Academic literature on the topic 'La schizoanalyse'

Durant leur collaboration de 1972 à 1992, Gilles Deleuze and Félix Guattari ont développé un corpus de travaux théoriques qui s’inscrit dans la lignée du poststructuralisme français. A travers leur œuvre, un ouvrage en deux volumes intitulé « Capitalisme et schizophrénie », ils s’interrogent sur la nature du désir, les schémas organisationnels de la société ainsi que la structure métaphysique du monde. Cependant, malgré leur affirmation d’avoir produit un projet parfaitement égalitaire, leurs travaux sont sujets à une variété de développements d’exclusion et de limitations culturelles. Cet essai tente de combler ces lacunes par le biais d’hypothétiques mises en relation écologiques et théologiques avec l’œuvre de Gilles Deleuze and Félix Guattari. Dans un premier temps sera abordé le développement de la « théologie schizoanalytique», une application de leur notion de schizoanalyse qui bouleverse les conceptions transcendantales de la divinité pour ancrer la spiritualité dans la créativité du désir et la variabilité des processus écologiques. Vient ensuite l'exploration des théories d'Édouard Glissant, un théoricien francophone de la Martinique, dont le travail, fortement influencé par Deleuze et Guattari, se concentre sur le développement d'une ontologie cohérente avec les expériences culturelles des colonisés. L’interprétation que donne Glissant à l’œuvre de Deleuze et de Guattari, ainsi que sa divergence par rapport à cette dernière, est étudiée afin de mieux comprendre comment leur théorie peut être corrigée et reformulée pour tenir compte des nuances de perspectives à la fois des minorités et de la crise écologique. L’essai se termine par un dialogue entre la théorie de Guattari de «l'écosophie» et les conceptions socioculturelles de Glissant sur l'écologie, montrant ainsi la mise en œuvre et l’adaptabilité de la question de la schizoanalyse à diverses crises modernes qui trouvent leur point culminant dans la dégradation de l'environnement. Deleuze, Guattari, Glissant, crise écologique, théologie

Le présent article propose un travail de théorisation articulant: le quotidien d’un terrain professionnel, celui de l’enseignement français, envisagé du point de vue du rapport que les enseignants entretiennent au langage; l’évocation et l’analyse d’une pratique d’intervention de type socio-clinique, celle mise en œuvre par l’auteur du présent article; un cadre de référence théorique, celui de la schizoanalyse de Félix Guattari. Ce travail d’articulation théorique vise à proposer des éléments de réponse à une question: comment accompagner des professionnels à développer de nouvelles formes de langage qui leur permettent, d’une part de s’étonner de nouveau (et de penser autrement) leur réalité professionnelle quotidienne, d’autre part de s’engager dans des processus de subjectivation collective?

