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Journal articles on the topic 'Kundera'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Skibska, Anna Maria. "Dyskretna apologia starości w twórczości Milana Kundery." Slavica Wratislaviensia 163 (March 17, 2017): 567–79. http://dx.doi.org/10.19195/0137-1150.163.47.

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A discreet apology of old agein the works of Milan KunderaIn the essay, the titular problem of old age is related to the great literary canon, within which the history of novel is established and developed. The canon itself, in terms of H. Bloom, means a perpetual and creative source of struggle against the literary traditions’ influence, which is also to shape Kundera’s novels and essays. Thus the old age is conceived as abroad metaphor consisting of the great works of the great precursors, who invented us along with our modern world. Furthermore, Kundera allows his readers to associate the o

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2

Margala, Miriam. "The Unbearable Torment of Translation: Milan Kundera, Impersonation, and The Joke." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (2011): 30. http://dx.doi.org/10.21992/t9c62h.

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Milan Kundera, a Czech émigré writer, living in Paris and now writing in French, is (in)famous for his tight and obsessive authorial control. He has said many times that he did not trust translators to translate his works accurately and faithfully. The various translations of his novel Žert (The Joke) exemplify this point. The novel has been translated into English, French, and many other languages more than once, depending on Kundera’s dissatisfaction with a particular translation (which, at first, he would support). Thus, there followed a cascade of translations (namely in French and English

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3

Bieńczyk, Marek, and Olga Żyminkowska. "“A novel that does not uncover a hitherto unknown segment of existence is immoral”. A Conversation with Marek Bieńczyk on Milan Kundera’s Works (Conducted by Olga Żyminkowska)." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 8 (December 30, 2019): 421–33. http://dx.doi.org/10.18778/2299-7458.08.31.

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The interview with Marek Bieńczyk covers, in general, the subject of the philosophy of novel by Milan Kundera and the reception of his works nowadays in Poland and abroad. Marek Bieńczyk – the French translator of Milan Kundera’s novels – talks about the history of his first translations and the beginnings of scientific thinking about Kundera. Moreover, he explains the problems connected with Kundera’s authorial and elaborate philosophy of novel: the conception of narrator, hero and composition. Bieńczyk also narrates his own memories with M. Kundera. What is more, he indicates the inspiration

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4

Janiec-Nyttrai, Agnieszka. "Šedá zóna mezi záměrem a činem aneb pár úvah o paradoxnosti lidských plánů v prozaické tvorbě Milana Kundery." Slavia Occidentalis, no. 73/2 (June 14, 2018): 33–44. http://dx.doi.org/10.14746/so.2016.73.28.

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The aim of the study is to offer a slightly different view of Milan Kundera’s prose and to recall the issues of memory and human activities as the subjects of constant interpretation and reinterpretation. Last but not least, the article examines human identity and the freedom of human decision-making. In the study, the theory of cultural oblivion is used as a strategy for building our own identity and subjectivity. Notably, since the 1960s, Kundera has dealt with these issues, which later became the subject of memory studies. Kundera has overtaken the memory boom which was highly popular for s

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5

Rafalska, Dominika. "Jak Milan Kundera został „donosicielem” i co z tego wynikło?" Media Biznes Kultura, no. 2 (15) (December 23, 2023): 5–20. http://dx.doi.org/10.4467/25442554.mbk.23.013.19043.

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W 2008 roku czeski tygodnik „Respekt” oskarżył pisarza Milana Kunderę (1929–2023) o to, że w latach 50. XX wieku wydał czechosłowackiej bezpiece Miroslava Dvořáčka – młodego współpracownika amerykańskiego kontrwywiadu. Ofiara donosu została skazana na lata ciężkiego więzienia i cudem uniknęła śmierci. Publikacja, która jednoznacznie ogłosiła winę pisarza, powstała na podstawie jednej odnalezionej w archiwum USTR (czeski odpowiednik IPN) notatki milicyjnej, w której wymieniono nazwisko Milana Kundery. Sprawę szeroko omawiały media zarówno w Czechach, jak i na świecie. Także w Polsce rozpętała s

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6

Czardybon, Marcin. "A Nobel Scherzo for Milan Kundera: On „Understanding”." Tekstualia 2, no. 81 (2025): 59–82. https://doi.org/10.5604/01.3001.0055.1687.

