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Coudart, Laurence. "La "Gazette de Paris" (1789-1792), un aspect de la contre-révolution pendant la monarchie constitutionnelle." Paris 1, 1993. http://www.theses.fr/1993PA010644.
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Quotidien rédige par un ancien dramaturge - Pierre Barnabé Farmain de Rozoi - la gazette de Paris (1er octobre 1789 -10 aout 1792) est un journal royaliste qui a compté entre cinq mille et sept mille abonnés, mais davantage de lecteurs. La correspondance manuscrite reçue par le journaliste (environ deux mille huit cents lettres) ainsi que ses papiers, conserves aux archives nationales, permettent de réaliser un bilan commercial, ainsi qu'une analyse de la diffusion et une étude, à la fois synchronique et diachronique, d'un rapport entre un journal et son lectorat, entre l'opinion et l'action. La gazette de Paris, machine de guerre contre la révolution, se distingue par des positions aussi intransigeantes qu'invariables. Elle est constamment dénoncée par la presse patriote car elle ne cesse d'appeler à l'action la noblesse provinciale (sa principale clientèle), une action davantage destinée à sauvegarder les intérêts de l'ordre nobiliaire que ceux de la personne royale. Elle préconise ainsi très tôt le recours à la force et à l'étranger, attise les antagonismes et enracine le rejet, dans un discours base sur l'exploitation systématique et omniprésente de la peur. Organe de combat, ce journal jette également les bases de l'idéologie "ultra". Son aventure s'achève avec la chute de la monarchie et l'exécution de son rédacteur (25 aout 1792)Daily paper edited by a former dramatist (Pierre Barnabé Farmain de Rozoi), the Gazette de Paris (1st of october 1789 10th of august 1792) is a royalist newspaper which had between 5,000 and 7,000 subscribers, with a higher number of readers. The manuscripted correspondence received by the journalist (around 2,800 letters) as well as his papers (kept in the archives nationales) allow us to elaborate a commercial study, as well as an analysis of the diffusion, and a diachronic as well a synchronic study on the relationships between the newspaper and its readers, and between opinion and action. The gazette de paris, warefare machinery against the revolution is noticeable by its uncompromising and invariable positions. The newspaper is continuously denounced by the patriotic press because of its repetitive calls for action among the provincial nobility (its main customers). This action is more concerned by the nobility's interests than the king's ones. It proposes very soon to have recourse to violence and foreigner military forces, maintains antagonismes, and establishes the reject in a discourse based on the systematic and omnipresent exploitation of fear. This fighting newspaper establishes also the basis for an "ultra" ideology
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Ellis, Katherine. "La revue et gazette musicale de Paris 1834-1880 : the state of music criticism in mid nineteenth-century France." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316882.
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Mattos, Édima de Souza [UNESP]. "Literatura e jornalismo em Eça de Queiróz/ Ecos de Paris/ Gazeta de Notícias – 1892-1894." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/103656.
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mattos_es_dr_assis.pdf: 896421 bytes, checksum: d4239f9949f1ac44624e8eaecfddaec6 (MD5)A pesquisa visa demonstrar como se dá a confluência entre Literatura e Jornalismo nos textos de imprensa de Eça de Queirós, denominados crônicas, pelo autor e enviados da Inglaterra e de Paris para a Gazeta de Notícias, do Rio de Janeiro (1880-1897). Há necessidade de resgatar o Eça jornalista, visto que esta faceta é pouco explorada nos estudos sobre o grande escritor realista-naturalista português. Por meio da análise das estratégias discursivas do autor, será demonstrada como se dá a revisitação do texto ―crônica‖ de Eça, no campo midiático, no contexto histórico da época e na construção do real. Como correspondente jornalístico para o Brasil, contribuiu para o crescimento e importância da imprensa brasileira, influenciando, com seu estilo, nossos escritores jornalistas. No apoio teórico, foram resgatados conceitos necessários à análise da proposta, tais como: teoria sobre literatura, jornalismo e da lingüística que trata de gêneros do discurso. Nesta perspectiva, será realizada uma análise crítico-descritiva do discurso queirosiano, a fim de demonstrar os pontos de encontro do gênero midiático do jornalismo no campo da literatura. Algumas crônicas publicadas na Gazeta de Notícias (1892-94), coletadas por Luiz de Magalhães, que compõem a obra Ecos de Paris, constituem o corpus da pesquisa, cuja análise centrar-se-á nos aspectos que visam à contextualização da linguagem em toda situação de discurso, bem como a representação do real. Deste modo, em quatro capítulos, serão resgatados o contexto histórico-social da França do século XIX, a Imprensa Francesa do final do século XIX, bem como, conceitos de gêneros do discurso, jornalismo, literatura e crônica. A análise do corpus, a conclusão e o resultado contemplarão uma lacuna nos estudos do grande escritor, ou seja, resgate e análise do texto de Eça de Queirós, jornalista
The research aims to demonstrate how is the confluence of Literature and Journalism in the press releases of Eça de Queirós, known as chronicles, by the author and sent from England and Paris to the Gazeta de Notícias, in Rio de Janeiro (1880-1897). There is a need to rescue Eça journalist, as this aspect is little explored in studies of the great realist-naturalist Portuguese writer. Through the discursive strategies analysis's of the author, will be shown how is the revisiting of the text chronicle of Eça, in the media field, in the historical context of the period and in the construction of reality. As a news correspondent for Brazil, contributed to the growth and importance of the Brazilian press, influencing, with his style, our journalists-writers. In theoretical support, were rescued required concepts to the proposal’s analysis, such as: literature theory, journalism and linguistics that deals with speech genres. In this perspective, will be held a critical-descriptive analysis of Eça de Queiros’s speech, in order to show the meeting points of the media genre of journalism in the field of literature. Some chronicles published in the Gazeta de Noticias (1892-94), collected by Luiz de Magalhães, that make up the work Ecos de Paris, are the corpus of research, whose analysis will focus on aspects that aim at contextualization of language in every speech situation, as well as the representation of reality. Thus, in four chapters, will be rescued the socio-historical context of nineteenth-century France, the French Press of the late nineteenth century, as well as, concepts of speech genres, journalism, literature and chronicle. The analysis of the corpus, the conclusion and the result will contemplate a gap in studies of the great writer, in other words, rescue and analysis of Eça de Queirós’s text, the journalist
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Mattos, Édima de Souza. "Literatura e jornalismo em Eça de Queiróz/ Ecos de Paris/ Gazeta de Notícias - 1892-1894 /." Assis : [s.n.], 2011. http://hdl.handle.net/11449/103656.