Cette thèse a pour thème le travail de la sécurité publique, en particulier dans la police civile de Rio Grande do Sul. La proposition vise à réfléchir sur transversalizadores aspects du travail de la police civile dans sa relation avec les processus subjectifs dans la perspective de la vie d'entraînement de puissance. Ainsi vise à discuter de la construction de l'officier de réserve au sein de la police civile. La méthodologie de cette étude a adopté le point de vue cartographique, cherchant à suivre les pistes et les chemins qui ont été présentés comme la recherche serait construit en termes de champ et applications théoriques. En cartographie, le chercheur sera reporté à travers des paysages, en étant guidé par les indices qui émergent dans le champ théorique et pratique. De cette façon, des entretiens individuels avec des policiers dans différentes positions et les effectifs ont été organisées. Le traitement de la parole a été effectuée au moyen de l'imbrication théorique entre la psychodynamique du travail et de la schizo. Pensez le monde du travail et la police implique d'examiner et de réfléchir sur deux domaines importants. Dans connaissances et des pratiques de bricolage, il est entendu à être la possibilité de construire des connaissances qui permettra le passage de la vie et de la production de changements et de possibilités de décalages institutionnels. Dans la cartographie du discours de participants, ont émergé des drapeaux qui ont été prises comme des catégories d'analyse et de fils, à leurs amarres représentent la conception de cette thèse. Donc, nous présentons les résultats suivants: Drapeau Territoire - fils de l'Organisation et des relations; Flag Machine - Fils L'entrée et la police; Mouvement Flag - Fil déplacement et A (fe) vation. Le Land Drapeau est comprise comme espace existentiel produite dans le travail quotidien, marqué par des éléments se rapportant à faire de ce sujet. La machine de Drapeau, engrenages et sous réserve explicite de modes de traitement, l'Rejoignez la transmutation en (la) police. Le mouvement du drapeau de la compréhension que même le plus dur des institutions, la garde lui-même des éléments de la vie. La machine de police se compose de personnes désirent êtres; de sorte est soumise à des lignes flexibles de production et d'exploitation des lignes de fuite. En parlant de la police, indicative de la police civile se déplace, déplace vers base une performance plus démocratique et plus humaine. Le poids des lignes molaires qui traversent l'institution et les méthodes de travail sont des facteurs opérant dans ce processus lent, mais cela ne signifie pas stagnation. Grâce à l'activation de la touche possibilités, afin de permettre le passage du flux de vie est la puissance de travail.
A presente tese tem como tema o trabalho na segurança pública, mais especificamente na Polícia Civil do Rio Grande do Sul. A proposta tem como objetivo, refletir sobre aspectos transversalizadores do trabalho do policial civil, em sua relação com processos de subjetivação, na perspectiva do acionamento de potência de vida. Desse modo, procura problematizar a construção do sujeito policial no espaço da Polícia Civil. A metodologia deste estudo adotou a perspectiva cartográfica, buscando seguir as pistas e os caminhos que se apresentavam conforme a pesquisa ia se construindo em termos do campo e dos mapeamentos teóricos. Na cartografia, o pesquisador vai transitar por entre paisagens, sendo guiado pelas pistas que emergem do campo teórico e prático. Neste percurso, foram realizadas entrevistas individuais com policiais civis de diferentes cargos e lotações. O processamento das falas foi efetivado por meio do entrelaçamento teórico, entre a Psicodinâmica do Trabalho e a Esquizoanálise. Pensar o mundo do trabalho e a polícia implica olhar e refletir sobre dois campos significativos. Na bricolagem de saberes e práticas, entende-se estar a possibilidade da construção de conhecimento que permita a passagem da vida e a produção de possibilidades de mudanças e deslocamentos institucionais. No cartografar das falas dos sujeitos, emergiram sinalizadores que foram tomados como categorias de análise e fios que, em suas amarrações compõem o desenho desta tese. Assim apresenta-se como resultados: Sinalizador Território – Fios Organização e Relações; Sinalizador Máquina – Fios O Ingresso e O Polícia; Sinalizador Movimento – Fios Deslocamento e A(fe)tivação. O Sinalizador Território é entendido como espaço existencial produzido no cotidiano de trabalho, marcado por elementos que atravessam o fazer deste sujeito. No Sinalizador Máquina, a explicitação das engrenagens e modos de processamento do sujeito, do Ingresso à transmutação em (O) Polícia. O Sinalizador Movimento parte do entendimento que, mesmo a mais dura das instituições, guarda em si elementos de vida. A máquina Polícia é constituída de pessoas, seres de desejo; portanto está sujeita à operação de linhas flexíveis e à produção de linhas de fuga. Na fala dos policiais, os indicativos de que a Polícia Civil encontra-se em movimento, em deslocamento rumo a uma atuação com bases mais democráticas e humanizadas. O peso das linhas molares que atravessam a instituição e os modos de trabalhar são fatores que operam na lentidão deste processo, mas isso não significa estagnação. Por meio das possibilidades de ativação dos afetos, no sentido do permitir a passagem dos fluxos-vida, encontra-se a potência do trabalho.
This thesis focuses on work in public safety, specifically the Civil Police of Rio Grande do Sul. It reflects on transversalizing aspects of the work of civil police officers in their relation to processes of subjectivation, from the perspective of activating life power. Therefore, it discusses the construction of the police officer subject within the Civil Police space. Its methodology adopted a cartographic perspective, seeking to follow the clues and paths presented as the study was built, in terms of field and theoretical mappings. In this cartography, the researcher will transit between landscapes and will be guided by clues emerging from the theoretical and practical field. Along the way, individual interviews were performed with police officers from different positions and places of work. Their speeches were processed by theoretical intertwining of Psychodynamics of Work and Schizoanalysis. Thinking the world of labor and the Police involves looking and reflecting on two significant fields. The possibility of construction of knowledge that allow the passage of life and production of possibilities for institutional changes and shifts resides in the bricolage of knowledges and practices. In cartographing subjects’ speeches, signals emerged that were taken as categories of analysis and threads whose bindings make up the design of this thesis. Thus, we present results as follows: Territory Signal – Thread: Organization and Relations; Machine Signal – Thread: Entry and The Police Officer; Movement Signal – Thread: Shift and Affectivation. The Territory Signal is understood as existential space produced in everyday labor, marked by elements that traverse this subject’s actions. The Machine Signal shows the gears and processing modes of the subject, from entry to transmutation into Police (Officer). The Movement Signal starts from understanding that even the hardest institutions keep elements of life. The Police machine is made of people, of beings of desire; therefore, it is subject to the operation of flexible lines and the production of lines of flight. In officers’ speeches, there is indications that the Civil Police is moving, shifting towards working under more democratic and humanized bases. The weight of molar lines crossing the institution and the ways of working operate in the slowness of the process, but that does not mean stagnation. Through the possibilities for activation of affects in the sense of allowing the passage of the life-flows, the power of labor is found.

