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Journal articles on the topic 'Kuti'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Pincock, Stephen. "Bekololari Ransome-Kuti." Lancet 367, no. 9513 (2006): 810. http://dx.doi.org/10.1016/s0140-6736(06)68325-6.

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2

Raufu, A. "Olikoye Ransome-Kuti." BMJ 326, no. 7403 (2003): 1400. http://dx.doi.org/10.1136/bmj.326.7403.1400.

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3

Olukoya, Peju, and Jane Ferguson. "Olikoye Ransome-Kuti." Lancet 362, no. 9378 (2003): 175. http://dx.doi.org/10.1016/s0140-6736(03)13884-6.

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4

Edozien, L. "Bekololari ("Beko") Ransome-Kuti." BMJ 333, no. 7565 (2006): 450. http://dx.doi.org/10.1136/bmj.333.7565.450-d.

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5

Fadipe, Israel A. "Skin bleaching and women sexualisation: a discourse analysis of Fela Kuti’s Yellow Fever and Ayinla Omowura’s Oro Kan Je Mi Logun." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (2020): 216–35. http://dx.doi.org/10.4314/ejotmas.v7i1-2.14.

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Male music artistes have been observed to sexualise women in their songs, especially when commenting on societal problems. Employing van Dijk’s Socio-Cognitive Approach of Critical Discourse Analysis (CDA), this paper examined skin bleaching and women sexualisation in the lyrics of Fela Anikulapo-Kuti (Fela Kuti) and Ayinla Omowura. Both songs: Yellow Fever by the latter and Oro kan je mi logun (a matter concerns me) by the former were purposively selected based on popularity and thematic preoccupation, and analysed using linguistic and argumentative strategies. Findings showed persistent sexu

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6

Sithole, Tendayi. "Fela Kuti and the oppositional lyrical power." Muziki 9, no. 1 (2012): 1–12. http://dx.doi.org/10.1080/18125980.2012.737101.

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7

Langley, Meghan. "PEACE PROFILE: Fela Kuti, An “African Man Original”." Peace Review 22, no. 2 (2010): 199–204. http://dx.doi.org/10.1080/10402651003751511.

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8

Hendrickse, R. G. "A tribute to the Honorable Professor Olikoye Ransome-Kuti." Annals of Tropical Paediatrics 23, no. 3 (2003): 157–58. http://dx.doi.org/10.1179/027249303322296457.

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9

Grass, Randall F. "Fela Anikulapo-Kuti: The Art of an Afrobeat Rebel." Drama Review: TDR 30, no. 1 (1986): 131. http://dx.doi.org/10.2307/1145717.

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10

Byfield, Judith A. "Gender, Justice, and the Environment: Connecting the Dots." African Studies Review 55, no. 1 (2012): 1–12. http://dx.doi.org/10.1353/arw.2012.0017.

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In this paper I attempt to connect several dots, specifically my research on African women's activism, environmental justice, and climate change. The book on which I am currently working is tentatively entided “‘The Great Upheaval’: Women, Taxes and Nationalist Politics in Abeokuta (Nigeria), 1945–1951.” The study examines the struggles of Nigerian women to shape the nationalist agenda and their setbacks as the country moved decisively toward independence. At its core lies an analysis of a tax revolt launched by women in Abeokuta in 1947. The Abeokuta Women's Union (AWU), under the leadership

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11

Kuti, Joseph. "Tribulations of trials for antibacterial drugs: interview with Joseph Kuti." Clinical Investigation 1, no. 7 (2011): 921–24. http://dx.doi.org/10.4155/cli.11.77.

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12

Geiger, Susan, Cheryl Johnson-Odim, and Nina Emma Mba. "For Women and the Nation: Funmilayo Ransome-Kuti of Nigeria." American Historical Review 104, no. 1 (1999): 294. http://dx.doi.org/10.2307/2650358.

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13

Okeke, C. "BLACK PRESIDENT: THE ART AND LEGACY OF FELA ANIKULAPO-KUTI." Nka Journal of Contemporary African Art 2004, no. 19 (2004): 90. http://dx.doi.org/10.1215/10757163-19-1-90.

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14

Duperré, Gustavo Norberto. "Cosmovisión andina: retrospectiva y proyecciones para el Siglo XXI." SOCIAL REVIEW. International Social Sciences Review / Revista Internacional de Ciencias Sociales 10, no. 1 (2021): 71–81. http://dx.doi.org/10.37467/gka-revsocial.v10.2860.