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Orientador: Rosane Gazolla Alves FeitosaBanca: Raquel dos Santos Madanelo de Souza
Banca: Suely Fadul Vilibor Flory
Banca: Ricardo Alexino Ferreira
Banca: Luiz Roberto Velloso Cairo
Resumo: A pesquisa visa demonstrar como se dá a confluência entre Literatura e Jornalismo nos textos de imprensa de Eça de Queirós, denominados crônicas, pelo autor e enviados da Inglaterra e de Paris para a Gazeta de Notícias, do Rio de Janeiro (1880-1897). Há necessidade de resgatar o Eça jornalista, visto que esta faceta é pouco explorada nos estudos sobre o grande escritor realista-naturalista português. Por meio da análise das estratégias discursivas do autor, será demonstrada como se dá a revisitação do texto ―crônica‖ de Eça, no campo midiático, no contexto histórico da época e na construção do real. Como correspondente jornalístico para o Brasil, contribuiu para o crescimento e importância da imprensa brasileira, influenciando, com seu estilo, nossos escritores jornalistas. No apoio teórico, foram resgatados conceitos necessários à análise da proposta, tais como: teoria sobre literatura, jornalismo e da lingüística que trata de gêneros do discurso. Nesta perspectiva, será realizada uma análise crítico-descritiva do discurso queirosiano, a fim de demonstrar os pontos de encontro do gênero midiático do jornalismo no campo da literatura. Algumas crônicas publicadas na Gazeta de Notícias (1892-94), coletadas por Luiz de Magalhães, que compõem a obra Ecos de Paris, constituem o corpus da pesquisa, cuja análise centrar-se-á nos aspectos que visam à contextualização da linguagem em toda situação de discurso, bem como a representação do real. Deste modo, em quatro capítulos, serão resgatados o contexto histórico-social da França do século XIX, a Imprensa Francesa do final do século XIX, bem como, conceitos de gêneros do discurso, jornalismo, literatura e crônica. A análise do corpus, a conclusão e o resultado contemplarão uma lacuna nos estudos do grande escritor, ou seja, resgate e análise do texto de Eça de Queirós, jornalista
Abstract: The research aims to demonstrate how is the confluence of Literature and Journalism in the press releases of Eça de Queirós, known as chronicles, by the author and sent from England and Paris to the Gazeta de Notícias, in Rio de Janeiro (1880-1897). There is a need to rescue Eça journalist, as this aspect is little explored in studies of the great realist-naturalist Portuguese writer. Through the discursive strategies analysis's of the author, will be shown how is the revisiting of the text "chronicle" of Eça, in the media field, in the historical context of the period and in the construction of reality. As a news correspondent for Brazil, contributed to the growth and importance of the Brazilian press, influencing, with his style, our journalists-writers. In theoretical support, were rescued required concepts to the proposal's analysis, such as: literature theory, journalism and linguistics that deals with speech genres. In this perspective, will be held a critical-descriptive analysis of Eça de Queiros's speech, in order to show the meeting points of the media genre of journalism in the field of literature. Some chronicles published in the Gazeta de Noticias (1892-94), collected by Luiz de Magalhães, that make up the work Ecos de Paris, are the corpus of research, whose analysis will focus on aspects that aim at contextualization of language in every speech situation, as well as the representation of reality. Thus, in four chapters, will be rescued the socio-historical context of nineteenth-century France, the French Press of the late nineteenth century, as well as, concepts of speech genres, journalism, literature and chronicle. The analysis of the corpus, the conclusion and the result will contemplate a gap in studies of the great writer, in other words, rescue and analysis of Eça de Queirós's text, the journalist
Doutor
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Borel, Jean-Paul. "Contribution a l'etude de l'embolisation gazeuse exogene : a propos de 74 cas traites par le caisson mobile hyperbare de la brigade de sapeurs-pompiers de paris." Angers, 1989. http://www.theses.fr/1989ANGE1090.
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Hopkins, Michele L. "Gazette du Bon Ton| Reconsidering the Materiality of the Fashion Publication." Thesis, The George Washington University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10846697.
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The creation of national identity through the printed publication was historically important in developing French economic and cultural dominance. Luxury periodical publications such as Gazette du Bon Ton followed in the footsteps of historic predecessors in promoting French fashion and standards of taste to elite audiences at home and abroad, and editors such as Lucien Vogel, who positioned Gazette du Bon Ton alongside the exquisitely produced, influential fine art, decorative art, and design guides of the time, became powerful voices reporting on fashion and appropriate social etiquette during a time of profound social change.
The separation and cataloguing of individual pochoir from Gazette du Bon Ton has, over time, shifted the publication from rare book libraries to print, photography, and drawing collections and the classification of Gazette du Bon Ton pochoir as ephemera. This shift has limited our understanding of the complete publication. Prior research of Gazette du Bon Ton has focused primarily on the visual merits of fashion pochoir. This thesis attempts to redress that imbalance by analyzing the material components of Gazette du Bon Ton and reconsidering the vision of powerful editors such as Lucien Vogel in directing social narratives reflective of their time.
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Fournier, Éric. "Paris en ruines : du Paris haussmannien au Paris communard /." Paris : Imago, 2007. http://catalogue.bnf.fr/ark:/12148/cb41196886v.
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Simpson, Edgar C. "‘Sustained Outrage:’ W.E. ‘Ned’ Chilton III and the Charleston (West Virginia) Gazette, 1962-87." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1256223199.
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Simpson, Edgar C. "Sustained outrage W. E. "Ned" Chilton III and the Charleston (West Virginia) gazette, 1962-87 /." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1256223199.
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Kuong, Mei Ian Sandy. "Translation project :translation of excerpts of the Official Gazette of the Macao Special Administrative Region." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954310.
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Mattes, Gudrun. "Journalisme et influence politique pendant la révolution de 1848 : l’exemple de la Nouvelle gazette rhénane." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20011/document.
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Notre travail a comme objectif d’étudier la fonction de la Nouvelle gazette rhénane pendant la révolution de 1848 en Allemagne. A partir d’un corpus constitué des numéros du journal, y compris les éditions spéciales et les suppléments, notre étude analyse la conception du journal voulue par ses fondateurs, sa réalisation journalistique ainsi que l’évolution de sa ligne politique. Comme outil d’analyse nous nous appuyons sur la notion de l’espace public, notamment de l’espace public bourgeois, conçue par Jürgen Habermas en 1961, mais aussi sur les notions d’un espace public plébéien et d’un espace public prolétarien que la recherche a développées entre-temps. Après avoir étudié l’état de l’espace public en Allemagne, l’évolution du mouvement ouvrier avant et au début de la révolution et les prémices de la Nouvelle gazette rhénane, nous développons l’hypothèse que le journal fut un projet indépendant, explicitement conçu pour l’espace public bourgeois, en parallèle avec le projet de la Ligue des communistes qui, elle, a été créée à l’attention du mouvement ouvrier et pour l’espace public prolétarien naissant. La conception de la Nouvelle gazette rhénane puise ses sources dans les analyses de ses fondateurs, notamment de son rédacteur en chef Karl Marx, notamment en ce qui concerne la situation en Allemagne et en Europe. Suivant ces analyses, le journal a l’exigence de peser sur le cours de la révolution. L’idée de départ est de faire pression sur les parties progressistes de la bourgeoisie. En conséquence sa stratégie est de s’insérer dans le mouvement démocrate afin de pousser les démocrates vers une politique de confrontation avec la monarchie absolue. En s’adaptant au début de son existence aux critères de l’espace public bourgeois, la Nouvelle gazette rhénane correspond aux critères d’excellence de son époque : son travail rédactionnel, son organisation, sa production matérielle et sa distribution sont à la pointe du journalisme politique. Notre étude statistique des articles concernant l’Allemagne et l’étranger montre qu’il s’agit d’un journal prussien qui bénéficie d’un réseau dense de correspondants dans les régions et les Etats d’Allemagne ainsi qu’en Europe. Un accent particulier est porté sur les informations venant des pays européens. Ce fait s’explique par la conception européenne que le journal a de la révolution de 1848.La particularité du journal est à notre sens qu’il a accompagné toutes les modifications de l’espace public pendant la révolution. Sa politique se caractérise par la défense de la révolution et en premier lieu la défense de la liberté de la presse. Confronté à un morcellement et une destruction partielle de l’espace public bourgeois, sa ligne politique évolue d’une critique de la politique des parlements de Francfort et de Berlin vers une ligne de plus en plus insurrectionnelle. Notamment pendant les crises de septembre et de novembre, son influence sur les démocrates