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Journal articles on the topic 'Kurdish Arts'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Salih, Kaziwa. "Arts & Literature: Feeding Her Child a Green Slipper Instead of a Cucumber." Genocide Studies and Prevention 15, no. 1 (2021): 13–21. http://dx.doi.org/10.5038/1911-9933.15.1.1827.

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I first observed the confident, sad, yet hopeful face of Nabat Fayiaq Rahman through the black screen of the TV. She was wearing a traditional, completely black Kurdish outfit that matched the stage curtains designed for the anniversary of the Anfal genocide, marked on April 14th of each year. The Kurdish Anfal genocide in Iraq was perpetrated by Saddam Hussein’s regime in the 1980s. Human Rights Watch (1994) estimates that as many as 182,000 Kurds were buried alive in mass graves; many of these mass graves were found after Hussein was overthrown. More than 2.5 million people were displaced, 4

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2

Schäfers, Marlene. "Editorial." Kurdish Studies 7, no. 2 (2019): 111–12. http://dx.doi.org/10.33182/ks.v7i2.523.

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Now running in its seventh year, Kurdish Studies has established itself as the leading venue for the publication of innovative, cutting-edge research on Kurdish history, politics, culture and society. According to Scopus scores, our journal is now positioned among the top publications within the History category of the Arts and Humanities, ranking 170 out of 1138 (84th percentile). In Cultural Studies, we stand at rank 193 out of 890 (78th percentile). This year’s second issue of Kurdish Studies brings to you yet another collection of thought-provoking pieces of original scholarship. Gerald Ma

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3

Uzun Avci, Emel. "Denial of the Kurdish question in the personal narratives of lay people." Ethnicities 19, no. 1 (2018): 156–73. http://dx.doi.org/10.1177/1468796818786307.

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For at least the past 30 years, the Kurdish question has been the most urgent agenda concern for Turkey. Denial of the Kurdish question is a state narrative and an administrative strategy in Turkey that was produced by the founders of the Republic and disseminated by its leadership using the state apparatus. However, we know very little about how denial operates within lay person accounts of the Kurdish question. Learning about the narrative forms that lay people produce in their accounts on the Kurdish question is necessary to understand the micro-level appearance of the question. Denial appe

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4

Mohammadpur, Ahmad, Norbert Otto Ross, and Nariman Mohammadi. "The fiction of nationalism: Newroz TV representations of Kurdish nationalism." European Journal of Cultural Studies 20, no. 2 (2016): 167–79. http://dx.doi.org/10.1177/1367549416638524.

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Benedict Anderson’s seminal work on imagined communities has opened a multitude of explorations in how mass media construct and represent social identities in relation to nationalism. Depicting and at the same time creating social groups, media representations are permeated by questions of inclusion and exclusion. As a result, it is important to study media representations of social identities as strategic ideologies that debilitate or stabilize, support or condemn a specific identity discourse. In this study, we explore how Kurdish identity has been represented in Newroz TV, one of the most p

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5

Соколова, А. Н. "Культурные практики курдов Адыгеи как ресурс формирования и сохранения этнической, региональной и общероссийской идентичностей". Nasledie Vekov, № 3(39) (30 вересня 2024): 41–49. https://doi.org/10.36343/sb.2024.39.3.003.

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Автор выявляет специфику функционирования художественных практик курдов Адыгеи. Наблюдения последних лет и неформальные интервью с руководителем курдской общины Адыгеи Ф. Абдулаевым и уполномоченным представителем Национального конгресса Курдистана в России Ф. Патиевым дали возможность представить современные художественные практики проживающих в регионе курдов в контексте сохранения и формирования идентичностей различного уровня и характера. Показаны механизмы и инструменты, позволяющие сохранить родной язык (курманджи) и аутентичные танцы. Рассмотрены различные разновидности говандов (хорово

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6

Awez, Darya J., and Sangar N. Hussein. "Nali in the conflict of dualism of words and meaning." Koya University Journal of Humanities and Social Sciences 6, no. 2 (2024): 310–21. http://dx.doi.org/10.14500/kujhss.v6n2y2023.pp310-321.