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This article discusses possible reasons why Milan Kundera, a writer for decades considered oneof the main candidates for the Nobel Prize in Literature, did not win it in the end. There exist certain„objective” circumstances that could have prevented this, but the article primarily addresses theissue of whether it is possible to identify Kundera’s literary qualities that could have confl icted withthe idea behind the Nobel Prize. In his „philosophy” of the novel, Kundera rejects „lyricism” („lyricalattitude”), while the specifi city of his own work consists in the presence of a „kynic” – in Pet

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7

Frank, Søren. "Emigrant Literature, World Literature, National Literature." Journal of World Literature 10, no. 1 (2025): 47–85. https://doi.org/10.1163/24056480-01001004.

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Abstract This article examines Georg Brandes’ comparative method and notions of emigrant literature, world literature, and national literature, comparing them to Goethe’s and Milan Kundera’s ideas of world literature, and drawing on Emily Apter’s concept of untranslatability. It is argued that Brandes, like Apter, valorizes an untranslatable dimension of language in his paradoxical notion of world literature as the most national literature, whereas Goethe and Kundera consider translations to be unproblematic as a result of their belief in linguistic transparency. Where Goethe accentuated cultu

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8

Əfqan qızı Umudova, Şəms. ""A creature with unbearable lightness" by Milan Kundera." SCIENTIFIC WORK 77, no. 4 (2022): 104–10. http://dx.doi.org/10.36719/2663-4619/77/104-110.

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Milan Kundera əsas müasir yazıçılardan biridir. Həyatı kommunizmin əzabına məruz qalan yazıçı Kundera 1970-ci illərin ortalarında Fransaya sığınmaq üçün Çexoslovakiyanı tərk etdi. Unudulmuş fəlsəfə kimi qələmə verilə bilən romanlaın müəllifi hesab olunur: onların hamısı tarix, siyasət, öz taleyi ilə mübarizə aparan fərdləri təsvir edir. Onun personajlarının qarşılaşdığı əsas çətinlik mənanın yaradılmasındadır: Onun varlığına necə məna vermək olar? Milan Kunderanın yaradıcılığında fəlsəfi təhlilə ən çox məruz qalan, şübhəsiz ki, varlığın Dözülməz yüngüllüyüdür.“Varlığın Dözülməz Yüngüllüğü” ilk

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9

YANINA, P. E., and I. V. TOLKACHEVA. "CATEGORIES OF LIFE, DEATH, IMMORTALITY IN MILAN KUNDERA'S NOVEL "IMMORTALITY"." Scientific Notes of Orel State University 100, no. 3 (2023): 128–34. http://dx.doi.org/10.33979/1998-2720-2023-100-3-128-134.

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The article analyzes the philosophical categories «life», «death», «immortality»which form the basis of the ideological narrative plan in Milan Kundera’s novel «Immortality», as well as ways of their representation in the text. Using the paradox technique, M. Kundera changes the usual distribution of meanings associated with the concepts of «life» and «death»: life - being, good, death - non-existence, evil. M. Kundera deprives the antinomy of «life-death» of the usual confrontation, demonstrating by the example of his characters that life can contain death, and death can be a return to life.

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10

UMUDOVA, Ş. Ə. "MİLAN KUNDERA – “GÜLMƏLİ MƏHƏBBƏTLƏR” HEKAYƏSİNDƏ MƏHƏBBƏT İDEYASI." Actual Problems of study of humanities 2, no. 2024 (2024): 149–52. http://dx.doi.org/10.62021/0026-0028.2024.2.149.