est notable sans qu’elle puisse s’imposer entièrement. En réaction à un bilan négatif de la politique du mouvement démocrate, ses rédacteurs quittent leurs fonctions dirigeantes au sein du mouvement au printemps 1849 pour intégrer la fraternité ouvrière (Allgemeine Deutsche Arbeiterverbrüderung) de Leipzig. Cette décision correspond à une orientation vers l’espace public prolétarien ; le processus de cette réorientation est cependant interrompu par la fin de la révolution et ne pourra pas se concrétiserOur work has the objective of studying the function of die Neue Rheinische Zeitung during the German revolution in 1848. Our work is based on a corpus that consists of all the numbers of the journal that comprise of special editions and supplements. Our study analyses the conception of the newspaper as imagined by its founders, its journalistic creation as well as the evolution of its political direction. The basis of our analysis is the notion of public sphere, notably the bourgeois public sphere conceived by Jürgen Habermas in 1961 but also the notions of the plebeian public sphere and the proletarian public sphere. These notions had been developped by the research in the meantime.After having studied the situation of the public sphere in Germany and the evolution of the labour movement that already existed at the start of the revolution and the beginnings of die Neue Rheinische Zeitung, we developped the hypothesis that the journal was an independent project conceived for the bourgeois public sphere in parallel with the project of the Communist League, which was created for the attention of the labour movement and the emerging proletarian public sphere. The conception of the Neue Rheinische Zeitung takes its inspiration from his founders, namely chief contributor Karl Marx and his analyses about the situation in Germany and in Europe. According to his analysis, the newspaper had an impact on the course of the revolution. The first idea behind it is to put the progressive parties under pressure. Consequently, his strategy is to enter the democratic movement in order to push its members towards a political confrontation with the monarchy. At the start of its existence, it adapted itself to the criteria of the bourgeois public sphere and therefore matched the criteria and the political standards of journalism at that time in terms of writing skills, organization, production and distribution. Our statistics of the articles dealing with Germany and other foreign countries show that it is about a Prussian newspaper, which benefited from a wide network of correspondents in the regions and states in Germany as well as Europe. Information coming from European countries is extremely important, certainly because of the European conception which the journal developed of the revolution in 1848. A particular feature of the journal is that it followed all the changes of the public sphere during the revolution. Its politics was characterized by the defence of the revolution ad in the first instance of the Freedom of the Press. Confronted by a splitting up and a partial destruction of the bourgeois public sphere, the political movement started moving from a critic of the Parliaments in Frankfurt and Berlin into a more and more insurrectional direction against the government. During the crises of September and November 1848, its influence on the democrats is notable without being completely imposing. In reaction to the negative results of the democratic political movement, the contributors started quitting the leadership in Rhineland in spring 1849 to integrate die Allgemeine Deutsche Arbeiterverbrüderung of Leipzig. The decision corresponded to a changing direction towards the proletarian public sphere whose progress had been interrupted by the end of the revolution and could not be realized
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Extian-Babiuk, Tamara. ""To be sold, a Negro wench" : slave ads of the Montreal Gazette, 1785-1805." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98920.
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The purpose of this thesis is to provide a close textual reading of representations of slavery in The Montreal Gazette, primarily within the period of 1785-1805, the first twenty years after the newspaper became bilingual. This project has three main outcomes. Firstly, it provides a history of black slavery in Montreal details the founding of The Gazette and evaluates its spatial layout, particularly the classified section where slave ads appear. Secondly, it analyzes the representation of black slaves in two distinct news forms: (1) ads of sale and (2) notices of escaped slaves, with particular focus on representations of race, gender, class, and criminality. Thirdly, it addresses the presentation of race and national identity in The Gazette, through both textual analysis and comparative analysis with the United States and Haiti. The project engages with conceptions of Canadian national identity throughout, particularly with respect to issues of tolerance and selective memory.
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Gougeon, Jacques-Pierre. "La Naissance de la vie politique moderne en Allemagne à travers la Gazette Rhénane (1842-1843)." Rennes 2, 1993. http://www.theses.fr/1993REN20019.
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La Gazette Rhénane (1842-1843) présente l'intérêt d'avoir rassemble les différentes composantes de l'opposition allemande a l'époque du Vormarz : le libéralisme, le radicalisme et, dans une certaine mesure, du fait de la présence de Moses Hess, le communisme. A propos des questions économiques (union douanière, liberté professionnelle, libre échange, le rôle des transports, la modernisation de l'appareil de production et le rôle de l'Etat dans l'économie), le journal a été, notamment par le biais de Ludolf Camphausen, président de la chambre de commerce de Cologne, porte -parole du libéralisme rhénan. La gazette rhénane a ainsi contribue a la promotion de cette génération de libéraux dont les membres les plus influents seront d'ailleurs élus députés en 1843 et 1845 avant, pour certains, de devenir ministres de prusse. La gazette rhénane est également unanime dans la présentation des revendications constitutionnelles, la critique de l'institution des diètes provinciales, l'affirmation de la nécessité d'un contrôle du pouvoir exécutif par une opposition structurée, la défense de la liberté de la presse et de l'enseignement, la dénonciation de l'Etat chrétien comme régime féodal et dans la valorisation des partis politiques, assise de la vie politique moderne. La cause nationale est aussi défendue avec ferveur"Die rheinische Zeitung" (1842-1843) has the advantage of gathering together the different components of the German opposition at the time of Vormaz : liberalism, radicalism, and, to some extent, on account of Moses Hess' contribution, communism abound economic questions (customs union, free trade, importance of transports, modernization of production machinery, and the part played by the state in economy), the newspaper has been-particularly through Lodolf Camphausen the mouth piece of liberalism. Die rheinische Zeitung has contributed to the promotion of that generation of liberals whose most influential members -by the way- were elected deputies in 1843-1845 and, for some of them, later ministers in Prussia. "die rheinische Zeitung" has widely expressed and put forwards claims for constitutional changes ; it has criticized the institution of provincial diets and asserted that the executive power should be controlled by a well-structured opposition ; it has stood up for the freedom of press and education, denounced the Christian state as a feudal system and reasserted the value of political parties as the basis of modern political life ; it has also ardently pleased for the national cause
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Bosnitch, Katherine. "A little on the wild side : Eaton's prestige fashion advertising published in the Montreal Gazette, 1952-1972." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0016/MQ47870.pdf.
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Trujillo, Alexandria. "Everything is Paris." Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/146688.
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I began formulating the subject matter for this thesis last semester while I was reading works of Classical Greek literature, everything from Homer to Aeschylus, and studying the myth and culture that surrounded them. I am already obsessed with media and popular culture and, while writing an early set of poems, Paris Hilton got injected into a poem about Clytemnestra. From there, I began to work on blending the classical with the contemporary to explore the nature of self-identity in such a media ravaged culture, where what you project successfully is the only image of you that people accept. I began writing in forms and then in solid prose paragraphs. I wanted to work to accomplish a melding of the prose we see in every magazine with traditional poetic lines and think that this successfully lends itself to making each stand out immediately based upon which it is in. The collection plays off the same themes and each poem bounces off of other poems, building up to a question, really, about how much of a single being we can pull ourselves into. In doing so, the collection stands on its own and possesses direction, not to mention some wonderful poetry.
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Machtou, Julie Bertrand Frédéric. "Paris : industries urbaines /." [S. l.] : [s. n.], 2000. http://catalogue.bnf.fr/ark:/12148/cb40072679b.
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Eynard, Loris. "Contribution à la numérisation des documents imprimés du XVIIIème siècle : application au cas de la Gazette de Leyde." Lyon, INSA, 2009. http://theses.insa-lyon.fr/publication/2009ISAL0123/these.pdf.