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Literature, as a aspect of human life and knowledge, has long turned to rhetoric and has not been able to speak without it, even as literature is often defined as a kind of expression that has a high rhetoric and is separated from people's normal speech because of this rhetoric. The writer or poet has always relied on the rhetorical arts that were common in their time, often measured and evaluated between the two products in the same era because of the rhetorical art that writers used in their texts. It seems that Kurdish literature, as one of the eastern literature, has had a great influence

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7

Alizadeh, Hooshmand, Josef Kohlbacher, Sara Qadir Mohammed, and Salah Vaisi. "The Status of Women in Kurdish Society and the Extent of Their Interactions in Public Realm." SAGE Open 12, no. 2 (2022): 215824402210964. http://dx.doi.org/10.1177/21582440221096441.

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Apart from the traditional Kurdish gender regime, which originates from the Kurdish tribal structure and which to some extent restricts the visibility of women in society, the status of Kurdish women is considered to be relatively high in comparison with that of their neighbors, since Kurdish women enjoy relative tolerance in society. This includes the possibility of reaching high professional positions, their presence in public spaces, and entertaining guests in the absence of their husbands. Certain socio-economic and political transformations took place in recent decades, which improved Kur

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8

Omarkhali, Khanna. "An Amulet Scroll from Erzurum from August D. Żaba’s Kurdish Collection in the Manuscript Department, National Library of Russia, Kurd. 51." Journal of Islamic Manuscripts 13, no. 3 (2022): 291–324. http://dx.doi.org/10.1163/1878464x-01303004.

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Abstract This article presents an edition, translation, and study of the amulet scroll Kurd. 51 from the Kurdish collection of August D. Żaba that was presented by him to the Manuscript Department of the National Library of Russia (NLR) in St Petersburg in 1868 along with 52 manuscripts and lithographs. The amulet contains passages in Arabic and Persian and was found, according to Żaba, among the Kurds in Erzurum.

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9

Açikyildiz, Birgül. "Ideology, Nationalism, and Architecture: Representations of Kurdish Sites in Turkish Art Historiography." International Journal of Islamic Architecture 11, no. 2 (2022): 323–53. http://dx.doi.org/10.1386/ijia_00082_1.

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This article discusses how the narrative of Turkish national historiography, crafted by Turkish elites in the 1930s in light of the official doctrine of the Turkish History Thesis and the Sun Language Thesis, attempted to Turkify the patronage of historical buildings constructed by diverse ethnic and religious communities of the country’s eastern region. I focus on the architectural production of the seven Kurdish dynasties that ruled a large area in the Middle East from the tenth to the mid-nineteenth century. Kurdish rulers constructed a large number of urban monuments bearing their names. T

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10

Öney, Berna, and Torsten J. Selck. "What was the ‘Kurdish opening’ all about? A qualitative text analysis of parliamentary group speeches in Turkey." Ethnicities 17, no. 6 (2017): 771–91. http://dx.doi.org/10.1177/1468796817700934.

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This study explores the use of four discourses – socio-economic, relative deprivation, pro-Islamist and terrorism oriented – used by political parties in Turkey to address the Kurdish issue and the resulting political party strategies during the Kurdish opening in Turkey. Although the factors that influence the Kurdish issue have drawn attention, no research has analysed Turkish political parties’ perspectives on the Kurdish issue in primary political documents. By examining 188 parliamentary group speeches delivered during the Kurdish opening process with qualitative text analysis, this study

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11

Badran, Yazan, and Enrico De Angelis. "‘Independent’ Kurdish Media in Syria." Middle East Journal of Culture and Communication 9, no. 3 (2016): 334–51. http://dx.doi.org/10.1163/18739865-00903001.

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The Syrian uprising in 2011 was accompanied by the birth of a new generation of media outlets seeking to offer alternative narratives to those of the regime. After the Kurds gained a certain level of autonomy from the Syrian regime and opposition forces, areas historically inhabited by Kurds (Rojava) have also seen the emergence of local media: for example, the television station Ronahi, magazines and newspapers such as Welat, Buyer and Shar, radio stations such as Arta FM and Welat and the ARA News agency. Indeed, for the first time in their history, Syrian Kurds have the opportunity to have

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12

McGee, Thomas. "‘Rojava’: Evolving Public Discourse of Kurdish Identity and Governance in Syria." Middle East Journal of Culture and Communication 15, no. 4 (2022): 385–403. http://dx.doi.org/10.1163/18739865-01504009.