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Milan Kundera – The Idea of Love in the Story "Laughable Loves" Summary Born in Brno, Czechoslovakia, Milan Kundera was a student when the Czech communist regime was established in 1948, and later worked as a laborer, jazz musician and professor at the Institute for Advanced Cinematographic Studies in Prague. His books were banned after the Russian occupation in August 1968. She and her husband settled in France in 1975, and in 1981 became French citizens. He is the author of the novels "Joke", "Life is Elsewhere", "Goodbye Waltz", "Book of Laughter and Forgetfulness", "The Unbearable Lightnes

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11

Mojsieva-Guševa, Jasmina. "NEW OBJECTIFICATION OF REALITY: THE BACKGROUND OF KUNDERA’S UNBEARABLE LIGHTNESS OF BEING." PHILOLOGICAL STUDIES 18, no. 1 (2020): 199–214. http://dx.doi.org/10.17072/1857-6060-2020-18-1-199-214.

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This text sheds light on the meaning of the popular phrases "unbearable lightness of being" and "feeling of austerity" in Milan Kundera's novel "The Book of Laughter and Oblivion" and Philip Kaufman's film "Unbearable Lightness of Being", which is based on Kundera's novel of the same name. This explanation is rooted in his subversive magically realistic poetics, which are related to his emigrant life path and the inability to directly write about the burning topics of freedom, terror, morality, human relations, promiscuity, love.Special emphasis is put on the poetics of magical realism, which

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12

Hattingh, H. "Being and the dialectics of irony: A reading of some of Milan Kundera’s novels." Literator 16, no. 2 (1995): 95–122. http://dx.doi.org/10.4102/lit.v16i2.615.

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In this essay Milan Kundera is read as an artist who has something to say on the subject of being. He is also read as an ironist in the postmodern vein, an ironist whose writing shatters reader and author alike. The essay thus runs two processes simultaneously: Firstly it is a quasi-theoretical attempt at establishing Kundera’s idea of being. Secondly it will be an attempt at showing how Kundera’s ironising function is manifested in the novels themselves.

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13

Watanabe, Alice. "Künstliche Intelligenz und das Ende des Romans?" Ludwigsburger Beiträge zur Medienpädagogik 24 (September 5, 2024): 1–14. http://dx.doi.org/10.21240/lbzm/24/05.

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Generative KI (genKI) revolutioniert derzeit die Möglichkeiten und Wege des professionellen Schreibens. In diesem Zusammenhang wird in vielen Disziplinen über die Zukunft des Schreibens nachgedacht und perspektivenreich diskutiert. Der Beitrag knüpft an diese Überlegungen an und geht der Frage nach, inwieweit die Kunstform des Romans im Sinne des Romanciers Milan Kundera mit genKI vereinbar ist oder nicht und welche qualitativen Unterschiede zwischen dem menschlichen und dem künstlichen Schreiben von Geschichten bestehen. Dazu werden zentrale Merkmale des Romanverständnisses Kunderas herausgea

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Bielecki, Marian. "Literatura światowa widziana z warsztatu Gombrowicza albo Witold Gombrowicz według Milana Kundery." Wielogłos, no. 3 (53) (May 26, 2023): 89–117. http://dx.doi.org/10.4467/2084395xwi.22.018.16824.

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World Literature as Seen in Gombrowicz’s Craft, or Witold Gombrowicz according to Milan Kundera The article is a reconstruction of the project of “world literature” as presented in Milan Kundera’s essays. The writings of Witold Gombrowicz have a special place in Kundera’s conceptualisation (alongside those of Kafka, Musil or Broch), and the argumentation follows commentaries on him. The analyses presented here are concerned with three dimensions of Kundera’s project: historical-literary, theoretical-literary, and interpretative. The last of these is implemented not only by means of interpretat

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15

Barcellos, Felipe da Costa. "HISTÓRIA E LITERATURA: CONSIDERAÇÕES SOBRE O TOTALITARISMO NA OBRA DE MILAN KUNDERA." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 3, no. 4 (2022): e341377. http://dx.doi.org/10.47820/recima21.v3i4.1377.

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Milan Kundera é um escritor tcheco que se notabilizou por escrever romances que mesclam indagações políticas e reflexões filosóficas sobre a condição humana. Por causa do seu ativismo político, e da sua crítica, pela via artística, a elementos que perpassavam a realidade política e social da Tchecoslováquia, Kundera foi censurado pelo governo soviético, que exercia grande influência em seu país. Seus livros foram recolhidos e proibidos, e em 1975 ele se exilou na França. Em 1978, Kundera perdeu a cidadania tcheca, e dois anos depois se tornou um cidadão francês. Permanece morando na França até

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16

Bradbrook, B. R., and Helena Kosková. "Milan Kundera." World Literature Today 73, no. 2 (1999): 357. http://dx.doi.org/10.2307/40154792.

