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Journal articles on the topic 'Labyrinth of the World and the paradise of the Heart'

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Published: 4 June 2021

Last updated: 8 February 2022

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1

Jones, Keith G. "The Labyrinth of the World and the Paradise of the Heart." Baptist Quarterly 40, no. 4 (2003): 230–42. http://dx.doi.org/10.1179/bqu.2003.40.4.004.

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Borisenkov, Vladimir Panteleimonovich. "Social and political motives in the creative heritage of Jan Amos Comenius." Moscow University Pedagogical Education Bulletin, no. 3 (September 30, 2017): 19–25. http://dx.doi.org/10.51314/2073-2635-2017-3-19-25.

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The article is devoted to the disclosure of socio-political views of Jan Amos Comenius, which, received the most complete reflection in his early work “The Labyrinth of the World and the Paradise of the Heart”. It is shown that the ideas embodied in this book went through all the creative work of Comenius and give grounds to consider him as an outstanding social thinker of his time.

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Misseri, Lucas E. "Comenius’ ethics: from the heart to the world." Ethics & Bioethics 7, no. 1-2 (2017): 13–23. http://dx.doi.org/10.1515/ebce-2017-0004.

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Abstract This paper deals with the ethical views of the 17th century Czech thinker Jan Amos Komenský, also known as Johann Amos Comenius. Comeniologic studies are focused on different aspects of his contribution to education, theology and philosophy but surprisingly there are only a few studies on his ethical standpoints. Jan Patočka classified Comenius’s work in three periods: prepansophic, pansophic and panorthotic. Here the focus is on the panorthotic works in order to trace the different conceptions of ethics, virtue and other ethical concepts specially the virtue of prudence (prudentia/ph

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Hábl, Jan. "“True peace of mind” allegorical narrative as a tool of moral (trans)formation in J. A. Comenius’s Labyrinth." Ethics & Bioethics 9, no. 3-4 (2019): 131–38. http://dx.doi.org/10.2478/ebce-2019-0012.

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Abstract Labyrinth of the world and paradise of the heart belongs to the jewels of Czech literature. The author – Jan Amos Comenius – consciously uses allegorical narrative for didactic purposes – mainly for his own moral self-reflection in the face of suffering. His method proved to be very effective. The goal of this text is to explore the potential of the literary method from the perspective of moral (trans)formation. The key question is: How did Comenius convey the moral content of his “lesson” in the Labyrinth? Or in general: How does allegorical narrative work as a tool of moral (trans)f

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Schaller, Klaus. "Patoĉka's Interpretation of Comenius and Its Significance for Present-Day Pedagogics." Science in Context 6, no. 2 (1993): 617–31. http://dx.doi.org/10.1017/s0269889700001526.

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The ArgumentThe political changes in Czechoslovakia and in other Eastern European countries in 1989 are closely related to Jan Patoĉka's philosophy. He was one of the first speakers for the human rights manifesto “Charta 77” and died following his political interrogations in 1978. Vàclav Havel, the president of the ĉSFR, was one of his students. Patoĉka's philosophy is sketched here following his interpretation of Comenius, beginning with an early work of 1932 and until his interpretation of Comenius' The Paradise of the World and the Labyrinth of the Heart in his book Die Philosophic der Erzi

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Didomizio, Daniel. "John Comenius: The Labyrinth of the World and the Paradise of the Heart. By John Comenius. Translated by Howard Louthan and Andrea Sterk. The Classics of Western Spirituality. New York: Paulist, 1998. x + 250 pages. $16.95 (paper)." Horizons 26, no. 1 (1999): 139–40. http://dx.doi.org/10.1017/s0360966900031637.

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Knoll, Paul W. "The Labyrinth of the World and the Paradise of the Heart. By John Comenius. Translated and introduced by Howard Louthan and Andrea Sterk. Preface by Jan Milic Lochman. Classics of Western Spirituality 90. New York: Paulist, 1998. x + 250 pp. $16.95 paper." Church History 68, no. 2 (1999): 464–65. http://dx.doi.org/10.2307/3170894.

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Pichova, Hana. "The Labyrinth of Central Europe and the World Paradise in Milan Kundera's Ignorance." Partial Answers: Journal of Literature and the History of Ideas 18, no. 2 (2020): 303–13. http://dx.doi.org/10.1353/pan.2020.0013.