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La narración de las representaciones y de las prácticas que los aymaras enumeran sobre las realidades del mundo, se contraponen a las estructuras existenciales de las sociedades contemporáneas, trastocadas por una serie de emergentes complejos en el orden político, económico, social y cultural. Sin embargo, y respecto a las nociones espaciotemporales, prevalecen analogías entre el concepto de paradigma científico y la idea del ‘mundo al revés’ o ‘pacha kuti’.

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15

Olaniyan, Tejumola. "The Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity." Research in African Literatures 32, no. 2 (2001): 76–89. http://dx.doi.org/10.2979/ral.2001.32.2.76.

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16

Mtimuni, J. P., M. W. Mfitilodze, and L. R. McDowell. "Interrelationships of minerals in soil‐plant‐animal system at Kuti Ranch, Malawi." Communications in Soil Science and Plant Analysis 21, no. 5-6 (1990): 415–27. http://dx.doi.org/10.1080/00103629009368242.

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17

Olaniyan, Tejumola. "The Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity." Research in African Literatures 32, no. 2 (2001): 76–89. http://dx.doi.org/10.1353/ral.2001.0059.

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18

Stewart, Alexander. "Make It Funky: Fela Kuti, James Brown and the Invention of Afrobeat." American Studies 52, no. 4 (2013): 99–118. http://dx.doi.org/10.1353/ams.2013.0124.

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19

Čičak-Chand, Ružica. "Simona Kuti, Saša Božić, Transnacionalni socijalni prostori: migrantske veze preko granica Hrvatske." Migracijske i etničke teme / Migration and Ethnic Themes 32, no. 2 (2016): 271–75. http://dx.doi.org/10.11567/met.32.2.5.

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20

Lovejoy, Paul, and Dennis D. Cordell. "Dar Al-Kuti and the Last Years of the Trans-Atlantic Slave Trade." African Economic History, no. 14 (1985): 234. http://dx.doi.org/10.2307/3601124.

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21

Gomez, Michael, and Dennis D. Cordell. "Dar al-Kuti and the Last Years of the Trans-Saharan Slave Trade." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 21, no. 1 (1987): 103. http://dx.doi.org/10.2307/485099.

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22

Kapteijns, Lidwien, and Dennis D. Cordell. "Dar al-Kuti and the Last Years of the Trans-Saharan Slave Trade." International Journal of African Historical Studies 20, no. 1 (1987): 163. http://dx.doi.org/10.2307/219319.

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23

Adu and Funmilayo Modupe. "RE- INVENTING FELA ANIKULAPO KUTI: RADICAL MUSICOLOGY AND POLITICAL EXPRESSIONISM, A DIALECTICAL INTERROGATION." International Journal of Research In Commerce and Management Studies 02, no. 02 (2020): 68–79. http://dx.doi.org/10.38193/ijrcms.2020.2026.

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24

JOHNSON, MARION. "Dar al-Kuti and the last years of the Trans-Saharan Slave Trade." African Affairs 85, no. 340 (1986): 470. http://dx.doi.org/10.1093/oxfordjournals.afraf.a097807.

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25

Keim, Curtis A., and Dennis D. Cordell. "Dar al-Kuti and the Last Years of the Trans-Saharan Slave Trade." American Historical Review 91, no. 5 (1986): 1248. http://dx.doi.org/10.2307/1864504.

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26

Bamigboye, Omolade. "Who Are You Re? The Pragmatic Implication of Fela Kuti's Question." JOURNAL OF ADVANCES IN LINGUISTICS 4, no. 2 (2014): 370–75. http://dx.doi.org/10.24297/jal.v4i2.2136.

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The paper adopts a pragmatic approach to the understanding of a question posed by the late Fela Anilulapo-Kuti in one of his evergreen musical compositions. The underlying meaning of a borrowed word in the expression is systematically investigated with a view to determining its actual purpose and comprehension with respect to the peculiar Nigerian linguistic environment. The finding is that the word conveys an underlying meaning sensitive only to its contextual occurrence. The paper concludes that more attention be paid to the infusion of foreign words in the contextual use of language.

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27

Respaud, Rodolphe. "La figure et le concret. Fela Anikulapo Kuti et le secteur informel en Afrique." Lignes 16, no. 1 (2005): 49. http://dx.doi.org/10.3917/lignes.016.0049.

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28

Olukayode Segun, Eesuola, and Victor Ojakorotu. "Indigenised popular songs for oppositional political communication : Fela Kuti and Miriam Makeba in perspectives." African Renaissance 16, no. 1 (2019): 233–51. http://dx.doi.org/10.31920/2516-5305/2019/v16n1a12.