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Abstract The Syrian conflict has contributed to major debates in culture, media and politics around transitions linked to borders, ethnicity and identity. Against this backdrop, this article explores the use of ‘Rojava’, a keyword referring to Kurdish-majority areas in the country. It examines the term’s changing meanings and usage against the evolving backdrop of the governance project led by Kurds since the post-2011 power vacuum in North(eastern) Syria. The article identifies how the term has been both operationalized and later abandoned and replaced by other nomenclature while highlighting

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Griffiths, David. "Book Review: Kurdish Diasporas: A Comparative Study of Kurdish Refugee Communities." International Migration Review 35, no. 2 (2001): 620–21. http://dx.doi.org/10.1111/j.1747-7379.2001.tb00032.xl.

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14

Obaid, Arkhawan Mohammed. "The Art and Literature Areativity, Kurdish Poets and Poems As An Example." Journal of University of Raparin 8, no. 4 (2021): 275–302. http://dx.doi.org/10.26750/vol(8).no(4).paper13.

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Abstract The art and literature creativity, Kurdish poets and poems as an example is the name of a theoretical and practical research. It is theoretical because in the first part it presents the principles and the regulations of the research for the first time. And it is practical because in the second and third parts of the the research is : Supported in a way of practicing the ideas in Kurdish pomes and the experiences of Kurdish poets, the situation of stopping creativity is a situation of repletion, fullness, giving up, satisfaction,missing creativity and initiative for creativity that hap

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15

Esmail Baker, Venus, Hayfa Ahmad Mohammed, and Sanger Qader Sheikh Mohammed. "The Mechanism of Receptivity in Kurdish Contemporary Art." Journal of University of Raparin 12, no. 1 (2025): 1–23. https://doi.org/10.26750/vol(12).no(1).paper1.

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This research aims to identify the theory of the reception mechanism in contemporary Kurdish plastic art. As well as divided into two chapters. The first chapter includes the research problem, its importance, objectives, and limits. The research problem centred on how to use the concepts of reception theory in the artworks of the field of Kurdish plastic art. Contemporary, with a focus on the transit project as a model. The second chapter has been devoted to the theoretical framework that includes the concept of reception theory and its origins, in addition to an explanation of the concept of

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16

Algan, Ece. "Local Broadcasting as Tactical Media." Middle East Journal of Culture and Communication 12, no. 2 (2019): 220–35. http://dx.doi.org/10.1163/18739865-01202005.

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Abstract Against the backdrop of struggles that local broadcasters in Turkey who advocate for Kurdish minority rights have endured, I discuss local broadcast journalists’ tactics for creating and maintaining programming that caters to the ongoing Kurdish conflict. Local ethnic broadcasting in Kurdish provinces has long strived to offer an alternative discourse than that of the state propaganda and to mobilize political support within and outside Turkey. In order to illustrate the role of Kurdish activist journalism in political mobilization, I analyze examples of local radio programming from 2

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17

Fatah, Yahya Omer. "News coverage of the Turkish issue in the Kurdish press." Journal of University of Human Development 5, no. 1 (2019): 99. http://dx.doi.org/10.21928/juhd.v5n1y2019.pp99-108.

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The Kurdish media in Kurdistan Region- especially recently- has paid a great attention to the coverage of the Turkish issues, when you follow the( visual, audible , written and electronic) kurdish media, you obviously see the great amount of news, reports, pictures, articles , press interviews and other press editing arts, in a way or another shed light on an aspect of Turkish issues and analyse it. It is clear that the concern and coverage are from both sides. Which means that Turkish media also focus on Kurdistan Region' s issues, and covers the political, economical and social aspects of Ku

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18

FUCCARO, NELIDA. "Ethnicity and the city: the Kurdish quarter of Damascus between Ottoman and French rule, c. 1724–1946." Urban History 30, no. 2 (2003): 206–24. http://dx.doi.org/10.1017/s0963926803001135.

