Relevant bibliographies by topics / La Parisina

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'La Parisina'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "La Parisina"

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Kaufman, T. "Parisina (1833)." Opera Quarterly 14, no. 3 (January 1, 1998): 136–39. http://dx.doi.org/10.1093/oq/14.3.136.

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Parker, R. "Parisina (1833)." Opera Quarterly 16, no. 3 (January 1, 2000): 504–5. http://dx.doi.org/10.1093/oq/16.3.504.

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Fregosi, W. "Parisina. Pietro Mascagni." Opera Quarterly 17, no. 4 (January 1, 2001): 775–77. http://dx.doi.org/10.1093/oq/17.4.775.

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McC. Gatch, M. "The Bibliotheca Parisina." Library 12, no. 2 (June 1, 2011): 89–118. http://dx.doi.org/10.1093/library/12.2.89.

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Migliavacca, G. "Parisina d'Este. Gaetano Donizetti." Opera Quarterly 17, no. 4 (January 1, 2001): 747–51. http://dx.doi.org/10.1093/oq/17.4.747.

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ZAPARART, María Julia. "Patrick Modiano en español: el caso de Dora Bruder." Belas Infiéis 8, no. 2 (April 30, 2019): 129–38. http://dx.doi.org/10.26512/belasinfieis.v8.n2.2019.24383.

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La obra de Patrick Modiano se caracteriza por una exploración de la topografía parisina como estrategia de reelaboración de una memoria que precede al nacimiento del autor. Modiano reconstruye el pasado francés ligado al período de la Ocupación alemana a través de la topografía parisina actual: la evocación de los barrios y lugares de París y su frecuentación permite a los narradores de Modiano entrar en contacto con el pasado y con los personajes que alguna vez los habitaron. La presente contribución propone un análisis crítico de la traducción al español que María Pino realizó para la editorial Seix Barral de Dora Bruder ([1997] 2014) de Patrick Modiano para indagar los problemas, dislocaciones y desplazamientos que se presentan a la hora de traducir esta topografía de la posmemoria (HIRSCH, 1997).
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Sastre González, Javier. "El Códice de Madrid (E-Mn 20486) y su repertorio de polifonía medieval: un estado de la cuestión." En la España Medieval 43 (April 2, 2020): 119–48. http://dx.doi.org/10.5209/elem.68642.

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El manuscrito de la Biblioteca Nacional de España con signatura Mss. 20486 (E-Mn 20486) es una de las cinco fuentes principales que contienen repertorio polifónico del Magnus Liber Organi de Notre Dame. Este códice, de origen y datación actualmente discutida, contiene una nutrida colecciónn de piezas cuyos géneros –organum, conductus y motete– se sitúan en los márgenes de la Escuela de Notre Dame, cuyo máximo esplendor tuvo lugar a mediados del siglo XIII en la catedral parisina. El interés de esta fuente reside, además, en la influencia del nuevo sistema rítmico-musical cultivado por parte de los compositores parisinos, dando lugar a una estrecha relación entre el canto y la palabra basada en el uso de pies métricos propios de la lírica clásica. Este artículo estudiará los elementos codicológicos e históricos de mayor importancia de E-Mn 20486, así como su contenido musical y su posible datación y procedencia.
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García Bahena, Samuel Iván. "El fusilamiento de Maximiliano de Habsburgo visto desde París : inexactitudes y reacciones en la prensa periódica parisina." Estudios: filosofía, historia, letras 17, no. 131 (2019): 7. http://dx.doi.org/10.5347/01856383.0131.000296717.

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La historiografía sobre el fusilamiento de Maximiliano de Habsburgo es abundante; sin embargo, se ha dejado de lado la recepción de la noticia en la prensa parisina. La desinformación y los rumores generaron toda suerte de especulaciones en los periódicos. Quizás por ello, la noticia causó más revuelo en París durante la Exposición Universal de 1867.
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Delenda, Odile. "Dos lienzos firmados por Alonso del Arco en la parisina iglesia Saint-François de Sales." Archivo Español de Arte 77, no. 307 (September 30, 2004): 301–5. http://dx.doi.org/10.3989/aearte.2004.v77.i307.235.