Human life is engaged in a continual process of mapping and modelling the external universe. From the immediate level of sensation to more abstract forms of emotional and cognitive mapping, the human organism builds a web of inner experience which forms the basis for the construction/perception of "reality." This act of learning forms the genetic, neural, linguistic, and social programing by which individual and collective subjectivity is constructed. Theories in philosophy and science are simply more abstract higher- level models of reality akin to our neuro-semantic mappings. They are similar to cultural, artistic, and religious stories in that their modelling includes not only process but the organized gestalt of content which endows the model with meaning in inner experience. If we move to a higher level of modeling by metamodeling we can understand how various theories of human life have mapped reality. The transversal linking of various theories or models allows us to create clearer maps about process and to transcend the differences resulting from content which supply meaning to inner subjectivity and which organize theories, disciplines, and practices like religious belief systems. Schizoanalytic metamodeling engages this transversal process of communication by which two or more different perspectives of the real - two or more subjectivities or realities - are transcended by moving to the next higher logical level in a nested hierarchy of organization. Schizoanalysis was one of the names Felix Guattari and Gilles Deleuze gave to their lifelong project of reinventing psychoanalysis and therapeutic practice and extending it into the material and social field. By giving a name to this practice and outlining its essence they began to gather together the work of various clinicians, artists, philosophers, and scientists who - though isolated - were already engaged in such a project of transforming human experience and whose history has just begun to be told. The present work continues the development of schizoanalysis as a clinical and cultural practice.