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29

Onyebadi, Uche. "Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy." Humanities 7, no. 4 (2018): 129. http://dx.doi.org/10.3390/h7040129.

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Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was

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30

Byfield, Judith A. "In Her Own Words: Funmilayo Ransome-Kuti and the Auto/biography of an Archive." Palimpsest: A Journal on Women, Gender, and the Black International 5, no. 2 (2016): 107–27. http://dx.doi.org/10.1353/pal.2016.0016.

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31

Miller, Judith G., and Rachel M. Watson. "Playing with Arts and Identity in Koffi Kwahulé’s Recent Theatre: Basquiat and Fela Kuti." Horizons/Théâtre, no. 14 (June 1, 2021): 108–24. http://dx.doi.org/10.4000/ht.1638.

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32

Johnson-Odim, Cheryl. "‘For their freedoms’: The anti-imperialist and international feminist activity of Funmilayo Ransome-Kuti of Nigeria." Women's Studies International Forum 32, no. 1 (2009): 51–59. http://dx.doi.org/10.1016/j.wsif.2009.01.004.

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33

Royster, Francesca T. "Fela!: Fela Kuti, Bill T. Jones, and the Marketing of Black Masculine Excess on Broadway." Biography 34, no. 3 (2011): 492–517. http://dx.doi.org/10.1353/bio.2011.0049.

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34

Sari, Denda Puspita. "MODALITAS DEONTIK DIALEK KUTO-KUTE BAHASA SASAK DAN HUBUNGANNYA DENGAN PENGAJARAN BAHASA INDONESIA DI SMP." MABASAN 9, no. 2 (2019): 78–86. http://dx.doi.org/10.26499/mab.v9i2.160.

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Salahsatu bahasa lokal yang ditemukan di Nusantara adalah bahasa Sasak. Bahasa Sasak salah satu bagian dari budaya nasional seperti bahasa lokal lainnya, perlu dilestarikan, dipelihara dan dikembangkan perannya tidak hanya sebagai bagian media komunikasi tetapi dapat juga menjadi sumber pengajaran bahasa lokal sebagai kekayaan nasional yang beragam. Berdasarkan pada masalah di atas, masalah dalam penelitian ini adalah: (1) Bagaimanakah bentuk modal deontik dialek Kuto-kute bahasa Sasak? (2) Bagaimanakah bentuk makna modal deontik dalam dialek Kuto-kute bahasa Sasak? (3) Bagaimanakah hubungan a

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35

BROWER, RICHARD C., CHUNG-I. TAN, and ETHAN THOMPSON. "PROBING THE 5TH DIMENSION WITH THE QCD STRING." International Journal of Modern Physics A 20, no. 19 (2005): 4508–17. http://dx.doi.org/10.1142/s0217751x05028144.

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A salient feature of String/Gauge duality is an extra 5th dimension. Here we study the effect of confining deformations of AdS5 and compute the spectrum of a string stretched between infinitely massive quarks and compare it with the quantum states of the QCD flux as determined by Kuti, Juge and Morningstar in lattice simulations. In the long flux tube limit the AdS string probes the metric near the IR cutoff of the 5th dimension with a spectrum approximated by a Nambu-Goto string in 4-d flat space, whereas at short distance the string moves to the UV region with a discrete spectrum for pure Ad

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36

Oliveira, Kyoma. "O PAPEL DAS MANIFESTAÇÕES ARTÍSTICAS CONTRA-HEGEMÔNICAS NA DESCONTRUÇÃO DO DISCURSO COLONIAL." Revista Lusófona de Estudos Culturais 2, no. 1 (2014): 84–101. http://dx.doi.org/10.21814/rlec.57.

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Os meios de expressão artística de maneira geral são considerados como caminho para se entrar na disputa por significação na conteporaneidade. Nesse artigo serão trabalhadas as produções musicais nas sociedades pós-coloniais, de que maneira a disputa pelo lugar de fala se dá, como os pressupostos estéticos se formam à luz das influências coloniais e qual o poder de capilaridade desses discursos proferidos de forma musicada. Para isso tomarei como exemplo a emergência do Reggae jamaicano na década de sessenta e a trajetória de seu maior representante Bob Marley; o reconhecimento internacional t

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37

Eesuola, Olukayode Segun. "Explaining Political Agitators: Socialization and Class in the Making of Gani Fawehinmi and Fela Anikulapo Kuti of Nigeria." UJAH: Unizik Journal of Arts and Humanities 17, no. 3 (2017): 1. http://dx.doi.org/10.4314/ujah.v17i3.1.