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Lizama, Patricio. "Sara Malvar: modernidad, manifiesto y poemas pintados." Literatura y Lingüística, no. 39 (September 23, 2019): 91–118. http://dx.doi.org/10.29344/0717621x.39.2006.

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En este trabajo analizamos las diferentes modalidades de inserción de los artistas plásticos chilenos en la modernidad parisina a comienzos del siglo XX; luego, nos detenemos en el caso de Sara Malvar, artista que se vincula con los actores centrales de la vanguardia en Francia y que redefine su posición dentro de su matrimonio. Por último, analizamos la actividad de Malvar en París y su aporte en dos poemas pintados de Huidobro.
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Dissertations / Theses on the topic "La Parisina"

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Evans, John Scoville. "Parisina: Literary and Historical Perspectives Across Six Centuries." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4074.

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This thesis explores the relationship between the many literary texts referring to the deaths of Ugo d'Este and Parisina Malatesta, who were executed in Ferrara in 1425 in accordance with an order by Niccolò III d'Este after he discovered their incestuous relationship. The texts are divided in three categories: (1) the fifteenth- and sixteenth-century Italian novellas and their translations; (2) the seventeenth-century Spanish tragedy; and (3) the nineteenth- and twentieth-century Romantic works. Although these categories divide the various texts chronologically, they also represent a thematic grouping as the texts within each category share common themes that set them apart from those in the other groups. While the various texts all tell the same story, each approaches the tragedy slightly differently based largely on the audience for which it was intended. Thus, the time and place of each text greatly affects its telling. Still, the fact that substantial differences exist between texts that were produced in both geographic and temporal proximity suggests that these are not all-determining factors. Although scholarship exists analyzing individual texts, a comprehensive study of the literary accounts relating to the tragedy has never been undertaken. Rather than detracting from the story, the differences put forth in each of the literary texts enrich the global reading experience by offering many perspectives on the tragedy. In addition, these differences influence how the reader reacts to each of the other texts. Familiarity with one version of the story changes the way a reader approaches the others. A parallel reading of the different versions of the story also shows the power culture has on interpretation. Texts referring to a singular event from one time and place sharply contrast with those that are the product of other circumstances.
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Fernandez, Loja Kresly Sulibeth, and Eugenio Jahaira Elizabeth Llontop. "Plan de negocio para la instalación de una cafetería temática parisina-peruana en la ciudad de Chiclayo." Bachelor's thesis, Universidad Católica Santo Toribio de Mogrovejo, 2018. http://tesis.usat.edu.pe/handle/usat/1527.

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La idea de desarrollar este plan de negocio para la instalación de una cafetería temática en la ciudad de Chiclayo, surge de la necesidad de crear un establecimiento donde se fomente los lazos entre dos culturas en un ambiente acogedor para los clientes. Siendo una cafetería el lugar idóneo para este proyecto, se busca la fusión de dos culturas: La parisina y la peruana, la primera será fundamental como base para la decoración mientras que la segunda será la cultura que se dé a conocer a los clientes, siendo éste el objetivo de la cafetería, además de producir un cambio diferente en las cafeterías tradicionales que existen en Chiclayo, haciendo que las personas salgan de lo rutinario y puedan experimentar nuevos ambientes y experiencias únicas. Por ello, el objetivo principal de este plan de negocio es determinar la factibilidad para la creación de una cafetería temática en la ciudad de Chiclayo. Para esta investigación se empleó el método o modelo Canvas por Osterwalder & Pigneur; el tipo de investigación es cuantitativa-descriptiva, donde la muestra ha sido tomada de la base de datos del Instituto Nacional de Estadísticas e Informática (INEI), son personas entre 18 y 55 años de edad, con un nivel socio económico A, B y C con una población de 142.514, teniendo como muestreo 383 encuestados; como instrumentos de investigación se aplicó encuestas, finalmente el procesamiento de datos, fueron procesados mediante el programa computacional de Excel 2010, que sirvieron para plasmar el análisis de la investigación.
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Rouillard, Maurice. "Y a-t-il une spécificité française des salons au siècle des Lumières : France, Angleterre, Allemagne?" Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040100.