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17

Wan, Jin. "Le tropisme philosophique de Milan Kundera : Le roman à la recherche de la définition perdue." Labyrinth 22, no. 2 (2021): 106. http://dx.doi.org/10.25180/lj.v22i2.240.

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The Philosophical Tropism of Milan Kundera: The Novel in Search of the lost Definition(Abstract ) The philosophical tropism of Milan Kundera is manifested in particular by his novels in search of lost definition. The creation and the redefinition of concepts in his novels aiming at elucidating the essence show his ambition to " make philosophy in the way of a novelist". We examine his processes in the invention of concepts and the definition of words, as well as the similarity between his works and phenomenology, particularly Merleau-Ponty's approach. Through the metaphoricity of language and

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Wan, Jin. "Le tropisme philosophique de Milan Kundera : Le roman à la recherche de la définition perdue." Labyrinth 22, no. 2 (2020): 106–24. http://dx.doi.org/10.25180/lj.v22i2.246.

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The Philosophical Tropism of Milan Kundera: The Novel in Search of the lost Definition The philosophical tropism of Milan Kundera is manifested in particular by his novels in search of lost definition. The creation and the redefinition of concepts in his novels aiming at elucidating the essence show his ambition to " make philosophy in the way of a novelist". We examine his processes in the invention of concepts and the definition of words, as well as the similarity between his works and phenomenology, particularly Merleau-Ponty's approach. Through the metaphoricity of language and the insepar

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Kabir, Shahnewaz. "The Notion of Eternal Return in Milan Kundera’s The Unbearable Lightness of Being." Crossings: A Journal of English Studies 3, no. 1 (2011): 171–88. http://dx.doi.org/10.59817/cjes.v3i1.349.

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Milan Kundera, in his most popular and critically acclaimed novel, The Unbearable Lightness of Being (1984), contemplates on the idea of eternal return devised by Friedrich Nietzsche and the idea of binary opposition between lightness and weight proposed by Parmenides. The novel sets in motion a set of complicated relationships mostly between Tomas, Tereza and Sabina, which are juxtaposed with the duality of lightness and weight based upon the idea of eternal return. Although Parmenides posits that lightness is positive and weight negative, Milan Kundera, in favor of Nietzsche, observes that t

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Bieńczyk, Marek. "Césure et sublime." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 8 (December 30, 2019): 327–31. http://dx.doi.org/10.18778/2299-7458.08.29.

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Having written The Joke, Kundera changed the modus vivendi of the novel’s narrator who, with time, became a separate protagonist. This is connected with the appearance of the ellipsis as the main plot device, which is not yet present in The Joke. This change in the way of narrating represents another and, perhaps, a deeper dividing line in Kundera’s writing than switching to another language (from Czech to French), the change of the setting (from Czechoslovakia to Western countries) and the change of the political system (from communist to ‘imagological’) as an instrument of oppression.

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YOMBO, Jean Marie. "Le personnage des temps extrêmes chez Milan Kundera." Revue Mosaïques, Volume 1, Numéro 7 (December 22, 2022): 85–96. http://dx.doi.org/10.17184/eac.5865.

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La forme romanesque des temps extrêmes est, chez Milan Kundera, le lieu d’expression du tragique de l’homme contemporain surplombé par les déterminismes extérieurs, alors qu’il se grisait naguère de posséder le bâton de maréchal lui permettant de dominer la nature. Ainsi, avec Milan Kundera, le réalisme bourgeois ne constitue pas un axe pertinent pour l’analyse de cet « individu problématique » (Goldman 1964 : 23). C’est la raison pour laquelle, récusant la peinture des caractères, il montre, dans ses romans, que la vie intérieure du moi est devenue si insignifiante qu’on ne peut désormais le

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Tohătan, Horațiu. "Nihilistic Network: Musil, Kundera and Houellebecq." Caietele Echinox 47 (December 1, 2024): 333–49. https://doi.org/10.24193/cechinox.2024.47.21.