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La Gazette de Leyde est un journal politique parmi les plus influent du XVIIIème siècle et représente un corpus de plus de 140 000 pages réparti sur plus d'un siècle de parution. Le projet de numérisation, valorisation et exploitation a été monté en collaboration avec les chercheurs en sciences humaines de l'UMR LIRE, son objectif était la meilleure utilisation des potentiels des STIC pour améliorer leur travail (d'historiens) et répondre à leurs besoins. Permettre une navigation rapide et intelligente dans le corpus de la Gazette de Leyde est apparu comme le défi à relever en priorité. Dans cet objectif nous avons travaillé sur les structures physique et logique (mise en page, typographie) en exploitant notamment les particularités du style des mots et des titres des articles. Cette démarche nous a permis de faire la différenciation entre les styles Italique et Romain. Couplée à l'élaboration d'une technique de repérage des titres de rubriques(qui reposait sur leur typographie et placement dans les colonnes de texte), elle nous a conduit à la création automatique d'un index intelligent de la Gazette de Leyde, en mode image. La seconde partie de cette thèse consiste en une étude de la faisabilité de l'adaptation de la méthode de Transcription Assistée par Ordinateur qui se présente comme une alternative aux logiciels commerciaux O. C. R, inefficaces sur les documents anciens plus ou moins bien conservés. La transcription consiste à regrouper les caractères en classes par similarité de formes. Ces classes seront ensuite étiquetées par un spécialiste du document ce qui conduit à un résultat de bonne qualitéThe Gazette of Leyde is a political newspaper among the most influential from the eighteenth century. It consists of a corpus containing over 140. 000 pages spread over a century of publication. The project of digitization, development and exploitation has been planed in collaboration with Humanities researchers from the UMR LIRE. The goal of this project was to derive the best of CSIT's potential in order to improve historians' work and to meet their needs better. Being able to perform quick and intelligent surfing across the corpus of the Gazette of Leyde has become a high-priority challenge. For that reason, we have worked on the gazette's physical and logical structures (layout, typography) by exploiting the words style and titles of articles particularities. This enabled us to create a method to differienciate between the Roman and italic styles. Coupled with the development of a technique for identifying the titles of articles, (based on typography and their placement in the columns of text), it has led to the automatization of the creation of an intelligent index of the Gazette of Leyde in image mode. The second part of the thesis consists in a feasability study for the development of a method of computer-aided transcription of the text. We are developping this method as an alternative to the commercial OCR software which is inefficient for old documents more or less well preserved. The transcript consists in grouping characters into classes of similar shapes. These classes are then labeled by a specialist of that document. The present method leads to good quality results
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Gruas, Marc. "La fabrique de journalisme d'Eça de Queíros : procédés d'écriture des chroniques parisiennes de la "Gazeta de noticias" de Rio de Janeiro." Toulouse 2, 2002. http://www.theses.fr/2002TOU20080.
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Cette recherche a pour objectif d'étudier les procédés d'écriture mis en place par Eça de Queíros dans les chroniques adressées au journal carioca "Gazeta de notícias". Comme le souligne la première partie, cette intense collaboration écrite depuis Paris, entre 1892 et 1897, vient compléter la longue carrière journalistique du célèbre romancier portugais. Dans la deuxième partie, ces textes, qui mettent en scène le temps et l'espace parisiens, les affaires de politique internationale et les préoccupations esthético-littéraires de l'auteur, font l'objet d'une édition critique. Ce travail d'archéologie textuelle vise à fixer le texte ne varietur et à reproduire les innombrables sources journalistiques, littéraires et culturelles de cette correspondance. La troisième partie permet d'analyser, à partir d'une lecture intertextuelle, les différents procédés d'écriture explicites (citation, référence) et implicites (allusion et impli-citation) de la production en questionThe aim of this research is to study the writing processes used by Eça de Queíros in his chronicles for the Rio de Janeiro newspaper "Gazeta de notícias". As described in the first part, the Portuguese novelist's intense reporting for the newspaper from Paris between 1892 and 1897 marked the end of his long career as a journalist. In the second part, his articles describing the life and times of Paris, international political affairs and his own aesthetic and literary concerns are the subject of a critique. This work of textual archaeology is intended to fix the text ne varietur and to reproduce the countless journalistic, literary and cultural sources used in his correspondence. The third part uses inter-textual reading to analyse the different explicit (quotations, references) and implicit (allusions and impli-quotations) writing processes used in the author's work
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Saou-Dufrêne, Bernadette Nadia. "Art et médiatisation : le cas des grandes expositions inaugurales du Centre Georges Pompidou (Paris-New York, Paris-Berlin, Paris-Moscou)." Grenoble 3, 1998. http://www.theses.fr/1998GRE39026.
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Cette these traite de la mediatisation de l'art a travers le cas des expositions inaugurales du centre g. Pompidou : paris-new york, paris-berlin, paris-moscou. Elle envisage d'abord l'entree de l'exposition dans l'ere des medias a travers l'examen de l'evolution du concept d'exposition jusqu'aux expositions inaugurales de beaubourg : exposition-ostentation, exposition-vente, exposition-forum, exposition + elargie ; des institutionspilotes que sont le moma de new york et le stedelijk museum d'amsterdam. Dans le cadre des sciences de l'information et de la communication, elle s'interroge sur les conditions auxquelles une exposition peut etre consideree comme une mediatisation de l'art. L'etude de la mise en place d'un dispositf mediatique est l'objet de notre deuxieme partie. Elle commence par l'analyse des elements favorables a l'institutionnalisation du type de mediation que constitue la culture dont les expositions inaugurales sont le manifeste. Elle degage ensuite les deux caracteres principaux du dispositif mediatique comme configuration combinant logique de l'offre, de l'usage, logique technique, logique sociale : le role joue par la programmation et le type de museographie en jeu dans les expositions inaugurales pour forger tant l'identite du centre georges pompidou que la competence du public. La mise en place d'un dispositif mediatique entraine une reorganisation des fonctions du musee autour de l'activite d'exposition : developpement de la fonction de recherche, reglage du dispositif sur le public, instauration d'une dialectique entre deux formes de territorialites, locale et circulatoire. Elle envisage pour finir l'exportation du modele beaubourg et son adaptation tant en france qu'a l'etranger, dans des institutions publiques ou privees.
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Doulet, Jean-François Flonneau Mathieu. "Paris-Pékin, civiliser l'automobile /." Paris : Descartes & Cie, 2003. http://catalogue.bnf.fr/ark:/12148/cb39015888g.
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Extr. de: Th. doct.--Aménagement de l'espace et urbanisme--Paris 10, 2001. Titre de soutenance : De la ville des vélos à la ville des autos : mobilité urbaine et politique de transport à Pékin durant les années quatre-vingt et quatre-vingt-dix. Extr. de: Th. doct.--Hist.--Paris 1, 2002. Titre de soutenance : L'automobile à la conquête de Paris, 1910-1977.Jean-François Doulet est l'auteur du texte sur Pékin et Mathieu Flonneau sur celui de Paris. Bibliogr. p. 75-79 et 133-136.
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Guichardet, Jeannine. "Balzac, archéologue de Paris." Genève : [Paris] : Slatkine ; [diff. H. Champion], 1999. http://catalogue.bnf.fr/ark:/12148/cb37044895v.
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NETO, WILSON REIS DE SOUZA. "THE PARIS-HARRINGTON THEOREM." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13399@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROSabemos pelo Teorema da Incompletude de Godel que existem afirmações verdadeiras sobre números naturais que não podem ser demonstradas na aritmética de Peano. Paris e Harrington deram um exemplo de uma variação do Teorema de Ramsey finito que não pode ser demonstrada em aritmética de Peano apesar de ser facilmente demonstrável na Teoria de Conjuntos usual. Este é geralmente considerado o primeiro exemplo matematicamente natural de uma sentença indecidível. Além da demonstração original, apresentamos nessa dissertação outra usando Teoria de Modelos.
From Godel’s Incompleteness Theorem we know that there are true sentences about natural numbers which can not be proved in Peano Arithmetic. Paris and Harrington gave an example of a variation of the finite Ramsey Theorem which can not be proved in Peano Arithmetic although it can be easily proved in usual Set Theory. This is usually considered the first example of a mathematically natural undecidable sentence. Besides the original proof, another one, using Model Theory, is presented in this dissertation.
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Lotz, Sarah. "Paris on a shoestring." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8096.
