Relevant bibliographies by topics / Labyrinthine figures

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Labyrinthine figures'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Labyrinthine figures"

1

Solander, Tove. "Sinnlighetens slott. Eva-Marie Liffners Drömmaren och sorgen som queert allkonstverk." Tidskrift för genusvetenskap 34, no. 4 (2022): 69–89. http://dx.doi.org/10.55870/tgv.v34i4.3343.

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This article is a close reading of Eva-Marie Liffner’s 2006 novel Drömmaren och sorgen (The Dreamer and the Sorrow). Drawing on theories of queer and lesbian literature and on the writings of Gilles Deleuze, I argue for a queer aesthetics of sensual excess. Liffner’s novel is a mystery without a solution, a beautiful enigma resisting reader expectations of plot and closure. Its labyrinthine or kaleidoscopic structure connects and reconnects a large amount of vivid, concrete figures. I read the novel through five of its key figures: the castle, the sea, the heart, the song and the knight. The c
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Houen, Christina. "When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing." Deleuze Studies 5, no. 1 (2011): 97–117. http://dx.doi.org/10.3366/dls.2011.0010.

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In this article, the world of Heian women's literature is interpreted through Deleuzian concepts of desire and becoming and figures of the rhizome, the Baroque fold and origami, supported by Elizabeth Grosz's concept of art as originating in the impulse to seduction. Within the constraints of movement, dress and behaviour imposed by a polygamous hierarchical court society, Heian women created a rich body of literature that celebrated and subtly critiqued their world. Through aesthetic intensification of form and imagination within a labyrinthine cloistered society, they folded their fictional
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Shone, Geoffrey, John L. Kemine, and Steven A. Telian. "Prognostic significance of hearing loss as a lateralizing indicator in the surgical treatment of vertigo." Journal of Laryngology & Otology 105, no. 8 (1991): 618–20. http://dx.doi.org/10.1017/s0022215100116834.

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AbstractIn patients with peripheral vertigo the presence of an asymmetrical hearingloss is an important lateralizing sign, having both diagnostic and prognostic significance. In a consecutive series of 83 patients undergoing retro-labyrinthine vestibular nerve section for uncontrolled vertigo, asymmetrical hearing loss was associated with an 83 percent incidence of complete control of vertigo and a 49 per cent incidence of complete relief from dysequilibrium. In the absence of a lateralizing hearing loss, the figures were 50 per cent and 24 per cent respectively (p<0.01 and p<0.05). The
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Aschero, Carlos, and Patricia Schneier. "THE ROCK ART OF THE PICHE PANEL: DATA AND INTERPRETATIONS ON A VISUAL IMAGE FROM CUEVA DE LAS MANOS (PROVINCE OF SANTA CRUZ, ARGENTINA)." Cuadernos del Instituto Nacional de Antropología y Pensamiento Latinoamericano 33, no. 2 (2024): 41–61. https://doi.org/10.5281/zenodo.14420644.

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This article aims to analyze a rock art panel, Piche Panel (Cueva de las Manos, Patagonia, Argentina), to study its production sequence and relate its representations with the beings and situations that appear in the mythical narrative of the populations that occupied this place thousands of years later. The total visual image of the panel was studied, revealing a sequence of eight moments created over thousands of years, highlighting the association of the Patagonian armadillo or piche with paths or roads and a labyrinthine sign. The image includes other associated representations, forming va
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Martini, Rodrigo. "The Simultaneous Poetics of Jorge De Sena and Vilém Flusser: Anti-Nationalisms and The Vanguards of the Future." Comparative Literature Studies 58, no. 4 (2021): 697–721. http://dx.doi.org/10.5325/complitstudies.58.4.0697.

