Relevant bibliographies by topics / Kunstmuseum Bern

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Academic literature on the topic 'Kunstmuseum Bern'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Kunstmuseum Bern"

1

Doll, Nikola, and Hélène Ivanoff. "Le legs Gurlitt et la poursuite des recherches au Kunstmuseum Bern." Allemagne d'aujourd'hui N° 242, no. 4 (2022): 182–91. http://dx.doi.org/10.3917/all.242.0182.

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Dickel, Hans. "Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke." Zeitschrift für Kunstgeschichte 79, no. 1 (2016): 92–114. http://dx.doi.org/10.1515/zkg-2016-0006.

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Abstract Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke The histories of art in former East and West Germany have been described as evolving synchronously. This article, arguing from another point of view, analyzes two works from the 1980s, both of them outstanding in purpose and size: Werner Tübke’s monumental painting Frühbürgerliche Revolution in Deutschland in the Museum Bad Frankenhausen (formerly GDR) and Hanne Darboven’s Bismarckzeit in the Kunstmuseum Bonn (FRG). The investigation into their subjects, forms, and contents within their historical context
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3

Burganova, Maria, and Malsch Friedemann. "Interview with Director of the Liechtenstein National Gallery." Scientific and analytical journal Burganov House. The space of culture 16, no. 1 (2020): 12–18. http://dx.doi.org/10.36340/2071-6818-2020-16-1-12-18.

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We are pleased to present an interview with Director of the Liechtenstein National Gallery Kunstmuseum Liechtenstein, Dr. Malsch Friedemann Dr. Friedmann Malsch, has been cooperating with Russia for more than 15 years in organizing and conducting exhibitions, preparing publications. He is actively engaged in educational and publishing activities. In 2018, with the support of the Liechtenstein Museum, a translation of the book dedicated to the Black Square painting by Kazimir Malevich was released. At the presentation, Friedman Malsch called this book a publication that turns the prevailing ide
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4

den Hartog, Elizabeth. "Pieter de Hooch’s window shutter with the Habsburg Emperor Charles V (1661)." Oud Holland – Journal for Art of the Low Countries 135, no. 4 (2022): 225–36. http://dx.doi.org/10.1163/18750176-13504005.

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This article deals with Pieter de Hooch’s enigmatic painting Woman holding a basket with beans in a garden of 1661 (Kunstmuseum, Basel), and, more specifically, with the identity of the man depicted on the window shutter of the building in the foreground of the painting. The author argues that this portrait, which was hidden behind a layer of paint for a long time and only uncovered sometime between 1913-1927, represents the Emperor Charles V, whose portrait still decorates many buildings in the Netherlands. It is also argued that the building in the background of the painting can be typified
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5

Walravens, Hartmut. "Otto Fischer (22 Mai 1886 — 9 April 1948) Veröffentlichungen zur asiatischen Kunst." Письменные памятники Востока 20, no. 1 (2023): 95–114. http://dx.doi.org/10.55512/wmo202797.

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Otto Fischer was born into a merchant family in Reutlingen on May 22, 1886. From 1904 he studied law, then art history in Tbingen, Munich, Vienna and Berlin and received his doctorate in 1907 with the dissertation Altdeutsche Malerei in Salzburg under Heinrich Wlfflin in Berlin. After study trips to Italy and France, he lived in Munich from 1909 to 1913 as a private scholar and was in close contact with the young artists of the Neue Knstler-Vereinigung Mnchen, which developed into the Blaue Reiter. In 1913, he habilitated in Gttingen with the thesis Die chinesische Malerei, which was published
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6

Zwierlein-Diehl, Erika. "Eine magische Gemme mit Inschriften im Akademischen Kunstmuseum der Universität Bonn." Acta Classica Universitatis Scientiarum Debreceniensis 59 (September 1, 2023). http://dx.doi.org/10.22315/acd/2023/14.

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The magical gem published here belongs to the Akademisches Kunstmuseum der Universität Bonn (Abb. 1–2.; measurements: 33 x 24 x 6 mm). It stems from the collection of Klaus Müller, who acquired it in the 1960th or 1970th. Obverse and reverse of the gem are filled with inscriptions, most of them consisting of unknown voces magicae, and possibly some meaningless letters to fill the space. On the obverse a prominent inscription invokes Eloe, that is Elohim, the Jewish God, who entered the magic pantheon like Greek and Egyptian ones and under the name of Iaō, even got an image in the figure of the
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7

Hansen, Hanna Horsberg. "The Sámi Art Museum: There Is No – Or Is There?" Nordlit, no. 46 (December 10, 2020). http://dx.doi.org/10.7557/13.5450.

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This article aims to answer two questions. The first is: What is a Sámi art museum? The second question considers whether there is no Sámi art museum, as assumed by the Nordnorsk kunstmuseum (NNKM) as the title of a museum performance and exhibition in 2017.
 To answer the first question, it is necessary to tell the long story of the Sámi cultural-historical museum in Karasjok, Samiid Vuorká-Dávvirat (SVD). This museum was inaugurated in 1972 as an act of resistance against the increasing assimilation politics towards the Sámi population in the post-war period. The building that was erect
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8

van der Werf, Inez Dorothé, Klaas Jan van den Berg, Muriel Geldof, et al. "Zinc white marker paint in Mondrian’s neoplastic paintings." Heritage Science 12, no. 1 (2024). http://dx.doi.org/10.1186/s40494-023-01127-8.

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AbstractThis research provides new insights into the composition of zinc white paints used by Piet Mondrian during his neoplastic period. Nine paintings, dated between 1921 and 1935, were studied, with a focus on three works in the collection of the Fondation Beyeler (Basel, Switzerland)—Tableau I (1921–1925), Composition with yellow and blue (1932) and Composition with double line and blue (1935)—and on Lozenge composition with yellow lines (1933) in Kunstmuseum Den Haag (The Netherlands). Cross sections from other paintings, most of which previously studied by Van Asperen de Boer in the earl
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Books on the topic "Kunstmuseum Bern"

1

Tavel, Hans Christoph von. Kunstmuseum Bern. Banque Paribas (Suisse) in Zusammenarbeit mit dem Schweizerisches Institut für Kunstwissenschaft, 1994.

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2

Bern, Kunstmuseum, ed. Kunstmuseum Bern masterpieces. Kunstmuseum Bern, 2016.

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3

Bern, Kunstmuseum. Wege zur Kunst im Kunstmuseum Bern. Verl. Der Bund, 1985.

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4

Bern, Kunstmuseum. Die Skulpturen und Objekte: Kunstmuseum Bern. Kunstmuseum Bern, 1986.

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5

1949-, Bhattacharya-Stettler Therese, and Immenhauser Verena, eds. Erinnerung und Gegenwart: 125 Jahre Kunstmuseum Bern. Kunstmuseum Bern, 2004.

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6

Josef, Helfenstein, ed. Die Sammlung Toni Gerber im Kunstmuseum Bern. Das Museum, 1986.

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7

Oppenheim, Meret. Meret Oppenheim: Legat an das Kunstmuseum Bern. Kunstmuseum Bern, 1987.

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8

1943-, Bätschmann Oskar, Mentha Henriette, Walter Bernadette, and Kunstmuseum Bern, eds. Ferdinand Hodler: Die Zeichnungen im Kunstmuseum Bern. Kunstmuseum, 1999.

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9

Grunder, Mariann. Mariann Grunder: Kunstmuseum Bern = Musée des beaux-arts de Berne. Das Kunstmuseum, 1986.

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10

Bern, Kunstmuseum. Balthasar Anton Dunker, 1746-1807. Kunstmuseum, 1990.

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