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38

Adams, Sarah. "Black President: The Art and Legacy of Fela Anikulapo-Kuti; This Is Lagos: Yabis Night, Music and Fela." African Arts 37, no. 1 (2004): 83–95. http://dx.doi.org/10.1162/afar.2004.37.1.83.

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39

Buró, Botond, József Lóki, Gábor Négyesi, and Tibor József Novák. "Megjegyzések Kalmár János – Kuti László – Kátai János – Figler renáta és füleky györgy: „Kovárványcsíkok képződése a Nyírség homoktalajában” című tanulmányához." Agrokémia és Talajtan 67, no. 2 (2018): 245–52. http://dx.doi.org/10.1556/0088.2018.00019.

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40

Ademosu, Ifedolapo. "ANALYSIS OF MUSIC TEXT: FELA KUTI’s LADY AND WIZKID’s JAIYE JAIYE." Caleb Journal of Social and Management Science 5, no. 1 (2020): 62–88. http://dx.doi.org/10.26772/cjsms2020050104.

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The study investigates music lyrics in the Afro beat[s] genre focused on women. Using the lyrics of two songs connected by influence and textual elements, the researcher analysed Fela Kuti’s Lady and Wizkid’s Jaiye Jaiye. The study found out that the lyrics represent social nomenclatures of the times they were written and utilized repetition and metaphor as major rhetorical devices. While in Fela’s song, the repeated phrases represented the neo-colonialism tendencies and mannerisms of the 70s, the nuances of Wizkid’s song focused on the desire for lavish and affluent lifestyle of young people

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41

Sarwadi, Gita, Mahsun Mahsun, and Burhanuddin Burhanuddin. "Lexical Variation of Sasak Kuto-Kute Dialect in North Lombok District." Jurnal KATA 3, no. 1 (2019): 155. http://dx.doi.org/10.22216/kata.v3i1.4142.

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<p>Despite Sasak community in five sub-districts of North Lombok uses the same dialect, namely kuto-Kute Dialect (BSDK), the people within those sub-districts demonstrate different lexicals to express the same meaning. The purpose of this study is to describe the lexicals variations in Kuto-Kute Dialect used by the community in North Lombok. This study used a descriptive-qualitative method. The data was taken by using observation and conversational method. Observation method was applied by observing the language used by communities within the observation spots in the village, while conve

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42

Gibbs, James. "Biography Into Autobiography: Wole Soyinka and the Relatives Who Inhabit ‘Ake’." Journal of Modern African Studies 26, no. 3 (1988): 517–48. http://dx.doi.org/10.1017/s0022278x00011757.

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In fact, What became Ake started out with me wanting to write a biography of an uncle, a very remarkable uncle of mine, who is mentioned here, Daodu, Rev Kuti. I think some of you have heard of Fela, the Nigerian musician. Daodu was his father and a very remarkable individual.Wole Soyinka in Jo Gulledge (ed.), ‘Seminar on Ake with Wole Soyinka’, in The Southern Review (Baton Rouge), 23, 3, July 1987, p. 513.The publication of Ake: the years of childhood (London, 1981) won Wole Soyinka admirers among those who had never read his poetry, novels, newspaper articles, or criticism, never seen his f

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43

Bicalho, Gustavo De Oliveira. ""Fela", de Carlos Moore: narrativas de um Abiku." Em Tese 20, no. 3 (2014): 25. http://dx.doi.org/10.17851/1982-0739.20.3.25-35.

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<p>Este artigo busca fazer um estudo do livro <em>Fela. Esta vida Puta</em>, assinado pelo etnólogo cubano Carlos Moore, tendo como foco as estratégias de elaboração de uma narrativa biográfica composta por várias vozes. A obra tem como base uma série de entrevistas realizadas por Moore entre 1981 e 1982, com Fela Kuti e outras figuras-chave de sua vida, as quais complementam ou questionam a voz do biografado. Nota-se que a montagem do texto toma alguns temas típicos das narrativas biográficas (predestinação, acontecimento traumático e epifanias) como princípio organizador da

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44

Folajimi, Pelumi. "The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube." Journal of the African Literature Association 10, no. 2 (2016): 189–208. http://dx.doi.org/10.1080/21674736.2016.1257487.

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45

Sukri, Muhammad. "[M<->N] Sebagai Afiks Derivasional Dan Infleksional Dalam Bahasa Sasak Dialek Kuto-Kute." RETORIKA: Jurnal Ilmu Bahasa 1, no. 1 (2017): 123. http://dx.doi.org/10.22225/jr.1.1.17.123-136.

