Relevant bibliographies by topics / Kyrgyz Small art works

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Kyrgyz Small art works'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Kyrgyz Small art works"

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Ormonova, Sabira. "THE HISTORY OF THE DEVELOPMENT OF THE GENRE OF SATIRE IN KYRGYZ LITERATURE." Alatoo Academic Studies 20, no. 4 (2020): 270–77. http://dx.doi.org/10.17015/aas.2020.204.32.

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This article examines the history of the origin of Kyrgyz satire, the beginning and the emergence of satire in oral folk art, and development trends of Kyrgyz satire during the Soviet period. The origins of the history of the birth of Kyrgyz satire lie in the inexhaustible folk oral creativity. Due to the fact that satire by its nature is closely related to mentality, everyday life of the people and focuses on the character, behavior of a person, its examples can be considered in the proverbs, fables, stories of Apendi, Zhaerenche Chechen, Akyl Karachach, stories of the people's humorists and
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Borbuchalova, Baktygul. "THE MAIN ELEMENTS OF FOLK SATIRE IN ORAL CREATIVITY." Alatoo Academic Studies 23, no. 3 (2023): 236–48. http://dx.doi.org/10.17015/aas.2023.233.25.

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Having a separate place in the public consciousness (according to the critical point of view), satirical or humorous artistic thinking, which manages to approach literary creativity from a different angle, acquires a specific form as a work of art, and the personal creativity of a poet or writer is of great importance. Of course, when a creative person expresses his attitude to funny events, he does not intend to write in only one genre, but at the same time he is engaged in a wide genre range in order to make the thought satirical or humorous, and tries to place his own content from it. Typin
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Maulet, A., and A. Toishanuly. "GENERAL FEATURES OF SOME FOLKLORE-MUSIC GENRES PRESERVED BY KAZAKHS ABROAD." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2024): 164–76. http://dx.doi.org/10.55808/1999-4214.2024-3.15.

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This study compares such musical and folklore genres as badyk-kulyapsan, tongue twisters, widespread among nomadic peoples of the Kazakh steppes, with some genres of such peoples as Kyrgyz, Uzbeks, Kumyks and Mongols. For example, the most ancient magic song (with musical accompaniment), found in folklore, is regionally spread only among Kazakh, Karakalpak, Kyrgyz, Uzbek, and Tajik peoples living in Central Asia. This song is not found only among related Turkic peoples, so the authors consider badik a genre form that emerged after the disintegration of the Turkic unification. The badik genre o
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Abdybaev, Kurmanbai. "WORKS OF ART OF THE ENESAI KYRGYZ." Известия Кыргызского государственного технического университета им. И. Раззакова, no. 3 (2022): 239–44. http://dx.doi.org/10.56634/16948335_2022_3_239.

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Kudaibergenova, Zeynep. "WOMEN’S PLACE IN ASSEMBLED WORKS OF K. MIFTKOV OF KYRGYZ NATIONAL TRADITIONS." Alatoo Academic Studies 22, no. 2 (2022): 296–302. http://dx.doi.org/10.17015/aas.2022.222.38.

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The article provides information about the collection of national traditions and rituals in the Kyrgyz folklore of K. Miftakov. K. Miftakov collected manuscripts from the Talas, Chui and Naryn valleys in 1923. In the Fund of Manuscripts of the Department of Social Sciences of the Academy of Sciences of the Kyrgyz SSR, he handed over materials on the topic “Games”, “Folk crafts”, “Folk rituals”, “Wedding, “Seeing the bride » and Kyrgyz costumes, food, crafts, entertainment, customs, rituals and religious beliefs. He submitted a 599-page manuscript titled "Kyrgyz Ethnography".Among the ethnograp
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Koichumanova, Gulzhan. "PHILOSOPHICAL IDEAS IN THE KYRGYZ POETS WORKS." Alatoo Academic Studies 2020, no. 3 (2020): 218–25. http://dx.doi.org/10.17015/aas.2020.203.25.