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Set in Paris in the late 1980s, Paris On a Shoestring is narrated progressively by the two main teenage protagonists, who, through a series of events, find themselves living on the streets of Paris and begging for money. The two narrators, Vicki and Sage, flee to France after deliberately vandalising their art college. Penniless, homeless and lost in an unfamiliar environment, they're easy prey for various opportunistic chancers. Although predominantly a character driven novel, it also explores the protagonists' relatively seamless acceptance of radically different norms and values, as the girls go from living a fairly benign British middle-class existence to a way of life dependent on other people for survival.
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Bláhová, Petra. "Imidž značky Kérastase Paris." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-192371.
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The aim of the diploma thesis is to determine a perception of the brand Kérastase Paris by consumers in Czech republic and Slovakia and compare it with the identity of the brand. I want to expose consumer habbits in the field of hair care and find out opinion about marketing communication of the brand Kérastase, that is supposed to correspondent with the brand strategy. I also want to expose main characteristics of loyal customer of the brand and propose some marketing recommendation for the brand Kérastase Paris.
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Rajala, Johansson Desireé. "Paris, den trojanska prinsen : Jämförelse av Paris utifrån verket Iliaden och filmen Troy." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40154.
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The purpose of this essay is to analyze how the Trojan prince Paris is described in the Iliad and in the movie Troy in regard to love and bravery. Thereafter an analysis of the similarities and differences between the Iliad and the movie Troy will be made. There will also be a discussion why there are differences between an epic story which was made for over two thousand years ago and a modern movie made in the twenty-first century. The differences will be based on the perspective ancient Greek culture versus filmmaking of the twenty-first century. The method that has been used is narrative analysis where the primary data, the Iliad and the movie Troy, have been interpreted. The Trojan prince Paris is described as a young, handsome man driven by his passion for Helen. Because of his passion for Helen he started a war and sacrificed thousands of men of Troy for her sake. The study showed that Paris was described in both the Iliad and the movie Troy as a coward, although some of his actions were brave. One reason why there are differences between the Iliad and the movie Troy is Wolfgang Petersen’s decision to remove the interference of the gods but other reasons are also discussed in the essay.
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Hyacinthe, Sandrine. "L’École de Paris, une histoire sans histoire ? : l’Art à Paris de 1945 à 1980." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100097.
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La Nouvelle École de Paris est un objet à géométrie variable de l’histoire de l’art. Plus qu’une école nationale, elle est un concept résultant de la somme des discours qui n’ont de cesse de la définir de 1945 à 1980. L’École de Paris est une zone de transformation permanente au gré des projections et des interprétations des acteurs du monde de l’art (critiques, galeristes, artistes et historiens) ainsi que des intervenants extérieurs (politiques, milieux économiques). Chaque partie en a une lecture personnelle.Cette thèse, articulée en deux volets, revient sur les origines de ces interprétations contradictoires. Ainsi, la première partie concerne les lectures contemporaines de la Nouvelle École de Paris de 1945 à 1955. Cette période qui s’étend depuis la Libération de la France jusqu’au début de la guerre froide, revient sur les conditions d’émergence de la Nouvelle École de Paris et analyse les différentes acceptions qu’elle revêt. Le deuxième volet, intitulé l’École de Paris face à son histoire de 1955 à 1980, se concentre sur les réécritures de l’histoire de l’art. Au milieu des années 1950 la Nouvelle École de Paris atteint une stabilité qui relance la modernité et permet de réaffirmer la place de la France sur la scène internationale. Néanmoins, le modèle qui s’impose alors, va être fortement contesté tant au niveau national qu’international, alors que jusqu’ici l’École de Paris avait imposé un modèle historiographique basé sur la continuité des avant-gardes historiques françaises. À la fin des années 1960, l’école parisienne devenue trop embarrassante dans un monde de l’art internationalisé, devient un enjeu de relecture. L’histoire de l’art qui s’écrit dans les années 1970, frappée par la crise de l’avant-garde, réévalue les termes de son passé moderniste et ceux de la tradition nationale française. Il s’agit alors de déterminer la place et le rôle de l’École de Paris au sein du programme de refondation des politiques culturelles et de l’historiographie qui s’écrit de 1960 à 1980. Bien qu’officiellement condamnée, certains aspects de l’École de Paris entrent pourtant en résonnance avec la néo-avant-garde qui se développe entre 1970 et 1980, permettant de repenser et de dépasser les blocages engendrés par les définitions paradoxales de l’École de ParisThe Nouvelle École de Paris is a “geometrical object” with multiple facets that have evolved throughout the History of art. More than a national school, the Nouvelle École de Paris arose from cumulative discourses that have been trying to define it from 1945 to 1980. The École de Paris is a permanent morphing zone, changing upon two main components. The first one includes the interpretations and projections stemming from various actors constituting the artistic community (i.e. critics, gallery owners, historians, artists, etc.) and the second one involves independent contributors (i.e. political and economic protagonists). Each one has a different reading. This thesis contains two parts, both exploring the multiple conflicting interpretations to understand the resulting artistic heritage of the École de Paris. Thus, the first part of the thesis named “The contemporary readings from 1945 to 1955” investigates the conditions and contexts allowing the rise of École de Paris and analyzes the multiple acceptations it faces through contemporary readings from the end of the Second World War in 1945, after the Liberation, to the beginning of the Cold War in 1955. The second part, named “L’ École de Paris facing its history, from 1955 to 1980” is focused on the way of rewriting the History of art. The Nouvelle École de Paris reaches enough stability to revive the modernity in the middle of the 50’s, allowing reinforcing the international position of France on the artistic scene. Nevertheless, the historiographical model based on the French historical avant-garde that has been so far imposed by the École de Paris will be strongly contested at both national and international levels. Becoming too embarrassing in such an internationalized artistic world, the École de Paris is again subjected to further reinterpretations at the end of the 60’s. Stricken by the artistic avant-garde crisis of the 70’s, the History of art is constrained to reappraise the terms defining its Modernist past and those of the artistic French national tradition. The new issues to determine the place and the role of the École de Paris within the rebuilding program of French cultural policies and through the historiography writing come up from1960 to 1980. Although officially condemned, the resonance of some aspects of the École de Paris within the neo-avant-garde arising between 1970 and 1980, allows rethinking and surpassing the blockages formerly engendered by all paradoxical definitions of the École de Paris
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Frondizi, Alexandre. "Paris au-delà de Paris : urbanisation et révolution dans l’outre-octroi populaire, 1789-1860." Thesis, Paris, Institut d'études politiques, 2018. http://www.theses.fr/2018IEPP0044.
