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Journal articles on the topic 'Labyrinthine figures'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Solander, Tove. "Sinnlighetens slott. Eva-Marie Liffners Drömmaren och sorgen som queert allkonstverk." Tidskrift för genusvetenskap 34, no. 4 (2022): 69–89. http://dx.doi.org/10.55870/tgv.v34i4.3343.

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This article is a close reading of Eva-Marie Liffner’s 2006 novel Drömmaren och sorgen (The Dreamer and the Sorrow). Drawing on theories of queer and lesbian literature and on the writings of Gilles Deleuze, I argue for a queer aesthetics of sensual excess. Liffner’s novel is a mystery without a solution, a beautiful enigma resisting reader expectations of plot and closure. Its labyrinthine or kaleidoscopic structure connects and reconnects a large amount of vivid, concrete figures. I read the novel through five of its key figures: the castle, the sea, the heart, the song and the knight. The c

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2

Houen, Christina. "When Caged Birds Sing: The Many-folded Subject in the Baroque World of Heian Japanese Women's Writing." Deleuze Studies 5, no. 1 (2011): 97–117. http://dx.doi.org/10.3366/dls.2011.0010.

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In this article, the world of Heian women's literature is interpreted through Deleuzian concepts of desire and becoming and figures of the rhizome, the Baroque fold and origami, supported by Elizabeth Grosz's concept of art as originating in the impulse to seduction. Within the constraints of movement, dress and behaviour imposed by a polygamous hierarchical court society, Heian women created a rich body of literature that celebrated and subtly critiqued their world. Through aesthetic intensification of form and imagination within a labyrinthine cloistered society, they folded their fictional

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3

Shone, Geoffrey, John L. Kemine, and Steven A. Telian. "Prognostic significance of hearing loss as a lateralizing indicator in the surgical treatment of vertigo." Journal of Laryngology & Otology 105, no. 8 (1991): 618–20. http://dx.doi.org/10.1017/s0022215100116834.

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AbstractIn patients with peripheral vertigo the presence of an asymmetrical hearingloss is an important lateralizing sign, having both diagnostic and prognostic significance. In a consecutive series of 83 patients undergoing retro-labyrinthine vestibular nerve section for uncontrolled vertigo, asymmetrical hearing loss was associated with an 83 percent incidence of complete control of vertigo and a 49 per cent incidence of complete relief from dysequilibrium. In the absence of a lateralizing hearing loss, the figures were 50 per cent and 24 per cent respectively (p<0.01 and p<0.05). The

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4

Aschero, Carlos, and Patricia Schneier. "THE ROCK ART OF THE PICHE PANEL: DATA AND INTERPRETATIONS ON A VISUAL IMAGE FROM CUEVA DE LAS MANOS (PROVINCE OF SANTA CRUZ, ARGENTINA)." Cuadernos del Instituto Nacional de Antropología y Pensamiento Latinoamericano 33, no. 2 (2024): 41–61. https://doi.org/10.5281/zenodo.14420644.

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This article aims to analyze a rock art panel, Piche Panel (Cueva de las Manos, Patagonia, Argentina), to study its production sequence and relate its representations with the beings and situations that appear in the mythical narrative of the populations that occupied this place thousands of years later. The total visual image of the panel was studied, revealing a sequence of eight moments created over thousands of years, highlighting the association of the Patagonian armadillo or piche with paths or roads and a labyrinthine sign. The image includes other associated representations, forming va

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5

Martini, Rodrigo. "The Simultaneous Poetics of Jorge De Sena and Vilém Flusser: Anti-Nationalisms and The Vanguards of the Future." Comparative Literature Studies 58, no. 4 (2021): 697–721. http://dx.doi.org/10.5325/complitstudies.58.4.0697.

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Abstract For six years between 1959 and 1965, Portuguese poet Jorge de Sena and Czech-Brazilian philosopher Vilém Flusser lived in the state of São Paulo, in Brazil, where an emergent nationalist movement instated a dictatorship. Even though poet and theorist never met, both simultaneously reflected on the nature of nationalism and immigration, theorizing nation as an impossible and artificial model of social division. Through a formalistic return to early avant-garde (Surrealism and Dada), Flusser's The Freedom of the Migrant: Objections to Nationalism (2005) and Sena's Peregrinatio ad loca i

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6

El-Noshokaty, Shady. "Rat Diaries." ARTMargins 3, no. 2 (2014): 84–100. http://dx.doi.org/10.1162/artm_a_00082.