In "A Poetics of Chaos: Schizoanalysis and Postmodern American Fiction," I use theories from physics and psychoanalysis together to explore narrative structures in recent American fiction. Chaos theory, which emerged in mathematical and biological discourses in the 1960s, postulates the intrinsic instability and unpredictability of many natural and physical phenomena. Theorists like Bertalanffy, Mandelbrot and Lorenz produced a vocabulary to account for these pervasive systems. In assessing historical, economic and, indeed, literary systems, we may draw terms from chaotic inquiry: bifurcation, fractal, moebial, reiteration, complexity, butterfly effect, strange attractors, and sensitive dependence upon initial conditions. '"Chaotic narratives*" may explicitly deploy (Barth, Pynchon, Gibson) or inadvertently express (Coover, Ondaatje, Powers) the structural features of chaotic systems. Such writing is characterized by a diffusion of linear chronology, as well as ontological and narrative fracture, repetition and variation. Literary theorists N. Katherine Hayles, Joseph Conte, Hanjo Berressem and others have discussed how chaotic scientific and psycho-social systems are not only invoked in contemporary literature, but are themselves the structural and philosophical underpinnings of postmodern culture. My thesis builds upon chaotic-literary criticism by investigating the psychological implications of "chaotic narratives." Drawing from the anti-deterministic "schizoanalysis" of Gilles Deleuze and Felix Guattari, I explain how writings by Don DeLillo, Paul Auster, David Foster Wallace and Mark Z. Danielewski perform and reflect the "orderly disorder" of psychic development. I advance the term "psychochaotics*' to describe a theoretical approach that uses principles from chaos theory to reveal the psychodynamic systems in postmodern fiction.

This is a project exploring camouflage and multifocality as a practice and theory based research, reflecting the mental state of disappearance that develops into multifocal existence, in the cultural context. The practice element consists of an installation, composed of four consecutive spaces, video-projections, paintings and objects, performing a trajectory between camouflage and multifocality. The first part engages with theoretical readings of camouflage as the effect of mimicry, proceeding into imperceptibility, consequently leading to loss of subjectivity, through self-shattering (Bersani) as a schizoanalytic process (Deleuze & Guattari) and the loss of identity within culture (Bhabha). Multifocality, therefore, is the materialisation of a rhizomatic structure and the multiplicity of gazes - as performed in installation art. Following the theoretical discussion, the subject-matter expands into two themes, articulating camouflage in contemporary art: There follows a view of the skin - as the location of self (Anzieu), and the Chinese understanding of the skin as a perforated layer, connecting the (hollow) body to the world (Kuriyama), where camouflage transforms skin into a visual membrane. Artists introduced here , are Yayoi Kusama, Takashi Murakami, Andy Warhol, Zhang Huan, and Seidou Keita among others. Disappearance and invisibility are considered as modes of intervention, through the media images of spectres of suicide-bombers (Derrida) and ghostwriting (Spivak). Consequently, invisibility ends in shattering and the consequent creation of multifocality. Artists presented include Banksy, Guerrilla Girls, Andre Serrano, Ibrahim Nubani, Morimura Yasumasa, Yinka Shonebare and others. Concluding with After Effects, I discuss projects that deal with multifocality as the final effect of the camouflaging process, and consider the works of Sawada Tomoko, Isaac Julien, Mike Nelson, Yan Zhenzhong, Kutlug Ataman, Candice Breitz and Mark Wallinger. The project is accompanied by images and discussion of my own visual work in relation to the intellectual texts and the work of other artists presented.

This thesis, as a work of applied schizoanalysis, focuses on the social, affective and pedagogical issues pertaining to communication technologies, and the breakdown and breakthroughs of individuals that use these technologies, particularly in educational institutions. Detailed attention is given to the nature of 'control societies’ (Deleuze, 1992) within Asian educational contexts. The core conceptualisation of the thesis is that the crisis in modern societies can be explained heuristically by utilising the notions of Zerrissenheit and schizoanalysis. The thesis argues that schizoanalysis can be used as a political and cultural tool with widespread application and relevance in exploring and explaining areas pertaining to education, language, communication and affect. Honing in on specific examples, the thesis explores the decline of writing, endemic passivity, detachment, and loneliness as striking forms of social schizophrenia in East Asia. Where applicable I use the concept of Zerrissenheit or torn-to-pieces-hood to test the interrogative power of this thesis as a schizo tool for explaining contemporary (a)social phenomenon. This thesis explicates upon and is informed by Gilles Deleuze and Félix Guattari’s individual and collaborative works, as well as the philosophy of Bernard Stiegler. This thesis contributes to the fields of continental thought and philosophy, and critical educational studies, by addressing the negative effects of technology and the proliferation of psychopathologies and maladies in Japan and further afield.

