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1

Thakkar-Scholz, Arnim. Die Schizoanalyse von Félix Guattari und Gilles Deleuze. Essen: Verlag Die Blaue Eule, 2004.

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2

On an(archy) & schizoanalysis. Brooklyn, N.Y: Autonomedia, 1990.

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3

Guattari, Félix. The machinic unconscious: Essays in schizoanalysis. Los Angeles, CA: Semiotext(e), 2011.

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4

Guattari, Félix. The machinic unconscious: Essays in schizoanalysis. Los Angeles, CA: Semiotext(e), 2011.

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5

Çokay Nebioğlu, Rahime. Deleuze and the Schizoanalysis of Dystopia. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43145-7.

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6

Holland, Eugene W. Baudelaire and schizoanalysis: The sociopoetics of modernism. Cambridge [England]: Cambridge University Press, 1993.

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7

Deleuze, Gilles. Deleuze and Guattari's Anti-Oedipus: Introduction to schizoanalysis. London: Routledge, 1999.

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8

Deleuze, Gilles. Deleuze and Guattari's Anti-Oedipus: Introduction to schizoanalysis. London: Routledge, 1999.

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9

Deleuze And The Schizoanalysis Of Literature. Bloomsbury Publishing PLC, 2014.

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10

1969-, Buchanan Ian, and MacCormack Patricia, eds. Deleuze and the schizoanalysis of cinema. London: Continuum, 2008.

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11

Nebioğlu, Rahime Çokay. Deleuze and the Schizoanalysis of Dystopia. Palgrave Macmillan, 2020.

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12

Buchanan, Ian, and Lorna Collins. Deleuze and the Schizoanalysis of Visual Art. Bloomsbury Publishing Plc, 2014.

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13

Schizoanalysis and Ecosophy: Reading Deleuze and Guattari. Bloomsbury Publishing Plc, 2017.

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14

Holland, Eugene. Deleuze and Guattari's Anti Oedipus: Introduction to Schizoanalysis. Routledge, 1999.

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15

Holland, Eugene. Deleuze and Guattari's Anti Oedipus: Introduction to Schizoanalysis. Routledge, 1999.

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16

Roberts, Phillip, and Richard Rushton. Schizoanalysis and Visual Cultures: Deleuze Studies Volume 5. 2. Edinburgh University Press, 2011.

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17

Thompson, Greg, and David Savat. Deleuze. Guattari. Schizoanalysis. Education: Deleuze Studies, Volume 9, Number 3. Edinburgh University Press, 2015.

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18

Holland, Eugene W. Baudelaire and Schizoanalysis: The Socio-Poetics of Modernism (Cambridge Studies in French). Cambridge University Press, 2006.

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19

Rickels, Laurence A. Mister V and the Unmournable Animal Death. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422734.003.0012.

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This chapter focuses on the unmournable nature of animal death, turning to Heidegger, Freud and Melanie Klein (as advocates of both successful and unsuccessful mourning, first and second deaths) as entry points for an analysis of Emilie Deleuze’s 2003 film, Mister V. The film tracks the changes in relationality incurred when the eponymous psychotic horse escapes and tests not only the boundaries of the film’s diegesis but also its own discursive fabulation. Here man, as majority figure, is not an option for becoming. Man must be divested of his majoritarian status before he can become other. In this regard, ‘becoming-animal’ is the missing link between man and ‘becoming multiple’, so that the metamorphosis necessarily entails a ‘loss’ as initiation so that we can enter the substitutive order of becoming-other. This is not necessarily incompatible with Freud. Indeed, the two main trajectories of the latter’s thought: 1) totemic identification and 2) castration (as an initiation into the ‘management’ of loss or lack) also separate out as tendencies of unmourning and ‘successful mourning’, of first and second deaths, respectively. Both are compatible with the anti-Oedipal momentum of Deleuze and Guattari’s schizoanalysis.
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