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L’objet de la présente thèse, soutenue sur la sociabilité des salons du XVIIIe siècle, vise dans un premier temps à interroger, à la lumière d’un témoignage du temps – Le Tableau de Paris – choisi pour son réalisme, son authenticité et sa fidélité à l’histoire, les chroniques et les représentations léguées à la postérité par Louis-Sébastien Mercier pour décrire la vie de société dans la France de l’Ancien Régime, afin d’en dégager les spécificités françaises. Le regard critique posé par le chroniqueur sur la vie parisienne nous sert tout d’abord de guide pour pénétrer ces cercles de rencontre, de conversation et de convivialité à l’aune de sa propre fréquentation du bureau d’esprit de Fanny de Beauharnais. Dans un second temps, on aborde le contexte historique et culturel ayant conduit à l’avènement de ces assemblées depuis le XVIIe siècle, voire antérieurement, non seulement pour en marquer les phases d’évolution successives, mais aussi pour tenter d’en dégager les traits distinctifs, les constantes et les variantes au temps des Lumières. XVIIe et XVIIIe siècle interagissent dans une dynamique historique permettant la mise en perspective des enjeux de la sociabilité dans leur continuité, depuis le siècle de Louis XIV jusqu’aux Lumières, voire au-delà. Toutes les idées reçues sont débusquées, puis passées au crible. Plusieurs méthodes viennent renforcer l’arsenal de la critique interne et externe des sources. L’outil informatique scrute méthodiquement les fonds insuffisamment explorés en permettant des rapprochements inédits. L’enquête comparatiste et l’exégèse sociolinguistique des sources polyglottes à l’échelle européenne viennent rendre leur verdict après la confrontation des sources françaises, anglaises et allemandes. Si Paris est la capitale européenne de la société élégante et polie, ce paradigme prévaut surtout pour la noblesse, la bourgeoisie et les élites cultivées, car les provinces de l’Hexagone se singularisent par leur idiome propre et par leur bilinguisme affiché, même au salon. En Angleterre, en Allemagne, en Suisse, les langues nationales, dont le français, véhiculent une vie de société locale, imitée certes, mais pas toujours fidèlement, du modèle parisien. Les témoignages du temps remettent au goût du jour la conversation, l’esprit, les gens de lettres, les petits-maîtres, les grandes dames, les soupers, les bureaux d’esprit, les bureaux de philosophie, les bureaux de littérature et les bureaux d’insurrection, naguère relégués au ban des curiosités par les historiens de la sociabilité et restituent sans conteste leur spécificité au sein de l’espace culturel français des Lumières. De nouveaux éclairages jettent une clarté nouvelle sur les débats ravivés depuis une vingtaine d’années autour des salons en France
The purpose of this dissertation on 18th century salon culture aims at questioning the chronicles and representations of Le Tableau de Paris (Panorama of Paris) by Louis-Sébastien Mercier in the light of his realistic, genuine and faithful eyewitness accounts of Paris life, in order to depict society life in Ancien-Régime France and to show any French peculiarities. The critical look taken by the chronicler of Parisian life as a regular frequenter of Fanny Beauharnais’ bureau d’esprit serves as a guide to get into these meeting, conversation and conviviality circles. Secondly, the historical and cultural background leading to the advent of such assemblies as early as the 17th century, and even before, is discussed, not only to mark their specific development, but also in a attempt to allow their dominant features, invariants and variations to be identified during the Enlightenment. Both the 17th and 18th centuries interact in a historical dynamics that provides a perspective of sociability stakes as part of a continuous process from the Century of Louis XIV to the Enlightenment and subsequently. All misconceptions were screened and subjected to rational investigation. Various methods were used to produce a full battery of internal and external criticism. Computerised tools methodically scrutinised unexplored resources, allowing novel associations to be made. Comparative survey and sociolinguistic analysis of European multilingual sources provided positive feedback as a result of comparative assessments of French, English and German texts. While Paris appeared to be the European capital of the elegant and polite society, such a paradigm has been found to apply mainly to the nobility, upper classes and educated elites as the rest of the French population in the provinces was found to speak local idioms and display bilingualism, even in salons. National languages including French conveyed local society lives in England, Germany and Switzerland, which, although imitated from the French model, were not always a faithful copy of it. Textual evidence revives the conversazione, esprit, petits-maîtres, ladies of the world, suppers, literati, bureaux d’esprit, ‘philosophical bureaux’, ‘literary bureaux’ and ‘insurrectional bureaux’, although relinquished by historians of sociability, and provides unambiguous demonstration of their specificity in the French cultural sphere of the Enlightenment. New light is shed on the current debates that have been on-going for twenty years about salon culture in France during the Enlightenment
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Lehrer, Charles-David. "The Nineteenth-century Parisian concerto /." Ann Arbor : Mich. : UMI, 1990. http://catalogue.bnf.fr/ark:/12148/cb35296154x.

