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Books on the topic 'Kurdish Arts'

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1

Öztaş, Özkan. Sovyetler Birliği'nde Kürt sanatı: Inceleme. Yazınlama, 2016.

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2

Konferansa Çand û Hunera Kurdî (1st 1994 Maastricht, Netherlands). Konferansa çand û hunera Kurdî =: 1. Kürt kültür ve sanat konferansı = 1. Konferenz der kurdischen Kultur und Kunst. Weşanên Rewşen, 1994.

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3

Konferansa, Çand û Hunera Kurdî (2nd 1995 Düsseldorf Germany). Protokola Konferansa Çand û Hunera Kurdi II.: Düsseldorf 16-17.12.1995. Weşanên Akademîya Kurdî, 1995.

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4

Konferansa Çand û Hunera Kurdî (2002- ) (1st 2002 Beirut, Lebanon). I. Konferansa Çand û Hunera Kurdî: Belge. Amerda, 2002.

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5

Edgecomb, Diane. A fire in my heart: Kurdish tales. Libraries Unlimited, 2008.

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6

Szabłowski, Stach. Niech poprzedza cię płomień: May flames pave the way for you. Galeria Arsenał w Białymstoku, 2020.

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7

Şerîf, Azad Ḧeme. Spotlights on Kurdish folk art. Badirxan Publishing House, 2012.

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8

Bossan, Enrico. In-between worlds: Kurdish contemporary artists. Edited by Imago Mundi (Project) and Fabrica (Organization). Antiga edizioni, 2017.

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9

(Turkey), Diyarbakır, and Enstîtuya Kurdî ya Amedê, eds. Antolojiya dengbêjan: Dengbêj antolojisi = The antologie of the dengbêj. Şaredariya Bajarê Mezin a Diyarbekirê, 2011.

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10

Xeyat, Îsmaʻîl. Şêwekaranî Kurdistanî başûr. Ḧikumetî Herêmî Kurdistan, Wezaretî Roşinbîrî, 2005.

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11

Azad, Soran. Guzariştî xud: Çend lêkołîneweyekî edebî, hizrî w hunerîye = Self expression : literary, thought and art's citism. Le Biławkirawekanî Senterî Roşinbîrîy Xewn, 2012.

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12

Morgan, Alex. Jewish patterns from Kurdish folk art: [patterns adapted for the art of henna]. TapDancing Lizard, 2003.

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13

Krakowie, Muzeum Narodowe w., ed. Współczesna sztuka kurdyjska w Europie, 2003 =: Contemporary kurdish art in Europe, 2003. Muzeum Narodowe w Krakowie, 2003.

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14

R̄esuł, Wehbî. Peyvekanî r̄eng. Lebiławkirawekanî Dezgay Çap u Pexşî Serdem, 2004.

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15

Hejar, Kemal. Gelerî Kemal Hejar. Wezaretî Roşinbîrî, Ber̄eweberayêtî Giştî Roşinbîrî w Huner, 2008.

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16

ʻAlī, Dārā Muḥammad. Şêwekaranî Hewlêr. Wezaretî Roşinbîrî, Ber̄eweberayêtî Giştî Rojnamenûsî w Çapkirdin u Biławkirdinewe, 2008.

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17

Abdul, Jamal. Ferhengî zarawe hunerîyekan: Îngilîzî, ʻErebî, Kurdî. Le Biławkirawekanî Dezgay Çap u Pexşî Serdem, 2011.

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18

Kayabalı, İsmail. Beş nehir (Çoruh, Kür, Aras, Dicle ve Fırat) boyunun Türklüğü. [s.n.], 1990.

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19

Faiznia, Mazdak. The great game: Iran, India, Pakistan, Afghanistan, Iraq, Central-Asian Republics, Kurdish Region : art, artists and culture from the heart of the world. Silvana editoriale, 2015.

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20

Çelkî, Mesʻûd Yasîn. Rołê hunerên rûnbêjiyê di çêkirina wênê hozanê Kurdîda. Le Biławkirawekanî Ekadîmyay Kurdî, 2012.

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21

Hourani, Majeda. Ruman Kurdish Picture Dictionary - Sorani: Ruman Kurdish Picture Dictionary - Sorani. Ruman LLC, 2023.

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22

Konferansa cand u hunera Kurdi =: 1. Kurt kultur ve sanat konferansi = 1. konferenz der Kurdischen kultur und kunst. Wesanen Rewsen, 1994.

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23

Hourani, Majeda. Ruman Kurdish Picture Dictionary- Second Edition: Ferhenga Kurdî Ya Wênedar (Kurmancî. Ruman LLC, 2003.

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24

Meho, Lokman I. The Kurds and Kurdistan. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798400676260.

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As the Kurdish question becomes more prominent in Middle Eastern politics, it is attracting attention from the media, the academic community, and governmental and non-governmental organizations. Swamped with questions from the press and academic departments, students of Kurdish topics have needed a comprehensive bibliography on the Kurds. This book meets that need. An introductory essay provides users with general background information on the Kurds and Kurdistan. With over 800 entries, the annotated bibliography provides information on the most important works about the Kurds and Kurdistan pu
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25

Dagg, Kevin. The Kurds. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450382.

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The Kurds is a group of six wooden portrait heads of members of the migrant Kurdish community in Edinburgh. The output builds on Dagg’s longstanding practice research into figurative sculpture, in particular techniques and processes of woodcarving, including novel approaches to polychrome. It brings this research expertise to a focused interrogation of the meaning and potential of portrait sculpture with respect to a particular, marginalised community. It investigates how portrait sculpture can meaningfully function as a mode of community engagement and through this foreground broader question
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26

Galip, Özlem Belçim. Art, Gender and Migration in the Kurdish Diaspora. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755650620.

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This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect t
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27

Beş nehir (Çoruh, Kür, Aras, Dicle ve Fırat) boyunun Türklüğü. [s.n.], 1990.

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28

Ergin, Meliz. Ecocriticism and Turkey. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350125803.

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Situated between Europe and Asia, and surrounded by three seas, Turkey comprises a diverse environmental and cultural tapestry. Ecocriticism and Turkey is the first in-depth study to explore Turkish literary and cultural engagements with the environment. Ergin examines a wide range of ecocritical issues across four thematically organized chapters: "Sea," "Climate," "Routes," and "Animals." Each chapter addresses various dimensions of anthropogenic ecological change and highlights the role of literature in inspiring hope and action. The book takes readers on various journeys from the coasts of
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29

Özpınar, Ceren, and Mary Kelly, eds. Under the Skin. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.001.0001.

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Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today is set out to show what is beneath the surface, under the appearances of skin, body, colour and provenance, and not the cultural fixities or partial views detached from the realities of communities, cultures and practices from the area. Through 12 chapters, Under the Skin brings together artistic practices and complex histories informed by feminism from diverse cultural and geographical contexts: Algeria, Egypt, Iran, Israel, Lebanon, Palestine, Saudi Arabia, Syria, Tunisia and Turkey. The aim is not to
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