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Abstract For six years between 1959 and 1965, Portuguese poet Jorge de Sena and Czech-Brazilian philosopher Vilém Flusser lived in the state of São Paulo, in Brazil, where an emergent nationalist movement instated a dictatorship. Even though poet and theorist never met, both simultaneously reflected on the nature of nationalism and immigration, theorizing nation as an impossible and artificial model of social division. Through a formalistic return to early avant-garde (Surrealism and Dada), Flusser's The Freedom of the Migrant: Objections to Nationalism (2005) and Sena's Peregrinatio ad loca i
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El-Noshokaty, Shady. "Rat Diaries." ARTMargins 3, no. 2 (2014): 84–100. http://dx.doi.org/10.1162/artm_a_00082.

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Rat Diaries is a series of drawings that attempts to map the intensity of everyday life in Egypt intertwined with intuitive visual and verbal comments on art practice. The drawings are multi-layered juxtapositions of various forms and contrasting types of lines that move from controlled shapes to seemingly uncontrolled scribbling, from figures to abstract shapes. What this layering achieves is a proposition of form that is ultimately unattainable. With all their pretension to ground the subject within the given coordinates of experiential reality, El-Noshokaty's maps refuse to communicate dail
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Santiago, de Molina. "Ensoñaciones del rincón contemporáneo. Estudio de la concavidad como germen de la habitación, desde Ikea a la mujer cuchara = Reveries of the contemporary corner. Study of the concavity as the origin of the room, from Ikea to the spoon woman." rita_ Revista Indexada de Textos Académicos, no. 18 (November 30, 2022): 278–93. https://doi.org/10.24192/2386-7027(2022)(v18)(15).

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La empresa nórdica de venta de mobiliario Ikea es mundialmente conocida por sus tiendas laberínticas, aunque su estrategia de venta no es tanto un laberinto de pasillos como de rincones. La constatación de este fenómeno sirve para descubrir que los rincones son el origen del lugar de la ensoñación de un habitar primordial largo tiempo olvidado. Precisamente se destaca aquí esta dimensión antropológica y psicológica del rincón para constituir un primer resguardo elemental. En torno a esta ensoñación se co
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Faisal, Seyreen, Tafiya Erum Kamran, and Romaan Faisal. "Unveiling the silent struggle: navigating the labyrinth of mental health for parents of children with life-threatening illnesses in Pakistan." Journal of the Pakistan Medical Association 74, no. 10 (2024): 1914–15. http://dx.doi.org/10.47391/jpma.20480.

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Dear Editor, We write this letter to highlight the scarcely recognised complexity associated with the unrecognised mental health needs of parents of children diagnosed with life-threatening or life-limiting illnesses. It has been widely established that parents of children with disabilities are at an increased risk of developing variants of mental diseases when compared to parents of children without such disabilities. Parents tend to alter their lives socially to acclimatize themselves as caregivers for their children, therefore adopting a role that becomes far more labyrinthine as both paren
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Scalco, Diego. "La figure du labyrinthe entre philosophie, art et littérature." Cahiers ERTA, no. 37 (March 22, 2024): 9–27. http://dx.doi.org/10.4467/23538953ce.24.001.19415.

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The Figure of the Labyrinth between Philosophy, Art and Literature The aim of this article is to draw analogies between the Prisons by Piranesi and The Castle by Franz Kafka in the light of the figure of the labyrinth. In these specific cases, the architectonics (as a pseudo- arrangement of perspective planes) and the plot (as a factitious connection between action sequences) enclose the illusion of depth and the impression of duration in the vicious circles of the lines of rupture and of the missed events, respectively. The Piranesian atopic topic (from atopos, « out of place ») and the Kafka
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Genand, Stéphanie. "Entre asservissement sexuel et despotisme politique. La figure du bourreau chez Sade*." Labyrinthe, no. 13 (November 15, 2002): 33–49. http://dx.doi.org/10.4000/labyrinthe.1510.

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Dissertations / Theses on the topic "Labyrinthine figures"

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Bargheon, Ludovic. "Les Figures du labyrinthe dans l'oeuvre musicale contemporaine de Costin Miereanu." Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20005.