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Bahasa Sasak Dialek Kuto-Kute (henceforth: BSDK) diangkat sebagai fokus kajian dalam artikel singkat ini karena keunikan yang dimiliki secara morfosintaksis. Salah satu keunikan tersebut adalah perubahan bentuk dasar suatu kata yang bisa terjadi dengan atau tanpa pelekatan afiks tertentu pada kata dasarnya. Bahasa tertentu hanya dapat mengalaminya dengan proses afiksasi, sementara sebagian bahasa yang lain hanya memungkinkan melalui derivasi zero, sedangkan bahasa sasak dialek Kuto-Kute, dimungkinkan melalui keduanya. Keunikan selanjutnya yang dimiliki oleh bahasa sasak dialek BSDK terletak pa

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46

Mulyatna, Lili, Hary Pradiko, and Diki Abdurahman. "EVALUASI KINERJA PROGRAM SANITASI BERBASIS MASYARAKAT (SANIMAS) DALAM SEKTOR AIR LIMBAH." Journal of Community Based Environmental Engineering and Management 1, no. 1 (2019): 10. http://dx.doi.org/10.23969/jcbeem.v1i1.1365.

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Penelitian ini bertujuan untuk mengevaluasi kinerja Program SANIMAS di Kabupaten Seluma dengan meninjau aspek teknis, pemanfaatan, keuangan, dan pengelolaan. Evaluasi dilakukan dengan cara pembobotan dan skoring. Pembobotan dan skoring dilakukan dengan menetapkan parameter evaluasi. Kemudian dinilai untuk masing-masing aspek sehingga didapat angka yang mewakili fasilitas sanitasi pada tiap lokasi. Hasil evaluasi menunjukkan bahwa untuk aspek teknis: sumber air tidak kontinu, kran air, bak air, lantai, dan pintu kamar mandi rusak; aspek pemanfaatan: 8 bangunan MCK+ dalam keadaan tidak terawat d

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47

Dagunduro, Adebukola, and Adebimpe Adenugba. "Failure to Meet up to Expectation: Examining Women’s Activist Groups in the Post-Colonial Period in Nigeria." Open Cultural Studies 4, no. 1 (2020): 23–35. http://dx.doi.org/10.1515/culture-2020-0003.

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AbstractWomen’s activism within various ethnic groups in Nigeria dates back to the pre-colonial era, with notable heroic leaders, like Moremi of Ife, Amina of Zaria, Emotan of Benin, Funmilayo Kuti, Margaret Ekpo and many others. The participation of Nigerian women in the Beijing Conference of 1995 led to a stronger voice for women in the political landscape. Several women’s rights groups have sprung up in the country over the years. Notable among them are the Federation of Nigerian Women’s Societies (FNWS), Women in Nigeria (WIN), Kudirat Initiative for Democracy (KIND) and Female in Nigeria

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48

Noah, Temitope Abisoye. "Religious and cultural syncretism in FELA!: reading the Broadway adaptation of the life of Fela Anikulapo Kuti through Bill T. Jones and Tejumola Olaniyan." Journal of African Cultural Studies 31, no. 1 (2018): 40–52. http://dx.doi.org/10.1080/13696815.2018.1453351.

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49

Kuti, C., L. L. Láng, and Z. Bedő. "Use of barcodes and digital balances for the identification and measurement of field trial data." Acta Agronomica Hungarica 52, no. 4 (2005): 409–19. http://dx.doi.org/10.1556/aagr.52.2004.4.10.

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The widespread use of digitally-controlled measuring and analytical devices and electronic data collectors, all equipped with microprocessors and linked to computers, has made it possible for on-line data collection to become a routine process. A rational combination of two up-to-date techniques, barcodes and digital balance terminals, linked to an average computer background (Kuti et al., 2003), has proved in practice to satisfy the criteria raised for the up-to-date processing of breeding data at low cost. This system is an example of how it is possible to reduce costs while processing data

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50

Bhusal, Jagat K. "Evolution of cartographic aggression by India: A study of Limpiadhura to Lipulek." Geographical Journal of Nepal 13 (March 19, 2020): 47–68. http://dx.doi.org/10.3126/gjn.v13i0.28151.

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Nepal is a sovereign country since its history and has never been colonized. In course of time, once a greater Nepal shrunk to present territory after its defeat in the Anglo-Nepal War (1814–15) and since the signing of the border treaty (Between the East India Company and the Raja of Nepal) which is known as the Sugauli Treaty of 1816. The defeat fixed the river Kali as the border in the west and the Mechi in the east on the hilly regions whereas there are border pillars (Jange Pillars) on the southern plains. The territorial issue between Nepal and India on the north-west border, especially

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