Relevant bibliographies by topics / La clemenza di Tito

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'La clemenza di Tito'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "La clemenza di Tito"

1

Rushton, Julian, Mozart, Uwe Heilmann, et al. "La Clemenza di Tito." Musical Times 136, no. 1834 (1995): 677. http://dx.doi.org/10.2307/1003574.

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LEAVIS, R. "'LA CLEMENZA DI TITO'." Music and Letters 81, no. 3 (2000): 500. http://dx.doi.org/10.1093/ml/81.3.500-a.

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SUTCLIFFE, T. "'LA CLEMENZA DI TITO'." Music and Letters 81, no. 3 (2000): 500. http://dx.doi.org/10.1093/ml/81.3.500-b.

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DURANTE, S. "'LA CLEMENZA DI TITO'." Music and Letters 81, no. 4 (2000): 668. http://dx.doi.org/10.1093/ml/81.4.668.

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Hunt, Christopher. "La clemenza di Tito, K. 62I." Opera Quarterly 8, no. 3 (1991): 144–46. http://dx.doi.org/10.1093/oq/8.3.144.

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Sacau, E. "Wolfgang Amadeus Mozart: La clemenza di Tito." Opera Quarterly 22, no. 3-4 (2008): 571–74. http://dx.doi.org/10.1093/oq/kbn014.

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Chew, Geoffrey, John A. Rice, Peter Branscombe, Tomislav Volek, and Jitrenka Peskova. "W. A. Mozart: La Clemenza di Tito." Notes 49, no. 2 (1992): 548. http://dx.doi.org/10.2307/897906.

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McClymonds, Marita P. "La clemenza di Tito (Neapel 1752) (review)." Notes 57, no. 3 (2001): 739–41. http://dx.doi.org/10.1353/not.2001.0040.

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Buller, Jeffrey L. "La clemenza di Tito. Wolfgang Amadeus Mozart." Opera Quarterly 12, no. 2 (1995): 133–35. http://dx.doi.org/10.1093/oq/12.2.133.

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Lösel, Steffen. "Clemency and Conversion: Theological Reflections on Mozart’s La Clemenza di Tito." Modern Theology 34, no. 4 (2018): 637–56. http://dx.doi.org/10.1111/moth.12438.

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Dissertations / Theses on the topic "La clemenza di Tito"

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Neville, Donald Jeffery. "Mozart's La Clemenza di Tito and the Metastasian Opera Seria." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238533.

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Hiltner-Hennenberg, Beate. "La Clemenza di Tito von Wolfgang Amadé Mozart im Spiegel der musikalischen Fachpresse zwischen 1800 und 1850 : rezeptionsgeschichtliche Untersuchungen unter besonderer Berücksichtigung der Wiener Quellen und Verhältnisse /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb357393555.

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Tsai, Meng-Jung. "Così fan tutte? A Study of Character Development through Key Characteristics in the Prima Donna and Soubrette Roles from Four of W.A. Mozart's Late Italian Operas." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707355/.

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This dissertation investigates how W. A. Mozart applies the concept of key characteristics—the affective properties of each tonality—as discussed by three of his contemporaries, Johann Mattheson, C.F.D. Schubart and G.J. Vogler, to four soubrette and four prima donna characters from four of his late Italian operas: La Contessa and Susanna in Le nozze di Figaro; Donna Anna and Zerlina in Don Giovanni; Fiordiligi and Despina in Così fan tutte; Vitellia and Servilia in La clemenza di Tito. The analytical method of this dissertation provides a hermeneutical tool to search for meanings in Mozart's music. The application compares the libretto text and its corresponding tonal center with the description of key characteristics on a micro level, to reveal significant dramatic and practical implications from Mozart's key usage in his operas.
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MAZZOTTA, MARIA CHIARA. "CINCINNATO E LA GENS QUINZIA: GENESI DI UN PARADIGMA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11129.

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la ricerca si propone lo studio della figura di Lucio Quinzio Cincinnato, paradigma di vir Romanus della prima età repubblicana, e della sua gens di appartenenza, la gens Quinzia, lungo tutto l'arco della sua esistenza. Scopo del lavoro è quello di decodificare come è stata costruita nel tempo, da parte della cultura romana, la figura esemplare di Cincinnato, evidenziando gli eventuali aspetti storici della sua vicenda e le possibili stratificazioni storiografiche e “ideologiche” successive che ne hanno fatto un personaggio paradigmatico della storia di Roma.<br>The research aims to study the figure of Lucius Quinctius Cincinnatus, a paradigmatic vir Romanus of the early roman Republic, and his belonging clan, the gens Quinctia, throughout its existence. Aim of the work is to decode how it was built over time by the roman culture, the exemplary figure of Cincinnatus, highlighting any historical aspects of his story and the subsequent historiographical and "ideological" layers that have made it a paradigmatic character of the roman history.
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Hahn, Nancy A. "Machiavelli's Prince: A renaissance pasquinade." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1264.