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Rat Diaries is a series of drawings that attempts to map the intensity of everyday life in Egypt intertwined with intuitive visual and verbal comments on art practice. The drawings are multi-layered juxtapositions of various forms and contrasting types of lines that move from controlled shapes to seemingly uncontrolled scribbling, from figures to abstract shapes. What this layering achieves is a proposition of form that is ultimately unattainable. With all their pretension to ground the subject within the given coordinates of experiential reality, El-Noshokaty's maps refuse to communicate dail

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7

Santiago, de Molina. "Ensoñaciones del rincón contemporáneo. Estudio de la concavidad como germen de la habitación, desde Ikea a la mujer cuchara = Reveries of the contemporary corner. Study of the concavity as the origin of the room, from Ikea to the spoon woman." rita_ Revista Indexada de Textos Académicos, no. 18 (November 30, 2022): 278–93. https://doi.org/10.24192/2386-7027(2022)(v18)(15).

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La empresa nórdica de venta de mobiliario Ikea es mundialmente conocida por sus tiendas laberínticas, aunque su estrategia de venta no es tanto un laberinto de pasillos como de rincones. La constatación de este fenómeno sirve para descubrir que los rincones son el origen del lugar de la ensoñación de un habitar primordial largo tiempo olvidado. Precisamente se destaca aquí esta dimensión antropológica y psicológica del rincón para constituir un primer resguardo elemental. En torno a esta ensoñación se co

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8

Faisal, Seyreen, Tafiya Erum Kamran, and Romaan Faisal. "Unveiling the silent struggle: navigating the labyrinth of mental health for parents of children with life-threatening illnesses in Pakistan." Journal of the Pakistan Medical Association 74, no. 10 (2024): 1914–15. http://dx.doi.org/10.47391/jpma.20480.

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Dear Editor, We write this letter to highlight the scarcely recognised complexity associated with the unrecognised mental health needs of parents of children diagnosed with life-threatening or life-limiting illnesses. It has been widely established that parents of children with disabilities are at an increased risk of developing variants of mental diseases when compared to parents of children without such disabilities. Parents tend to alter their lives socially to acclimatize themselves as caregivers for their children, therefore adopting a role that becomes far more labyrinthine as both paren

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9

Scalco, Diego. "La figure du labyrinthe entre philosophie, art et littérature." Cahiers ERTA, no. 37 (March 22, 2024): 9–27. http://dx.doi.org/10.4467/23538953ce.24.001.19415.

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The Figure of the Labyrinth between Philosophy, Art and Literature The aim of this article is to draw analogies between the Prisons by Piranesi and The Castle by Franz Kafka in the light of the figure of the labyrinth. In these specific cases, the architectonics (as a pseudo- arrangement of perspective planes) and the plot (as a factitious connection between action sequences) enclose the illusion of depth and the impression of duration in the vicious circles of the lines of rupture and of the missed events, respectively. The Piranesian atopic topic (from atopos, « out of place ») and the Kafka

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10

Genand, Stéphanie. "Entre asservissement sexuel et despotisme politique. La figure du bourreau chez Sade*." Labyrinthe, no. 13 (November 15, 2002): 33–49. http://dx.doi.org/10.4000/labyrinthe.1510.

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11

Vergari, Sara. "Myriam Carminati, Marie-Jeanne Verny (dir.), Figures de l’errance et du labyrinthe. Le mythe revisité." Cahiers d'études romanes, no. 46 (May 3, 2023): 414–16. http://dx.doi.org/10.4000/etudesromanes.16416.

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12

Zemyarska, Francheska. "The Figure of the Imaginary Father in the Autobiographical Writing of M. Yourcenar." Acta Nova Humanistica: A Journal of Humanities Published by New Bulgarian University 1, no. 2 (2024): 49–54. https://doi.org/10.33919/anhnbu.24.1.2.4.

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In the present paper I read Marguerite Yourcenar’s autobiographical trilogy Le labyrinthe du monde through Kristeva’s concept of the imaginary father. My interpretation aims to trace the way the androgynous figure of the imaginary father acts in a liberatory way and also stimulates Yourcenar’s own work. The retroactive invention of an imaginary origin is associated with the figure of a loving father. Yourcenar traces her genealogy – on the one hand, she identifies with her familial lineage; on the other, she claims that the composition of her ancestry relates much more to her literary precurso

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13

Suto, Yoshiko, and Frédéric Weigel. "Le musée d’Iwajuku et ses stratégies de représentations anthropologiques : l’Iwajuku jin, le mammouth, l’archéologue et la mascotte." Cygne noir, no. 13 (2025): 154–84. https://doi.org/10.7202/1116796ar.