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This paper aims to create a semantic network that analyzies the evolution of nihilistic thought through three epochs of literary practice: modernism, postmodernism and contemporaneity. Following this, I propose that such a network can be constructed diachronically through the works of Robert Musil, Milan Kundera and Michael Houellebecq. Tackling subjects such as imperialism, migration, dictatorship, transnationality, I argue that the roots of their epistemological ethos lie predominantly in a nihilistic philosophy, a common core for these three authors. Therefore, starting from Musil’s The Man

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Llop Mangas, Iris. "Kundera lector de Broch: la novela como forma de conocimiento." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 5 (September 30, 2019): 80–93. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201953560.

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El propósito del presente estudio consiste en analizar la noción de "ensayo específicamente novelesco" desarrollada por Milan Kundera en sus ensayos. Dicha noción aparece por primera vez en L'art du roman (1986) ligada a la lectura que Kundera propone de Die Schlafwandler de Hermann Broch y se nutre de la concepción de la novela como instrumento de conocimiento del escritor austríaco. Los desplazamientos semánticos y las modificaciones, operadas por Kundera para adaptar la poética de Broch a su idea de novela, dan lugar a una concepción de la función del ensayo en la novela que permite entende

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Silva, Heraldo Aparecido. "Narrativa e educação: algumas reflexões a partir de Benjamin, Kundera e Rorty." Revista Diálogo Educacional 11, no. 33 (2011): 515. http://dx.doi.org/10.7213/rde.v11i33.4420.

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Este artigo analisa alguns aspectos da noção de narrativa à luz das idéias do filósofo alemão Walter Benjamin (1892-1940), do literato tcheco Milan Kundera (1929-) e do filósofo norte-americano Richard Rorty (1931-2007). A fundamentação teórica de nosso estudo estará centrada, principalmente, no conhecimento advindo a partir de autores como: Benjamin (1975, 1986), Kundera (1988, 1994), Rorty (1990, 1994, 1995, 1997, 1998, 2000) e Orwell (1996). Assim, a interpretação dos textos dos autores estudados e a posterior confrontação de suas idéias permitirão relacioná-las conceitualmente com a temáti

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25

Holmberg, Arthur, and Milan Kundera. "Interview: Milan Kundera." Performing Arts Journal 9, no. 1 (1985): 25. http://dx.doi.org/10.2307/3247807.

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Cravens, Craig, and Michelle Woods. "Translating Milan Kundera." Slavic and East European Journal 51, no. 4 (2007): 806. http://dx.doi.org/10.2307/20459593.

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Fišer, Zbyněk. "Ludvík Kundera stoletý." Bohemica litteraria, no. 1 (2020): 135–36. http://dx.doi.org/10.5817/bl2020-1-10.

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Woods, Michelle. "Elsewhere: Translingual Kundera." Studies in the Novel 48, no. 4 (2016): 427–43. http://dx.doi.org/10.1353/sdn.2016.0047.

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Rupnik, Jacques. "Kundera et l’Europe." Commentaire Numéro 184, no. 4 (2023): 779–84. http://dx.doi.org/10.3917/comm.184.0779.

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Estrada Villa, Armando. "Milan Kundera, ensayista." UNAULA: Revista de la Universidad Autónoma Latinoamericana, no. 36 (September 30, 2016): 191–96. http://dx.doi.org/10.24142/unaula.n36a14.

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Milan Kundera volvió al primer plano. Su última novela, La fiesta de la insignificancia, lo puso de nuevo en el centro de la crítica. Del autor checo se leen, critican y disfrutan sus novelas. Empero, sus ensayos El arte de la novela (1986), Los testamentos traicionados (1993), El telón. Ensayo en siete partes (2005) y Un encuentro (2009), poco se conocen. Escritos con espíritu antidogmático, irreligioso, provocador, asistemático, antiideológico y transgresor, igual que sus relatos, se adentran en la trivialidad de lo cotidiano para explorar los problemas de la existencia humana, y así captar

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Zapeka, Oksana A., and Lyudmila V. Phenomenova. "Phenomenon of Identity: Culturological Analysis of the Works by P. Ricoeur and M. Kundera." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 70 (2023): 153–61. http://dx.doi.org/10.37816/2073-9567-2023-70-153-161.