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Tacail, François G., Barry Evans, and Alan Babb. "Case study of a labyrinth weir spillway." Canadian Journal of Civil Engineering 17, no. 1 (1990): 1–7. http://dx.doi.org/10.1139/l90-001.

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A labyrinth weir is an effective and economical means of providing increased spillway capacity under some restricted operating conditions. This type of weir is particularly suited to reservoir sites where a low head to high discharge relation is required, the topography restricts the spillway width, and a self-operating structure is highly desirable for emergency operation. Over the past few decades, labyrinth weir spillways have been constructed throughout the world. Definitive guidelines and theoretical procedures pertaining to hydraulic design of this type of weir are not completely establi

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Coskun, Zeynep Nesrin, Tufan Adıguzel, and Guven Catak. "Acoustic Labyrinth: Validation of a game – based heart auscultation educational tool." World Journal on Educational Technology: Current Issues 11, no. 4 (2019): 245–56. http://dx.doi.org/10.18844/wjet.v11i4.4394.

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The aim of the study was to validate a prototype of a game-based educational tool for improving auscultation skills. The tool was presented to 12 medical school students studying at a foundation university. The data collection tools of the study were: Cardiac sound identification form, educational tool evaluation form and auscultation survey form. Key findings of the study were: 1—Each medical student increased their identification skills and retention was possible. 2—The most incorrectly identified heart sound was the most correctly identified heart sound after using the tool. 3—Medical stude

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Rose, Deborah. "The Rain Keeps Falling." Cultural Studies Review 11, no. 1 (2013): 122–27. http://dx.doi.org/10.5130/csr.v11i1.3451.

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The force of disaster hit me in the heart when, as a young woman, I heard Bob Dylan sing ‘Hard Rain’. In a voice stunned by violence, the young man reports on a multitude of forces that drag the world into catastrophe. In the 1960s I heard the social justice in the song. In 2004 the environmental issues ambush me. The song starts and ends in the dying world of trees and rivers. The poet’s words in both domains of justice are eerily prophetic. They call across the music, and across the years, saying that a hard rain is coming. The words bear no story at all; they give us a series of compelling

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Zhuravel, O. D. "To the Study of Visual Poetics in the Old Believer Literature of the 18th Century." Critique and Semiotics 38, no. 1 (2020): 249–62. http://dx.doi.org/10.25205/2307-1737-2020-1-249-262.

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The article raises the problem of visual poetics in the Old Believer literature. The author analyzes the texts of Baroque rhetoric and sermons created on the Vyg during the 18 th century, including the works written by the Vyg leaders Andrei Denisov and Andrei Borisov. The author argues that focalization in the Old Believer literary culture is linked to general poetic attitudes. The Baroque Poetics implied the intensive inclusion of the illustrative material in the texts. Visual metaphors were meant to clarify the writer's idea, and simultaneously execute a didactic function. The author shows

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Alipour, Ahdiyeh, and Zanyar Kareem Abdul. "THE DISCONNECTED VOICES OF MOTHERHOOD AND DAUGHTERHOOD IN TONI MORRISON’S PARADISE: JOURNEY FROM UNCERTAINTY TO CHAOS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 4, no. 2 (2020): 212–22. http://dx.doi.org/10.30743/ll.v4i2.2594.

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This paper is an attempt of analysing the problematic mother-daughter relationship in Paradise (1998), a female coming-of-age novel by Toni Morrison. In the novel, a black woman and her daughter had an uneasy relationship. The daughter strived to shape her own identity and future, but her uneasy relationship with her mother profoundly affected her choices and the way she lived. Undoubtedly, the patriarchal environment that had moulded the female identity and shaped a woman’s world resulted in a dysfunctional relationship between mother and daughter. Although the seed of maternal love existed i

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Somova, E. V., and E. B. Schemeleva. "The role of spatial images in R.D. Harris’s novel “Pompeii”." Literature at School, no. 4, 2020 (2020): 56–67. http://dx.doi.org/10.31862/0130-3414-2020-4-56-67.

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The article focuses on the novel “Pompeii” by Robert Dennis Harris which has been little studied in Russia and presents a new material for further research. The purpose of the research is to identify the originality of spatial images in the novel of the British writer. Basing on the comparative historical and analytical methods, the authors of the article explore the main principles of creating historical narration and the specifics of R.D. Harris’s work with historiographical sources while creating a historical epoch; they identify the features of W. Scott and E.G. Bulver-Lytton. Within the c

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Castanò, Francesca. "The Charterhouse of St. Lorenzo in Padula, an ideal mystical city of modern Campania." Resourceedings 2, no. 3 (2019): 52. http://dx.doi.org/10.21625/resourceedings.v2i3.625.