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Dans l'histoire et l'évolution des arts, le labyrinthe a toujours représenté depuis ses origines un puissant catalyseur pour de nombreux artistes. Au XXe siècle, il est encore bien présent, et le cas du compositeur français d'origine roumaine Costin Miereanu en constitue le parfait exemple, la figure du dédale étant centrale dans une œuvre et une esthétique en marge des grands courants contemporains. Le présent travail a pour but d'en montrer les degrés d'implication, de la forme et l'esthétique jusqu'aux conceptions philosophiques les plus récentes. Quatre chapitres s'articuleront ainsi autou
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Campan, Hélène. "Formes et figures du labyrinthe dans la littérature espagnole du Siècle d'Or : la figure de Méduse dans le Don Quichotte de Miguel de Cervantès." Paris 4, 1993. http://www.theses.fr/1993PA040042.

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Le labyrinthe est un motif mythologique complexe mis en œuvre dans la littérature classique espagnole. A la fois mythe, symbole et métaphore, il est récurrent dans le Don Quichotte de Cervantès où il se développe en étroite relation avec le mythe de Méduse. L'analyse de personnages et d'épisodes fondamentaux dévoile, occulté sous un récit apparemment fait pour divertir, un processus constant de quête et de sidération qui convoque les figures mythologiques de Dédale et de Méduse, image spéculaire du minotaure. Par sa construction même, le Don Quichotte se révèle être un labyrinthe où la figure
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Boissier-Le, Bars Anne. "Du triangle au labyrinthe : formes et figures de la quête dans l'œuvre romanesque et autobiographique de Marguerite Yourcenar." Nancy 2, 2004. http://docnum.univ-lorraine.fr/public/NANCY2/doc212/2004NAN21010_1.pdf.

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Placée sous le signe d'une quête dont le modèle est celle du Graal, l'œuvre yourcenarienne suit le cheminement intérieur d'un auteur et de ses personnages qui font face à la vie. Dans Alexis, La Nouvelle Eurydice, Le Coup de grâce, la quête de soi, symbolisée par la figure du triangle, confronte le héros à deux formes d'amour incompatibles qui le poussent à s'accepter au terme d'une catharsis. Denier du rêve, Anna,soror marquent un élargissement de la quête, enrichie de l'apport du mythe, dominée par l'image du cercle. Suivant la structure du labyrinthe, les Mémoires, au croisement de la ficti
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Boissier-Le, Bars Anne Borreli Guy. "Du triangle au labyrinthe Formes et figures de la quête dans l'œuvre romanesque et autobiographique de Marguerite Yourcenar /." Nancy : Université Nancy 2, 2004. http://cyberdoc.univ-nancy2.fr/htdocs/docs_ouvert/doc212/2004NAN21010_1.pdf.

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Chandanson, Muriel. "Les mythes dans l'oeuvre romanesque de Manuel De Lope." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20013/document.

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Cette thèse présente une étude mythocritique de la production romanesque de Manuel de Lope [1949] postérieure à son retour en Espagne en 1993 et jusqu’à aujourd’hui : El libro de piel de tiburón (Alfaguara,1995); Bella en las tinieblas (Alfaguara,1997), (Suma de Letras, 2000), (RBA, 2010) ; Las perlas peregrinas (Espasa-Calpe,1998), (RBA, 2007) ; La sangre ajena (Editorial Debate, 2000); Otras islas (RBA, 2008). En effet, un séjour de vingt-cinq ans hors d’Espagne lui a permis d’exercer un regard extérieur et fécond sur son propre pays où désormais, il vit et écrit. Son œuvre romanesque recour
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Savoie, Ariane. "Les nouveaux médias, ou, L’ère du labyrinthe intermédial." Thèse, 2010. http://hdl.handle.net/1866/4862.

