Academic literature on the topic 'Kutb Minar (India, Delhi)'

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Journal articles on the topic "Kutb Minar (India, Delhi)"

1

Shepetyak, Oleh Myhailovych. "Religious tolerance as a condition for the prosperity of a multi-religious state: a historical example of India of the Great Mogul era." Religious Freedom 1, no. 19 (August 30, 2016): 54–57. http://dx.doi.org/10.32420/rs.2016.19.1.923.

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In 1175, Gaz Sultan Muhammad Guri conquered India, starting a new era in its history. In 1206, Muhammad Guri died, and his commander, Kutb ud-Din, declared himself ruler of Delhi, establishing the Delhi Sultanate, which lasted 320 years and which changed the five dynasties.
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Sangondimath, Gururaj. "Qutub Minar of New Delhi, India, at Twilight." Spine 36, no. 22 (October 2011): i. http://dx.doi.org/10.1097/brs.0b013e318239664f.

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Khan, Sonia Nasir, and Muhammad Ahsan Bilal. "The Architecture plan of Qutb Complex (Delhi) and its Decoration Analysis." PERENNIAL JOURNAL OF HISTORY 1, no. 1 (June 30, 2020): 49–68. http://dx.doi.org/10.52700/pjh.v1i1.21.

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The Qutb complex in Delhi contains the array of early Sultanate Period Muslim monuments that demonstrate the earliest artwork development stage of Muslim monuments from 12 to 13th century especially the architecture style and the stone carving patterns that exists in the monuments of this complex like in masjid Quwat-ul Islam (1191 A.D), Qutab Minar (1202 A.D), Illttutmish Tomb (1235 A.D), Alai Darwaza (1311 A.D). These splendid monuments have a new architectural style in India. Their beautiful carvings in red sandstone and marble that includes the patterns of arabesque style along with Kufic and Naskh calligraphy, the delicate floral and geometric patterns along with some Hindu motifs that depicts the earliest amalgamation of Hindu and Islamic architecture within the subcontinent. This paper not only aim to explore the architectural plan of this Qutb complex under different monarchs but also the decoration of this Qutb complex, its analysis and the aesthetic changes of design after the amalgamation of two different cultures. This complex is famous not only for its architecture but also for varieties of decorative arts. This paper also attempts to discover not only aesthetics but also the traditional and regional logic for using these motifs. This explorative study is from available historical data and literature. In the end concludes that the amalgamated motifs of decoration was excellent experiment and first addition in the design vocabulary of Indo-Muslim art and architecture. These designs provide serenity and majestic feelings to these monuments and in whole to Qutb complex.
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Books on the topic "Kutb Minar (India, Delhi)"

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Munshi, Rustamji Nasarvanji. The history of the Kutb Minar (Delhi): Being an inquiry into its origin, its authorship, its appellation, and the motives that led to its erection from the testimony of the Mohmedan chroniclers and the inscriptions on the Minar. New Delhi: Asian Educational Services, 2000.

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Godse, Gopal Vinayak. Qutub Minar is Vishnu dhwaja: The lotus based Vishnudhwaja on the base of vastushastra : a scientific survey. Delhi: Surya Bharti Prakashan, 1997.

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3

Shastri, Udayavira. Maharaulī kā ādityamandiram (dhruvastambhaḥ) banāma--Kutba Mīnāra. Deharādūna: Biśana Siṃha Mahendra Pāla Siṃha, 1989.

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1887-, Page J. A., Sharma Y. D. 1916-, and Archaeological Survey of India, eds. Qutab Minar & adjoining monuments. New Delhi: Archaeological Survey of India, 2002.

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5

Qutb Minar and Its Monuments (Monumental Legacy). Oxford University Press, USA, 2006.

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6

Balasubramaniam, R. World Heritage Complex of Qutub. Aryan Books International, 2007.

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Delhi's Qutb Complex: The minar, mosque and Mehrauli. 2017.

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8

Lahiri, Nayanjot. Archaeology and the Public Purpose. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190130480.001.0001.

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This book interleaves the history of post-Independence archaeology in India with the life and times of Madhukar Narhar Deshpande (1920–2008), a leading Indian archaeologist who went on to become the director-general of the Archaeological Survey of India. Spanning nearly a century, this is a tale about the circumstances which brought men like Deshpande to this career path; what it was like to grow up in a family devoted to India’s freedom; the watershed moment that created a large cohort that was trained by Mortimer Wheeler, the doyen of British archaeology who headed the Archaeological Survey in the twilight years of the British Raj; the unknown conservation stories around the Gol Gumbad in Bijapur and the Qutb Minar in Delhi; the forgotten story of how the fabric of a historic Hindu shrine, the Badrinath temple, was saved; the chemistry shared by the prime minister, Jawaharlal Nehru, and the archaeologist, Deshpande at historic cave shrines like Ajanta and Ellora, and; the political and administrative challenges faced by director generals of archaeology. The story is told through a main character—Deshpande himself—some of whose writings have been included here. Equally, there are others who figure in the narrative as it reconstructs and recounts the story of Indian archaeology after 1947 through those lives as also through the institutional history of the Archaeological Survey and the processes that were central to the discoveries it made and the challenges it faced.
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Book chapters on the topic "Kutb Minar (India, Delhi)"

1

Lahiri, Nayanjot. "Problems of Conservation of Cultural Property in India." In Archaeology and the Public Purpose, 245–54. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190130480.003.0018.

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This writing describes the problems of conservation of historic architecture in India, from rock-cut monuments in western India to the Qutab Minar in Delhi. Apart from case studies, there are important suggestions made about creating institutional mechanisms for ensuring better conservation of cultural property in India.
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