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This article is investigating philosophical ideas in the Kyrgyz poet’s works based on theoretical problems of modern philosophical poetry and mastering the centuries-old heritage of the Kyrgyz people. It is known that the philosophical values of Kyrgyz people were formed through ancient time’s folklore, epics, proverbs, and singers’ work taken as a source of philosophical poetry in the modern professional literature. Aims of this research were to consider philosophical lyricism in the Kyrgyz poetry as a complex and contradictory issue from ancient nomadic times to the present days; finding the
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Khalilova, T. "Integration Teaching the Kyrgyz Language in the Kyrgyz Literature." Bulletin of Science and Practice 5, no. 12 (2019): 442–49. http://dx.doi.org/10.33619/2414-2948/49/55.

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The article provides an example of the integration of antonyms, synonyms, homonyms in the Kyrgyz language. The novel The White Steamboat is analyzed. It has been established that many topics in Kyrgyz literature coincide with those of the Kyrgyz language and can be integrated. Any topic in the Kyrgyz language can be carried out by linking them to topics in Kyrgyz literature. If you teach students, comprehensively educating and guiding them into the future, through the integration of works of art, there will be an opportunity not only to interest students in learning, but also the possibility o
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Moldoshova, Gulmira. "KAYUM MIFTAKOV - IS THE FIRST FOUNDER OF KYRGYZ FOLKLORE." Alatoo Academic Studies 2021, no. 2 (2021): 222–29. http://dx.doi.org/10.17015/aas.2021.212.25.

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This article provides a short excursion to the first sources of Kyrgyz folklore to collect and discuss scientific facts related to oral folk art. Then a complete overview of the life and work of one of the first founders of Kyrgyz folklore Kayum Miftakov is given. Kayum Miftakov from early childhood was interested in and knew well the content of oral folk art of the peoples of Bashkiria and Tatarstan. Accordingly, at one time, Kayum Miftakov made records of oral folk art of the above peoples. From the age of 14 he worked as a hired shepherd for the Kazakhs, which led to the interest and study
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Кенжешев, К. "ETHNOPEDAGOGY AND ANALYSIS OF LITERARY WORKS IN SENIOR GRADES." Vestnik Bishkek state university af. K. Karasaev 2, no. 60 (2022): 26–30. http://dx.doi.org/10.35254/bhu/2022.60.26.

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This article examines the analysis of a literary work to address issues necessary for the development of a range of competencies in Kyrgyz literature in senior grade students. Its connection with ethno-pedagogy will be revealed during the analysis of the art work. What situations are taken into account when connecting the problem to Kyrgyz literary works depends on the content of the lesson. Competent analysis of literary works will increase the level of ethno-pedagogical education of students. Scientific and methodological development of the topics of Kyrgyz literature reveals to the students
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Zhamangulova, Nazira. "LIFE AND WORK OF ABDYKALYK CHOROBAEV." Alatoo Academic Studies 2020, no. 3 (2020): 238–44. http://dx.doi.org/10.17015/aas.2020.203.28.

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Abdykalyk Chorobaev is a great representative of the Kyrgyz poets of the older generation, an outstanding folklorist, Kyrgyz ethnologist, follower of Togolok Moldo, genealogist, Honored Worker of Culture of the Kyrgyz SSR, member of the Union of Writers of the USSR. The poet made a significant contribution to the development of Kyrgyz literature. He has his own writing style and his own creative theme, which makes him different from other poets. In the work of A. Chorobaev there are songs on the theme: Nostalgia for the homeland, longing, mourning, labor, love, falling in love, glorification o
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Dissertations / Theses on the topic "Kyrgyz Small art works"

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Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.

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Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepre
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Books on the topic "Kyrgyz Small art works"

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Bossan, Enrico. Worlds: Contemporary artists from Kyrgyzstan, Tajikistan and Turkmenistan. Antiga edizioni, 2016.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Gallery, Sligo Art. Íontas: Sixth small works art exhibition. Sligo Art Gallery, 1995.

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Gallery, Sligo Art. Íontas: Second small works art exhibition. Sligo Art Gallery, 1991.

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Gallery, Sligo Art. Íontas: Eigth small works art exhibition. Sligo Art Gallery, 1997.

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Romanow, Joanna Kleinberg. Small. Drawing Center, 2014.

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Tynaev, Zhanuzak. "Mu̇rgu̇bȯs talant izderi": Attuu : ȯzdu̇k kȯrgȯzmȯsu̇nu̇n katalogu. [publisher's name not identified], 2011.

