playing Kulintangan traditional music and owned various social media (Facebook, YouTube, Instagram, and WhatsApp). Based on the findings, the level of awareness of the Paitan cult on promoting Kulintangan via social media is moderate with a total average mean of 3.154 with a 1.302 standard deviation. The awareness of Sungai tribes on the usage of social media is

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23

Hamdan, Sinin, Ahmad Faudzi Musib, Khairul Anwar Mohamad Said, Saiful Hairi Othman, and Marini Sawawi. "Investigation of Acoustic and Vibrational Properties Using Laser Doppler Vibrometry (LDV) and Electronic Speckle Pattern Interferometry (ESPI) of the Kulintangan Instruments." Pertanika Journal of Science and Technology 31, no. 2 (2023): 1105–20. http://dx.doi.org/10.47836/pjst.31.2.24.

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This study visualises the mode of the vibration of kulintangan using Electronic Speckle Pattern Interferometry (ESPI) to reveal the modes. It was found that the production of sound by the kulintangan was dominated by a particular mode which may be the (0,1), (1,1), (2,2), (3,2), and (4,2) of free edge circular gong. The spectrum distribution from the strike on the kulintangan showed it. The small gong A-H has an approximately harmonic spectrum with a fundamental frequency of 1240, 1055, 934, 792, 705, 624, 474, and 422 Hz. The gong does not display a similar occurrence of harmonics due to the

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24

Abdul Rahman, Nurfarain, Mohd Sohaimi Esa, Saifulazry Mokhtar, and Sharifah Darmia Sharif Adam. "THE ART OF MUSICAL INSTRUMENT SYMBOL OF THE MALAY TRADITION OF BRUNEI MEMBAKUT, SABAH." Journal of Tourism, Hospitality and Environment Management 7, no. 30 (2022): 136–47. http://dx.doi.org/10.35631/jthem.730011.

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This article discusses the art of traditional musical instruments of the Bruneian Malays on the west coast, Sabah. Touching on the artistic aspect, it is part of a culture rich in homogeneity and beauty. These tribes have their own arts according to their respective cultures and religions. For people who are Muslims, they use the art of musical instruments for purposes that do not conflict with religion and thus symbolize the life traditions of a race, especially the Bruneian Malays on the west coast of Sabah. Kulintangan and gambus have been considered as a traditional musical instrument for

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25

Santamaria, Matthew Constancio Maglana. "Music, Dance and the Sama-Bajau ‘Diaspora’: Understanding Aspects of Links among Communities through Ethnochoreomusicological Perspectives." Journal of Maritime Studies and National Integration 2, no. 2 (2019): 86. http://dx.doi.org/10.14710/jmsni.v2i2.3708.

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Rituals in establishing the cultural as well as links among Sama-Bajau communities across Nusantaraor the region that we know as maritime Southeast Asia. Ritual, however, cannot be fully understood unless it is broken into component parts of tangible (material) and intangible (non-material) properties. In this paper, I argue that an ethnochoreo-musicological approach, particularly through the examination of specific music pieces and dance forms or styles, can help scholars understand how the seemingly disparate and widely-spread Sama-Bajau communities in Nusantaraare related to each other. Thr

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CAMPOS, FREDELIZA. "Music in the Life of a Balbalasang Village, Northern Philippines. 2015. Production supervised by Terada Yoshitaka and Michiyo Yoneno-Reyes. 26 minutes. Colour. DVD. Distributed by National Museum of Ethnology, Japan. - Sounds of Bliss, Echoes of Victory: A Kalinga Wedding in the Northern Philippines. 2014. Production supervised by Terada Yoshitaka and Michiyo Yoneno-Reyes. 26 minutes. Colour. DVD. Distributed by National Museum of Ethnology, Japan. - Kulintang Gong Music from Mindanao in the Southern Philippines. 2012. Production supervised by Terada Yoshitaka and Usopay Hamdag Cadar. 23 minutes. Colour. DVD. Distributed by National Museum of Ethnology, Japan. - Maranao Culture at Home and in Diaspora. 2012. Production supervised by Terada Yoshitaka and Usopay Hamdag Cadar. 33 minutes. Colour. DVD. Distributed by National Museum of Ethnology, Japan." Yearbook for Traditional Music 51 (November 2019): 313–15. http://dx.doi.org/10.1017/ytm.2019.34.

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27

Firmansyah, Dedy. "BENTUK DAN STRUKTUR PENYAJIAN MUSIK KULINTANG PADA PROSES ARAK-ARAKAN DALAM ADAT PERNIKAHAN SUKU KOMERING DI OKU TIMUR." Besaung : Jurnal Seni Desain dan Budaya 1, no. 3 (2016). http://dx.doi.org/10.36982/jsdb.v1i2.131.