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Au Japon, l’anthropologie et l’archéologie sont profondément liées dans le contexte de l’après Deuxième Guerre mondiale qui voit naître l’idée d’une humanité autochtone à l’époque paléolithique. Nous proposons une analyse de la production des effets de sens anthropologiques à partir de l’exposition permanente du musée archéologique d’Iwajuku, fondé à Midori en 1992. L’institution muséale se situe sur le site de la fouille qui a permis de prouver, en 1949, l’existence d’un collectif supposé japonais venant d’un temps ancestral après qu’un archéologue amateur, Tadahiro Aizawa, eut découvert une

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14

Brulotte, Gaëtan. "Figures, lectures. Logiques de l'imaginaire — Tome I, and: La ligne brisée. Labyrinthe, oubli et violence. Logiques de l'imaginaire — tome II (review)." University of Toronto Quarterly 79, no. 1 (2010): 92–95. http://dx.doi.org/10.1353/utq.2010.0235.

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15

Sokołowicz, Małgorzata. "« Errance est mon héritage ». Le labyrinthe en tant qu’une figure de l’expérience postcoloniale d’après les Enfants du lichen de Maya Cousineau Mollen." Cahiers ERTA, no. 37 (March 22, 2024): 73–97. http://dx.doi.org/10.4467/23538953ce.24.004.19418.

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« Wandering is my heritage » The Labyrinth as a Figure of the Postcolonial Experience According to Enfants du lichen by Maya Cousineau Mollen The aim of the paper is to analyze Enfants du lichen, a book of poems by Maya Cousineau Mollen, an Innu poet born in 1975, in order to see if the labyrinth can be considered as a figure of the postcolonial Native American experience. Although the word « labyrinth » does not make its explicit emergence in the poems, their lexical field evokes a whole imagination which makes it emerge implicitly and allows us to believe that the figure of the labyrinth cor

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16

Jassim, Hassan Sarhan. "Analyse De La Figure Du Labyrinthe Dans Le Paratexte Des Romans De Patrick Modiano." دراسات - العلوم الإنسانية والاجتماعية, 2020, 445. http://dx.doi.org/10.35516/0103-047-003-015.

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17

Robin, Thierry. "Figures du livre et de l’auteur entre labyrinthe de papier et réseau numérique sans fin. Une étude de House of Leaves de Mark Z. Danielewski." Matérialité et écriture, no. 2 (December 1, 2017). http://dx.doi.org/10.56078/motifs.370.

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18

Delhaye, Blandine. "Le conflit renaissant de la figure et de l’abstraction dans Labyrinthe, journal mensuel des Lettres et des Arts (octobre 1944-décembre 1946)." Les cahiers de l'École du Louvre, no. 3 (October 1, 2013). http://dx.doi.org/10.4000/cel.502.

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19

Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri

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20

Francisco, André. "“Small town, big hell”." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3134.

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Introduction The city is one of the most common iconographies associated with film noir, particularly at night. For several noir critics, the city is an inseparable and determining element in the definition, narrative structure, and aesthetic of film noir. However, while urban spaces dominate classic imagery, noir has also engaged significantly with rural and small-town settings. These spaces challenge the presumed centrality of the city, revealing noir’s capacity to explore moral decay, isolation, and violence beyond the urban landscape. This article examines the role of rural and small-town

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21

Pinder, Morgan. "Mouldy Matriarchs and Dangerous Daughters." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2832.

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The Resident Evil video game series is especially notable for engaging with uncanny nature and monstrous reproduction, often facilitated through viral contamination. These third-person games usually feature an outbreak of some kind, instigated by a shadowy organisation, and star a member of law enforcement or the military as the protagonist. However, the seventh and eighth games of the franchise were different. While they explored many of the same themes and conventions as their predecessors, the technologies by which they evoked fear and suspense had become further immersed in the survival ho

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22

Craig, Jen Ann. "The Agitated Shell: Thinspiration and the Gothic Experience of Eating Disorders." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.848.

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Until the mid 1980s, Bordo writes, anorexia was considered only in pathological terms (45-69). Since then, many theorists such as Malson and Orbach have described how the anorexic individual is formed in and out of culture, and how, according to this line of argument, eating disorders exist in a spectrum of “dis-order” that primarily affects women. This theoretical approach, however, has been criticised for leaving open the possibility of a more general pathologising of female media consumers (Bray 421). There has been some argument, too, about how to read the agency of the anorexic individual

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