Relevant bibliographies by topics / Kunsthistorisches Hofmuseum (Vienna, Austria)

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Academic literature on the topic 'Kunsthistorisches Hofmuseum (Vienna, Austria)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Kunsthistorisches Hofmuseum (Vienna, Austria)"

1

Knespl, David. "The Astronomical Clock of Archduke Ferdinand II of Austria, the work of clockmaker Pavel Frejlich from Litomyšl, and the Prague Astronomical Clock." Studia Rudolphina 23-24, no. 1 (2024): 37–49. https://doi.org/10.54759/sr-2024-003.

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The Kunsthistorisches Museum in Vienna houses a large astronomical wooden cased clock inspired by the Prague Astronomical Clock, made for Archduke Ferdinand II of Austria in 1572. Archival sources confirm that this clock can be attributed to clockmaker Pavel Frejlich from Litomyšl. The previous attributions to Jan Táborský of Klokotská Hora have been ruled out due to his death in January 1572 and his non-clockmaker background. This clock also provides insights into elements used at the time of its creation on the Prague Astronomical Clock, such as the crank-rocker mechanism for the oscillation
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2

Querner, Pascal, and Stephan Biebl. "Using parasitoid wasps in Integrated Pest Management in museums against biscuit beetle (Stegobium paniceum) and webbing clothes moth (Tineola bisselliella)." Journal of Entomological and Acarological Research 43, no. 2 (2011): 169. http://dx.doi.org/10.4081/jear.2011.169.

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Biscuit beetle (<em>Stegobium paniceum</em>) and webbing clothes moth (<em>Tineola bisselliella</em>) cause much damage to museum objects. Some objects and materials are very attractive to these two pest species and objects are often re-infested after treatment. For some years parasitoid wasps have been used in biological pest control to treat and reduce infestations of stored product pests in food processing facilities. Their application in museums is still new and in a research stage. Results from five different museums in Germany and Austria and their application are
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3

Prepeliuc, Aurel-Gheorghe. "Prima fabrică de mobilă din Bucovina - Thöner." Analele Bucovinei 60, no. 1 (2023): 117–28. http://dx.doi.org/10.56308/ab.2023.1.06.

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A true emblem of craftsmanship regarding woodworking in Bucovina, “The Ist Thöner Furniture Factory of Bukovina”, as it appears written in the registration documents of the company from the year 1919, was the creation of a professional individual of German origins, Herman Thöner (13.01.1870 – 13.02.1929). After finalizing his studies in Rădăuți, he headed towards the Empire’s capital where he studied decorative painting for three years at the “Hofmuseum” (named “Kunsthistorisches Museum” in 1918), specializing in decorated furniture. He spent approximately 17 years in Vienna, having had the ch
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4

MLÍKOVSKÝ, JIŘÍ. "Nomenclatural and taxonomic status of bird taxa (Aves) described by an ornithological swindler, Josef Prokop Pražák (1870–1904)." Zootaxa 3005, no. 1 (2011): 45. http://dx.doi.org/10.11646/zootaxa.3005.1.2.

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Josef Prokop Pražák (1870–1904) published a number of papers from 1894–1900, mainly on faunistics and taxonomy of birds. In the 1890s his faunistic papers were shown to include many fraudulent data and were thus rejected or cited with caution. However, no comprehensive review of Pražák’s new bird taxa was made. My reconstruction of Pražák's Curriculum vitae shows that Pražák spent most of his life in his native Bohemia. In 1893–95 he studied at the Universität Wien, Austria, and volunteered at the Naturhistorisches Hofmuseum, and in 1896–98 he studied at the University of Edinburgh, Scotland.
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Düring, Bleda S. "Barbara Horejs and Mathias Mehofer, eds. Western Anatolia before Troy: Proto-Urbanisation in the 4th Millennium BC? Proceedings of the International Symposium held at the Kunsthistorisches Museum Wien, Vienna, Austria, 21–24 November, 2012 (Oriental and European Archaeology 1. Vienna: Austrian Academy of Sciences Press, 2014, 492pp., 218 b/w and colour illustr., 17 tables, ISBN 978-3-7001-7761-6)." European Journal of Archaeology 18, no. 4 (2015): 727–30. http://dx.doi.org/10.1179/1461957115z.000000000149.