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This article concentrates on the Kurdish quarter of Damascus and investigates the relationship between communal/ethnic identity, spatial organization and the socio-political structures of the city. It challenges the notion of quarter as an ‘ethnic cluster’ by examining historical processes of integration of the Kurdish community in the body politic of Damascus. In the colonial period the emergence of new arenas of public action for the Kurdish community are analysed with reference to the emergence of new ideas of class and community.

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19

Akçalı. "Essayistic Tendencies in Contemporary Kurdish Filmmaking in Turkey." Journal of Film and Video 71, no. 1 (2019): 20. http://dx.doi.org/10.5406/jfilmvideo.71.1.0020.

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20

Palta, Zehra Melike. "Exploring Language Learning Experiences of Kurdish and Turkish Asylum Claimants in Canada Through Arts-Informed Research." Journal of the Canadian Association for Curriculum Studies 18, no. 1 (2020): 91–92. http://dx.doi.org/10.25071/1916-4467.40550.

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According to United Nations High Commissioner for Refugees, the highest level of displacement on record was reached in 2019 with 79.5 million people being forced to migrate (United Nations High Commissioner for Refugees, 2020). Although there is a significant influx of asylum seekers arriving in Canada from Turkey, there have been no studies completed in Canada that focus on the experiences of Kurdish and Turkish refugee claimants. Asylum seekers’ lived experiences need to be further investigated because their precarious legal status together with changing governmental policies may limit their

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21

METIN, MIRZA. "Kurdish Resistance and the Dramaturgy of Fire." Theatre Research International 44, no. 3 (2019): 314–17. http://dx.doi.org/10.1017/s0307883319000397.

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Fire is one of the most magical elements in existence. It is everywhere: in the sky and on the ground, in hearts and in minds, inside and out, in water, in the air and in the soil … It is both divine and demonic. It is between light and dark. It is the source of both life and death. It is a clash. A clash that gave rise to our existence and, simultaneously, the creation of an error.

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22

Sabir, Shwan Bahram, and Naeema Muhammad Abdulla. "Aesthetic values of decorative inscriptions and epigraphic texts in contemporary ceramics in Kurdistan region." Halabja University Journal 7, no. 2 (2022): 126–49. http://dx.doi.org/10.32410/huj-10414.

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Historically, ceramic art is one of the most important arts that has emerged in all civilizations as an artistic value and a philosophical concept of the movement between material and tangible objects or between the ambiguity and clarity of the structure of the elements of works of art that were carried out as a human activity through its artistic output, in showing the same aesthetics of ceramic works of art in terms of form and decoration The Kurdish artist also benefited from the works surrounding him historically, philosophically and artistically, so the culture and history of Kurdish art

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23

Akdoğan, Nuri, Kenan Alparslan, and Kenan Alparslan. "Do Members of Disadvantaged Groups Possess a Motivation of Favouritism towards Advantaged Groups?" Mediterranean Journal of Social Sciences 11, no. 4 (2020): 61. http://dx.doi.org/10.36941/mjss-2020-0041.

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There are several studies suggesting that disadvantaged groups display positive attitudes towards advantaged groups. System Justification Theorists have conceptualised that attitudes as out-group favouritism, whereas Social Identity Theorists have described it as the attitude of members identifying with the advantaged group, reflecting in-group favouritism. As the level of participants’ identification with both groups is not measured in those studies, it is not clear enough which theory they support. This study, conducted with 145 people living in Turkey and define themselves as Kurdish, aims

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Şi̇mşek, Bahar. "Lost Voices of Kurdish Cinema." Middle East Journal of Culture and Communication 9, no. 3 (2016): 352–69. http://dx.doi.org/10.1163/18739865-00903002.