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Comprehensive study of identity makes observable the very person of researcher and thus switches us from the question ’what?’ onto ‘who?’. Social practices and cultural values find reflection in literature, which serves a perfect source for studying various issues of culture, including the phenomenon of identity. Cultural and philosophical reasonings and ideas of Kundera provide a valuable insight into understanding of multi-faceted nature of identity. Ricoeur, who created the theory of narrative identity, establishes addressing to the literature in terms of the study of human selfhood. Both K

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Graf, Paweł. "Czy powieść (dziś) może być oryginalna i co miałoby to oznaczać?" Litteraria Copernicana 49, no. 1-2 (2024): 93–103. http://dx.doi.org/10.12775/lc.2024.007.

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Esej, we właściwym rozumieniu tego słowa, rozumiany zatem jako próba, badanie czy rozważanie, dotyczy problematyki oryginalności. Koncentruje się na powieści, stawiając pytanie o jej związek z oryginalnością. Jednocześnie stawia pytanie o oryginalność dziś, a zatem w rzeczywistości poststrukturalnej, która tytułowe pojęcie chciała odesłać do lamusa. W Rozpoznaniach teoretycznych zostały omówione ustalenia wybranych badaczy, wnoszących swoiste novum do problematyki związanej z oryginalnością. Najistotniejszy wydaje się fakt, że oryginalność to nowość, która inspiruje i uruchamia swe naśladownic

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Криворучко, Світлана Костянтинівна. "СПЕЦИФІКА ЖАНРУ ОПОВІДАННЯ «СИМПОЗИУМ» М. КУНДЕРИ". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 139–48. https://doi.org/10.5281/zenodo.32956.

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In his story «Symposium» M. Kundera through love collisions, immersing in search for answers to eternal questions comes to a complicated genre transformation. The aim of the article is the analysis of the genre specificity of the story by M. Kundera «Symposium». The story is given in a form of drama, which contains not tragicomedy, but a transformation from tragedy to comedy. The text of the story tends to be presented like dialogues, monologues, remarks, and the characters also remind actors. M. Kundera creates tension through the psychology of the heroes, which in tur

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Rösing, Lilian Munk. "Forklaring eller forklarelse." K&K - Kultur og Klasse 31, no. 95 (2003): 132–59. http://dx.doi.org/10.7146/kok.v31i95.21181.

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Lupo, Virginie. "Requiem pour une nonne de Camus." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 1 (2017): 43–60. http://dx.doi.org/10.1075/rro.52.1.05lup.

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Abstract Unlike other adaptations that he has himself chosen, Requiem for a Nun, which was adapted and staged in 1957, is the fruit of a proposal to which Camus responded positively. That’s why I want to examine Camus’ personal motivation for writing this play. I will analyze it in the light of one of Milan Kundera’s texts: Jacques et son maître, Hommage à Denis Diderot en trois actes – which is an adaptation of Jacques et son maître by Denis Diderot – and I will try to see if it is an adaptation, a variation (term borrowed from the music and from Kundera) or a tribute from Camus to Faulkner.

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Hudymač, Aleksandra. "Kunderowskie zmagania z kiczem – raz jeszcze o „Nieznośnej lekkości bytu”." Załącznik Kulturoznawczy, no. 3 (2016): 72–84. http://dx.doi.org/10.21697/zk.2016.3.04.

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This paper deals with the Kundera’s most popular novel as a passionate dialogue with kitsch. The Unbearable Lightness of Being is based on the antinomy of lightness and heaviness, as well as kitsch and individuality. The narrator treats his characters as the experimental ego and confronts them with the reality created on the cross-scheme of those key-words mentioned above. Kundera interprets the phenomenon of Kitsch as the tool to create a totalitarian reality and slave human beings, but also as something, that can be recognize and ‘domesticate’, and then comprise an inalienable part of human

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Hudymač, Aleksandra. "Kundera’s Struggle With Kitsch – on The Unbearable Lightness of Being Once Aga." Załącznik Kulturoznawczy ENGLISH EDITION, no. 1 (2019): 87–98. http://dx.doi.org/10.21697/zk.2019ee.01.05.