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Cette recherche entend revisiter l’histoire du Paris populaire du XIXe siècle par une appréhension locale et grand-parisienne des rapports entre urbanisation et révolution. L’exploration du cas de la fabrique socio-politique du quartier chapello-montmartrois de la butte des Moulins montre comment, en s’appuyant parfois illégalement sur des réformes fiscales, territoriales, foncières et financières de la fin du siècle précédent, des Parisiens de naissance et d’adoption construisent à partir des années 1820 la capitale des révolutions également hors de ses limites administratives. Tout en érigeant cet espace social en quartier d’une République insurgeante grand-parisienne, l’année 1848 révèle que, au lieu d’exprimer la longue crise d’une ville atone face à son impressionnante croissance démographique, les journées de Juin manifestent le succès d’une révolution urbaine silencieuse. Le succès d’une urbanisation qui, par la voie inédite des lotissements populaires par lesquels, avec la complicité puis le soutien des autorités locales, des promoteurs projettent efficacement leur ville au-delà d’elle-même, permet à une multitude de familles et d’individus d’origine majoritairement ouvrière de se loger à moindre coût dans des immeubles que des lotis au profil social similaire élèvent sur les terrains notamment acquis grâce au dynamique marché du crédit immobilier interpersonnel. En barricadant leur quartier et en descendant dans la vieille ville pour défendre avec leurs frères de l’intra-muros l’idéal de démocratie sociale de proximité qu’ils investissent dans les institutions républicaines localistes, ces Parisiens de l’outre-octroi transforment dès 1848 la butte des Moulins en l’un des Aventins de leur agglomération. L’analyse multiscalaire des pratiques et des itinéraires socio-spatiaux des bâtisseurs du quartier dévoile en définitive la précocité de la formation d’un Grand Paris populaire dont les voisins de certaines de ses marges urbaines n’attendent point les effets ségrégatifs de l’haussmannisation pour revendiquer leur appartenance à la capitale des révolutionsThis dissertation seeks to revisit Parisian popular history in the 19th century through a local and greater Parisian understanding of the relationship between urbanization and revolution. The exploration of the case of the socio-political construction of the suburban neighborhood of the butte des Moulins shows how, after the 1820s, Parisians of birth and adoption built the capital of revolutions outside of its administrative limits. While 1848 established this social space as a neighborhood of an insurgent greater-Parisian Republic, it also revealed that instead of expressing the long crisis of a city that was apathetic when facing its impressive demographic growth, the Days of June manifested the success of a silent urban revolution. The success of an urbanization that occurred through the unprecedented channel of popular subdivisions where real estate promoters projected their city beyond the city wall with the complicity and then the support of local authorities. This allowed a multitude of mostly working-class families and individuals to find cheaper housing than buyers with a similar social profile built on the lots acquired through the interpersonal mortgage market. In 1848, these suburban Parisians barricaded their neighborhood and descended into the old city to defend with their brothers the social democratic ideal of proximity that they gave to republican institutions, thus transforming the butte des Moulins into one of the Aventine hills of their city. The multi-scale analysis of the practices and socio-spatial itineraries of the builders of this neighborhood reveals the precocity of the formation of a popular Greater Paris, where the residents of certain urban margins did not wait for the segregative effects of Haussmanization to claim their belonging to the capital of revolutions
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Mahut, David. "Les bamakois diplômés de Paris." Phd thesis, Université René Descartes - Paris V, 2012. http://tel.archives-ouvertes.fr/tel-00708235.
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Ce travail est le résultat d'une enquête ethnographique menée entre 2007 et 2012 auprès de migrants bamakois et diplômés résidant à Paris. En mêlant récits d'observation et entretiens, j'ai cherché à saisir la manière dont mes interlocuteurs organisent et se représentent leur expérience migratoire. La migration marque une scission entre le passé bamakois des enquêtés et leur présent parisien, un changement de condition sociale et économique qui leur impose un intense travail d'adaptation. Quelle est la nature de ce travail ? Quelles ressources développent-ils pour faire face aux contraintes qui sont les leurs ? À quelle catégorie de l'entendement font-ils appel pour expliquer et s'expliquer qui ils sont et ce qu'ils font ? À travers cette série de questions, je me suis intéressé aux mécanismes par lesquels mes interlocuteurs prennent place dans l'espace social parisien. Pour en rendre compte, j'ai suivi trois axes de recherche qui ont structuré l'investigation : le capital pré-migratoire, les conditions d'immigration et la relation des bamakois diplômés aux "accueillants". " Le capital pré-migratoire " désigne l'ensemble des ressources dont dispose un individu et qui sont le résultat de sa socialisation avant son émigration. Pour le définir, plusieurs critères peuvent être pris en considération : l'origine sociale et familiale, l'origine géographique, le genre, l'origine ethnique, le degré de scolarité ou encore la religion. Et c'est parce que les enquêtés partagent des dispositions sociales similaires que j'ai choisi de les nommer " bamakois diplômés " : ils sont très majoritairement des hommes issus de la petite bourgeoisie urbaine, ils maîtrisent le français (tant à l'écrit qu'à l'oral) et tous ont obtenu leurs diplômes au Mali (du baccalauréat au doctorat). Par ailleurs, je précise que l'étude du capital pré-migratoire - et de son impact en situation d'immigration - a rapidement révélé la nécessité d'un travail de terrain à Bamako. Effectué entre octobre 2007 et janvier 2008, le séjour au Mali a été motivé par trois objectifs : déterminer avec plus de précision les origines sociales de mes interlocuteurs, appréhender les mécanismes de socialisation familiale et scolaire en milieu urbain (Bamako), mieux comprendre les raisons de leur immigration en France. " Les conditions d'immigration " qu'offrent Paris et sa banlieue aux étrangers demeurent marginales : occupations d'emplois peu ou pas qualifiés dans des secteurs d'activité souvent marginaux, ségrégation résidentielle durable, précarité du statut économique et juridique. Fragilisés dans des domaines essentiels de l'existence, il leur faut malgré tout " tenir ". Ici, je me suis intéressé aux conditions socioéconomiques de vie des enquêtés et aux moyens qu'ils mettent pour agir sur ces conditions. J'ai donc mené l'investigation à l'intérieur des lieux effectifs de leurs activités familiales, professionnelles et de loisirs. Ces lieux forment le cadre global au sein duquel l'expérience d'immigration est vécue et interprétée par mes interlocuteurs. C'est donc dans ce cadre que peuvent être compris les modes d'être et de pensée des bamakois diplômés rencontrés durant l'enquête. " La relation "aux accueillants" " vise à analyser les façons dont les enquêtés construisent le réel à partir des relations sociales de leur vie quotidienne à Paris. En effet, l'étude du capital pré-migratoire et des conditions d'immigration ne doit pas faire oublier que mes interlocuteurs sont pris dans un réseau de relations sociales. C'est dans et par l'interaction avec les autres qu'ils se forgent leur vision du monde et s'approprient les normes et les valeurs de la société française. Capital pré-migratoire, conditions d'immigration et relation aux " accueillants ", ces trois axes de recherche sont considérés comme interdépendants. Ils forment le système d'interprétation construit durant l'enquête pour appréhender l'expérience migratoire des bamakois diplômés de Paris.
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Mordey, Delphine. "Music in Paris, 1870-1871." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.586916.
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Harkett, Daniel. "Exhibition culture in Restoration Paris." View online version; access limited to Brown University users, 2005. http://catalog.hathitrust.org/api/volumes/oclc/73488260.html.
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Thesis (Ph.D.)--Brown University, 2005.Vita. Thesis advisor: Kermit S. Champa. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 271-289).
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Gaillard, Jeanne Bourillon Florence Pinol Jean-Luc. "Paris, la ville : 1852-1870 /." Paris : l'Harmattan, 1997. http://catalogue.bnf.fr/ark:/12148/cb406262614.
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Yamazaki-Jamin, Harumi. "Jean-Jacques Rousseau et Paris." Paris 4, 1999. http://www.theses.fr/1998PA040207.
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Jean-Jacques Rousseau fait à Paris trois séjours : le premier en 1731, le deuxième de 1742 à 1756 et enfin le troisième de 1770 à 1778. Le premier séjour n'est que de courte durée. Nous étudions dans la première partie l'aspect général de Paris. Le deuxième séjour est le plus long et le plus important. C'est dans cette capitale que l'homme totalement inconnu devient homme célèbre dans le monde des lettres. Suivant chronologiquement l'itinéraire de Rousseau à Paris, nous nous promenons, comme l'aurait fait Rousseau autrefois, dans les quartiers parisiens : le quartier latin, le quartier du Faubourg Saint-Germain, le quartier du Louvre, le quartier du Palais Royal et le quartier de Saint-Eustache. Nous découvrons le paysage de chaque quartier avec ses habitants. Le troisième séjour est le plus pathétique de la vie de Rousseau. Le célèbre proscrit mène un combat solitaire dans le plus grand secret. La grandeur de Paris lui permet de se dissimuler dans la foule, où Rousseau n'est qu'un homme âgé de milieu artisanal. Nous découvrons enfin la rue Plâtrière, telle que Rousseau a dû la connaitre dans les années 1770. Nous trouvons la maison des Dupin et les maisons qu'habita Rousseau.