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The belated emergence and the visibility of the cinema by Kurdish filmmakers is widely interpreted as a reason to categorize it as part of transnational cinemas characterized by a lack of standardized language and national domestic industry. This contributes to a negation of the promise of a cinema that specifically caters to a Kurdish public in terms of enunciation and reception. Considering Kurdish cinema outside transnational conditions, this paper examines enunciation in cinema of (national) subject through an audiovisual analysis of three feature-length films equipped with acoustic means

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Al Askary, Payan Kaka Salih. "The Art of Paradox in Wafai’s Poems." Journal of University of Raparin 8, no. 2 (2021): 440–68. http://dx.doi.org/10.26750/vol(8).no(2).paper19.

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The paradox is an artistic expression used for beautifying the poetic language, the poems of Kurdish poets like Arabic, Persian, and Western nations include these arts and the plays of the poetic language. This type of poetic art can be seen noticeably in every era of the Kurdish classic poems which is a reason for enriching and empowering the poetic language. It will also, produce modern imagination and expressions which will be thoughtful and speculative and it will attract readers’ attention due to its’ closeness to the contradictory art which is again a type of beautifying the semantic art

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Salih Ilyas, Barzan, and Abo obaid Abdulla Zeab. "Semantic Deviations in Terms of the Function in Kurdish Modern Poetry: Hizervan's Poems as." Academic Journal of Nawroz University 11, no. 3 (2022): 508–22. http://dx.doi.org/10.25007/ajnu.v11n3a1563.

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      Deviation is one of the most important artistic and aesthetic methods spread. It has a major role in the creating poetic text, and deviation works in several levels. In the context of the word and do not care about the lexical meaning only. Undoubtedly the semantic level consists of several parts, from these parts that the semantic deviation includes the function of the function of the three arts (attribution, specifying, communicating).these three arts explain the work of deviation in terms of the semantic level, and each unit of the art mentioned rol

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Azeez, Sarwa. "Arts & Literature: Voices of Kurdish Women Survivors: Healing Through Wounds of Genocide." Genocide Studies and Prevention 17, no. 1 (2023): 1–3. http://dx.doi.org/10.5038/1911-9933.17.1.1967.

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The Kurdish genocide tragically stole a generation, yet little attention has been given to the profound anguish endured by women left without husbands, fathers or sons. The poems "Alive," "Waiting," “To Hawa,” and "But Then Their Eyes Retained Everything" venture to unveil novel perspectives on the vast expanse of war, violence, trauma, and healing. They explore the impact of Saddam Hussein’s genocide on women during and after the war, its impact on subsequent generations, and the reflections of women on the implications of the Al-Anfal campaign, which spanned from 1986 to 1989. Similarly, the

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Shakiba, Sahar, Omid Ghaderzadeh, and Valentine M. Moghadam. "Women in Iranian Kurdistan: Patriarchy and the Quest for Empowerment." Gender & Society 35, no. 4 (2021): 616–42. http://dx.doi.org/10.1177/08912432211029205.

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Informed by sociological standpoint, intersectional, and gender regime theories, we examine perceptions of a diverse sample of Iranian Kurdish women in the city of Sanandaj about their legal status and social positions. We find perceptions of injustice, oppression, male control, and lack of opportunity associated with both the family and broader society. Kurdish women are socially located in structures and institutions of both private and public patriarchy. At the same time, their growing educational attainment and knowledge of possibilities for change enable them not only to articulate grieva

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29

Grossman, Alan, and Áine O'Brien. "Kurdish Lyrical Protest: The Terrain of Acoustic Migration." Journal of Ethnic and Migration Studies 32, no. 2 (2006): 271–89. http://dx.doi.org/10.1080/13691830500487365.

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SMITH, BARBARA. "Kurdish Refugee Reception Centers in Greece: Home Displaced." Visual Anthropology Review 24, no. 1 (2008): 78–93. http://dx.doi.org/10.1111/j.1548-7458.2008.00006.x.

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Talhami, Ghada Hashem. "Diplomacy of the Kurdish territorial nation." International Journal of Contemporary Iraqi Studies 7, no. 1 (2013): 21–42. http://dx.doi.org/10.1386/ijcis.7.1.21_1.

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Erel, Umut, and Necla Acik. "Enacting intersectional multilayered citizenship: Kurdish women’s politics." Gender, Place & Culture 27, no. 4 (2019): 479–501. http://dx.doi.org/10.1080/0966369x.2019.1596883.