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This paper deals with the Kundera’s most popular novel as a passionate dialogue with kitsch. The Unbearable Lightness of Being is based on the antinomy of lightness and heaviness, as well as kitsch and individuality. The narrator treats his characters as the experimental self and confronts them with the reality created on the cross-scheme of the aforementioned keywords. Kundera interprets the phenomenon of kitsch as a tool to create a totalitarian reality and enslave human beings, but also as something, that can be recognized and domesticated, and then comprises an inalienable part of a human

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Linh, Dương Bảo. "MILAN KUNDERA'S CONCEPT OF NOVEL'S NARRATIVE STRUCTURE." TNU Journal of Science and Technology 230, no. 08 (2025): 395–401. https://doi.org/10.34238/tnu-jst.12550.

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Tiểu luận là bộ phận đặc sắc trong di sản Milan Kundera. Các tiểu luận của ông cho thấy sáng tạo tiểu thuyết không chỉ là một hoạt động cảm tính mà còn rất lý tính. Thông qua hệ thống tiểu luận, Kundera thể hiện quan điểm về nhiều phương diện nghệ thuật tiểu thuyết. Đặc biệt, cấu trúc tự sự tiểu thuyết là một trong những điểm được ông đề cập xuyên suốt. Bài báo này đặt những phát biểu của Kundera bên cạnh sự vận động lý thuyết tự sự nói chung, sử dụng phương pháp tiểu sử và thao tác so sánh để tìm hiểu sự độc đáo trong quan niệm của ông. Kundera hình dung cấu trúc tự sự tiểu thuyết bao gồm bốn

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Parent, Thierry. "Le hasard à l’oeuvre chez Milan Kundera." Études françaises 41, no. 2 (2005): 117–34. http://dx.doi.org/10.7202/011382ar.

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Le hasard est un thème omniprésent dans l’oeuvre de Milan Kundera. Depuis La plaisanterie jusqu’à L’identité, le hasard est au coeur de l’écriture de cet auteur. Tantôt énigme à déchiffrer, tantôt facteur responsable de rencontres ou d’accidents, il est autant un ressort narratif qu’un élément central de la démarche ludique de l’auteur. Se concentrant principalement sur trois romans, La valse aux adieux, L’insoutenable légèreté de l’être et L’immortalité (dans lequel l’écrivain propose même une « théorie du hasard »), cette étude se penche sur les fondements et les conséquences du hasard dans

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Audet, Noël. "Éva Le Grand, Kundera ou la Mémoire du désir." Études littéraires 28, no. 3 (2005): 143–50. http://dx.doi.org/10.7202/501140ar.

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Hajji, Abdelouahed. "La réécriture du mythe d'Ulysse dans L'Ignorance de Milan Kundera." Études romanes de Brno, no. 2 (2023): 365–76. http://dx.doi.org/10.5817/erb2023-2-22.

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L'Ignorance de Milan Kundera traite de l'exil et de l'émigration. En particulier, l'auteur repense l'essence de l'émigration à travers l'expérience d'Irena et de Josef, deux protagonistes qui ont quitté leur pays natal lors de l'invasion russe en 1968. Kundera réécrit le mythe homérique pour dédramatiser le statut de l'émigrant tout en montrant les avantages de l'émigration et l'illusion du « grand retour ». De ce point de vue, l'Ulysse d'Homère n'échappe pas à cette illusion si bien qu'il est mécontent dès son arrivée à Ithaque. D'une manière générale, Kundera lutte contre les stéréotypes voy

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Raveh, Daniel. "A Short Improvisation on Milan Kundera’s Slowness." Culture and Dialogue 4, no. 2 (2016): 283–300. http://dx.doi.org/10.1163/24683949-12340016.