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Floyd, Rebecca Athena. "Human decision making in Paris." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715808.
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Zuber, Annette-Eve. ""Bergère, Ô Tour Eiffel" : Ein Mythos in Literatur und Kunst /." Heidelberg : Neuphilologischen Fakultät der Universität Heidelberg, 2000. http://catalogue.bnf.fr/ark:/12148/cb390801921.
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Romo, Malin. "Public Green Space in Paris : Sustainable Development Discourses in the Objective of Le Grand Paris." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-259227.
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Sustainable Development challenges will increasingly concentrate in cities as the urbanization in Europe and the rest of the world continues and governments must implement policies to ensure benefits of urban growths are shared sustainably. When more people move into the cities, the intimate contact with nature is lost since nature has not always been a priority in the history of urban planning. A biophilic approach is considered in this study, where the concept of inclusion of nature is perceived essential for the human life and previous empirical evidence supports the theory of presence of nature being substantial to human wellbeing. Because of the population density, Paris is an interesting example of the development of a megacity in a post-Kyoto context. The development project for the Paris urban area, called Le Grand Paris, intends to develop Paris on several levels. The aim with this study is to examine driving forces for nature as a part of an urban setting that can contribute to the development of intelligent sustainable urban planning for the future. Using qualitative methods to gather empirical data and a discourse analytical framework, this study intends to increase the understanding of perspectives, incentives and discords in the perceptions of urban green space and Sustainable Development. The problem statement is: How is urban green space carried out in the perspectives of cultural, economical and ecological values of citizens and planning documents in the context of Le Grand Paris project? The results establish that that need of increasing vegetation in the city of Paris is pressing in order to enhance quality of life and increase effects of ecological services. The continuing urbanization of Paris will intensify the need of social-ecological interactions, which require approaches through processes of democracy and participation in order to contribute to intra- and intergenerational socio-ecological justice for a sustainable Paris.
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Parent-Lardeur, Françoise. "Lire à Paris au temps de Balzac : les cabinets de lecture à Paris, 1815-1830 /." Paris : Éd. de l'École des hautes études en sciences sociales, 1999. http://catalogue.bnf.fr/ark:/12148/cb37092989r.
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Swahnström, Sara, and Agnes Hultén. "“Paris Measurements” : The Inertia of the Thin Ideal on the Runways of Paris Fashion Week." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22001.
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Background - Welcome to the 2010’s and its visual information culture informing about the century-old ideal of thinness, by sending (almost) exclusively thin bodies down the runway of Paris Fashion Week (PFW). This, while at the same time the academia and mass media are repeatedly articulating the necessity of a more ethical aesthetic within the fashion industry, while the argument that “thinness sells” lack empirical support, while measures are taken around Europe to discourage media bias and encourage healthy bodies walking the, and while the body positivity movement – applauding the diversity of body types – is on the rise in the Western society. Problem - How can it be explained that PFW, as an event organized to communicate the latest trends, and as an institution of a concept that thrives on change, is being stuck in an inertia of thin models? The purpose of this qualitative study is to explore the explanations for the idealization of thin bodies in regard to female runway models, to be found in visual representations of PFW. Examining the paradox of the idealization of thin bodies has the potential to reveal the measures necessary to establish practices of ethical representation in the realm of PFW. Method - The search for explanations to the inertia of the thin ideal on the runways of PFW is based upon a qualitative research design and a method of semi-structured interviews. The sample consisted of fourteen people involved in the event of PFW. It is framed within three theoretical perspectives: the trickle-down, trickle-across and trickle-up theories – associated with authors such as Simmel (1957), King (1963) and Blumer (1969a; 1969b); a theoretical view of the relation between fashion, clothes and the body provided by Barnard (2014) and, lastly, the Organizational Ecology Theory presented by Hannan and Freeman (1977; 1989). Findings - The findings suggest that the inertia of the thin ideal on the runways of PFW is explained by the thin body not only being part of a long history and tradition of creating and showing fashion, but also being dressed in aesthetic value. At the same time, the explanations to the idealization, or inertia, of thin bodies on PFW are found to be multiple as well as paradoxical, a conclusion serving as an explanation in itself. Conclusion – It is difficult to point out the explanation to the inertia of the thin ideal – both in terms of factors and actors – not at least due to the explanations stemming from both social and cultural as well as economic aspects of fashion. As a consequence, every actor part the fashion industry need to understand the effects as well as the extent of idealization of thin bodies, and start to realize that public health is more important than profits.
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Smith, Donna Gayle. "A Historical Study of the Paris Small Business Development Center in Paris, Texas: 1986-2006." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699861/.
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This historical study chronicled events of the development and implementation of the Paris Small Business Development Center at Paris Junior College in Paris, Texas from 1986-2006. Data was collected from primary and secondary sources and oral histories through personal interviews. The analysis included a brief history of higher education and the service mission and situated the study in the broader context as an extension program in higher education. This study provided a brief history of the U.S. Small Business Administration and America’s Small Business Development Center Network as a background for the study. This study is significant to scholars in the field of higher education for a number of reasons. It provides a historical analysis of a service program that extends the college to the community and demonstrates higher education and its role in economic development. It adds to the current body of research by advancing an understanding of a past to contemporary knowledge. Finally, by integrating historical perspectives from multiple disciplines in higher education, what happened and the context in which it happened can be more fully appreciated. This study also contributes to practical knowledge as it deepens the understanding of significant events and processes that contributed to the success of an outreach program in higher education.
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Ferro, David L. "Science and the press : nascent institutions in colonial America /." Thesis, This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-01312009-063236/.
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McLoone, Jr Robert Bruce. "The enchanted plantation: literature, speculation, and the credit economy in Virginia, 1688-1754”." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/6800.
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"The Enchanted Plantation: Literature, Speculation, and the Credit Economy in Virginia, 1688-1754" examines the beginnings of a regionally-based literary culture in colonial Virginia and focuses specifically on texts that either originate from, or have close ties to, the colony's political and administrative capital at Williamsburg. The dissertation argues that literary practices and literary production in Virginia at this time were crucial to the imagination and material construction of Virginia's unevenly-developed plantation landscape, specifically as this plantation landscape arose within the new speculative and financial markets of the early eighteenth century. Individual chapters demonstrate how reading, writing, and publishing--practices that enabled, and were enabled by, a transatlantic empire built upon speculation and credit--were increasingly tied to land speculation and a managerial ethos of plantation administration. While surveying and bringing to light the many genres and writers associated with Virginia and its capital during this period (including financial literature by government officials, public oratory and ballads in Williamsburg, quitrent poetry, the periodical culture of the Virginia Gazette, and William Byrd II's historical narratives), the dissertation analyzes how Virginia's early literary culture assisted in both creating and managing the Virginia plantation as a slave society, a colonial contact zone, and a scene of financial investment.
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BALDI, ROBERTA GIOVANNA. "I "Departmental Ditties" di Rudyard Kipling: dalla serie del 1886 apparsa sulla Civil and Military Gazette alla sequenza inglese del 1890." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/164.
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La tesi investiga i Departmental ditties' di Rudyard Kipling.
Il capitolo uno delinea in particolare la permanenza dell'autore in India come sub-editor' della Civil and Military Gazette, che tra il febbraio e l'aprile del 1886 pubblica la serie dei Departmental Ditties'. Il capitolo due esamina i dieci microtesti originari. Il capitolo tre discute le maggiori alterazioni testimoniate dalla sequenza poetica nelle sue prime quattro edizioni in Departmental ditties and other verses (1886, 1888 E 1890).The dissertation investigates Rudyard Kipling's 'Departmental Ditties'. Chapter One refers in particular to Kipling's sojourn in India as sub-editor of the Civil and Military Gazette, which between February and mid-April 1886 published the 'Departmental Ditties' series. Chapter Two investigates the ten original poems. Chapter Three discusses the main alterations of the sequence by comparing its first four editions in the poetic collection departmental ditties and other verses (1886, 1888 and 1890).