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Wong, Tsun-yu Jeff, and 黃峻儒. "On some Parisian problems in ruin theory." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206448.

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Traditionally, in the context of ruin theory, most judgements are made on an immediate sense. An example would be the determination of ruin, in which a business is declared broke right away when it attains a negative surplus. Another example would be the decision on dividend payment, in which a business pays dividends whenever the surplus level overshoots certain threshold. Such scheme of decision making is generally being criticized as unrealistic from a practical point of view. The Parisian concept is therefore invoked to handle this issue. This idea is deemed more realistic since it allows certain delay in the execution of decisions. In this thesis, such Parisian concept is utilized on two different aspects. The first one is to incorporate this concept on defining ruin, leading to the introduction of Parisian ruin time. Under such a setting, a business is considered ruined only when the surplus level stays negative continuously for a prescribed length of time. The case for a fixed delay is considered. Both the renewal risk model and the dual renewal risk model are studied. Under a mild distributional assumption that either the inter arrival time or the claim size is exponentially distributed (while keeping the other arbitrary), the Laplace transform to the Parisian ruin time is derived. Numerical example is performed to confirm the reasonableness of the results. The methodology in obtaining the Laplace transform to the Parisian ruin time is also demonstrated to be useful in deriving the joint distribution to the number of negative surplus causing or without causing Parisian ruin. The second contribution is to incorporate this concept on the decision for dividend payment. Specifically, a business only pays lump-sum dividends when the surplus level stays above certain threshold continuously for a prescribed length of time. The case for a fixed and an Erlang(n) delay are considered. The dual compound Poisson risk model is studied. Laplace transform to the ordinary ruin time is derived. Numerical examples are performed to illustrate the results.
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Berman, Nancy. "Primitivism and the Parisian avant-garde, 1910-1925." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38149.