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Krishnachandra Bhattacharyya’s improvisations, or rather his interpretation as improvisation (of classical Indian texts, thinkers, schools of thought and concepts, as well as of the work of Immanuel Kant), inspires my own improvisation on Milan Kundera’s 1996 novel Slowness (La lenteur, 1995). Not only do I attempt to improvise, or to “interfere creatively” (apropos the Sanskrit notion of svīkaraṇa) in Kundera’s work, but moreover, I argue that this is exactly how he himself works in Slowness with Vivant Denon’s 1777 novella No Tomorrow (Point de lendemain). Reading Kundera, as I do here, with

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Malmio, Kristina, Risto Turunen, Tarmo Kunnas, Markku Lehtimäki, Kaisa Kurikka, and Tanja Sitomaniemi. "Arvostelut." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3-4 (December 1, 2005): 119–38. http://dx.doi.org/10.30665/av.74643.

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Kristina Malmio Nöyryyden retoriikka — naiskirjailijoiden paikoista 1840-luvun Suomessa Heidi Grönstrand: Naiskirjailija, romaani ja kirjallisuuden merkitys 1840-luvulla Risto Turunen Romaani teorioiden puristuksessa Matti Kuhna: Kahden maailman välissä — Marko Tapion Arktinen hysteria Väinö Linnan haastajana Tarmo Kunnas Moderni Milan Kundera Liisa Saariluoma: Milan Kundera — viimeinen modernisti Markku Lehtimäki Kuvasta ja sanasta sanoin ja kuvin Kai Mikkonen: Kuva ja sana Kaisa Kurikka Lukemisen taito Päivi Kosonen: Elämisen taito Tanja Sitomaniemi Tapaamisia amerikkalaisten identiteettien

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Magain, Céline. "Milan Kundera, Une rencontre." Slavica bruxellensia, no. 4 (October 15, 2009): 70–71. http://dx.doi.org/10.4000/slavica.292.

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Kearney, Richard. "Rushdie, Kundera and Wolfe." Irish Review (1986-), no. 7 (1989): 32. http://dx.doi.org/10.2307/29735465.

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Parens, Erik. "Kundera, Nietzsche, and Politics." Philosophy Today 37, no. 3 (1993): 285–97. http://dx.doi.org/10.5840/philtoday199337317.

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Bĕlohradský, Václav. "L’Europe rêvée de Kundera." Books N° 20, no. 2 (2011): 70–73. http://dx.doi.org/10.3917/books.020.0070.

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Hohulia, Maryna. "The idea of Central Europe: literary projections (M. Kundera, D. Kiš, J. Andrukhovych)." Problems of slavonic studies 69 (2020): 45–52. http://dx.doi.org/10.30970/sls.2020.69.3488.

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Background: The talks about Central or Central-Eastern Europe are actualized by new political and ontological challenges and feelings of obstruction when one after another Soviet interventions took place in this space. M. Kundera's essay "The Tragedy of Central Europe" is quite quoted and analyzed not only in literary studies, but also in philosophical, historical, political and other studies. His text inspired others authors to create their own vision of the Central Europe. But it’s one of the first attempts of a comparative analysis of the aesthetic and philosophical ideas of Kundera, Kiš, a

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Olszewski, Henryk. "Elżbieta Kundera, Doktryna „socjalistów z katedry" (1872-1918), 1996." Czasopismo Prawno-Historyczne 49, no. 1-2 (1997): 369–71. https://doi.org/10.14746/cph.1997.49.1-2.36.

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Thériault, Barbara. "La sociologie, mise en abîme." Eurostudia 9, no. 1 (2014): 41–50. http://dx.doi.org/10.7202/1026719ar.

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À partir d’un exemple tiré de l’oeuvre du romancier contemporain Milan Kundera, je tente dans ce bref essai de délinéer une qualité de la sociologie et du travail de sociologue. Si je choisis ce romancier, c’est en raison d’une expérimentation à laquelle il se livre : il met en scène un personnage que j’affectionne particulièrement, Monsieur Engelbert. Cet « ego expérimental » m’accompagne dans mon enseignement et c’est avec lui que je pense les contours d’une perspective sociologique. Je suis également attentive à son contexte, le premier quart du 20e siècle en Europe centrale, et réfléchis à

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