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The essay explores the characteristics and themes of architecture related to Benedictine monastic life in the territories of Cilento and Vallo di Diano. The influences coming from the East and from beyond the Alps are adapted to local traditions without imitating early Christian models, as happens in other areas of Campania. The classical Greek elements acquire greater importance than the Roman universe. The previous buildings adapt to the western world and create heterogeneous hybrids that cannot be easily classified. The Carthusians introduce models that are consistent with a new formulation

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Mikkelsen, Inger Lise. "Hyrdeliv og paradisdrøm. Om Grundtvigs syn på hyrder." Grundtvig-Studier 45, no. 1 (1994): 122–41. http://dx.doi.org/10.7146/grs.v45i1.16145.

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Pastoral Life and Paradise DreamBy Inger Lise MikkelsenIn »The World Chronicle«, 1814, Grundtvig writes that the people of poetry, the ancient Hebrews, were a race of shepherds. The shepherds are not tied to material things, but live a life in freedom. On the plains, tending his flock, the shepherd experiences everything that is alive and growing as images of God’s creative power. Thus, he intuitively perceives his position as a creature facing his Creator.With this basic view as a point of departure, Grundtvig rewrites the Biblical stories of the shepherds Abraham and Jacob, Moses and David.

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Holikova, Natalia. "The reflection of Ivan Kotlarevsky’s stylistics in Language of Artistic prose of Pavlo Zagrebelny." Culture of the Word, no. 91 (2019): 66–76. http://dx.doi.org/10.37919/0201-419x-2019.91.6.

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The article explores the intertextual interaction of stylists, who in the works of I. Kotlyarevsky and P. Zahrebelny represent the concept of «laugh culture». The linguistic and aesthetic signs in the epic burlesque-travesty poem «Aeneid» by I. Kotlyarevsky, which served as a model for the creation of expressive and pictorial means – carriers of humorous axiology in the language of a number of P. Zahrebelny's novels, are revealed. Attention is drawn to the fact that the foundations for the formation of a ridiculous culture as a genre segment of Ukrainian literature are laid in the poem «Aeneid

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Gurduz, Andriy. "Water concept in the novel by Olena Pechorna the witch." Fìlologìčnì traktati 12, no. 1 (2020): 42–48. http://dx.doi.org/10.21272/ftrk.2020.12(1)-4.

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In Ukrainian prose of the first decades of the ХХІ century nearly greatest attention to the artistic word cleanness is spared by Olena Pechorna, her scantily explored novels deserve a system study. The novel The Witch occupies an important place in her artistic work and it is organic for her idiostyle paradigm, but while did not get a professional estimation. In our article we carry out an attempt to define the specific of dominant water concept in the novel The Witch for the first time. The key in the article become the study of the realization type of the water concept of in the book, and al

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Fox, Alistair Graeme. "In Search of the Postmodern Utopia: Ben Okri’s In Arcadia." PORTAL Journal of Multidisciplinary International Studies 2, no. 2 (2005). http://dx.doi.org/10.5130/portal.v2i2.115.

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This essay explores how Ben Okri’s most recent novel, In Arcadia(2002), attempts to reconstruct the possibility of utopia in the face of a fragmentation of identity and destruction of determinate certainties affecting contemporary society in the aftermath of postmodernism. By tracing the intertextual relations existing between this work and earlier works in an intellectual/literary tradition that extends from Theocritus and Virgil through Dante, More, Milton, Sannazzaro, Sidney and others, Fox shows how Okri develops the proposition that men and women confronting an ‘empty universe where the m

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Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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   The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen

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Wilson, Simon. "The fierce urgency of now and forever and unto ages of ages: study and the restoration of paradise on Earth." International Journal of Sustainability in Higher Education ahead-of-print, ahead-of-print (2020). http://dx.doi.org/10.1108/ijshe-08-2020-0304.

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Purpose The purpose of this paper is to explore and evoke an old educational concept called “study”. This is learning which leads to love and love which leads to learning. It is a dynamic experience which engenders transformation whose telos is simultaneously endlessly knowable and unknowable. The paper argues that it unites humans with the world, the material world with the transcendent, speed with slowness and alignment with resistance, in a series of antinomic relationships which come together in the heart. Study, it is argued, should form the basis of true education and a truly sustainable

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Peters, Jeremy. "Cultural and Social Mecca." Artivate: A Journal of Entrepreneurship in the Arts 9, no. 1 (2020). http://dx.doi.org/10.34053/artivate.9.1.105.