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At the beginning of the twentieth century, the primitive played a crucial role in the emerging European modernist aesthetic. While art historians have been exploring the role of primitivism in modern art for decades, this area of research has received little attention in musicology. In this dissertation I examine how primitivism is constructed in modern French culture as manifest in three of the most important avant-garde stage works of the first part of the century: the Ballets Russes's Le Sacre du printemps (1913) and Les Noces (1923), and the Ballets Suedois's La Creation du monde (1923). Relying on primary sources such as reviews, other historically relevant documents, as well as the art historical literature, I trace the evolution of the cultural role of primitivism in pre- and post-World War 1 French culture.
French critics of Le Sacre viewed the work as a portrayal of Russian "Otherness" against which they could assert or question their own identity. Whereas the primitivism of Le Sacre was understood to be radical, excessive, even prophetic and apocalyptic, the primitivism of Les Noces was perceived as a manifestation of the classicist "call to order" and as an emblem of American-style mechanization. That it was also understood in terms of the post-war avant-garde's emphasis on classical ideals of austerity, dryness, and sobriety reflects the Purists' belief that machines heralded the new classicism.
Jazz was the ultimate symbol of both primitivism and modernity, and was initially hailed by the avant-garde as a revivifying source for the French tradition. In their attempt to neutralize the racial and political threats perceived to be inherent in jazz, the avant-garde emphasized its rationality, precision, and economy. La Creation du monde represents the avant-garde's complete assimilation of jazz and l'art negre into the French classical tradition.
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Northeast, C. M. "The Parisian Jesuits and the Enlightenment (1700-1762)." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234459.

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Pekacz, Jolanta T. "Conservative tradition in pre-revolutionary France, Parisian salon women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0005/NQ29092.pdf.

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Donnellon, Deirdre Caitriona. "Debussy, Satie and the Parisian critical press (1890-1925)." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367092.

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Liu, Bo. "Les "Tableaux parisiens" de Baudelaire /." Paris ; Budapest ; Torino : l'Harmattan, 2004. http://catalogue.bnf.fr/ark:/12148/cb39117790d.

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Books on the topic "La Parisina"

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Byron, Byron George Gordon. Parisina. Whitefish, Montana: Kessinger Publishing, 2004.

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Trilogía parisina. Madrid: 451 Editores, 2007.

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Nikos, Zōrogiannidēs, ed. Alētheia einai ekeino pou den prepei na legetai: 90 parisina grammata. Athēna: Ekdoseis Harmos, 2010.

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Génesis de la pintura negra: La obra parisina de Guido Llinás. Valencia, España: Aduana Vieja, 2013.

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Roberta, Iotti, ed. Madama Parisina: La protagonista del peccaminoso scandalo estense nella storia e nella letteratura. Modena: Terra e identità, 2007.

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editor, Simons Martin 1973, ed. Parisiana. Berlin: Matthes & Seitz, 2015.

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Rice, Shelley. Parisian views. Cambridge, Mass: MIT Press, 1997.

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-K, Huysmans J. Parisian sketches. Sawtry: Dedalus, 2004.

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photographer, Benchallal Nadia, ed. Parisian cats. Paris: Flammarion, 2014.

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Parisini, Marcus. Marcus Parisini. Torino: Museo regionale di scienze naturali, 1999.

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Book chapters on the topic "La Parisina"

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Snædal, Magnus. "Gothic Contact with Latin: Gotica Parisina and Wulfila's Alphabet." In NOWELE Supplement Series, 91–107. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/nss.27.05sna.

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Maehder, Jurgen. "The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini." In Reading Opera, edited by Arthur Groos and Roger Parker, 92–128. Princeton: Princeton University Press, 1988. http://dx.doi.org/10.1515/9781400859597.92.

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Brydon, Diana. "Parisian Affairs." In Christina Stead, 48–68. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18602-0_4.

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Taunton, Matthew. "The Parisian Banlieue." In Fictions of the City, 98–138. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244917_4.

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Gooch, Jan W. "Parison." In Encyclopedic Dictionary of Polymers, 518. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8423.

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Piché, David. "Parisian Condemnation of 1277." In Encyclopedia of Medieval Philosophy, 1–9. Dordrecht: Springer Netherlands, 2017. http://dx.doi.org/10.1007/978-94-024-1151-5_370-2.

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Knuuttila, Simo, David Piché, Pieter De Leemans, Stephen F. Brown, Fabrizio Amerini, Ian Wilks, Christopher Schabel, et al. "Parisian Condemnation of 1277." In Encyclopedia of Medieval Philosophy, 910–17. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_370.

