Academic literature on the topic 'Kurt Absurd (Philosophy) in literature'

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Journal articles on the topic "Kurt Absurd (Philosophy) in literature"

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Eidinow, J. S. C. "‘Purpureo bibet ore nectar’: a reconsideration." Classical Quarterly 50, no. 2 (2000): 463–71. http://dx.doi.org/10.1093/cq/50.2.463.

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‘To attempt to say anything new about Horace may seem absurd.’ To attempt to say anything new about the Roman Odes may seem still more absurd; my purpose, nevertheless, is to reconsider the lines ofCarm. 3.3 set out above, and to reinterpret an argument begun by the editor of the Delphin Horace (1691) in which the authority of Bentley is against me. My question is: what does Horace mean the reader to understand by describing Augustus as drinking nectar ‘purpureo ore’?
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Rybińska, Krystyna. "The Absurd as a Representation: Towards a Hermeneutics of the Inexplicable (The Problematic Case of Godot)." Studia Anglica Posnaniensia 51, no. 4 (2016): 67–86. http://dx.doi.org/10.1515/stap-2016-0020.

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Abstract This article attempts to re-signify the already extensively discussed conception of the absurd attributed to the aesthetic phenomenon presented by the so-called theatre of the absurd by critically reconsidering its paradigmatic work Waiting for Godot in relation to philosophical hermeneutics (Heidegger, Gadamer, Ricoeur). The fact that Beckett’s artistic method invalidates the transparency of the mirror-like relation between reality and art is known, and yet the potential theoretical consequences of such a literary revolution do not seem to have been exhausted - particularly in respec
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Скаковская, Людмила Николаевна. "SPECIFICS OF REALIZATION OF THE CATEGORY «THE ABSURD» IN CONTEMPORARY RUSSIAN LITERATURE." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 74–78. http://dx.doi.org/10.26456/vtfilol/2021.1.074.

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Целью обзорной статьи является анализ специфики экспликаций феномена абсурда в современной отечественной литературе. Научная новизна обусловлена экспериментальным характером абсурдистики и сквозным значением феномена абсурда для литературы и культуры в целом и состоит в исследовательском использовании потенциала разноплановой коммуникации внутри многообразия гуманитарных наук (философия, история, психология). Полученные результаты показали целесообразность понимания функционирования абсурда в русской литературе как транзитивного феномена, трактуемого как всякий выход за пределы логики и обратн
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Brill, Skott. "Does It Matter that Nothing We Do Will Matter in a Million Years?" Dialogue 46, no. 1 (2007): 3–25. http://dx.doi.org/10.1017/s0012217300001530.

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ABSTRACTPeople have inferred that our lives are absurd from the supposed fact that nothing we do will matter in a million years. In this article, I critically discuss this argument for absurdity. After explaining how two refutations in the literature fail to undermine the best version of the argument, I produce several considerations that together do take much of the force out of the argument. I conclude by suggesting that these considerations not only refute this argument for absurdity, but also constitute a motivation to be moral.
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Gordon, Mordechai. "Camus, Nietzsche, and the Absurd: Rebellion and Scorn versus Humor and Laughter." Philosophy and Literature 39, no. 2 (2015): 364–78. http://dx.doi.org/10.1353/phl.2015.0045.

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West, Stephanie. "Horace, Epistles 1.2.42–3." Classical Quarterly 40, no. 1 (1990): 280. http://dx.doi.org/10.1017/s0009838800027026.

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‘One of Horace's fables remembered or invented. It is not found elsewhere’ (E. C. Wickham). Not elsewhere in classical literature, certainly. But a story illustrating precisely this absurd ignorance of the natural world is attested later, in circumstances which make it highly unlikely that it derives from Horace's brief reference, and I think we may safely assume that he did not invent the tale.
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Hollis, A. S. "Two adynata in Horace, Epode 16." Classical Quarterly 48, no. 1 (1998): 311–13. http://dx.doi.org/10.1093/cq/48.1.311.

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Horace had good reason to know these lines (quoted by Diodorus Siculus 8.21) since they come from the foundation oracle of one of his favourite places, Tarentum, delivered to the founder Phalanthus whom Horace mentions in Odes 2.6.11–12, ‘regnata petam Laconi | rura Phalantho’. It is a regular feature of such oracles that, however absurd and impossible they may seem, they will be fulfilled in a quite unexpected way.
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Gerland, Oliver, and Bruce G. Shapiro. "Divine Madness and the Absurd Paradox: Ibsen's Peer Gynt and the Philosophy of Kierke-Gaard." Theatre Journal 44, no. 4 (1992): 561. http://dx.doi.org/10.2307/3208799.

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Mitzner, Piotr. "Russian Studies in Żoliborz." Tekstualia 4, no. 59 (2019): 135–39. http://dx.doi.org/10.5604/01.3001.0013.6440.

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This is a lecture by Wiktor Woroszylski on the Russian avant-garde group OBERIU that functioned in the Soviet Union in the years 1926–1930. The lecture was given in 1979 as part of the independent Scientific Courses Society. OBERIU was a group of poets and playwrights whose works represented a variety of surrealism and anticipated the literature/theater of the absurd. Their inspiration, however, was not philosophy, but the Soviet reality itself and the tradition of the grotesque in Russian literature. The works of most of the OBERIU writers did not appear until long after their deaths.
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Woroszylski, Wiktor. "Lecture on OBERIU." Tekstualia 4, no. 59 (2019): 140–60. http://dx.doi.org/10.5604/01.3001.0013.6441.

