Relevant bibliographies by topics / La pantomime

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  1. Dissertations / Theses

Academic literature on the topic 'La pantomime'

Author: Grafiati
Published: 24 April 2022

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Dissertations / Theses on the topic "La pantomime"

1

LANGHANS, JOSEPH JOHN III. "PANTOMIME RECOGNITION AND PANTOMIME EXPRESSION IN PERSONS WITH ALZHEIMER'S DISEASE." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188005.

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There are few, yet contradictory, reports in the literature regarding whether persons with Alzheimer's disease demonstrate a disturbance of nonverbal communication or pantomime. While some researchers ascribe all disturbances of gestural behavior to apraxic phenomena, others have viewed a disturbance of pantomime as the consequence of language disorder or general intellectual deterioration. This investigation was conducted (1) to determine whether persons with Alzheimer's disease demonstrate a disturbance of pantomime recognition, pantomime expression, or both, compared to healthy, aged contro
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2

Zanobi, Alessandra. "Seneca's tragedies and the aesthetics of pantomime." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2158/.

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In this thesis I explore the affinities between Seneca's tragic plays and pantomime, arguably the most popular dramatic genre during the Roman Empire, but relatively neglected by literary critics. The research is thus designed to make not only a significant contribution to our understanding of Seneca's tragic art (especially through the explanation of formal features that depart from the conventions of fifth-century Attic drama and have long puzzled scholars), but also to Imperial performance culture more generally. In particular, I hope to shed light on the interaction between so-called 'high
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Scaggs, Deirdre A. "Deirdre A. Scaggs Pantomime: a personal research." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328209049.

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Brincken, Jörg von. "Tours de force : die Ästhetik des Grotesken in der französischen Pantomine des 19. Jahrhunderts /." Tübingen : M. Niemeyer, 2006. http://catalogue.bnf.fr/ark:/12148/cb402084225.

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5

Martinez, Ariane. "La pantomime, théâtre en mineur : étude des expériences pantomimiques (drames, spectacles, traités) dans le théâtre français, de la fin de siècle à 1945." Paris 3, 2006. http://www.theses.fr/2006PA030140.

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Entre 1880 et 1945, les créateurs de théâtre recourent à la pantomime pour transformer l’écriture dramatique, le jeu d’acteur et la conception du spectacle. Les pièces muettes (écrites par Margueritte, Huysmans et Hennique, Champsaur ou Gourmont) se multiplient à la fin du XIXe siècle. Symptomatiques d’une « crise du drame » (Szondi) et d’une « crise du geste » (Agamben), elles stimulent la mise en scène naissante, notamment au sein du Cercle Funambulesque. Dans le domaine du jeu mimé, deux courants majeurs s’affrontent : d’une part, les mimes logocentristes, qui recherchent une gestuelle codi
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Sullivan, Jill Alexandra. "The business of pantomime : regional productions 1865 to 1892." Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/11078/.

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Whilst in recent years the study of nineteenth-century popular theatre and culture has expanded into the music hall, fairgrounds and 'minor' theatres, embracing melodrama and spectacle, the Victorian pantomime has attracted little attention. More especially, the widespread and dynamic productions of the English provincial theatres have been largely excluded in discussions that repeatedly focus on the London stage. My thesis is centred on the Theatres Royal of Nottingham and Birmingham, two towns sited in the English Midlands, but with markedly different population sizes, socioeconomic structur
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7

Fantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914." University of Sydney, 1996. http://hdl.handle.net/2123/1617.

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Doctor of Philosophy<br>'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dic
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8

Kallemeyn, Rebecca. "ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211920375.

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9

Taylor, Wendy Amanda. "English pantomime in London in the period 1779 to 1786." Thesis, Cardiff University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313841.

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10

Bell, Alice R. "Science as pantomime : explorations in contemporary children's non-fiction books." Thesis, Imperial College London, 2008. http://hdl.handle.net/10044/1/11844.

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This project explores a case study in children's science culture: Horrible Science, a UK based series aimed at 7-11 year olds. Children, I believe, are one of science communication's most interesting audiences. They are both potential members and potential outsiders of the scientific community, and Horrible Science produces a liminar identity to meet these two markets. I apply a metaphor of pantomime to help describe Horrible Science, partly because of the series' approach to using fiction and its style of audience participation. It is also panto-science because it is presented as a carnivales
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