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Piché, David. "Parisian Condemnation of 1277." In Encyclopedia of Medieval Philosophy, 1377–85. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_370.

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Stumm, Marielle, and John B. Kidd. "Coordinating Parisian Urban Transport." In Decision-Making for Supply Chain Integration, 227–51. London: Springer London, 2012. http://dx.doi.org/10.1007/978-1-4471-4033-7_12.

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Hahn, H. Hazel. "Consumption as Urban Pleasure: The Rise of Modern Consumer Culture." In Scenes of Parisian Modernity, 15–44. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101937_2.

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Conference papers on the topic "La Parisina"

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Maldonado, Victoria. "Sísifo proletario de los dioses: impotencia, repetición y rebeldía." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8998.

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Sísifo proletario de los dioses: impotencia, repetición y rebeldía es una investigación teórica que se basa en mi última investigación práctica titulada Sísifo tres estados. El proyecto Sísifo: tres estados surge a partir del “encuentro fortuito” de un texto de Paul-Henry Chombart de Lauwe por el cual quedé magnetizada. En su libro París y la aglomeración parisina, Chombart estudia durante un año los trayectos realizados por una joven habitante de la capital francesa. Sus recorridos conforman un triángulo de dimensiones reducidas, “sin escapatoria”. Los vértices corresponden a su escuela, su domicilio y el de su profesor de piano. Durante el proyecto Sísifo: tres escenas me apropié del papel del sociólogo francés Chombart de Lauwe para diseccionar la rutina de un habitante de Aladrén, particularmente de Antonio Mateo. Analicé las tres localizaciones que conformaban el engranaje de su rutina, y así, sellé en cada una de ellas su mapa descontextualizado [o paisaje nocturno]. Es una descontextualización, en la cual, despojo todo elemento referencial de dicho mapa. Un mapa que no representa es una distorsión perceptiva. Un elemento cotidiano se torna siniestro cuando lo ampliamos y diseccionamos, al fin y al cabo, es lo que hacemos con nuestra rutina. La repetición visceral del mismo recorrido se torna compleja y desconocida. Creo que la radicalización de la deconstrucción ayuda a convertir el mapa urbano en paisajes nocturnos. Cada nocturno corresponde a una localización concreta del itinerario de Antonio Mateo, el cual transcurre en torno a la naturaleza particular del pueblo. Las fotografías de los mapas están en las fachadas de los lugares establecidos. Como si de una placa honorífica se tratase. El honor de un habitante y de todos a la vez. El acto heroico de levantarse para trabajar, trabajar para vivir, como él, como ella, como yo, como nosotros, como Sísifo.
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Olague, Gustavo, and Cesar Puente. "Parisian evolution with honeybees for three-dimensional reconstruction." In the 8th annual conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1143997.1144030.

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Dautzenberg, Bertrand, Hugo Torregrossa, Maria Melchior, Nicole Rieu, Pierre Birkui, Murielle Mary-Krause, and Marie-Dominique Dautzenberg. "Exclusive e-cigarette use among Parisian school students." In ERS International Congress 2018 abstracts. European Respiratory Society, 2018. http://dx.doi.org/10.1183/13993003.congress-2018.pa4541.

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Huang, Han-Xiong, and Dong Li. "Parison Dimension Prediction in Extrusion Blow Molding Using Neural Network Approach: A New Strategy." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-43934.