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Saint-Eve, Justine. "Machiavel relisant Tite-Live : entre politique et histoire, entre Renaissance et Antiquité." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30188/30188.pdf.

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Ce mémoire traite des Discours sur la Première Décade de Tite-Live de Nicolas Machiavel. Notre problématique est de savoir pourquoi Machiavel s'est intéressé à l'Histoire Romaine de Tite-Live, dans quelle optique il la lit, la commente et comment il en tire des leçons pour la vie politique de Florence. Dans un premier chapitre, nous présentons notre méthode qui s'inspire de l'école contextualiste de Cambridge. Nous replaçons ensuite Machiavel dans son époque à travers une brève biographie puis nous présentons l'Histoire Romaine de Tite-Live, ainsi que son auteur. Dans un second chapitre nous présentons les Discours sur la Première Décade de Tite-Live et le contexte de leur rédaction. Nous démontrons pourquoi cette œuvre de Machiavel est à la fois en continuité et en rupture avec leur époque (la Renaissance). Nous étudions les liens possibles entre l'antique Rome et Florence au XVIe siècle. Nous commentons ensuite certains chapitres des Discours à titre d'exemple. Dans un troisième chapitre, nous traitons des enjeux philosophiques des Discours: la vision de l'Histoire qui en ressort, le rôle des concepts de virtù et de fortuna et enfin, la possibilité d'actualiser l'approche de Machiavel, c'est-à-dire prendre en compte - ou non - les exemples de l'Histoire pour décider aujourd'hui des modes de l'agir politique.<br>This master thesis is about Niccolò Machiavelli's Discourses on Livy. Our main issue is to know why did Machiavelli interest in Livy's History of Rome, from which point of view did he read and comment on it, and the political lessons he taught Florence from it. In chapter one, we present our method inspired from the Cambridge contextualist school. Next, we put Machiavelli back in his time through a short biography; then we present Livy's History of Rome, and the author himself. In chapter two, we present the Discourses on Livy and the background in which Machiavellli wrote it. We demonstrate how this work follows on from the Renaissance litterature and at the same time breaks with it. Then we study the possible connections between the ancient Rome and the 16th century Florence. Afterwards, we comment some chapters of the Discourses, as an exemple. The last chapter deals with the philosophical issues in the Discourses: which view on History reveals through it, which part do play the concepts of virtù and fortuna and finally, the possibility of updating Machiavelli's approach, that is to say taking - or not - into account the historical exemples as a guide for today's political action.
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Balestrieri, Giovanni Giuseppe. "Machiavel entre ordre et conflit." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC013/document.

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Dans les dernières décennies, les Discours sur la première décade de Tite-Live ont été lus comme le traité dans lequel Machiavel livre sa théorie de la liberté politique en tant que résultat du conflit social. Un nombre toujours grandissant de chercheurs estime en effet que c'est en cela que consiste la contribution la plus importante du Florentin à la pensée politique. Notre thèse essaie de démontrer que cette position exégétique ne dispose pas de réels fondements dans l’œuvre machiavélienne. Une lecture ponctuelle des Discours atteste bien que la pensée machiavélienne est tout sauf univoque à ce sujet et le nombre de contradictions dans lesquelles l’auteur s’engouffre finit par rendre impossible la constitution d’une quelconque théorie<br>In the last decades or so, Discourses on Livy has become the book where Machiavelli theorizes that political freedom is a result of social conflict. An increasing number of scholars have argued, and argue, that this issue has to be taken as one of Machiavelli’s major contributions to political thought. What our thesis tries to demonstrate is that this statement has no real textual basis. And the reason is – we argue - that when you have a very close and deep look on the Discourses, you have to recognize that it’s not clear at all what Machiavelli thinks about social conflict, as he comes out with so many contradictory statements on the subject that make it impossible to talk of any kind of a theory
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CHANG, WEI-TZU, and 張蔚慈. "The Musical and Interpretationl Analysis of Sesto and Annio’s Arias from the Opera “La clemenza di Tito” by Wolfgang Amadeus Mozart." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/j789xq.