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DEHQAN, MUSTAFA. "Zîn-ə Hördemîr: A Lekî Satirical Verse from Lekistan". Journal of the Royal Asiatic Society 18, № 3 (2008): 295–309. http://dx.doi.org/10.1017/s1356186308008523.

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With the exception of a minor mention, which Sharaf Khān (b.1543) made in theSharafnāma, the first information about the most southern group of Kurdish tribes in Iranian Kurdistan, the Lek, first became available to modern readers inBustān al-Sīyāḥa, a geographical and historical Persian text by Shīrwānī (1773–1832). These hitherto unknown Lek communities, were probably settled in north-western and northern Luristan, known as Lekistan, by order of Shāh ‘Abbās, who wished in this way to create some support for Ḥusayn Khān, thewālīof Luristan. Many of the centres of Lekî intellectual life in the

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Leffler, Elliot. "Beating the Daf and Darbuka: Testing the Boundaries of Ethnicity, Evoking a National Imaginary, and Dancing a Contemporary Iraqi Identity." TDR/The Drama Review 60, no. 1 (2016): 67–78. http://dx.doi.org/10.1162/dram_a_00524.

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In the heat of a spontaneous dance party at an international summer camp, an ethnically and religiously diverse group of young Iraqis stretched their national imaginary through an exuberant, embodied engagement. In a moment when the strict universality discourses of their camp programs did not seem to apply, the adolescents—Sunni and Shia, Kurdish and Arab—explored the potential synapses and interrelationships of their ethnic identities on their own terms.

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Sarigil, Zeki, and Omer Fazlioglu. "Religion and ethno-nationalism: Turkey's Kurdish issue." Nations and Nationalism 19, no. 3 (2013): 551–71. http://dx.doi.org/10.1111/nana.12011.

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Çiçek, Cuma. "The pro-Islamic challenge for the Kurdish movement." Dialectical Anthropology 37, no. 1 (2013): 159–63. http://dx.doi.org/10.1007/s10624-013-9299-9.

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Moheddin (koyi), Kurdistan Rafiq, and Mohammed Fars Hamadamin. "Politeness and Daily Use of Language in Formal Context Among EFL Kurdish Learners: Soran University as an Example." Journal of AlMaarif University College 33, no. 2 (2022): 266–83. http://dx.doi.org/10.51345/.v33i2.499.g276.

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Language is regarded as a method that people use to exchange ideas with each other, and it is considered the primary source of communication among human beings because it holds a profound role in comprehending the world around and beyond them. To speaks graciously and avoid face-threatening acts, language users are required to use politeness strategies. This study aims to find out the politeness strategies which are employed by Kurdish English language learners, at Soran University, as well as the differences in using these strategies in terms of gender and social status. Data is collected thr

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38

Gürkaş, Ezgi Tuncer. "Border as “Zone of Indistinction”: The State of Exception and the Spectacle of Terror Along Turkey’s Border With Syria." Space and Culture 21, no. 3 (2017): 322–35. http://dx.doi.org/10.1177/1206331217741080.

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Turkey’s border with Syria today is a laboratory in which biopolitics and the spectacle coincide in new ways. As a consequence of the ongoing war between the state and Kurdish insurgents, and the state of emergency accompanying it, this border region has incrementally transformed into a “zone of indistinction” in which the spatial concepts of inside and outside interpenetrate. As exception is normalized, the logic of “the camp” (in Agamben’s sense) tends to become a dispositif. Exceptional routines are being exercised in this border region both to (re)construct the figure of the “Kurd” as a ci

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Bilgen, Ayhan. "The new constitution and the paradox of Kurdish problem." Dialectical Anthropology 37, no. 1 (2013): 165–69. http://dx.doi.org/10.1007/s10624-013-9298-x.

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Günay, Onur. "In War and Peace: Shifting Narratives of Violence in Kurdish Istanbul." American Anthropologist 121, no. 3 (2019): 554–67. http://dx.doi.org/10.1111/aman.13244.