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As the plastics extrusion blow molded parts are getting more and more complex, it is necessary to optimize the parison dimension distribution. Predicting the parison dimension distribution is useful to optimize the thickness distribution and property of the final part. The dependency between parison dimensions and materials characteristics, processing conditions, and die geometry is a highly nonlinear and fully coupled one. In this work, diameter and thickness swells of the high-density polyethylene parison extruded under different flow rates were obtained by a well-designed experiment. The obtained data were then used to train and test the artificial neural network (ANN) model. Trained and tested ANN model can be used to predict the dimensions at any location on the parison within a given range.
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Dautzenberg, Bertrand, Pierre Birkui, Nicole Rieu, and Marie-Dominique Dautzenberg. "Nicotine dosage in e-liquide use by Parisian schoolchildren?" In ERS International Congress 2016 abstracts. European Respiratory Society, 2016. http://dx.doi.org/10.1183/13993003.congress-2016.pa2025.

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Bertasi, P., M. Bonazza, N. Moretti, and E. Peserico. "PariSync: Clock synchronization in P2P networks." In 2009 International Symposium on Precision Clock Synchronization for Measurement, Control and Communication (ISPCS 2009). IEEE, 2009. http://dx.doi.org/10.1109/ispcs.2009.5340205.

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Huang, Han-Xiong, and Yan-Sheng Miao. "Hybrid Method for Modeling Parison Extrusion in Blow Molding." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80347.

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As the third largest plastics processing technique, blow molding is one of the fastest growing industries worldwide. In this paper, a series of simulations on the parison formation in plastics extrusion blow molding were implemented using finite element method. Then a neural network model was developed based on the numerical results. The effects of the extrusion die inclination angle, die gap, and parison length on the parison swells can be predicted using the network model. The hybrid method combining the finite element and neural network can shorten the time for the predictions drastically.
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Mancone, Philippe. "Automation of Line 1: A Real Opportunity for the Parisian Metro." In 13th International Conference on Automated People Movers and Transit Systems. Reston, VA: American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41193(424)36.

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Groot, J. A. W. M., C. G. Giannopapa, and R. M. M. Mattheij. "Numerical Optimisation of Blowing Glass Parison Shapes." In ASME 2009 Pressure Vessels and Piping Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/pvp2009-77946.

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Industrial glass blowing is an essential stage of manufacturing glass containers, i.e. bottles or jars. An initial glass preform is brought into a mould and subsequently blown into the mould shape. Over the last few decades, a wide range of numerical models for forward glass blow process simulation have been developed. A considerable challenge is the inverse problem: to determine an optimal preform from the desired container shape. A simulation model for blowing glass containers based on finite element methods has previously been developed [1, 2]. This model uses level set methods to track the glass-air interfaces. In previous work of the authors [3] a numerical method was introduced for optimising the shape of the preform. The optimisation method aims at minimising the error in the level set representing the inner container surface. The objective of this paper is to analyse the inverse problem by means of an analytical approximation of the flow problem and to improve the performance of the optimisation method previously introduced. In particular an initial guess of the preform for the iterative optimisation algorithm is constructed from the approximate solution of the inverse problem. The main goals of this work are the analysis of the inverse problem and the development of the optimisation method in consideration of the application to containers of industrial relevance.
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Huang, Geng-Qun, and Han-Xiong Huang. "Optimization of Parison Thickness in Extrusion Blow Molding Using Fuzzy Iterative Learning Control Algorithm." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-14180.

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Blow molded parts require a strict control of the part thickness distributions so as to achieve the required mechanical performance and to minimize the usage of material. In this paper, an optimization algorithm combining iterative learning control (ILC) with fuzzy logic was used to get the optimal parison thickness distributions for a part with uniform wall thickness distribution. Instead of using the pure numerical method, engineer knowledge and experience were combined in the optimization algorithm using fuzzy rules. It was shown that the fuzzy ILC algorithm is effective to obtain the optimal parison thickness distributions.
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Reports on the topic "La Parisina"

1

Plummer, Brianna. Parisian Mad Men. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-726.

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Andrieux, Charlotte. Touchez pas au grisbi! d’Albert Simonin : une initiation à l’argot et au monde interlope du «mitan» parisien dans le polar à la française, à l’usage des «non-affranchis» et des «gambergeologues avertis». Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.12.

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