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This research tittle is the Form And Strucuture Of Presentation Of Music In Process Kulintang Procession Komering Interest In Traditional Wedding In Oku East. Kulintang music is means of a tribal society of komering in marriage. That staging in customery marriage are parade process, milur dance, giving the customery law, and sada sabai dance. But in its development nowadays the existence of kulintang music is declining in customery marriage.Based on the fact, this research aims to reveal the factors that affect the existence of kulintang music in East OKU. Besides, this research to do the desc

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Ellorin, Bernard. "Maguindanao Kulintang Aesthetic in the Diaspora: Honoring the Legacy of Danongan Kalanduyan." Alon: Journal for Filipinx American and Diasporic Studies 1, no. 1 (2021). http://dx.doi.org/10.5070/ln41152427.

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Tasya, Romadhona, Jauhari Hadi, Djumrianti Desloehal, and Badri Markoni. "'ARAK–ARAKAN' PERNIKAHAN DI KECAMATAN BUAY PEMUKA PELIUNG MENJADI DAYA TARIK WISATA BERDASARKAN HUKUM ADAT KOMERING." July 31, 2023. https://doi.org/10.5281/zenodo.8198012.

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Penelitian ini bertujuan untuk mengetahui prosesi ‘arak – arakan’ pernikahan adat Komering di kecamatan Buay Pemuka Peliung berdasarkan hukum adat yang berlaku. Penelitian ini menggunakan metode kualitatif deskriptif dengan menganalisis prosesi ‘arak – arakan’ pernikahan adat Komering sesuai dengan hukum adat setempat. Penelitian ini menggunakan data primer berupa wawancara dan kuesioner dan data sekunder yang diperoleh dari dokumentasi. Hasil penelitian menunjukkan bahwa prosesi ‘arak – arakan’ pernikahan adat Komering di kecamatan Buay Pe

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30

Markhipolito P. Galingana, Rikka Klaire V. Galingana, Patrick B. Apolonio, et al. "Knowledge, Attitude, and Practices of Mothers on Child’s Immunization Among Selected Barangays of Alicia, Isabela." International Journal of Advanced Research in Science, Communication and Technology, July 7, 2023, 175–88. http://dx.doi.org/10.48175/ijarsct-12028.

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The number of births in the year 2020 did not tally to the number of vaccinated children in Alicia, Isabela. A total of 960 live births occurred in that year, but statistical data revealed that only 842 babies received and complied with the Hepatitis B vaccination, leaving 118 infants unvaccinated. This study was conducted to determine the level of knowledge, attitude, and practices of mothers on child’s immunization among selected Barangays of Alicia, Isabela. A questionnaire was adopted from previous research with the title Knowledge, Attitude, Practices of Maguindanaoan Mothers on Child’s I

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Barnawi, Erizal. "Pelatihan Alat Musik Talo Balak Lampung pada Forum Karang Taruna Palapa Tiyuh Panaragan untuk Mengiringi Tarian Sigeh Penguten Sebagai Prosesi Penyambutan Tamu-Tamu Agung di Tiyuh Panaragan Kabupaten Tulang Bawang Barat." Jurnal Sumbangsih 2, no. 1 (2021). http://dx.doi.org/10.23960/jsh.v2i1.41.

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Pengamatan dari tim pengabdian bahwa sebagai bagian dari media kerterampilan seni dan budaya yang ada di Forum Karang Taruna Palapa Tiyuh Panaragan, Kabupaten Tulang Bawang Barat yang selama ini kurang memenuhi tingkat kreatifitas dan pengembangan seni budaya Lampung. Pelajaran biasanya sekedar diisi dengan bernyanyi klasikal dilanjutkan individual, kurang menyiratkan unsur-unsur musik yang sedemikian kaya terutama unsur irama dan unsur melodi. Alat musik Talo Balak Lampung merupakan salah satu alat musik tradisi yang sangat komplek, sangat memungkinkan para muda mudi Karang Taruna Palapa Tiyu

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32

Gabu, Adsone Matthew Mitty Gabu. "KULINTANGAN: A STUDY OF PRODUCTION PROCESS." International Journal of Heritage, Art and Multimedia, July 10, 2019, 80–89. http://dx.doi.org/10.35631/ijham.25007.

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The main purpose of this study is to document the production process of Kulintangan. Data collection was conducted through interviews and observations. The Kulintangan, an idiophone categorized musical instrument is a set of small kettle gongs positioned straight in a single row on two cords in a small wooden frame. There is no traditional system to notate the Kulintangan as music is passed down by tradition from generation to generation. Distinctions are found in different combinations of instruments, varying dance, tempos, tunings, and production process. While other musical instruments in S

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