The field of video game studies has through later years shown a growing interest in game's spatialfeatures, along with their narrative implications. By introducing earlier findings of spatialmanifestations of dreams and psychological content in narrative works, with regards to their medialrepresentation into this discussion, I hope to conjoin video game research (better known asludology) with a line of psychoanalytic inquiry, which hitherto seems to have been left unexploredwithin media research.    While establishing a viewpoint through the interdisciplinary field of media research andpsychoanalysis, my intention is to broach a discussion on the possibilities of expanding itsviewpoints and theoretical frameworks unto the video game medium. In the present thesis I will forthis purpose center the discussion on the dreamlike Portal games, developed by Valve Corporation,which manages to enact a psychologically interesting narrative content largely through its spatialfeatures, as well as their game mechanics.    The psychoanalytic approach I intend to adopt for this study will, apart from taking mediaspecifications into account, also necessarily, following Gilles Deleuzes and Félix Guattaris focus onthe historical-political situation in their critique of earlier psychoanalytic inquiry, be directedtowards a societal context while addressing the individual works. I will thus, while analyzingspatial-psychological implications of works in different media, be regarding contemporary topics ofcultural phenomena and theories on human psychology as important factors for the forms ofexpression and thematic content, which contemporary cultural artifacts may take.    The term transmediality, which below will be discussed in appliance to psychoanalytic inquiry,refers in this thesis to the definition outlined by the literary scholar Irina Rajewsky, who situates itsemergence in an ongoing development in the field of the interconnected narratology and intermedialstudy, in which I hope to engage and contribute.

Made available in DSpace on 2014-06-11T19:31:31Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-12-17Bitstream added on 2014-06-13T18:42:15Z : No. of bitstreams: 1 estacioneto_f_dr_arafcl.pdf: 326855 bytes, checksum: 32bec744f07db20d8e8b5a9ec0e3f35a (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Este trabalho trata da produção da subjetividade no contexto escolar em uma perspectiva histórica, com ênfase na produção da subjetividade no mundo contemporâneo, analisando os desafios da educação escolar face a estas novas configurações subjetivas, tendo na Esquizoanálise o suporte para o entendimento e intervenção educacional. Analisa para tanto a produção da subjetividade no trabalho, na escola, nas redes e movimentos sociais e detalha os principais conceitos da Esquizoanálise relacionados ao espaço educacional.
This work deals with the production of subjectivity on the school context in a historical perspective, with emphasis on the production of subjectivity in the contemporary world, examining the challenges of education with these new subjective settings, having in Schizoanalysis the support for understanding and educational intervention. Analyzes for such the production of subjectivity at work, at school, on the networks and social movements and details the main concepts of Schizoanalysis related to educational space.

This study compares independent films from different countries (Turkey, Denmark, Iran and Spain) in a transnational context. Making use of schizoanalytic concepts, it presents an analysis of filmic space in relation to character construction in the internationally acclaimed contemporary films: Ten (Abbas Kiarostami, 2002), Talk to Her (Pedro Almodóvar, 2002), Two Girls (Kutluğ Ataman, 2005), Allegro (Christoffer Boe, 2005), The Others (Alejandro Amenábar, 2001), Destiny (Zeki Demirkubuz, 2006), Offside (Jafar Panahi, 2006), Dogville (Lars von Trier, 2003) and Climates (Nuri Bilge Ceylan, 2006). I argue that these films are feminist texts, in which becoming-woman of the female character deterritorializes the patriarchal ideal of home(land) as a political statement. In the above listed films filmic space is never configured as a harmonious unity of a righteous woman and a peaceful home. Despite the pervading homelessness, the female characters turn the male dominated public space into a habitable place through the filmic assemblages with space, objects and other characters. I also argue that the homelessness and the problematic connection between the female character and the storyworld posits a metaphor for the disconnection between the auteur-filmmakers and their home(land)s.