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Gandari, Jonathan. "An examination of how organisational policy and news professionalism are negotiated in a newsroom: a case study of Zimbabwe's Financial gazette." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002884.
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The construction of journalistic professionalism in Zimbabwe has stirred debate among scholars. Critics have argued that professionalism has been compromised by the stifling media laws in Zimbabwe as well as the extra legal measures the state has enforced to control the press. Some have also argued that a new kind of journalism must be emerging in the Zimbabwean newsroom as journalism try to cope with the political and economic pressures bedeviling the country. Much of this criticism however, has not been based on close interrogation of professionalism from the perspective of the journalists in any particular newsroom. It is against this background that this study examines the constructions of professionalism at the Financial Gazette. In particular it explores the meaning of professionalism through interrogating the journalistic practices the journalists consider during the process of news production in the context of overwhelming state power. In undertaking this examination, the study draws primarily on qualitative research methods, particularly observation and multi-layered individual in-depth interviews. As the study demonstrates, the interrogation of professionalism from the perspective of newsroom practices uncovers the complex manner in which professionalism is negotiated in the Gazette’s newsroom located in a country undergoing transition in Democracy. The study establishes that when measured against normative canons of journalistic professionalism the Gazette is deviating from such tenets as public service and watchdog journalism. As the study indicates, perhaps unbeknown to the respondents, the ruling ZANU PF party hegemony is reproduced at the Gazette through choice of news values such as sovereignty and patriotism all euphemisms for ruling party‘s slogans.
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Bennett, Lewis Peter. "Sacred repertoires in Paris, 1630-43 : Paris, BibliotheÌ€que National de France, Vma reÌs.571." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413015.
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Coduti, C. Leonard. "Giuseppe Verdi| The Paris Opera commissions." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523336.
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This thesis examines the relationship between Giuseppe Verdi and the Paris Opera and the stage works that Verdi composed or reworked as a result of this business venture. Between 1847 and 1867, Verdi accepted four formal commissions for Paris: Jerusalem (1847), Les vêpres siciliennes (1855), Le trouvère (1857) and Don Carlos (1867). After a brief introduction discussing Verdi's career before Paris, each commission is discussed in detail from the genesis of the work through its premiere, and the eventual outcome of each opera. This study also evaluates the benefit of this collaboration to Verdi's international career given the requirements and time expended to produce each commission. It explores Verdi's adaptation to cultural differences, his handling of foreign business affairs, and his personal feelings toward French society. Much of the source material is drawn from Verdi's own writings and correspondence, as well as the writings of several Verdi scholars.
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Armstrong, Megan Cathleen. "The Franciscans in Paris, 1560-1600." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ35101.pdf.
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Gough, Harriet. "Interpretations of May 1968 in Paris /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arg692.pdf.
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Archer, Janice Marie. "Working women in thirteenth-century Paris." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187182.
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This thesis examines the role of women in the Parisian economy in the late thirteenth century. The Livre des metiers of Etienne Boileau offers normative provisions regarding societal structures that permitted but restricted the participation of women, while the tax rolls commonly known as the roles de la taille de Philippe le Bel furnish numbers which show their actual participation. While these sources are well known, they have not heretofore been rigorously examined. Conclusions about women based on them have been amorphous. Married women are nearly invisible in these records, but unmarried women and widows headed 13.6% of Parisian workshops. Women monopolized the Parisian silk industry. About one-third of Parisian women in the late thirteenth century worked in jobs traditionally considered "women's work," including the preparation of food and clothing, peddling food on the street, and providing personal services. The other two-thirds did nearly every kind of work that men did. A "putting out" system was well in place in Paris at this time. Women classified as chambrieres or ouvrieres worked at home, spinning and weaving raw materials provided by an entrepreneur and selling back to the entrepreneur the finished product. Working at home allowed a woman to combine household duties with production for the marketplace. Girls usually learned a trade by working alongside their parents. Formal apprenticeships were less common for girls than for boys. While women could and did participate in nearly every trade, their numbers were concentrated in the lowest-paid metiers. The few women who practiced trades dominated by men were much more successful financially.
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Place, E. M. "Wehrmacht soldiers in Paris, 1940-1944." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512074.
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Jamin, Mikael Jan. "Sociolinguistic variation in the Paris suburbs." Thesis, University of Kent, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529312.
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This thesis investigates linguistic variation, diffusion and change in two suburban towns of Paris (La Courneuve and Fontenay-sous-Bois), using quantitative methods to analyse innovative accent forms presently developing. After an introductory chapter which sets out the origins and objectives of the study, Chapter 2 gives the background to the Paris banlieues as well as a description of the research sites. Banlieues are ideal places of investigation for the linguist interested in sociolectal variation in that they accommodate a population which is relatively isolated from the linguistic norm of the dominant society. As a result of this isolation, a recognisable localised vernacular has emerged. This is in itself unsurprising, as similar phenomena have been observed elsewhere in low-contact contexts. What is particularly interesting here is that this vernacular has emerged in an urban context, generally characteristised by a relatively high degree of sociolectal contact, especially with prestigious varieties. Chapter 3 aims at showing how previous research has tackled the study of sociolinguistic variation in urban contexts. We then discuss the sociolinguistic literature more specifically focused on banlieues. From this, three linguistic variables thought to be potentially interesting are selected. In Chapter 4, the methodology used to obtain the linguistic data is discussed and the social characteristics of the sample are described. We then proceed to analyse the linguistic data collected. Chapter 5 focuses on the sociolinguistic distribution of palatalisation in the corpus. Chapter 6 investigates /r/-realisation and Chapter 7 variation between /a/ and /a/. Generally, the same social group seems to lead the adoption of non-standard variants for most variables: working-class youngsters from immigrant backgrounds. Interestingly, the adoption seems to be spreading to other social and ethnic groups, especially amongst the younger age group of the sample. This diffusion is quantitatively explained in terms of integration and identification with the street-culture which has developed in the banlieues and of the nature of social network ties that the street creates. What is also interesting is that for all age groups and for all the linguistic variables concerned, a generational increase is observed. This in tum suggests that this possible diffusion of non-standard forms in the banlieues might be introducing a change in progress in contemporary metropolitan French.
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Caddy, D. L. "Music and dance : Paris, 1900-1914." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597208.
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This thesis offers three case studies of theatrical and recreational dance in early twentieth-century Paris: operatic, balletic and music-hall variations on Salome’s Dance of the Seven Veils; the reception of the cake walk as concert music, circus entertainment and on film; and the conception and realisation of La Fête chez Thérèse, a ballet staged at the Opéra during the years of the Ballets Russes. My critique, which draws on theories of post-colonialism, feminism and subjectivity (to name a few), offers a ‘thick description’ of these dance spectacles, tracing a peculiar line through the cultural and aesthetic determinants of early twentieth-century art and entertainment whilst exploring an encounter between French modernism, elite and popular culture. More important, though, is the fact that my thesis considers the role or function of music in dance performance. Such an approach inevitably invokes audio-visual theory, as well as recent musicological concerns with the moving body and its complex if ephemeral signification: how music helps dance to move beyond gymnastics and begin to ‘speak’ is becoming well-covered terrain. In my case studies the question extends in new and unfamiliar directions. As well as considering the relation between music, narrative and balletic ‘voice’ (an interpretative reading), I engage in a more acutely historical study, exploring the reception of dance in the Parisian press: what this might reveal about ways of watching, listening, thinking and writing about dance and its accompanying music. The different works and genres offered up for consideration by my case studies, as well as the variety of aesthetic levels that they mark out, enable me to expose new perspectives on the contemporary dance scene and its cultural motivations.