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6

Coldstream, J. N. "Corpus Vasorum Antiquorum. Austria. Wien, Kunsthistorisches Museum. 4. Bronzezeitliche Keramik aus Zypern. Ed. A. Bernhard-Walcher. Vienna: Verlag der Österreichischen Akademie der Wissenschaften. 1984. Pp. 72, 50 pl. öS 700/DM 100. - Pierides Foundation Museum. Αρχαία Κυπριακή τέχνη στο Μουσείο του Ιδρύματος Πιερίδη Ancient Cypriote art in the Pierides Foundation Museum. By V. Karageorghis (and others). Larnaca: Pierides Foundation. 1985. Pp. 279, 282 plates (some col.). $13.00." Journal of Hellenic Studies 107 (листопад 1987): 254–55. http://dx.doi.org/10.2307/630165.

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7

Weisman, Billie Milam, and Chandra L. Reedy. "Technical Studies on Renaissance Bronzes." MRS Proceedings 712 (2002). http://dx.doi.org/10.1557/proc-712-ii10.1.

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ABSTRACTThe merging of art production and technological innovation during the Renaissance in Europe led to some of the world's most renowned master works in bronze. Published technical studies of such bronzes are still relatively few in number. The objective of the present study was to conduct a comprehensive investigation of comparative examination and analysis on fifty-two bronze sculptures which were attributed to a wide variety of workshops and individual artists. The sculptures are housed in the permanent collection of the Kunsthistorisches Museum in Vienna, Austria, and were shown in the
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8

Demian, Nicoleta. "Despre medaliile familiei Weifert din Pančevo / The Medals of the Weifert Family from Pančevo." Analele Banatului XXII 2014, January 1, 2014. http://dx.doi.org/10.55201/itwt7693.

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The numismatic collection of the Banat Museum in Timişoara includes two rare bronze medals dedicated to members of the well known Weifert family from Pančevo (Serbia). One is a medal dedicated to Ignaz Weifert on his 64th anniversary by his son Georg Weifert, crafted by the Austrian engraver Anton Schar (1845 – 1903). The second one is dedicated to Georg Weifert on his 44th anniversary, created by the Austrian engraver Franz Xaver Pawlik (1865 – 1906). They were purchased in 1907 by the Banat Museum from Fejér József, antiquarian in Budapest, for the sum of 22 crowns. The medals were given inv
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Books on the topic "Kunsthistorisches Hofmuseum (Vienna, Austria)"

1

Austria), Kunsthistorisches Museum (Vienna. Kunsthistorisches Museum, Vienna: The paintings. C.H. Beck/Scala Books, 1997.

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2

Antiken-Sammlung, Kunsthistorisches Museum Wien. Treasures from the Emperors of Austria: Greek and Roman Antiquities Collection from the Kunsthistorisches Museum of Vienna. Musée de la civilisation, 1994.

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3

Michael, Judith. A ruling passion: A novel. G.K. Hall, 1991.

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Michael, Judith. A ruling passion. Chivers, 1991.

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Michael, Judith. A ruling passion. Sphere, 1991.

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6

Michael, Judith. A ruling passion. Chivers Press, 1992.

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7

The Kunsthistorisches Museum Vienna: The Imperial And Ecclesiastical Treasury. Scala Publishers, 2005.

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8

Leithe-Jasper, Manfred. The Kunsthistorisches Museum, Vienna: The Imperial & Ecclesiastical Treasury. Philip Wilson Publishers, 1998.

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9

Leithe-Jasper, Manfred, and Jasper Manfred Leithe. Renaissance Master Bronzes: From the Collection of the Kunsthistorisches Museum, Vienna. HarperCollins Publishers, 1986.

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10

Renaissance master bronzes: From the collection of the Kunsthistorisches Museum, Vienna. Distributed by Harper & Row, Publishers, 1986.

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