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Alghassi, Hedayat, Sohrab Ferdowsi, Roozbeh Alghassi, and Babak Khademi. "Time series analysis of the Kurdish long necked lute, tanbour." Journal of the Acoustical Society of America 122, no. 5 (2007): 3055. http://dx.doi.org/10.1121/1.2942892.

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Alghassi, Hedayat, Sohrab Ferdowsi, Roozbeh Alghassi, and Babak Khademi. "Experimental modal study of the Kurdish long necked lute, Tanbour." Journal of the Acoustical Society of America 124, no. 4 (2008): 2511. http://dx.doi.org/10.1121/1.4782909.

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Kaplan, Ellen Wendy. "Refuge and Resistance: Theater with Kurds and Yezidi Survivors of ISIS." Humanities 11, no. 5 (2022): 111. http://dx.doi.org/10.3390/h11050111.

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This essay looks at ongoing efforts to revitalize arts and culture among the Yezidi and broader Iraqi Kurdish communities. The Yezidi are survivors of the 2014 genocide perpetrated by the Islamic State (ISIS, also known by its Arabic acronym Da’esh) which resulted in mass killing, captivity and expulsion from their ancestral homeland of Mt. Sinjar in northern Iraq. They are part of the Kurdish people, who have engaged in centuries of struggle to protect their cultural and political identity, establish autonomy and ensure their security in the broader Middle East. After a brief overview of the

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Tambar, Kabir. "Brotherhood in Dispossession: State Violence and the Ethics of Expectation in Turkey." Cultural Anthropology 31, no. 1 (2015): 30–55. http://dx.doi.org/10.14506/ca31.1.03.

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The category of minority has been constitutive of the concept of the people in Turkey, distilling those who do not belong to the history and destiny of the nation from those who do. Minority, in this sense, is not simply a demographic classification, nor merely a matter of legal recognition. It carries the weight of a historical judgment, which scaffolds political community by delineating which populations, languages, and religions remain beyond the framework of collective obligation and responsibility. This essay examines comments delivered by a pro-Kurdish political party and a largely Kurdi

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KLEIN, JANET. "Kurdish nationalists and non-nationalist Kurdists: rethinking minority nationalism and the dissolution of the Ottoman Empire, 1908?1909." Nations and Nationalism 13, no. 1 (2007): 135–53. http://dx.doi.org/10.1111/j.1469-8129.2007.00281.x.

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Schäfers, Marlene. "Projecting a Body Politic: Photographs, Time, and Immortality in the Kurdish Movement." Anthropological Quarterly 96, no. 2 (2023): 307–33. http://dx.doi.org/10.1353/anq.2023.a900188.

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Poortinga, Ype H., Netty H. Schoots, and Jan M. H. van de Koppel. "The Understanding of Chinese and Kurdish Emblematic Gestures by Dutch Subjects." International Journal of Psychology 28, no. 1 (1993): 31–44. http://dx.doi.org/10.1080/00207599308246916.

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Al-Ali, Nadje, and Latif Tas. "Reconsidering nationalism and feminism: the Kurdish political movement in Turkey." Nations and Nationalism 24, no. 2 (2018): 453–73. http://dx.doi.org/10.1111/nana.12383.

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Obeid, Arkhawan Mohammed. "The Beloved in the Vision of the Artist and the Poet Nali and Picaso as Examples." JOURNAL OF LANGUAGE STUDIES 4, no. 4 (2023): 401–19. http://dx.doi.org/10.25130/jls.4.4.21.

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The beloved in the vision of the Artist and Poet( Nali and Picasso as example) a critical analytical research of fine art and poem. This research uses Nail’s pome which he wrote for his beloved Habibia and two of Picasso’s pictures which he painted for his beloved ones. The research is divided into two main titles. The first one is the beauty of woman as motivation of art in which discussed in some philosophical questions. In the second one depending on the psychobiology ( Fitz ) some of the receiver’s questions has been answered along with analyzing how to unlock digital and analog codes for

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Kök Arslan, Havva, and Fırat Çapan. "Overcoming the Cycle of Violence in the Kurdish Problem and the Resolution Process." Bilig, Journal of Social Sciences in Turkish World 67 (October 29, 2013): 25–48. http://dx.doi.org/10.12995/bilig.2013.6702.

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