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This is a lecture by Wiktor Woroszylski on the Russian avant-garde group OBERIU that functioned in the Soviet Union in the years 1926–1930. The lecture was given in 1979 as part of the independent Scientific Courses Society. OBERIU was a group of poets and playwrights whose works represented a variety of surrealism and anticipated the literature/theater of the absurd. Their inspiration, however, was not philosophy, but the Soviet reality itself and the tradition of the grotesque in Russian literature. The works of most of the OBERIU writers did not appear until long after their deaths.
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Dissertations / Theses on the topic "Kurt Absurd (Philosophy) in literature"

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Keegan, Diana Morna Gerrard Dickson. "A study of Camus' notion of the absurd and its mythology in "Catch-22" and "Slaughterhouse-Five"." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 139 p, 2008. http://proquest.umi.com/pqdweb?did=1460433511&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Hodges, Steven. "The digital absurd." Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/33950.

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I believe that the concept of the absurd, as described in philosophy and reflected in works of drama and literature, provides an unusual and helpful perspective from which to view the emerging field of digital media. In my opinion, absurd principles can help us understand the mixed feelings we may have when engaging with digital media: joy and frustration, play and despair, significance and nonsense. I intend to explore the concept of the absurd through a handful of authors and works, including the philosophy of Camus and the literature and drama of Pinter, Beckett, Roussel, and the Oulipo. I
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Van, der Colff Margaretha Aletta Adams Douglas. "Douglas Adams : analysing the absurd." Pretoria : [s.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-08212008-183816.

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Grayson, Erik. "Towards a postmodern absurd : the fiction of Joseph Heller." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19693.

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This thesis examines the entirety of Joseph Heller's career as a novelist and explores the various existential themes uniting a seemingly diverse body of work. Considering Heller's relationship to the philosophy of Albert Camus and Jean-Paul Sartre, "Towards a Postmodern Absurd: The Fiction of Joseph Heller" suggests that the novelist promotes the same existentially authentic lifestyle of revolt originally articulated by the French existentialists. Refuting the critical assessment of Heller's fiction as formless, this thesis argues that Heller deliberately structures his fiction around the con
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Rethore, Florent Philippe. "The evolution of the role of humanism in the combat against the absurd, from futility to essential: 1938-1945." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1555177391619455.

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Daunais, Isabelle. "L'absurde comme élément comique dans les contes d'Alphonse Allais." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63958.

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Cheshire, Adam W. "At the edge of being absurdity and instability in the works of Franz Kafka and Harold Pinter /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/cheshirea/adamcheshire.pdf.

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Ward, Joseph J. "The Accidental Practitioner: Principles of Rational Emotive Behavior Therapy in the Works of Kurt Vonnegut." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1802.

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Just as psychology and philosophy have influenced the field of literary studies, literature provides insight about the theories and practices of its sister disciplines. The purpose of this thesis is to demonstrate how literary works of Kurt Vonnegut illuminate principles of the influential branch of psychotherapy known as Rational Emotive Behavior Therapy (REBT). This thesis traces the similar philosophies and shared beliefs of Vonnegut and REBT's founder, Albert Ellis, and details how Ellis's REBT is illustrated in selected works of Vonnegut, specifically, Slaughterhouse-Five, Breakfast of Ch
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Clark, Fiona R. "Suburban/absurd : subjects of anxiety in the fiction of John Cheever and Richard Ford : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature /." ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1076.

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Poulin, Marguerite. "Le discours mystificateur chez Alphonse Allais /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74299.

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Through the use of the texts published from 1893 to 1903 by Alphonse Allais, we analyse what we call the mystifying discourse, in other words the power of fiction. We show how the author succeeds to deceive the reader. We emphasize the artificial aspects of the language and the style used by Allais to make fun of his readers. This technical study of the writing of Allais allows us to compare with other kinds of works, notably the dreamlike images and the vaudeville.<br>We study therefore the tricks and the traps of the language employed by Allais with the aim of laughing at our expectations. F
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Books on the topic "Kurt Absurd (Philosophy) in literature"

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Kurs na khudshee--absurd kak kategorii͡a︡ teksta u Daniila Kharmsa i Sėmi͡u︡ėli͡a︡ Bekketa. Novoe literaturnoe obozrenie, 2002.

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Bushueva, Marii͡a Stepanovna. "Zhenitʹba" N. Gogoli͡a i absurd. "Gitis", 1998.

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Novikova, V. I︠U︡. Semantika absurda. Kubanskiĭ gos. universitet, 2005.

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Brunssen, Frank. Das Absurde in Günter Grass' Literatur der achtziger Jahre. Königshausen & Neumann, 1997.

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Mairhofer, Elisabeth. Hang und Verhängnis: Der Gegensatz der beiden Thesen in Camus' Früh- und Spätphilosophie. Verlag des Instituts für Sprachwissenschaft der Universität Innsbruck, 1990.

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Chernorit͡skai͡a, O. Poėtika absurda. [s.n.], 2001.

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Khalfani, Salem. Ähnlichkeiten des Absurden: Kafkas "Schloss" und Becketts "Warten auf Godot". Tectum, 2003.

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Lier, Peter van. Van absurdisme tot mystiek: Een metafysica vanuit Nietzsche, van Beckett tot Heidegger. DAMON, 1994.

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Pitoresc și absurd în dramaturgia lui Eugène Ionesco. Casa Cărții de Știință, 2011.

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Absurdopedii︠a︡ russkoĭ zhizni Vladimira Sorokina: Zaumʹ, grotesk i absurd. Aleteĭi︠a︡, 2012.

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