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Íontas, (8th 1997 Sligo Ireland). Íontas eighth small works art exhibition, 1997. Sligo Art Gallery, 1997.

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Book chapters on the topic "Kyrgyz Small art works"

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Picchiami, Sabrina. "Outsiders, non per loro scelta. Esperienze artistiche nell’Ospedale neuropsichiatrico di Arezzo 1958-1978 | L’atelier." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.10.

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The atelier at Arezzo Neuropsychiatric Hospital transformed the artistic activity from a diagnostic tool to a recognized form of creative expression. Initiated in 1958 by Dr. Furio Martini and influenced by the cultural shifts of the 1950s and 60s, the atelier provided patients with a setting to express their experiences and emotions. Aftherwards the activities aimed even at offering therapeutic benefits and a small personal profit. To date, over 300 works by patients have been find, underscoring the therapeutic and social significance of art in psychiatric contexts.
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Mehl, Margaret. "11. The World in Sendai." In Music and the Making of Modern Japan. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.11.

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Chapter 11, ‘The World in Sendai’ investigates the types of ‘Western music’ that were actually performed in concerts in Sendai. This is the main theme of. Based on the programmes of local concerts between 1907 and 1921 published in the magazine Ongakukai (World of music), this chapter shows how local concerts, in which different groups came together to perform an eclectic repertoire to a mixed audience, helped transform the people of Sendai into members of a nation within a wider world of nations. The modern institution of the public concert represented a space where Japanese and foreigners me
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Philbrick, Ethan. "Introduction." In Group Works. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502690.003.0101.

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In the introduction, Philbrick sets up the conceptual and historical terrain of the book by offering three short essays on the group tuned to three different registers—group theory, group politics, and group art—before turning to archival traces of one visionary small group from the 1970s, the Combahee River Collective, and the resonance of their work in Cauleen Smith’s 2018 film Sojourner.
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Harold, James. "Wicked Artists." In Dangerous Art. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197519769.003.0004.

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This chapter takes up the problem of immoral artists, as well as related questions, like immoral production. When an artist commits great crimes, some are tempted to treat the art itself as though it were also tainted. The question is whether this is the right thing to do. This chapter argues that the question can be approached in two ways. First, the chapter considers the possibility that works by bad artists are in themselves morally bad. It argues that this view is plausible in only a small number of cases. Second, the chapter considers the possibility that communities around bad artists ar
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"Batya Brutin, Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank. Berlin: Walter de Gruyter; Jerusalem: The Hebrew University Magnes Press, 2020. xvi + 213 pp." In No Small Matter, edited by Anat Helman. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0025.

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This chapter reflects on Batya Brutin's Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank (2020). This volume documents the engagement of artistic creativity with the photographs of the boy with raised hands in the Warsaw ghetto (1943) and those of Anne Frank. In the six chapters detailing the various ways in which artists from different cultures and countries integrated these iconic figures into their oeuvre, Brutin acquaints the reader with dozens of artists who, at some point in their artistic development, opted to “express their thoughts, emotions and perceptions of the Holocaus
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Lipps, Jere H., Ajit Vartak, Ton Van Eijden, C. Rajshekhar, Sudha Vaddadi, and Rohit Vartak. "Paleontological postage stamps in art and education." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(25).

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ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most
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Cleempoel, Koenraad Van. "Representations of astrolabes in Western art." In Astrolabes At Greenwich. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198530695.003.0009.

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Abstract The relatively infrequent depiction of astrolabes in works of art seems disproportionately small in relation to the large amount of instruments that have survived and to the high number of contemporary treatises that discuss the astrolabe. In comparison, its three-dimensional counterparts – the armillary sphere, and the celestial and the terrestrial globe – have experienced wider acclaim from artists throughout the ages. The immediate ornamental and didactic appeal of these other instruments may be responsible for this trend. But also, in a broader sense, the image of the globe and th
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Rodowick, D. N. "The Force of Small Gestures." In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0012.

