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Relevant bibliographies by topics / Kunle Afolayan

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Kunle Afolayan'

Author: Grafiati

Published: 17 September 2021

Last updated: 30 July 2025

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Journal articles on the topic "Kunle Afolayan"

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Akpore, Nicholas Efe, and Adewale Oyewo. "Socio-political consideration of Kunle Afolayan’s directorial experiment in October 1." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 8, no. 1-2 (2022): 407–18. http://dx.doi.org/10.4314/ejotmas.v8i1-2.23.

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This article posits that Kunle Afolayan’s directorial experimentation in October 1 had socio-political underpinnings. Among others, it X-rays the directorial style of Kunle Afolayan and initiates a syncretism of Afolayan’s directorial experimentation in October 1 and the sole objective of galvanizing the masses towards a radical socio-political change. The paper brings to the fore that Kunle Afolayan’s directing is hinged on the via- media theory which allows the director to negotiate freely; this in turn made his film a huge success. The paper submits that Kunle Afolayan as a director roots h

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Haynes. "“New Nollywood”: Kunle Afolayan." Black Camera 5, no. 2 (2014): 53. http://dx.doi.org/10.2979/blackcamera.5.2.53.

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ARINDE, Tayo Simeon, and Oluwasegun Funmise FALEYIMU. "CINEMATOGRAPHIC EVALUATION OF INGENUOUS CAMERA DIRECTING IN THE SELECTED WORKS OF KUNLE AFOLAYAN." Cognizance Journal of Multidisciplinary Studies 5, no. 1 (2025): 362–82. https://doi.org/10.47760/cognizance.2025.v05i01.029.

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Over the years, there has been a global evolution of hi-tech cinematic inventions. Film directors all over the world are swayed to handle the totality of their film visuals with great technical drive in a bid to ensuring that their film stories meet the digital yearnings of their audience. In spite of these yearnings for the use of hi-tech filming equipment, many directors/producers have not gotten it right and it is on this premise that this study did a cinematographic evaluation of ingenuous camera directing in the selected works of Kunle Afolayan in Anikulapo and Citation. This study employ

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ARINDE, Tayo Simeon, and Oluwasegun Funmise FALEYIMU. "CINEMATOGRAPHIC EVALUATION OF INGENUOUS CAMERA DIRECTING IN THE SELECTED WORKS OF KUNLE AFOLAYAN." Cognizance Journal of Multidisciplinary Studies (CJMS) 5, no. 1 (2025): 362–82. https://doi.org/10.47760/cognizance.2025.v05i01.029.

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Over the years, there has been a global evolution of hi-tech cinematic inventions. Film directors all over the world are swayed to handle the totality of their film visuals with great technical drive in a bid to ensuring that their film stories meet the digital yearnings of their audience. In spite of these yearnings for the use of hi-tech filming equipment, many directors/producers have not gotten it right and it is on this premise that this study did a cinematographic evaluation of ingenuous  camera directing in the selected works of Kunle Afolayan in <em>Anikulapo </em>and <em>Citation

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Falola, Toyin. "Kunle Afolayan, director. The Figurine: Araromire. 2009. English and Yoruba. 120 minutes. No price reported." African Studies Review 58, no. 1 (2015): 273–74. http://dx.doi.org/10.1017/asr.2015.23.

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Onikoyi, Babatunde. "Kunle Afolayan, director. October 1. 2014. 115 minutes. English, Nigerian Pidgin, Igbo Yoruba, and Hausa, with Yoruba/English subtitles. Nigeria. GMEDIA. $2.00." African Studies Review 59, no. 1 (2016): 234–35. http://dx.doi.org/10.1017/asr.2016.21.

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Charles, Okwuowulu. "Unmasking a Nollywood Auteur: Kabat Esosa Egbon's Embattled-Character Techniques in Selected Films." NDỤÑỌDE : Calabar Journal of The Humanities 13, no. 2 (2018): 473–83. https://doi.org/10.5281/zenodo.1469089.

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Abstract Since its evolution, academic interest has rapidly grown in the Nigerian popular culture; Nollywood. Film scholars have made concerted efforts to either develop new film theories which will be peculiar to the atypical Nollywood industry or to contextualize the existing universal film theories towards the study of Nollywood films. The contextualization of auteur (author) theory, a universal film theory in the study of Nollywood film culture is one of those laudable efforts by film scholars. In this light, various attempts by many film scholars in Nollywood to examine selected Nollywood

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Olayiwola, Abiodun, and Pelumi Folajimi. "The Poetics of Demythologisation in Kunle Afolayan’s The Figurine." Legon Journal of the Humanities 28, no. 1 (2017): 79. http://dx.doi.org/10.4314/ljh.v28i1.7.

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9

Bature-Uzor, Nkechi Asiegbu. "Mise-en-scene and authenticity in Kunle Afolayan’s October 1." AFRREV IJAH: An International Journal of Arts and Humanities 7, no. 3 (2018): 41–54. http://dx.doi.org/10.4314/ijah.v7i3.5.

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Illusive realism is the hallmark of film narratives and it is achieved in film production through appropriate composition of narrative elements in film shots and sequences. These elements constitute the mise-en-scene and their purpose is geared towards authenticating the narrative, while offering the basis for the interpretations and meanings given it. This study examines Kunle Afolayan’s October 1, focusing on the significant role played by mise-en-scene in carrying the thematic thrust through the use of realistic sets, props, costumes and make-up. It hinges on the analysis of these elements

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Tairu, Abiodun Olukayode. "Illicit Sex, Karma and Karmic Discredit in Kunle Afolayan’s Citation." Randwick International of Social Science Journal 5, no. 2 (2024): 233–42. http://dx.doi.org/10.47175/rissj.v5i2.957.

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Karmic discredit and law of Karma is a belief system in Hinduism and Buddhism. It is a force created by a person’s actions which to a degree determines what that person’s next life or his fate in the current life will be or look like. This belief is widely held on to that many people believe the cause of good or bad things that happens to a person has to do with karma. The catastrophic and astronomic fall of Professor Lucien N’Dyare from his lofty height and enviable academic pedestals is tagged to karmic discredit; not as a result of the damage done to Moremi but as a result of the sexual abu

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Dissertations / Theses on the topic "Kunle Afolayan"

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Oladosu, Olayinka Abdulahi. "Femininity and Sexual Violence in the Nigerian Films, Child, not Bride, October 1 and Sex for Grades." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1621857462497919.

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Book chapters on the topic "Kunle Afolayan"

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Haynes, Jonathan. "12. New Nollywood and Kunle Afolayan." In Nollywood. University of Chicago Press, 2016. http://dx.doi.org/10.7208/chicago/9780226388007.003.0012.

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Endong, Floribert Patrick C. "Documenting Nigeria's Social and Cultural History Through Cinema." In Advances in Library and Information Science. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5840-8.ch010.

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In recent times, cinema has emerged as an alternative technology to document reality. This could be seen in the fact that both fictional and non-fictional films are increasingly deployed to chronicle various aspects of history. In the Nigerian moving pictures industry (Nollywood), this paradigm could be illustrated by the recent release of historical epic movies such as Lancelot Imasuen's Invasion 1897, Jeta Amata's Black November, Biyi Bandele's Half of a Yellow Sun, and Kunle Afolayan's October 1, among others. Drawing on this relatively old trend, this chapter examines the extent to which s

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