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Avec l’émergence des nouveaux médias, une nouvelle façon de raconter les histoires s’impose. Les structures connues de l’esthétisme classique semblent désuètes par rapport aux dispositions des nouvelles plateformes de diffusion. Mieux encore, ces plateformes propulsent le récit, lui permettent de sortir de la rigidité de la ligne narrative : elles intègrent la technique au logos. L’intermédialité devient omniprésente; la diversité des types médiatiques employés dans une œuvre sont rendus visibles et sont articulés par la mise en récit. Méchoulan dira que dans l’« être-entre », dans l’esp
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Books on the topic "Labyrinthine figures"

1

Les figures du labyrinthe dans A la recherche du temps perdu. P. Lang, 1992.

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2

Campan, Hélène. Formes et figures du labyrinthe dans la littérature espangnole du siècle d'or: La figure de méduse dans le Don Quichotte de cervantès. 1993.

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3

Le labyrinthe et le géomètre: Essais sur la littérature arabe classique et moderne, suivis de Sept figures proches. ADEN, 2008.

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Book chapters on the topic "Labyrinthine figures"

1

Marrone, Gaetana. "Labyrinths as Figures." In The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.003.0002.

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Rosi’s groundbreaking trilogy Salvatore Giuliano, Il caso Mattei, and Lucky Luciano addresses the profound cultural and political transformations of postwar Italy. In Salvatore Giuliano (1962), which concerns the enigmatic death of the legendary folk hero, Rosi offers a complex portrait of Sicilian society violently ruled by the Mafia in collusion with the police and the state. Il caso Mattei (The Mattei Affair, 1972) investigates the suspicious death of one of the most influential figures in the postwar economic boom. Lucky Luciano (1973), the treacherous figure of organized crime, is at the
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2

El Shakry, Hoda. "Carnivals of Heterodoxy in Abdelwahab Meddeb’s Talismano." In The Literary Qur'an. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286362.003.0003.

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Chapter 2 analyzes Tunisian writer and critic Abdelwahab Meddeb’s (1946–2014) wildly experimental 1979 novel Talismano. The labyrinthine text takes the reader on a hallucinatory journey through Tunisia’s topography—historical and contemporary, imagined and mythical—through a multitude of languages, temporalities, and religious discourses. The story presciently traces the evolution of a popular rebellion as it winds its way through the cityscape of Tunis’s medina bearing a retinue of prophets, artisans, sorceresses, alchemists, and prostitutes. The chapter examines Meddeb’s polemical attack on
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"Figuren des Einschlusses und der Stillstellung." In Kisten, Krypten, Labyrinthe. transcript-Verlag, 2008. http://dx.doi.org/10.14361/9783839409084-007.

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"Figuren des Einschlusses und der Stillstellung." In Kisten, Krypten, Labyrinthe. transcript Verlag, 2008. http://dx.doi.org/10.1515/9783839409084-007.

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Vitagliano, Daniela. "Errance et recherche de l'identité dans le dialogue L'isola de Cesare Pavese." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21267.

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Palumbo, Matteo. "Foscolo, les mythes et une idée de la poésie." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21227.

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Deliyianni, Daphné, and Madeleine Voga. "La métaphore du tissage en grec : de la toile de Pénélope à la méthode ana-lytique." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21342.

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Nannicini Streitberger, Chiara. "« Perdus dans le monde ». Le thème de l’errance dans les récits d’Edith Bruck." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21321.

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Ciccia, Marie-Noëlle. "La naissance de l’île dans le Dom João de Manuel da Silva Gaio : du mythe antique de l’errance au salut chrétien de l’âme." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21264.

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Liu, Chanyueh. "La figure du labyrinthe et son interprétation dans Di Renjie qi’an狄仁傑奇案 (The Chinese Maze Murders) de Robert Van Gulik (Gao Luopei高羅佩）." In Figures de l'errance et du labyrinthe. Presses universitaires de la Méditerranée, 2022. http://dx.doi.org/10.4000/books.pulm.21359.

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