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In The Logic of Sensation, Gilles Deleuze describes sensation as a domain that lies beneath, over, or inside quotidian vision as if in another dimension of intensive qualitative experience masked by habitual perception. Sensation is also a way of grasping the immanence of philosophy to works of art. The logic of sensation is part and parcel of our world as lived; one might say that sensation is immanent to perceptual experience as force is immanent to matter. In Deleuze’s account of sensation, the plastic arts are less concerned with matter and figuration than they are with force and becoming.
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Fabrizi, Elisabetta. "From Exodus to Small Axe : Steve McQueen’s Filmic World of Two Halves." In ReFocus: The Films of Steve McQueen. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510936.003.0002.

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Traces how McQueen cemented his position in the art world early in his career and forged a springboard from which he could experiment with feature filmmaking. Analyses how creating the conditions for viewers to become aware of their own presence is at the core of McQueen’s oeuvre, in both his feature films and his gallery works.
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Tilmouth, Michael, David Kimbell, and Roger Savage. "Frederick Septimus Kelly Serenade For Flute And Small Orchestra, Op. 7." In The Classics of Music. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198162148.003.0015.

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Abstract Commander F. S. Kelly, DSC, RNVR, left but a small collection of compositions to represent him as a musician.1 Those who have known him, and watched the steady irresistible growth of his mastery of life, will always be convinced that music, which was his central means of expression, was an art in which he was sure to achieve something unique and complete. The two works produced on this occasion can do no more than indicate the beginnings of what was, in process of expression, restrained only because it was all comprehending. With him there was a time for everything. His duty towards m
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Conference papers on the topic "Kyrgyz Small art works"

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Исламова, Л. Я., and М. Я. Исламова. "SMALL GENRES OF ORAL FOLK ART INGUSH (PROVERBS, CHASES), AND ICY MOTIFS IN THE WORK OF SAIDA CHAKHKIEVA." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2024. https://doi.org/10.34775/a4131-3583-6462-u.

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Данная статья посвящена исследованию малых жанров устного народного творчества ингушей, а именно пословиц и поговорок, и анализа произведений Саида Чахкиева на основе их мотивов. В результате исследования выявлено, что не только фольклор, но и произведения автора, созданные на его основе, имеют поучающий, дидактический характер. This article is devoted to the study of small genres of Ingush oral folk art, as well as names and events, as well as the analysis of Saida Chakhkieva's works based on their motives. As a result of the research, it turned out that not only folklore, but also the works
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Некрасова, Т. И. "DEDICATED TO VERA MUKHINA MEDALS IN THE ART WORKS OF TEACHERS AND STUDENTS." In Вера Мухина — гордость России. К 135-летию со дня рождения выдающегося советского скульптора. Crossref, 2025. https://doi.org/10.54874/9785605245841.2024.01.07.

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Актуальность и популярность в современном искусстве произведений скульптуры малых форм, памятных знаков, изготовленных из металла, определяют обращение к этой теме преподавателей и студентов кафедры монументально-декоративной скульптуры. Отдавая дань уважения личности выдающегося советского скульптора Веры Игнатьевны Мухиной (1889– 1953), преподаватели и студенты СПГХПА им. А. Л. Штиглица сделали эскизы памятных медалей для дальнейшей отливки в бронзе. The relevance and popularity of small shapes works of sculpture, commemorative signs made of metal in the modern art, determine the appeal to t
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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia
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Бородкин, П. В., and Т. В. Горбунова. "SCULPTURE AND STAINED GLASS AS A PART OF THE ART MARKET." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.02.

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Выставочные пространства редко проводят масштабные групповые показы работ скульпторов, как следствие, затрудняя анализ общих стилистические тенденций и творческих исканий мастеров. Витраж как авторское произведение, в силу преобладания тиражной продукции и специфики работы дизайн-студий, претерпевает ограничения на авторское творчество. Такие тенденции приводят к тому, что арт-рынок не предоставляет современным художникам возможность заявить о себе через авторское творчество. Сложившаяся ситуация не позволяет полноценно развиваться ни арт рынку, ни авторскому творчеству в России. Works of scul
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A., TISHKIN, TABALDIEV K., and BONDARENKO S. "USE OF DIGITAL TECHNOLOGIES IN THE DOCUMENTATION OF “DEER” STONES IN KYRGYZSTAN." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.57.