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Detroit’s Black Bottom and Paradise Valley were African-American neighborhoods that housed a vibrant and active popular music scene between World War I and the 1960s. They were home to a dense network of music venues, many of which were owned or managed by African-Americans. Urban renewal projects during the late-1950s destroyed much of the heart of these places. Unfortunately, discussion of this activity is largely missing from the academic literature on placemaking, cultural entrepreneurship, and music scenes in Detroit. To address this gap, I propose a solution that marries discussion of th

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Jernberg, T. J., E. O. Omerovic, E. H. Hamilton, et al. "Prevalence and prognostic impact of left ventricular systolic dysfunction after acute myocardial infarction." European Heart Journal 41, Supplement_2 (2020). http://dx.doi.org/10.1093/ehjci/ehaa946.1796.

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Abstract Background Left ventricular dysfunction after an acute myocardial infarction (MI) is associated with poor outcome. The PARADISE-MI trial is examining whether an angiotensin receptor-neprilysin inhibitor reduces the risk of cardiovascular death or worsening heart failure (HF) in this population. The aim of this study was to examine the prevalence and prognosis of different subsets of post-MI patients in a real-world setting. Additionally, the prognostic importance of some common risk factors used as risk enrichment criteria in the PARADISE-MI trial were specifically examined. Methods I

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Cahir, Jayde, and Sarah James. "Complex." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2654.

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   To say something is complex can often be conclusive. It can mean that an issue or an idea is too difficult to explain or understand, or has too many aspects to examine clearly. In many ways the designation “complex” can be an abdication, an end to an argument or discussion. An epochal change in thinking about complexity dates from post structuralist challenges to the idea that the world was known by arguing that everything was indeed much more complex than master narratives would suggest. In the last decade a social scientific engagement with complexity theory has meant th

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Young, Sherman. "Racing Simulacra?" M/C Journal 1, no. 5 (1998). http://dx.doi.org/10.5204/mcj.1728.

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"So which is the most authentic experience for an end-user steeped in car culture? Real, made-in-Japan Type R? Or virtual, programmed-in-Japan Type-R. Each Type-R is equally enjoyable, equally wieldy, equally consistent -- and precisely fulfils the sporting intent of Honda's Type-R sub-brand. Car culture, then, is so broad, so diverse, that we might now have got to a point where actual driving, all the bum-on-seat, wind-in-hair, aphid-in-teeth, tradly, dadly stuff we were weaned on is peripheral... Who needs reality, anyway?" -- Russell Bulgin, Car Magazine, August 1998 (53) "Such would be the

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Filho, José dos Santos Cabral. "Flip Horizontal." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1870.

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The Issue of Gaming in Contemporary Culture "Are we still in the game?" This banal phrase gains a terrifying meaning in the last scene of Cronenberg's film eXistenZ, when a puzzled character, on the verge of being murdered, asks his potential killer if they are still inside a virtual reality game. The scene denotes the crucial place the issue of gaming is occupying in contemporary culture. If we take sci-fi movies less as an exercise of future divination and more as symptom of our current feelings projected into the future, we can easily see how games are becoming a frequent metaphor that sums

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Williams, Marisa. "Going Underground." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1953.

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In The Practice of Everyday Life, Walking in the City, Michel de Certeau celebrates the glorious sublimity of an Icarian moment as his gaze from the 110th floor of the World Trade Centre soars over Manhattan. Having taken such a voluptuous pleasure (92) in the view myself, and watched the twin towers collapse into rubble on my television screen last September, as I re-visit the aerial site through de Certeau, his words resonate strongly with the oneiric force of memory, myth and the wonder of urban possibility. For while theorising, does de Certeau not write his own story of the city as dream,

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Barnes, Duncan, Danielle Fusco, and Lelia Green. "Developing a Taste for Coffee: Bangladesh, Nescafé, and Australian Student Photographers." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.471.