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碩士<br>實踐大學<br>音樂學系碩士班<br>106<br>In terms of the composer’s own sequence of creation, La clemenza di Tito (1791) is the last opera composed by Wolfgang Amadeus Mozart (1756-1791). In this work, the voice range of two male characters—Sesto and Annio—was written in the range for mezzo sopranos. When the opera premiered in 1791 in Prague, the character Sesto was played by a mezzo soprano castrato singer, and the character Annio was disguised by a female singer. Until today, these two characters are often played by mezzo sopranos. Starting with an introduction on the background of this repertoire and an analysis on arias written for these two characters, this thesis intends to compare the similarity and differences in these two roles, with an attempt to broaden a further understanding of how male characters are designed to be performed by female singers.
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Books on the topic "La clemenza di Tito"

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Giegling, Franz. La Clemenza di Tito. Bärenreiter, 1994.

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W.A. Mozart, La clemenza di Tito. Cambridge University Press, 1991.

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Rice, John A. W.A. Mozart, La clemenza di Tito. Cambridge University Press, 1991.

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Mozarts La clemenza di Tito: Die Geschichte einer Oper. Böhlau Verlag, 2013.

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Luigi, Moretti. Ouverture: Dall'opera "La clemenza di Tito" di W.A. Mozart, per due chitarre. Edited by Stefano Zanus Fortes. Edizioni Curci, 2002.

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Hocquard, Jean Victor. La Clemenza di Tito K. 621 ; Apollo & Hyacinthus K. 38 ; Mitridate K. 87 ; Lucio Silla K. 135 ; La finta giardiniera K. 196 ; Bastien & Bastienne K. 50. Aubier, 1986.

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La clemenza di Tito von Wolfgang Amadé Mozart im Spiegel der musikalischen Fachpresse zwischen 1800 und 1850: Rezeptionsgeschichtliche Untersuchungen unter besonderer Berücksichtigung der Wiener Quellen und Verhältnisse. P. Lang, 1994.

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Pomanti, Pietro. I provvedimenti di clemenza: Amnistia, indulto e grazia. Giuffrè, 2008.

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Biagi, Flaminio Di. Sotto l'arco di Tito le "Farfalle" di Gozzano. La finestra, 1999.

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Greco, Maria Teresa. Dizionario dei dialetti di Picerno e Tito. Edizioni scientifiche italiane, 1991.

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Book chapters on the topic "La clemenza di Tito"

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Willaschek, Wolfgang. "La clemenza di Tito." In Mozart Theater. J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-03426-7_7.

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Lühning, Helga. "Metastasio, Pietro: La clemenza di Tito." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13172-1.

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Schweikert, Uwe. "»La clemenza di Tito« – eine »echte« Oper ?" In »Bald sind wir aber Gesang«. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62768-6_13.

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Sontheimer, Kurt. "Macht und Tugend Das Politische in Mozarts La clemenza di Tito." In »Der moderne Komponist baut auf der Wahrheit«. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02925-6_33.

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Holland, Dietmar. "Mozarts geniale musikalische Experimente La clemenza di Tito — die Rückkehr zur Opera seria?" In »Der moderne Komponist baut auf der Wahrheit«. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-02925-6_34.

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Schwarz, Hans-Peter. "Santi di Tito." In Das Künstlerhaus. Vieweg+Teubner Verlag, 1990. http://dx.doi.org/10.1007/978-3-663-05290-6_51.

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Bianchi, Giovanni. "Il Tito Livio di Arturo Martini." In A Primordio urbis. Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.gifbib-eb.5.117502.

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Barbagli, Nicola. "Il perdono degli Alessandrini. Fortuna di un episodio di clemenza imperiale." In Studi e testi tardoantichi. Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.stta-eb.5.119084.

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von Westphalen, Raban Graf. "Niccolò Machiavelli, Discorsi sopra la prima di Tito Livio, Rom 1531." In Schlüsselwerke der Politikwissenschaft. VS Verlag für Sozialwissenschaften, 2007. http://dx.doi.org/10.1007/978-3-531-90400-9_73.

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Crevatin, Giuliana. "«Reliquiarum servator»: il Livio Parigino Lat. 5690 I. Letture di Tito Livio fra Petrarca e i Colonna." In Études Renaissantes. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.er-eb.4.00091.

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Conference papers on the topic "La clemenza di Tito"

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Karkina, Svetlana. "THE WORKS OF N. HARNONCOURT: THE DYNAMICS OF STYLE ON THE EXAMPLE OF PERFORMANCES OF MOZART'S OPERA "LA CLEMENZA DI TITO" PERIOD OF THE LATE XX C. AN." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s13.018.

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