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A small number of “deer” stones have been discovered in Kyrgyzstan so far. However, their study is important for the implementation of the Russian Science Foundation project. These ancient statues mark the western border of an archaic nomadic empire that existed in Inner Asia at the end of the Bronze Age and the beginning of the Early Iron Age. This article demonstrates the use of digital technology in documenting one of the “deer” stones now standing by the National History Museum of the Kyrgyz Republic. Other similar objects studied in the course of the surveys are indicated. Prospects for f
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MARIAN, Ana. "The creation of sculptor Claudia Cobizev in the approach of art critic Sofia Bobernaga." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p309-317.

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Many times appreciated, the creation of the sculptor Claudia Cobizev (1905-1995) was repeatedly reflected in specialized studies by art critics Ludmila Toma (1976, 1978), Sofia Bobernaga (1988), Ana Marian (2007, 2018). In the work of Claudia Cobizev. Sculpture (1988, Moscow, "Sovetskii hudojnik", 17p., ill, in Russian) Sofia Bobernaga reflects the creation of the sculptor. Although her work belongs to the "flourishing" period of socialist realism in the arts of the Moldavian SSR, it contains a deep artistic message, being undeniably varied in its visual aspect. Referring to the great variety
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Fujarra, André L. C., Guilherme F. Rosetti, Jaap de Wilde, and Rodolfo T. Gonçalves. "State-of-Art on Vortex-Induced Motion: A Comprehensive Survey After More Than One Decade of Experimental Investigation." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83561.

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After one decade of experimental investigation, the Vortex-Induced Motion – VIM phenomenon deserves a comprehensive survey concerning the advances related to its understanding, mainly under the consideration of the fundamental aspects that keep it in a close relationship to the dynamic behavior of the same phenomenon acting on slender bodies, the well known Vortex-Induced Vibration – VIV. A considerable amount of results can be found in the literature, although there are few works dealing with a general view of the problem. Probably, the main reason for such a large amount of works with no int
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Некрасова-Каратеева, О. Л., and Е. П. Сталинская. "AUTHOR’S SOUVENIRS BY CERAMIST VYACHESLAV SHVETSOV." In Образ, знак и символ сувенира. Материалы IX Всероссийской национальной научно-практической конференции. Crossref, 2023. http://dx.doi.org/10.54874/9785605054283_136.

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В статье представлены материалы о творчестве художника-керамиста В. А. Швецова — о создании авторских произведений в разряде минискульптуры, характеризующихся особой темой «Воспоминания» и реализуемых в качестве оригинальных сувениров. Целью статьи является попытка расширить содержательный аспект функции сувениров за счет уникальных художественных произведений небольшого формата, создаваемых и ориентированных на личные воспоминания и сопереживания многих людей. Темы авторских скульптурных мини-композиций В. Швецова: сельская природа (лес, река, радуга); деревенская тематика детства художника;
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Marquis, Fabien. "Inductors and Coils New Production Solutions using Additive Manufacturing such as EBM 3D Printing and Precision Casting—A Presentation of the Current State-of-the-Art Technologies." In HT 2017. ASM International, 2017. http://dx.doi.org/10.31399/asm.cp.ht2017p0236.

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Abstract In induction heating process, coils and inductors are the core of the heating process. They are the end tool where the magnetic process affecting the part or material to be heated occurs. For more than a century, the dominant manufacturing process has been based, mainly, upon joining technologies where the coppersmith skill has been the safeguard of the quality. Use of fixtures, mandrels, and machined parts have improved the repeatability and quality of the produced elements but high volume, dimensional repeatability has always been source of problems. GH Induction continuously works
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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2021 3rd International Conference on Practice-led research in Art and Design: Forward." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.174.

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The LINK conference emerged from reflections and concerns that we always had about our own actions as educators, researchers, and practitioners in the field of Art and Design. Over the years, we have noticed that such concerns have not disappeared. On the contrary: they have multiplied, diversified, and become more complex. The more we dialogued with people worldwide, especially from the socalled “Global South”, the more we realised that these same issues were also dear to our colleagues, albeit with their own colours and contours. This is the LINK that unites us. The first step was taken as a
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