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IntroductionThis article is about the transformation of coffee, from having no place in the everyday lives of the people of Bangladesh, to a new position as a harbinger of liberal values and Western culture. The context is a group of Australian photojournalism students who embarked on a month-long residency in Bangladesh; the content is a Nescafé advertisement encouraging the young, middle-class Bangladesh audience to consume coffee, in a marketing campaign that promotes “my first cup.” For the Australian students, the marketing positioning of this advertising campaign transformed instant coff

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Johnston, Kate Sarah. "“Dal Sulcis a Sushi”: Tradition and Transformation in a Southern Italian Tuna Fishing Community." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.764.

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I miss the ferry to San Pietro, so after a long bus trip winding through the southern Sardinian rocky terrain past gum trees, shrubs, caper plants, and sheep, I take refuge from the rain in a bar at the port. While I order a beer and panini, the owner, a man in his early sixties, begins to chat asking me why I’m heading to the island. For the tuna, I say, to research cultural practices and changes surrounding the ancient tuna trap la tonnara, and for the Girotonno international tuna festival, which coincides with the migration of the Northern Bluefin Tuna and the harvest season. This year the

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Sharma, Sarah. "The Great American Staycation and the Risk of Stillness." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.122.

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The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role (Illich 25).The most basic definition of Stillness refers to a state of being in the absence of both motion and disturbance. Some might say it is anti-American. Stillness denies the democratic freedom of mobility in a social system where, as Ivan Illich writes in Energy and Equity, people “believe that political power grows out of the c

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Collis, Christy. "Australia’s Antarctic Turf." M/C Journal 7, no. 2 (2004). http://dx.doi.org/10.5204/mcj.2330.

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It is January 1930 and the restless Southern Ocean is heaving itself up against the frozen coast of Eastern Antarctica. For hundreds of kilometres, this coastline consists entirely of ice: although Antarctica is a continent, only 2% of its surface consists of exposed rock; the rest is buried under a vast frozen mantle. But there is rock in this coastal scene: silhouetted against the glaring white of the glacial shelf, a barren island humps up out of the water. Slowly and cautiously, the Discovery approaches the island through uncharted waters; the crew’s eyes strain in the frigid air as they s

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Bruns, Axel. "What's the Story." M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1774.

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Practically any good story follows certain narrative conventions in order to hold its readers' attention and leave them with a feeling of satisfaction -- this goes for fictional tales as well as for many news reports (we do tend to call them 'news stories', after all), for idle gossip as well as for academic papers. In the Western tradition of storytelling, it's customary to start with the exposition, build up to major events, and end with some form of narrative closure. Indeed, audience members will feel disturbed if there is no sense of closure at the end -- their desire for closure is a pow

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Nielsen, Hanne E. F., Chloe Lucas, and Elizabeth Leane. "Rethinking Tasmania’s Regionality from an Antarctic Perspective: Flipping the Map." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1528.

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IntroductionTasmania hangs from the map of Australia like a drop in freefall from the substance of the mainland. Often the whole state is mislaid from Australian maps and logos (Reddit). Tasmania has, at least since federation, been considered peripheral—a region seen as isolated, a ‘problem’ economically, politically, and culturally. However, Tasmania not only cleaves to the ‘north island’ of Australia but is also subject to the gravitational pull of an even greater land mass—Antarctica. In this article, we upturn the political conventions of map-making that place both Antarctica and Tasmania

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Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri

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McKenzie, Peter. "Jazz Culture in the North: A Comparative Study of Regional Jazz Communities in Cairns and Mackay, North Queensland." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1318.

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IntroductionMusicians and critics regard Australian jazz as vibrant and creative (Shand; Chessher; Rechniewski). From its tentative beginnings in the early twentieth century (Whiteoak), jazz has become a major aspect of Australia’s music and performance. Due to the large distances separating cities and towns, its development has been influenced by geographical isolation (Nikolsky; Chessher; Clare; Johnson; Stevens; McGuiness). While major cities have been the central hubs, it is increasingly acknowledged that regional centres also provide avenues for jazz performance (Curtis).This article disc

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Fordham, Helen. "Curating a Nation’s Past: The Role of the Public Intellectual in Australia’s History Wars." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1007.

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IntroductionThe role, function, and future of the Western public intellectual have been highly contested over the last three decades. The dominant discourse, which predicts the decline of the public intellectual, asserts the institutionalisation of their labour has eroded their authority to speak publicly to power on behalf of others; and that the commodification of intellectual performance has transformed them from sages, philosophers, and men of letters into trivial media entertainers, pundits, and ideologues. Overwhelmingly the crisis debates link the demise of the public intellectual to sh

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